Out of the Dark, into the Light
Chosen for its graphic elements—complementary palette, vertical-horizontal contrasts, broken symmetry in reflection, rhythmic dark verticals. Titled as a metaphor of hope for the new year.
An impermanent pond, filled by rainwater, in a pocket of remnant woodland too small to hold a residential lot between the street behind me and the levee ahead. The levee separates two Levee Improvement Districts, each funded by resident taxpayers, both of which pump floodwater into the Brazos River during storms.
12 Jan 21, 6:45 CST. 26mmFFeq. SOOC, only cropped.
Out of the Dark, into the Light
Chosen for its graphic elements—complementary palette, vertical-horizontal contrasts, broken symmetry in reflection, rhythmic dark verticals. Titled as a metaphor of hope for the new year.
An impermanent pond, filled by rainwater, in a pocket of remnant woodland too small to hold a residential lot between the street behind me and the levee ahead. The levee separates two Levee Improvement Districts, each funded by resident taxpayers, both of which pump floodwater into the Brazos River during storms.
12 Jan 21, 6:45 CST. 26mmFFeq. SOOC, only cropped.