vic.nor
Frame 02
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI 400/500 (Kodak Xtol 1:0, Ilford rapid fixer). f/4, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I set the meter on the camera to 400 but developed as 500. Crushing the lighlights is rarely something you have to worry about when you're pushing film, so some extra time will just bring out whatever there is on the shadows.
I really like how FP4+ handles a 2 stop push. Sure it's contrasty, but it's not like Tri-X at 1600. But it really helps having dull and soft light.
The location was the water treatment plant in Lund, because my buddy Diane from Munich wanted to shoot something near the water in my landlocked city, Lund.
Model: Caroline Wollberg (Sweden Models Agency)
Frame 02
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI 400/500 (Kodak Xtol 1:0, Ilford rapid fixer). f/4, 1/250s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I set the meter on the camera to 400 but developed as 500. Crushing the lighlights is rarely something you have to worry about when you're pushing film, so some extra time will just bring out whatever there is on the shadows.
I really like how FP4+ handles a 2 stop push. Sure it's contrasty, but it's not like Tri-X at 1600. But it really helps having dull and soft light.
The location was the water treatment plant in Lund, because my buddy Diane from Munich wanted to shoot something near the water in my landlocked city, Lund.
Model: Caroline Wollberg (Sweden Models Agency)