Blast From the Past
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
April 2017. When Fomatone was real Fomatone and you didn't have to question its lithability.
Adox CMS 20 (well, that's also a blast from the past, as this (extremely) high resolution film never will be produced as a 120 medium format film again), developed in Adox Adotech II (a specially made developer for this film, said to bring out a resolution equivalent to a 500 MP digital sensor).
Printed on Fomatone MG 132 18x24 cm and developed in Moersch Easy Lith. I don't have a record of using Lith Omega here, but I must have(?). If I didn't, the performance of this paper surpasses everything available in these days when it comes to lith printing.
What you see is part of a cut of a massive pine trunk (diameter > 60 cm) lying to rest and dry.
Blast From the Past
Scanned lith print.
Mamiya 645 ProTL w/ M-S 120 mm/f4 macro.
April 2017. When Fomatone was real Fomatone and you didn't have to question its lithability.
Adox CMS 20 (well, that's also a blast from the past, as this (extremely) high resolution film never will be produced as a 120 medium format film again), developed in Adox Adotech II (a specially made developer for this film, said to bring out a resolution equivalent to a 500 MP digital sensor).
Printed on Fomatone MG 132 18x24 cm and developed in Moersch Easy Lith. I don't have a record of using Lith Omega here, but I must have(?). If I didn't, the performance of this paper surpasses everything available in these days when it comes to lith printing.
What you see is part of a cut of a massive pine trunk (diameter > 60 cm) lying to rest and dry.