fotobes
聖域に咲く poppy torii
Another image from my film-soup film-swap with the wonderful hodachrome.. This roll started off in Japan, where he shot the red coloured 'torii' (the gateway to Shinto shrines) of Sanko-Inari Shrine at the foot of Inuyama Castle, Aichi, then on arrival in the UK, I double exposed some poppies in a field just outside of Brighton..
On completing the roll, I mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then I went into my make-shift darkroom and pulled out the film from the canister. Next I flicked and dabbed the "soup" onto the exposed film. I waited for a few minutes and then rewound the film into the canister. Afterwards I went to the kitchen and dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom I pulled the film out from the canister again and dried it with a hairdryer, and when done I rewound the film. The film was then developed at Asda, and scanned at The Vault in Brighton (the Lomography lab in London refused to process it).
lc-a+, lomography chrome 100, x-pro (film swap & film soup)
please check out the links below too..
聖域に咲く poppy torii
Another image from my film-soup film-swap with the wonderful hodachrome.. This roll started off in Japan, where he shot the red coloured 'torii' (the gateway to Shinto shrines) of Sanko-Inari Shrine at the foot of Inuyama Castle, Aichi, then on arrival in the UK, I double exposed some poppies in a field just outside of Brighton..
On completing the roll, I mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then I went into my make-shift darkroom and pulled out the film from the canister. Next I flicked and dabbed the "soup" onto the exposed film. I waited for a few minutes and then rewound the film into the canister. Afterwards I went to the kitchen and dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom I pulled the film out from the canister again and dried it with a hairdryer, and when done I rewound the film. The film was then developed at Asda, and scanned at The Vault in Brighton (the Lomography lab in London refused to process it).
lc-a+, lomography chrome 100, x-pro (film swap & film soup)
please check out the links below too..