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S and E sides and up - detail - Tomb of the Unknown Soldier - Arlington National Cemetery - 2012

Looking up and west at the repaired cracks in the south side of the Tomb of the Unknown Soldier in front of Memorial Amphitheater at Arlington National Cemetery near Washington, D.C., in the United States. You can see the unrepaired crack extending from the central figure's calf to the right across the legs of the male figure, and off and around to the north face of the Tomb.

 

Unfortunately, the Tomb began to fall apart almost immediately. Chips and spalls (pieces broken off after heating and contracting) were found coming off the base in 1933. Hairline cracks, not lengthy at all, were noticed in the sides in the 1940s. By 1963, two large horizontal cracks had appeared in the south side of the block -- probably caused by the release of pressure after the marble was mined. (It's also possible that the block was damaged during transport, or damaged during sculpting, or damaged during placement.) Form the extent of the cracks, it was clear that they had existed and been visible for some time.

 

By 1974, the cracks had lengthened by about a third. For the first time, repairs were made to the Tomb. The cracks were actually widened slightly to allow grout to be inserted into them. The grout had failed by 1989. The old grout was removed and new grout -- mixed with adhesive polymer -- was placed to seal the cracks. By this time, the "primary crack" extended completely across the north and west sides of the Tomb, across approximately half the south side, and across approximately a third of the east side. A "secondary crack" extended across approximately seven-eighths of the south and east sides.

 

The Tomb was analyzed in 1988 and 1989 using radar thermography and photogrammetry to determine the extent of the cracks. The analysis showed that the cracks were not superficial, but rather extended all the way through the solid block of marble. Additional cracks were likely to appear as well. The one good thing about the cracks is that they did not appear likely to cause the Tomb to collapse. They were uneven, and not at an angle, and the pieces were likely to hold together with friction alone.

 

A year after the study was done, a new, vertical crack appeared in the base of the north side of the Tomb.

 

In 2004, Arlington National Cemetery Superintendent John C. Metzler, Jr. proposed replacing the Tomb with a copy. A public outcry led to Congress passing legislation which would have barred this from happening, and which required the Army to issue a report to Congress before taking any more action. The 2008 report laid out several options, but the course of action taken was to repair the Tomb.

 

Grout was applied in April 2010, but within a year it was flaking and in some cases falling completely out. Arlington Cemetery rushed to apply new grout in May 2011, but the National Trust for Historic Preservation and other groups cried foul. Arlington studied the issue for a couple months with their help, and in August and September 2011 new grout was applied again.

 

Acid rain and pollution have caused the marble sculptures to wear down appreciably, such that today they are only about half as sharp as they once were. (FYI, the Tomb is not "pressure washed." It is gently steam cleaned twice a year, so it will not be damaged.)

 

Arlington's first Amphitheater was constructed of wood in 1874, and soon proved far too small. Congress authorized construction of the Memorial Amphitheater on March 4, 1913. Ground-breaking occurred on March 1, 1915, and President Woodrow Wilson placed the cornerstone on October 15, 1915. It was dedicated on May 15, 1920.

 

Originally, the main entrance to Memorial Amphitheater had a rectangular granite plaza in front of it, from which some short marble steps led down to a slightly elliptical granite plaza surrounded by a marble balustrade. From this overlook, you could see a rectangular grass lawn 20 feet below. But this soon changed...

 

Memorial Amphitheater was altered forever the year after its dedication. In 1917, America entered World War I. More than 1.3 million Americans served in Europe during the war, and more than 116,516 died. Just 4,221 were unidentified or missing; the missing (3,173) were the vast majority of them. Nonetheless, 1,100 "unidentified" American war dead was a burden on the national conscience, and the media focused heavily on grieving mothers with no body to bury. Some American generals suggested in 1919 that a "Tomb of an Unknown Soldier" be created in the United States. The idea didn't gain traction at first, but in 1920 both England and France held huge public ceremonies honoring their unknown dead. These received much press attention in the United States, and on February 4, 1921, Congress enacted legislation establishing a similar memorial. Some proponents of the memorial originally proposed burying the unknown soldier in the crypt beneath the Capitol Rotunda -- a crypt originally planned for George Washington (but politely declined by his family). Worried that the Capitol might become a mausoleum, Congress instead chose Arlington National Cemetery as the site for the new memorial. On March 4, 1921, with just hours left in his presidency, President Woodrow Wilson signed the legislation into law.

 

In the United States, preparation for the "Tomb of the Unknown Solider" was frantically under way. The newly-formed American Legion (a congressionally-chartered veterans' lobby group) was pressing as late as May 1921 for the body to be buried in the Capitol Crypt. This debate was not resolved until mid-July, and by then very little time remained to create the monument. Where to build the Tomb of the Unknown Soldier at Arlington National Cemetery continued until October, when it was decided that the view from the Memorial Amphitheater's plaza was the most appropriate site.

 

The Tomb was cut unto the center of the short steps which led down to the granite overlook. Diggers buried downward until they reached the level of the lawn below. They then continued another 20 feet below the surface. The subsurface shaft was 16 feet from east to west and 9.5 feet from north to south, and filled with solid concrete. This formed the footings for the vault above. The footings had to be that deep and that large because tons of marble were going to be placed on top of them, and the memorial could not be permitted to sink or become destabilized. The vault itself was lined with marble. The vault's walls ranged in thickness from 7 feet at the bottom to 2 feet, 4 inches at the top. A plinth (or "sub-base") was set on top of the vault walls. The plinth serves as the base of the memorial proper, and also helps to conceal the rough, unfinished top of the vault walls. The plinth was made of three finished, rectangular pieces of marble which fitted over the vault walls like a collar. These are on the north, south, and west sides of the vault, and were the only part of the substructure visible in 1921. (They remain visible today; you can just see them in this image.) Four rectangular marble pieces form the actual base of the memorial. These were mortared to the top of the plinth. A rectangular marble capstone with curved sides was placed on top of the base. The capstone was pierced with the a hole to permit the coffin to be lowered into through the base, through the plinth, and to the bottom of the grave vault. The bottom of the vault was lined with 2 inches of French soil, taken from various battlefields in France.

 

The World War I unknown was interred as scheduled on November 11, 1921. More than 100,000 people attended the ceremonies, including the Premier of France, Aristide Briand; the former Premier of France, Rene Viviani (who led France through the war); Marshal Ferdinand Foch (who was Commander in Chief of Allied Forces in France); President Warren G. Harding, former President William Howard Taft, and former President Woodrow Wilson. One thousand "gold star mothers" (women who had lost a son in the war) attended the ceremony, as did every single living Medal of Honor winner. The entire United States Cabinet was there, and so was the entire United States Supreme Court. Every member of the House and Senate was present (although they had to stand in the colonnade). A large number of military personnel also attended the dedication. These included General John Pershing, who had led American forces in Europe; Lieutenant General Nelson Miles, former Commanding General of the Army; Admiral of the Fleet David Richard Beatty of the United Kingdom; General Armando Diaz, Marshal of Italy; General Baron Alphonse Jacques de Dixmude of Belgium; Frederick Lambart, 10th Earl of Cavan, commander of British forces in Italy; Arthur Balfour, former Prime Minster of the United Kingdom; and Tokugawa, Prince of Japan. Also conspicuous was Chief Plenty Coups of the Crow Nation, in full battle regalia and headdress.

 

President Harding bestowed on the unknown soldier the Medal of Honor and the Distinguished Service Cross (the latter was never awarded again). General Jacques presented the Croix de Guerre, Belgium's highest military honor. (He took from his own chest the medal, which had been bestowed on him by King Albert.) Admiral Beatty bestowed the Victoria Cross, which had never before been given to a foreigner. Marshal Foch bestowed the Medaille Militaire and the Croix de Guerre with palm, France's highest military honor. General Diaz gave the Gold Medal for Bravery, Prince Bibescu of Romania gave the Virtuta Militaire, Dr. Dedrich Stephenek of Czechoslovakia presented the Szechoslovakia War Cross, and Prince Lubomirski of Poland gave the Virtuti Militan. When the coffin was ready for lowering into the vault, Chief Plenty Coups removed his war bonnet and tenderly placed it and his coup-stick on the coffin. He raised his hands to the sky. "I place on this grave of this noble warrior this coup stick and this war bonnet," he said, "every eagle feather of which represents a deed of valor by my race. I hope that the Great Spirit will grant that these noble warriors have not given up their lives in vain and that there will be peace to all men hereafter." An artillery battery fired, and the coffin began to be lowered. An answering a battery of fire came from the ''USS Olympia'', an American destroyer lying at anchor in the Potomac River. "Taps" were played. Once the coffin lay on the floor of the vault, the centerpiece of the capstone was put in place and the tomb sealed.

 

But all that existed was the base. The actual cenotaph, which you see here, did not yet exist.

 

Congress authorized completion of the Tomb of the Unknown Soldier in July 1926. The Secretary of War held a design competition, with judges from Arlington National Cemetery, the American Battle Monuments Commission, and the Commission of Fine Arts. Only architects of national standing were permitted to enter the competition, and 74 submitted designs. Five were chosen as finalists, and required to submit plaster models of their proposals. Architect Lorimer Rich and sculptor Thomas Hudson Jones won the competition. Their design imitated a sarcophagus, but really was a solid block of marble. The design included a thin rectangular base to go on top of the existing capstone. Then there was the "die block" (the main monument), on top of which was a capstone. The die block featured Doric pilasters (fake columns) in low relief at the corners. On the east side (facing the Potomac River) was a sculpture in low relief of three figures, representing female Victory, Valor (male, to her left), and Peace (female). The north and south sides were divided into three sections by fluted Doric pilasters, with an inverted wreath on the upper portion of each section. On the west side (facing the amphitheater) was the inscription: "Here Rests In Honored Glory An American Soldier Known But To God." It is still not clear who came up with the phrase, but it had been used on crosses marking the graves of unknown soldiers in Europe as early as 1925. The judges asked that the approaches to the Tomb be improved as well. Clarence Renshaw designed the steps. The balustrade was removed, and the short series of steps extended outward and downward until they reached the lawn. A small landing exists two-thirds of the way down, after which the steps continue (wider than before). Congress approved funding for the memorial and new steps on February 29, 1929, and a contract to complete the Tomb was awarded on December 21, 1929. Quartermaster General Brig. Gen. Louis H. Bash oversaw the construction, which was done by Hegman and Harris.

 

The Vermont Marble Company provided the marble. This proved very problematic. The Yule Marble Quarry at Marble, Colorado, was chosen as the quarry. A year passed before suitable pieces of marble could be located at the quarry and mined. Three pieces had to be mined before a piece suitable for the 56-ton die block was found. Three pieces were mined and discarded before a fourth piece was found for the 18-ton base. But once the base arrived at Arlington, workers discovered an imperfection in the marble which caused it to be discarded. A fifth, sixth, and seventh piece of marble was then mined, but only the eighth piece was suitable and brought to the cemetery. Amazingly, a piece for the 14-ton capstone was found on the first try.

 

Work began on the Tomb of the Unknown Soldier in September 1931, but stopped for three months after a flaw in the base was found. Work resumed in December, and all three pieces were in place on December 31, 1931. Fabrication was completed on-site, with sculptor Jones working five days a week. The Tomb was completed and opened to the public on April 9, 1932. There was no dedication ceremony.

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Uploaded on April 22, 2012
Taken on April 5, 2012