A Winter's Tale (The Storyboard Tragedy 1//10)
I provide the pictures, the story happens in your head.
At least, that's the theory anyway... ;)
Nikon EL2 & Nikkor 50mm f/1.8 +Olympus OM1 & Zuiko 50mm f/1.4 + Expired Kodak Portra 160 NC.
Strictly speaking, it isn't just me that provides these images. They are the result of a double exposure collaboration between myself and RaúlM, which came about following the distribution of free expired film via the Expired Kodak Film Group. Raúl received the film, shot a roll around his home town, Porto (Portugal), deliberately under-exposing by one stop. He then kindly sent that roll to me. I then re-shot the roll on a night shoot around Bristol. We did not plan individual frames, and Raúl had no idea what I would shoot but we did at least attempt to line up the frames. (I don't always).
In a new development for me, once the results were in, I subsequently constructed the 'storyboard' for the 10 part story. You get to see 'out-takes' once the story is complete. :)
A Winter's Tale (The Storyboard Tragedy 1//10)
I provide the pictures, the story happens in your head.
At least, that's the theory anyway... ;)
Nikon EL2 & Nikkor 50mm f/1.8 +Olympus OM1 & Zuiko 50mm f/1.4 + Expired Kodak Portra 160 NC.
Strictly speaking, it isn't just me that provides these images. They are the result of a double exposure collaboration between myself and RaúlM, which came about following the distribution of free expired film via the Expired Kodak Film Group. Raúl received the film, shot a roll around his home town, Porto (Portugal), deliberately under-exposing by one stop. He then kindly sent that roll to me. I then re-shot the roll on a night shoot around Bristol. We did not plan individual frames, and Raúl had no idea what I would shoot but we did at least attempt to line up the frames. (I don't always).
In a new development for me, once the results were in, I subsequently constructed the 'storyboard' for the 10 part story. You get to see 'out-takes' once the story is complete. :)