View allAll Photos Tagged weinstein
Remy Weinstein, David Weinstein==
Strolling Supper: Lung Cancer Research Foundation's Fourteenth Annual Strolling Supper==
Gotham Hall, NYC==
November 9, 2016==
©Patrick McMullan==
photo - Patrick McMullan/PMC==
== Remy Weinstein; David Weinstein
As part of their Dada World Fair, City Lights Bookstore hosted ‘Dada's Tangled Roots’, an afternoon of readings examining the seminal influences upon Dada by key 19th century poets, playwrights and writers.
This afternoon of readings examining the seminal influences upon Dada by key 19th century poets, playwrights and writers. The event took place Saturday, November 12, 2016 at 3pm at the Weinstein Gallery, on Clementina Street in San Francisco.
Presenters included Peter Maravellis of City Lights Bookstore, Jim Nisbet and Kim Gill reading from Baudelaire, Fabrice Florin and Priscilla Wheeler from Pataphysical Studios reading from Alfred Jarry, Will Alexander reading from Lautréamont, Robin Walz reading from Raymond Roussel, and Andrew Joron reading from Paul Scheerbart, Garrett Caples reading from Mallarme, and Kit Schluter reading from Marcel Schwob.
Learn more about the Dada World Fair.
See what we read at the Tangled Roots event:
docs.google.com/document/d/1b2mLoKJqQVKTI8wuC83HKVE64bC1g...
Learn more about Pataphysical Studios:
View more photos about our Dada Exhibit: www.flickr.com/photos/fabola/albums/72157661806560160
Learn more about our ‘Pataphysics of Dada exhibit:
pataphysics.us/pataphysics-of-dada/
View videos about Pataphysical Studios:
Painting by Marc Chagall
Title: unknown
Taken through the exterior window of the
Weinstein Gallery
383 Geary Street
Union Square
This well-known San Francisco gallery is famous for its 20th century offerings of work from Chagall, Picasso, Calder and other Contemporary and Modern masters.
www.weinstein.com/artists/marc-chagall
blog.sfgate.com/culture/2011/07/11/tourist-trapped-the-we...
9,5cm x 9,5cm
Canson mis-teintes 160g/m2
Wet folded
I love elephants, I love minimal figures, I love models that catch the essence of what's represented in a few steps,... I love this model! ;D
German postcard by Ross Verlag, no. 4473/1, 1929-1930. Photo: Universal.
Joseph Schildkraut (1896-1964) was an Austrian-American actor. He started his career in the silent German cinema and became a matinée idol in silent Hollywood. Schildkraut won an Oscar for his performance as Captain Alfred Dreyfus in the film The Life of Emile Zola (1937). Later he was nominated for a Golden Globe for his performance as Otto Frank in the film The Diary of Anne Frank (1959) and a Primetime Emmy for his performance as Rabbi Gottlieb in a 1962 episode of the television series Sam Benedict.
Joseph Schildkraut was born in Vienna, Austria-Hungary (now Austria), in 1896. He was the son of Erna (née Weinstein) and famed Yiddish stage actor Rudolph Schildkraut. The family moved to Hamburg, Germany, when Joseph was 4. Joseph studied the piano and violin and grew inspired with his father's profession. On stage (with his father) from age 6, the family again relocated to Berlin where his father built a strong association with famed theatrical director Max Reinhardt. Following Joseph's graduation from Berlin's Royal Academy of Music in 1911, the family migrated to America and settled in New York in 1912. His father continued making his mark in America's Yiddish theater while Joseph was accepted into the American Academy of Dramatic Arts. Gary Brumburgh at IMDb: "Offered lucrative theatre work back in Germany, Rudolf and family returned to Europe where Joseph began to grow in stature on the stage with the help of mentor Albert Bassermann. Joseph, like his father, would become well known not only for his prodigious talents on stage, but his marriage-threatening, Lothario-like behaviour off-stage." Joseph made his stage debut in 1913, in Berlin, and started his film career in 1915 in the German feature films Dämon und Mensch/Demon and human (Richard Oswald, 1915) and Schlemihl (Richard Oswald, 1915) in which his father played the leading role. Roles followed in the films Das Wiegenlied/
The Lullaby (Max Mack, 1916) with Aud Egede-Nissen and Leopoldine Konstantinand, and Der Glücksschneider (Hans Otto, 1916) opposite his father. In 1920 he appeared in the Austrian films Der Roman der Komtesse Orth/The Novel of Countess Ruth (Hans Otto, 1920) and Theodor Herzl, der Bannerträger des jüdischen Volkes/Theodor Herzl, the standard bearer of the Jewish people (Otto Kreisler, 1921), an early film biography of the founder of modern Zionism. Then the family Schildkraut emigrated to the USA. From 1920, he appeared in Broadway productions. Among the plays that he starred in was a notable production of Peer Gynt. In 1921, Schildkraut played the title role in the first American stage production of Ferenc Molnár's Liliom, the play that would eventually become the basis for Rodgers and Hammerstein's Carousel. He then began working in silent films, although he did return to the stage occasionally. He had immediate success as the Chevalier de Vaudrey in D. W. Griffith's classic Orphans of the Storm (1921) alongside sisters Lillian Gish and Dorothy Gish. It made him a matinée idol along the lines of Rudolph Valentino and Ramon Navarro. Later, he was featured in Cecil B. DeMille's epics The Road to Yesterday (1925) and The King of Kings (1927), as Judas Iscariot. Schildraut's father Rudolf also appeared in the film the high priest Caiaphas. Joseph Schildkraut also played a Viennese-accented, non-singing Gaylord Ravenal in the part-talkie film version of Edna Ferber's Show Boat (1929) opposite Laura La Plante as Magnolia. The character of Gaylord as written in the 1929 film was much closer to Ferber's original than to the depiction of him in the classic Kern and Hammerstein musical play based on the novel as well as the 1936 and 1951 film versions of the musical, but the 1929 film was not a critical or box-office success.
Joseph Schildkraut's career peaked in the 1930s. Despite his preference for the theatre, Depression-era finances forced him to relocate to Los Angeles for more job security. He played Wallace Beery's nemesis, General Pascal in Viva Villa! (jack Coneway, 1934). In 1934 he also played King Herod alongside Claudette Colbert in Cleopatra (Cecil B. DeMille, 1934). He received an Academy Award for Best Supporting Actor for his role as Alfred Dreyfus in The Life of Emile Zola (William Dieterle, 1937), in which he acted alongside Paul Muni and Gale Sondergaard. He gained further fame for playing the ambitious duc d'Orléans in the historical epic Marie Antoinette (WS Van Dyke, 1938), opposite Norma Shearer and Tyrone Power, and gave a notable performance as the villainous Nicolas Fouquet in the adventure film The Man in the Iron Mask (James Whale, 1939), featuring Louis Hayward. His film output slowed down considerably at the outbreak of WWII in 1941. He continued to show vitality on the stage with notable successes in 'Clash by Night' (1941) with Tallulah Bankhead, 'Uncle Harry' (1942) and 'The Cherry Orchard' (1944) with Eva Le Gallienne. Schildkraut is perhaps best remembered today for playing the role of Otto Frank, the Jewish father-in-hiding, in both the original stage production (in 1955) and film version of The Diary of Anne Frank (George Stevens, 1959), starring Millie Perkins. His biography 'My Father and I' was published in 1959. Joseph Schildkraut was also an active character actor and appeared in guest roles on several early television shows, including the Hallmark Hall of Fame, in which he played Claudius in the 1953 television production of Hamlet, with Maurice Evans in the title role. Schildkraut also hosted and starred in Joseph Schildkraut Presents, a short-lived series on the DuMont Television Network from October 1953 to January 1954. In 1961, during the 3rd season of The Twilight Zone, he made his first appearance on episode 9, 'Deaths-Head Revisited'. He later played an elderly man in 'The Trade-Ins' in season 3, episode 31 of the same show. In 1963, he was nominated for a Best Actor Emmy Award for his performance in a guest starring role on NBC's Sam Benedict legal drama which starred Edmond O'Brien and Richard Rust. Schildkraut was married three times. His first marriage was to actress Elise Bartlett in 1923; they divorced in 1931. He married Mary McKay in 1932, until her death in 1962. In 1963, Schildkraut married Leonora Rogers, who survived him. In 1964, Schildkraut died at his home in New York City of a heart attack after a song-and-dance rehearsal for a musical comedy 'Cafe Crown,' which was due for a New York opening in the spring of 1964. He was 67. His father also died at the same age, also of a heart attack. His last film role was Nicodemus in the epic failure The Greatest Story Ever Told (George Stevens, 1965). The film was released posthumously. For his contributions to the motion picture industry, Schildkraut has a star on the Hollywood Walk of Fame at 6780 Hollywood Boulevard. He is interred in the Hollywood Forever Cemetery.
Sources: Wikipedia (English, Dutch and German) and IMDb.
And, please check out our blog European Film Star Postcards.
Best viewed large.
Postcard of Market Street around 7th Street, San Francisco, during the mid-1950s.
Fun things to note: The PCC streetcar heading outbound on the N Judah line, and the sign for Weinstein's Department Store, over to the right. I'm told Weinstein's was a local discount department store chain; I learned all about it here.
Postcard scan courtesy of James B. Holland. Thank you!
French postcard by Metropolitan. Image: Miramax. Artwork: The Weinstein Company. Mickey Rourke in Sin City - A Dame to Kill For (Frank Miller, Robert Rodriguez, 2014). Captions: He means no harm. But he does cause a lot of harm. Mickey Rourke is Marv.
Sin City (2005), also known as Frank Miller's Sin City, is an American Neo-Noir film produced and directed by Frank Miller and Robert Rodriguez, with Quentin Tarantino as "special guest director". The live-action film is based on Frank Miller's graphic novel series of the same name that won the Eisner Award.
Interweaving multiple storylines from the series' history,Sin City (2005) paints the picture of the ultimate town without pity through the eyes of its roughest characters. Much of this violent Neo-Noir is based on the first, third, and fourth books in creator Miller's original comic series. The Hard Goodbye is about ex-convict Marv (Mickey Rourke) who embarks on a rampage in search of his one-time sweetheart's killer. The Big Fat Kill follows photographer Dwight (Clive Owen), who gets caught in a street war between a group of prostitutes and a group of mercenaries, the police, and the mob. That Yellow Bastard focuses on an aging police officer (Bruce Willis) who protects a young woman (Jessica Alba) from a grotesquely disfigured serial killer. The intro and outro of the film are based on the short story 'The Customer is Always Right' which is collected in Booze, Broads & Bullets, the sixth book in the comic series. Three directors received credit for Sin City: Miller, Rodriguez, and Quentin Tarantino, the last for directing the drive-to-the-pits scene in which Dwight talks with a dead Jack Rafferty (Benicio del Toro). Miller and Rodriguez worked as a team directing the rest of the film.
Sin City (2005) stars an ensemble cast led by Jessica Alba, Benicio del Toro, Brittany Murphy, Clive Owen, Mickey Rourke, Bruce Willis, and Elijah Wood, and featuring Alexis Bledel, Michael Clarke Duncan, Rosario Dawson, Carla Gugino, Rutger Hauer, Jaime King, Michael Madsen, Nick Stahl, and Makenzie Vega among others. Several of the scenes were shot before any actor had signed on; as a result, several stand-ins were used before the actual actors were digitally added into the film during post-production. Rodriguez, an aficionado of cinematic technology, has used similar techniques in the past. The film was noted throughout production for Rodriguez's plan to stay faithful to the source material, unlike most other comic book adaptations. Rodriguez stated that he considered the film to be "less of an adaptation than a translation". As a result, there is no screenwriting in the credits; simply "Based on the graphic novels by Frank Miller".
Sin City (2005) opened to wide critical and commercial success, gathering particular recognition for the film's unique color processing which rendered most of the film in black and white while retaining or adding color for selected objects. The film was screened at the 2005 Cannes Film Festival in competition and won the Technical Grand Prize for the film's "visual shaping". Jeremy Wheeler at AllMovie: "As far as comic adaptations go, Sin City is an unprecedented book-to-screen translation that's locked, loaded, and rip-roaring ready to introduce movie audiences to the mad genius that is Frank Miller. " Roger Ebert awarded the film 4/4 stars, describing it as "a visualization of the pulp noir imagination, uncompromising and extreme. Yes, and brilliant" and "This isn't an adaptation of a comic book, it's like a comic book brought to life and pumped with steroids. It contains characters who occupy stories, but to describe the characters and summarize the stories would be like replacing the weather with a weather map." The New York Times critic Manohla Dargis gave credit for Rodriguez's "scrupulous care and obvious love for its genre influences", but noted that "it's a shame the movie is kind of a bore" because the director's vision seems to prevail on the intensity of reading a graphic novel. Sin City grossed $29.1 million on its opening weekend, defeating fellow opener Beauty Shop by more than twice its opening take. The film saw a sharp decline in its second weekend, dropping over 50%. Ultimately, the film ended its North American run with a gross of $74.1 million against its $40 million negative costs. Overseas, the film grossed $84.6 million, for a worldwide total from theater receipts of $158.7 million. A sequel, Sin City: A Dame to Kill For, was released in 2014, also directed by Miller and Rodriguez. It was a critical and financial failure.
Sources: Roger Ebert, Jeremy Wheeler (AllMovie), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
As part of their Dada World Fair, City Lights Bookstore hosted ‘Dada's Tangled Roots’, an afternoon of readings examining the seminal influences upon Dada by key 19th century poets, playwrights and writers.
This afternoon of readings examining the seminal influences upon Dada by key 19th century poets, playwrights and writers. The event took place Saturday, November 12, 2016 at 3pm at the Weinstein Gallery, on Clementina Street in San Francisco.
Presenters included Peter Maravellis of City Lights Bookstore, Jim Nisbet and Kim Gill reading from Baudelaire, Fabrice Florin and Priscilla Wheeler from Pataphysical Studios reading from Alfred Jarry, Will Alexander reading from Lautréamont, Robin Walz reading from Raymond Roussel, and Andrew Joron reading from Paul Scheerbart, Garrett Caples reading from Mallarme, and Kit Schluter reading from Marcel Schwob.
Learn more about the Dada World Fair.
See what we read at the Tangled Roots event:
docs.google.com/document/d/1b2mLoKJqQVKTI8wuC83HKVE64bC1g...
Learn more about Pataphysical Studios:
View more photos about our Dada Exhibit: www.flickr.com/photos/fabola/albums/72157661806560160
Learn more about our ‘Pataphysics of Dada exhibit:
pataphysics.us/pataphysics-of-dada/
View videos about Pataphysical Studios:
The drama continues....remarkable unique early Weinstein creation expodes with texture and depth. This one can be hung vertically or horizontally.
A stolperstein (from German, literally "stumbling block") is a type of monument created by artist Gunter Demnig to commemorate victims of Nazi oppression, including the Holocaust.
Stolpersteins are small, cobblestone-sized memorials for individual victims of Nazism. They commemorate individuals – both those who died and survivors – who were consigned by the Nazis to prisons, euthanasia facilities, sterilization clinics, concentration camps, and extermination camps, as well as those who responded to persecution by emigrating or committing suicide.
While the vast majority of stolpersteins commemorate Jewish victims of the Holocaust, others have been placed for Sinti and Romani people (also called gypsies), homosexuals, Jehovah's Witnesses, black people, Christians (both Protestants and Catholics) opposed to the Nazis, members of the Communist Party and the anti-Nazi Resistance, military deserters, and the physically and mentally disabled.
The list of places that have stolpersteins now extends to several countries and hundreds of cities and towns. As of 20 August 2014, over 48,000 stolpersteins have been laid in 18 countries in Europe, making the project the world's largest memorial.
Information for stolpersteins comes from schools, relatives, and various organizations and especially the database of Yad Vashem in Jerusalem. The residential street addresses of Shoah victims in Germany are also available on the database version of the 1939 Germany Minority Census published online.
Once the research is done, Demnig manufactures a concrete cube of 10 centimetres (3.9 in), which he covers with a sheet of brass. Then he stamps the details of the individual: the name, year of birth and the fate, as well as the dates of deportation and death, if known. The words Hier wohnte ("here lived") grace most of the memorials, though others are installed at the individual's place of employment and refer instead to the work. The stolperstein is then laid flush with the pavement or sidewalk in front of the last residence of the victim.
The cost of the stolpersteins is covered by donations, collections, individual citizens, contemporary witnesses, school classes, or communities. Until 2012, one stolperstein cost €95, a price that had remained the same since the project's inception. In 2012, the price increased to €120.
16 December 1992 marked 50 years since Heinrich Himmler signed a decree to deport Sinti and Roma to extermination camps. Gunter Demnig used the occasion to commemorate the prelude to the deportations by engraving the decree’s first sentence onto a stone. This first stolperstein was laid in front of Cologne’s Historic Town Hall. It was Demnig’s intention to thus engage in the debate currently underway about granting Roma from former Yugoslavia the right of residence in Germany. Gunter Demnig has explained that the next stolpersteins were triggered by an encounter with a Cologne inhabitant who had lived through the war and was firmly convinced that no Sinti or Roma had ever lived in her neighbourhood.
Thus was born his idea to commemorate all victims of Nazi persecution in front of their last chosen place of residence. A stolperstein would symbolically return them to their neighbourhood so many years after being torn away from their daily lives. In 1993, Gunter Demnig formulated the laying of commemorative stones for the victims of National Socialism as a theoretical concept in the publication “Größenwahn – Kunstprojekte für Europa” (“Megalomania: Art Projects for Europe“). A year later, he made a first step in this direction at the behest of Kurt Pick, a priest at St Anthony’s Church in Cologne – he exhibited 250 stolpersteins for murdered Sinti and Roma in the church. In January 1995, these concrete blocks measuring 10 by 10 centimetres (3.9 by 3.9 in) were laid into the pavements of the city of Cologne, followed by installations in the Kreuzberg neighborhood of Berlin.
In 1996, he set out 55 stolpersteins in Berlin within the scope of the project “Artists Research Auschwitz”. In 1997, he mounted the first two stolpersteins for the Jehovah's Witnesses Matthias and Johann Nobis in St. Georgen, Austria on the suggestion of Andreas Maislinger, founder of Arts Initiative KNIE and the Austrian Holocaust Memorial Service. Friedrich Amerhauser was the first mayor, who gave Gunter Demnig, the permission to install stolpersteins. Four years later, he received permission to install 600 more stolpersteins in Cologne.
As of October 2007, Gunter Demnig had mounted more than 13,000 stolpersteins in more than 280 cities. He expanded his project beyond the borders of Germany to Austria,Italy, the Netherlands and Hungary. Some stolpersteins were scheduled to be laid in Poland on September 1, 2006, but permission was withdrawn and the installation was cancelled.
On July 24, 2009, the 20,000th stolperstein was unveiled in the Rotherbaum district of Hamburg, Germany. In attendance were Gunter Demnig, representatives of the Hamburg government and its Jewish community, and a descendant of the victims memorialized.
As of May 15, 2010, there were over 22,000 stolpersteins in 530 European cities and towns in eight countries formerly under Nazi control or occupied by Nazi Germany. By July 8, 2010, there were over 25,000 stolpersteins in 569 cities and towns. As of June 24, 2011, Demnig had installed 30,000 stolpersteins.
From the artist's own website: There are already over 32,000 STOLPERSTEINE ("Stumbling Stones") in over 700 locations. Many cities and villages across Europe, not only in Germany, have expressed an interest in the project. Stones have already been laid in many places in Austria, Hungary, the Netherlands, Belgium, in the Czech Republic, in Poland (one in Wroclaw, one in Slubice), in Ukraine (Pereiaslav), in Italy (Rome) and Norway (Oslo).
Stolperstein No. 40,000: During his TEDxKOELN talk on May 14, 2013 Gunter Demnig announced the installation of the 40,000th stolperstein on July 3, 2013 in Oldambt(Drieborg), Netherlands. It was one of the 10 stolpersteins in memory of Dutch communists who were executed by the German occupation forces after they were betrayed by countrymen for hiding Jews and Roma.
The city of Villingen-Schwenningen hotly debated the idea of allowing stolpersteins in 2004 and voted against them. There is a memorial at the railway station and there are plans for a second memorial.
Munich has rejected stolpersteins, following objections raised by Munich's Jewish Community and particularly its chairwoman, Charlotte Knobloch, then also President of the Central Council of Jews in Germany. In other cities, permission for the project was preceded by long, sometimes emotional discussions. In Krefeld, the vice-chairman of the Jewish community, Michael Gilad, said that Demnig's memorials reminded him of how the Nazis had used Jewish grave stones as slabs for sidewalks. A compromise was reached that a stolperstein could be installed if a prospective site was approved by both the house's owner and (if applicable) the victim's relatives.
The city of Pulheim was still debating the issue in 2010.
People’s attention is drawn towards the stolpersteins by reports in newspapers and their personal experience. Their thoughts are directed towards the victims. Cambridge historian Joseph Pearson argues that "It is not what is written [on the stolpersteine] which intrigues, because the inscription is insufficient to conjure a person. It is the emptiness, void, lack of information, the maw of the forgotten, which gives the monuments their power and lifts them from the banality of a statistic."
A documentary, Stolperstein was made by Dörte Franke in 2008
Source: Wikipedia
Bret Weinstein speaking with attendees at the launch of the ASU Center for American Institutions at Armstrong Hall in Tempe, Arizona.
Please attribute to Gage Skidmore if used elsewhere.
On Crescent St. in Montreal.
It was the holiday dinner from where I work on campus. Free dinners are always good!
This tiramisu was also quite good. One of the best I have ever had.
Despite the wonderful dinner party, my heart is troubled and mind restless. BNP (a political party in Bangladesh) has revised their constitution to allow convicted war criminals of 1971 be a part of their party and hold positions.
I posted a comment about this absurd political party on my facebook status that led to a chain of comments being exchanged between myself and two other people. They seemed to be sympathetic towards this party that just blatantly put our Liberation War to disgrace.
I usually respect everyone else's principles, opinions and beliefs. On this particular topic though, any opinion based on ignorance or false facts simply fill me up with rage.
Bret Weinstein speaking with attendees at the launch of the ASU Center for American Institutions at Armstrong Hall in Tempe, Arizona.
Please attribute to Gage Skidmore if used elsewhere.
Regular visitor on the 7 mile.Usually not tied,it's fun to watch him get behind & then run to catch up.Don't know if he still walks the beach.I'll have to go back & see.....Just found him through T/A..............https://www.airbnb.ca/rooms/133184
Bret Weinstein speaking with attendees at the launch of the ASU Center for American Institutions at Armstrong Hall in Tempe, Arizona.
Please attribute to Gage Skidmore if used elsewhere.
The 57,000-square-foot Carole Weinstein International Center is dedicated to the internationalization of the curriculum and co-curricular activities across the University of Richmond's five schools. In addition to housing the Office of International Education and a number of interdisciplinary academic departments and resources, the center features meeting space and programming venues, as well as the Passport Café.
From Richmond.edu
The average household spends upwards of $600 a year on energy for hot water, accounting for nearly 18% of a homeowner’s utility bill. From excessive hot showers and wash loads to needlessly running the faucet while doing dishes, consumers are looking for solutions to curb heating costs. Weinstein Bath & Kitchen Showroom suggests choosing a water heating system that is reliable and efficient.
Visit www.betterbath-kitchens.com/we... for more bathroom and kitchen tips.
This presentation contains images that were used under a Creative Commons License. Click here to see the full list of images and attributions: app.contentsamurai.com/cc/40130
Elliott Erwitt thumbing through a catalogue at the Weinstein gallery during the AIPAD Photography Show in the Park Avenue Armory. I had run up to him and shoved the camera in his face. Nonplussed, he said in his soft octogenarian voice "why don't you buy something?", waving his arm across the gallery's booth.
Miramax Films Co-founder Harvey Weinstein attends 18th Annual Hamptons International Film Festival Chairman's Reception on October 9, 2010 at the home of Stuart Suna in East Hampton, New York. (Photo © Nick Stepowyj)
Photoatelier J. Weinstein, Odessa 1920er (back)
"Odessa (ukrainisch Одеса, [ɔˈdɛsɑ]; russisch Одесса, [ɐˈdʲesə]) ist eine Stadt im gleichnamigen Verwaltungsgebiet (Oblast Odessa) in der Ukraine." Wikipedia.
Michael Weinstein - Paperback Covers
Polygonal Publishing, 2008
Cover design uncredited
"A book about the five arts involved in the production of [vintage] paperback covers: painting, photography, blurbwriting, typography and design."
800 city practitioners and transportation leaders convened in Chicago for the sixth annual NACTO Designing Cities conference.
Thank you to the speakers, attendees, tireless staff, our host, the Chicago Department of Transportation, and to everyone who followed and contributed to the conversation online.
Photography: Vladimir Weinstein
Part of the funeral home was the Foster Theatre, which operated under that name from 1910 to 1914, then became the Broadway Theatre. North Side Oldsmobile was the tenant, beginning in 1921. Piser Weinstein Menorah Chapel (formerly Furth Chapels) at 5206 N. Broadway expanded the structure in 1959. It closed in 2002 and moved to Skokie. My father’s funeral was held here on Mar. 30, 1973. It now appears to face demolition. NOTE: It was demolished in 2018.
November 2, 2008 [San Francisco, CA] -- In memory of my uncle, Dr. Harry Weinstein, who gave so much to the people of San Francisco, and who enjoyed this view out his window for many years.
Dr. Harry Weinstein, a San Francisco physician noted for his long dedication to the care of the elderly, the disabled and the homeless, has died at the age of 95.
don't stop crying
you'll flood the street
we'll take our boats out
just you and me
and we will see the things we see
whichever way we go
whichever way we go
-Noe Venable noevenable.com/lyrics-boots.php#crying
PDF: Harry Weinstein Day in San Francisco
www.sfgov.org/site/uploadedfiles/bdsupvrs/resolutions02/r...
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Planning for Elders in the Central City is working to improve the quality of life of seniors, adults with disabilities, and their caregivers in San Francisco and beyond.
President Anne Kerr welcomes guest to the ground breaking for the Weinstein Computer Science Center to be build adjacent to the Becker Business Building at Florida Southern College in Lakeland, Fl. November 16th 2018. The center named for FSC Trustee Carole and Marcus Weinstein will provide a state of the art computing environment. Photo by Calvin Knight
Original Caption: [Hurricane Katrina] Baton Rouge, LA, April 10, 2006 - In the middle of the Uptown Strutters Band stands Rabbi Barry Weinstein who has just dedicated a tent at the Baton Rouge Airport Trailer Park #2 to be used by the residents in this FEMA temporary housing site for gatherings and events. A faith based volunteer group called the J-Teens of Westchester County, NY, raised the funds and donated the all-purpose tent. Robert Kaufmann/FEMA, 04/10/2006
Local Identifier: 311-MAD-23605
From:: Series: Photographs Relating to Disasters and Emergency Management Programs, Activities, and Officials, compiled 1998 - 09/30/2008, documenting the period 1989 - 09/30/2008
Created By::Department of Homeland Security. Federal Emergency Management Agency. Public Affairs Division. (03/01/2003 - )
Production Date: 04/10/2006
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=5694991
Repository: Still Picture Records Section, National Archives at College Park, MD
For information about ordering reproductions of photographs held by the Still Picture Unit, visit: www.archives.gov/research/order/still-pictures.html
Reproductions may be ordered via an independent vendor. NARA maintains a list of vendors at www.archives.gov/research/order/vendors-photos-maps-dc.html
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
Infermer de l'Equip d'Atenció Residencial (EARS) del Grup Mutuam fa una exploració amb monofilament de Semmes-Weinstein en un cas de peu diabètic. Enfermero del Equipo de Atención Residencial (EAR) del Grup Mutuam hace una exploración con monofilamento de Semmes-Weinstein en un caso de pie diabético.
Autoria: Ariadna Creus i Àngel García
BB: USA I Shane Blanchard (npc), Bobby Levin, John Kranyak, Gavin Wolpert, Kevin Bathurst, Steve Weinstein, Kevin Dwyer
Harvey Weinstein, Jay Z, Robert DeNiro, and Grace Hightower (l to r) attend the amFAR New York Gala at Cipriani Wall Street in New York, NY on February 10, 2016. Credit: Rebecca Smeyne for the New York Times.
For more info. on the artist Marc Weinstein, see www.marccreates.com
During PBS’ INDEPENDENT LENS “An Honest Liar” session at the Television Critics Association Winter Press Tour in Pasadena, CA on Monday, January 18, 2016, film subject James “The Amazing” Randi, film participant Bill Nye, and directors and producers Tyler Measom and Justin Weinstein explore James Randi’s intricate investigations that publicly expose psychics, faith healers, and con-artists.
(Premieres March 28, 2016)
All photos in this set should be credited to Rahoul Ghose/PBS