View allAll Photos Tagged wavefunction
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
This one shows waves analogous to a "superscar".
but a binary alter-verse
- a bi-verse -
is actually an impossibility
because we ourself are always
a third other that
differentiates between
- that understands -
two others…
just as we ourself
are always one of two others
being differentiated
by a third which understands us
therefore the simplest
alter-versal arrangement
is an entanglement of three others -
a tri-verse
tri-versal entanglement is the
basic differential arrangement -
the basis of all more complex
alter-versal entanglements
for example a quadri-versal
entanglement of four others
is based on four tri-verses
a quinti-versal
entanglement of five others
is based on ten tri-verses
a hexa-versal
entanglement of six others
is based on fourteen tri-verses
a hepta-versal
entanglement of seven others
is based on forty-nine tri-verses
and so on
differential understanding is always tri-versal
& the basis of any complex alter-verse
is the symmetrical otherness of three
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
we differentiate
the pure singleness of otherness
as 'other different from other'
but by doing so, we also differentiate
ourself from those two others
this symmetry of three
is the elementary moment
of any tri-verse
but we cannot understand
the impossible singleness
of those two different others,
even although, with us, they form
the elementary symmetry of a tri-verse
rather, as a moment of realisation,
we simply grasp them together,
comprehending them, as 'a them'
- from which 'a myself' is different
myself understands its
constitutional difference
with them, as a moment
of spacing from the other
'space' as such
is the infinite degree
of momentary realisations
of myself being spaced...
...as the basis for an infinity
of complex alter-verses
that exist between ourself and our horizons
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
prior to our being real -
pure singleness is our
actual state
we are the condition
of pure singleness
which understands
itself as being real
but for pure singleness
of ourself
there is no
actual reality
there is no time and space
or gravitation or light -
no thing exists
there is only otherness
we ourself are
the pure singleness
of otherness
so to try and answer
our question in part 1
existence is the understanding
of otherness -
which is always ourself
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
630 - 720nm
Wavefunction interference between spin-forbidden and spin-allowed transitions in Cr3+
See en.wikipedia.org/wiki/Fano_resonance
and the 1961 paper by Ugo Fano
as the moment of realisation,
myself differentiates its own
pure singleness of otherness
as an 'i am different from you'
but myself does not realise that the 'you'
from which it appears to be spatially different,
is actually its own constitution -
those very others with which
it constitutes a tri-versal symmetry...
...indeed, its comprehending of them is limited
by the fact that they actually constitute
its comprehending of them -
its consciousness of the universe
but in this moment of difference,
myself realises itself as an
impossible singleness - as
myself-void-otherness
and therefore must always already
be re-differentiating its
otherness from those others.
this process of momentary and
instant re-differentiation of myself
is the phenomenon of 'time'
time is the continuing re-alteration
of a tri-verse, and is common
only to its constituents -
no time actually passes
for pure singleness of otherness
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
Standing Wave with an elastic string on some kind of frequency generator; looking down the string. This is pretty noisy at 3200 ISO! The lighting wasn't that great so I had to take what I could get! I forget what frequency this is at??
pure singleness of otherness
(ourself)
is without light
rather, as each other constituent
of a tri-verse differentiates
a myself from those two others
with which it is entangled...
it understands the light
of those others - simply because the others
are its own constitution - its own otherness
the phenomenon of light exists
because moment by moment,
photon by photon,
myself sees (itself as) those others
which it is differentiating
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
myself understands (and senses)
itself as spaced from its others
because their otherness
is its own constitution
but there is no actual
distance as such between
the otherness of others
tri-versally entangled...
...there is no differential spacing
for pure singleness of ourself
and if time is a continuing
tri-versal re-differentation
of myself-void-otherness
then the idea of speed as
distance travelled in time
must relate to a certain variability
across the comprehendings of
tri-versal components
of more complex alter-verses
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
Here you can see faint traces of the "bow tie mode".
myself understands (and senses)
itself as spaced from its others
because their otherness
is its own constitution
but there is no actual
distance as such between
the otherness of others
tri-versally entangled...
...there is no differential spacing
for pure singleness of ourself
and if time is a continuing
tri-versal re-differentation
of myself-void-otherness
then the idea of speed as
distance travelled in time
must relate to a certain variability
across the comprehendings of
tri-versal components
of more complex alter-verses
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
but a binary alter-verse
- a bi-verse -
is actually an impossibility
because we ourself are always
a third other that
differentiates between
- that understands -
two others…
just as we ourself
are always one of two others
being differentiated
by a third which understands us
therefore the simplest
alter-versal arrangement
is an entanglement of three others -
a tri-verse
tri-versal entanglement is the
basic differential arrangement -
the basis of all more complex
alter-versal entanglements
for example a quadri-versal
entanglement of four others
is based on four tri-verses
a quinti-versal
entanglement of five others
is based on ten tri-verses
a hexa-versal
entanglement of six others
is based on fourteen tri-verses
a hepta-versal
entanglement of seven others
is based on forty-nine tri-verses
and so on
differential understanding is always tri-versal
& the basis of any complex alter-verse
is the symmetrical otherness of three
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
"Many-worlds is a postulate of quantum mechanics that asserts the objective reality of the universal wavefunction, but denies the reality of wavefunction collapse which implies that all possible alternative histories and futures are real—each representing an actual "world" (or "universe")."
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
A thin metal plate shaken vertical by a post in the centre will vibrate in a certain mode pattern. The pattern can be made visible by sprinkling white sand or salt on the plate. The grains are shaken off the areas where the plate is moving most violently (the anti-nodes) and collects on the non-moving regions (nodal lines). This technique was originally invented by Robert Hooke, but made famous by Ernst Chladni in the late 18th century.
The stadium shape is interesting because it mimics the motion of a quantum particle on a billiard table with classically chaotic trajectories. "Scarred wavefunctions" can be visualized in sand.
there is no thing
there is only otherness
for pure singleness
of otherness
difference has no meaning
difference
is our understanding
of ourself -
we differentiate
differentiate
pure singleness of otherness
into a universe of two
for the different
constituent others
of such a binary alter-verse
there is no possibility
of existence as
a singleness
each owes its existence
entirely to the other
each stands under the other
in complete obligation
for its own otherness
each understands
the other
as itself
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
According to Quantum FFF Theory, the collapse of the wavefunction is assumed to be triggered by real particle collisions with instant entanglement between (anti-) COPY universes. So there is Charge and Parity symmetry between the entangled particles living in opposiing universes. Each particle is its own observer!! Each human has to deal with one or more opposing anti-COPY humans.
we differentiate
the pure singleness of otherness
as 'other different from other'
but by doing so, we also differentiate
ourself from those two others
this symmetry of three
is the elementary moment
of any tri-verse
but we cannot understand
the impossible singleness
of those two different others,
even although, with us, they form
the elementary symmetry of a tri-verse
rather, as a moment of realisation,
we simply grasp them together,
comprehending them, as 'a them'
- from which 'a myself' is different
myself understands its
constitutional difference
with them, as a moment
of spacing from the other
'space' as such
is the infinite degree
of momentary realisations
of myself being spaced...
...as the basis for an infinity
of complex alter-verses
that exist between ourself and our horizons
the complete photo/video collection (1972-2016) of Stan Bonnar's artworks is accessible here :
To explain why it is more probable that electrons exist at the nucleus, notice the area is greatest at the center of each peak in wavefunction curves.
1993
Photocopy, Artist's Book
Martin Gutzwiller's scientific Universe: From Wavefunctions over periodic Orbits to Sun, Moon and Earth
www.mpipks-dresden.mpg.de/~magutz15
MPI-PKS Dresden 28 - 31 October 2015