Cosina Voigtlander ULTRON 28/F2
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Carl Zeiss Ultron 50mm f1.8 is not known to be a bokeh lens of choice. However, in right conditions and used to its strengths it gives the excellent results.
Carl Zeiss Ultron 50mm f1.8 is a second generation of Ultron lenses. It was still made by Voigtlander in Braunschieg for Zeiss-Ikon and Voigtlander Ikarex cameras.
Sharp wide open. Nice colours. In my opinion very versatile fifty mil.
Locking focus on the organic textures of the foreground while a surreal visitor waits in the bokeh.
A peaceful moment framed by the trees on the lawn of the Khao Yai Art Museum. Shot wide open to let the environment gently fall away.
Nikon Z f | Voigtländer 28mm f/2 Ultron ASPH Vintage Line II
awesome clean lines in the space age apartment block. I suspect its still a bit boring on the inside.
Few bokeh shots with Voigtländer Vitessa Ultron 50mm f2. This is the first version of Ultron design. This was an evolution of Xenon lens.
With a borrowed Carl Zeiss Ultron 50mm f1.8
Many thanks everyone who has viewed, commented on and faved my photo - it’s very kind of you.
I find this good example of Type I Ultron bokeh.
Usually, nature of bokeh changes for backend and frontend bokeh depending on how well lens is corrected. Ultron is very well corrected lens and differences in frontend and backend blur are almost nonexistent. Backend balls have just a hint of sharp border and frontend one slightly softer edges.
Vintage Ultron lenses are praised for their sharpness, micro contrast, even colors, but usually, they are not considered as bokeh monsters. Quite contrary, very often Ultron (and its successors, Planar) bokeh is considered as poor and distracting.
However, my experience is quite pleasing. With bit of care 'bout background and distance, some nice swirls pop up, or even smooth and creamy pastellish bokeh photos.
New and old, its changing rapidly like many especially Asian city metropolises. Bangkok now has about 12,5 million inhabitants.
(Voigtlaender Ultron 1.7 35mm)
Few bokeh shots with Voigtländer Vitessa Ultron 50mm f2. This is the first version of Ultron design. This was an evolution of Xenon lens.
I so wanted to get this flare at its best (or worst, depending on pow) that I totally forgot the focusing.
No processing done neither in software nor camera. Standard camera settings.
with Carl Zeiss Ultron 50mm f/1.8 @ 1.8
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Thanks a lot!
Few other photos with Voigtländer Ultron type I. It differs from latter version as it has 6/5 design. It was sad to be sharpest fifty at the time.
First generation of Ultron 50mm with F2 max aperture. Les sought than Carl Zeiss Ulron f1.8, but still a sort of legendary lens on its own. Sharpest 50mm f2 of the time, beautifully build.
Probably less known because it was standard lens on Vitessa RF an one of options for Prominent Rf cameras. One have to make DIY adapter to use it.