UCLA Anderson campus
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Gwen Stefani
Gibson/Baldwin Presents Night at the Net To Benefit MusiCares Foundation - Celebrity Tennis
UCLA
Los Angeles, CA USA
July 25, 2005
Photo by Michael Caulfield/WireImage.com
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These are preview images for the talk I am giving at UCLA tomorrow.
Made with Processing and runs in near realtime (anywhere from 5 to 30 fps). The sphere surface is not traditionally texture mapped and is made up of a couple hundred freely moving overlapping textures. The entire system is dynamic, and with a zippy computer, could probably be audio responsive with little extra overhead.
Captured with Helios 44-2 KMZ Lens on 5D mark iii. Adjustments from RAW in DPP4. At UCLA campus, November 2025.
UCLA Cheerleader at the 2012 NCAA PAC 12 Basketball Tournament© Tri Le / TheDailySportsHerald. Attribution-NonCommercial-NoDer ivs Creative Commons
Cheerleaders at 2012 Pac 12 Basketball Tournament © Tri Le / TheDailySportsHerald. Attribution-NonCommercial-NoDer ivs Creative Commons
UCLA Cheerleaders at the 2012 NCAA PAC 12 Basketball Tournament© Tri Le / TheDailySportsHerald. Attribution-NonCommercial-NoDer ivs Creative Commons
Author: Ouida
Title: Chandos
Publisher: Chatto and Windus
Publication Date: 18--
URL: catalog.library.ucla.edu/vwebv/holdingsInfo?searchId=4340...
Notes:
Ouida was the pseudonym of English writer Mary (Marie) Louise de la Ramée. Although she is now best known as the author of Under Two Flags (1867), she was a very popular late-nineteenth-century writer and wrote over 40 novels. Ouida’s career as a writer began through her introduction to William Harrison Ainsworth, who encouraged her to write for Bentley’s Miscellany. Her first story appeared in 1859 and she wrote prolifically thereafter. Her first novel, Held in Bondage, appeared in 1863. She is known for the glamorous settings of her novels about high society, which carry on the earlier nineteenth-century tradition of the ‘silver fork’ novel (“Ouida”). Ouida was critical of the feminist movement of her time and instead focused her efforts on advocating for animal welfare—she was especially fond of dogs (“Ouida”). While her novels are not currently widely read, Ouida’s work plays an important part in accounts of the role of women novelists during the nineteenth century and her writing was well-loved by her contemporaries (Stokes). There has been some revived critical interest in Ouida as a female aesthete (“Ouida”).
Works Cited:
“Ouida, 1839–1908.” Literature Online Biography. Cambridge: Chadwyck-Healey, 2005. Web. 27 Jan. 2015. gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:...
Stokes, Roy B. “Ouida.” Victorian Novelists After 1885. Ed. Ira Bruce Nadel and William E. Fredeman. Detroit: Gale Research, 1983. Dictionary of Literary Biography Vol. 18. Literature Resource Center. Web. 20 Jan. 2015. go.galegroup.com/ps/i.do?id=GALE%7CH1200003422&v=2.1&...
DAVID LANG (USA) „LOVE FAIL” OPERA-NOWA / POLSKA PREMIERA
PL:
Na zam.wienie: Next Wave Festival 2012 organizowany przez Brooklyn Academy of Music , The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance, UCLA, Wake Forest University / Secrest Artists Series oraz Hancher Performances, University of Iowa. Światowa premiera „love fail” odbyła się w czerwcu 2012 roku podczas The International Festival of Arts & Ideas przy wsparciu teatru Yale Repertory Theatre.
Osoby, którym należą się szczególne podziękowania to: Steve A. Block, David i Kiki Gindler, Leslie Lassiter, Raulee Marcus oraz Vina Spieler.
David Lang – kompozycja, reżyseria
Quince Contemporary Vocal Ensemble w składzie:
Elizabeth Pearse, Kayleigh Butcher, Amanda DeBoer Bartlett, Carrie
Henneman Shaw – wykonanie
Lydia Davis – opowiadania
David Lang – tekst na podstawie utwor.w Marie de France, Gottfrieda
von Strassburga, Sir Thomasa Malory’ego, Beroul, Tomasza z Anglii,
Beatriz de Dia i Ryszarda Wagnera
Jody Elff – projekcja dźwięku
Jim Findlay – scenografia, oprawa wizualna
Jennifer Tipton – światła
Suzanne Bocanegra – kostiumy
Jason Kaiser – inspicjent sceny
Josh Higgason – realizacja oprawy wizualnej
Oliver Wason – asystent oświetleniowca
Beth Morrison Projects – produkcja
Beth Morrison – producent kreatywny
Jecca Barry – główny menadżer
Jesse Heffler – zastępca producenta
James Fry – kierownik produkcji
Melanie Milton – administrator/specjalista ds. rozwoju
Liene Camarena – menadżer zespołu
EN:
DAVID LANG (USA) “LOVE FAIL” OPERA NOUVEAU / POLISH PREMIERE
Commissioned by Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, Wake Forest University / Secrest Artists Series and Hancher Performances at the University of Iowa. “love fail” made its world premiere June 2012 at The International Festival of Arts & Ideas with support from Yale Repertory Theatre. Special thanks: Steve A. Block, David and Kiki Gindler, Leslie Lassiter, Raulee Marcus, and Vina Spieler.
Composed and directed by David Lang
Performed by Quince Contemporary Vocal Ensemble:
Elizabeth Pearse, Kayleigh Butcher, Amanda DeBoer Bartlett,
Carrie Henneman Shaw
Stories by Lydia Davis
Words by David Lang after Marie de France, Gottfried von Strassburg,
Sir Thomas Malory, Beroul, Thomas of Britain, Beatriz de Dia
and Richard Wagner
Set and video design by Jim Findlay
Lighting design by Jennifer Tipton
Sound design by Jody Elff
Costume design by Suzanne Bocanegra
Stage managed by Jason Kaiser
Josh Higgason – Video Engineer
Oliver Wason – Associate Lighting Designer
Produced by Beth Morrison Projects
Beth Morrison – Creative Producer
Jecca Barry – General Manager
Jesse Heffler – Associate Producer
James Fry – Production Manager
Melanie Milton – Admin/Development Associate
Liene Camarena – Company Manager
Students at UCLA Community School pass by one of several outdoor campus murals on their way to class. Photo by Allison Shelley for EDUimages
I mistakenly got off the bus at the south entrance of UCLA instead of the central bus terminal, but that gave me the opportunity to take a bit of a tour.