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Powell Library, 1928 by architect George W. Kelham, seen from Royce Hall, at University of California Los Angeles.
Captured with Helios 44-2 KMZ Lens on 5D mark iii. Adjustments from RAW in DPP4. At UCLA campus, November 2025.
Powell Library, 1928 by architect George W. Kelham, and Dickson Plaza at University of California Los Angeles.
Wilson Plaza and Janss Steps, site of Dr. Martin Luther King speech in 1965 and the Vietnam War protest in 1970. At University of California Los Angeles.
Deborah Butterfield’s 1996 bronze (not wooden sticks) horse sculpture “Pensive,” at UCLA's Sculpture Garden.
UCLA Cheerleader at the 2012 NCAA PAC 12 Basketball Tournament© Tri Le / TheDailySportsHerald. Attribution-NonCommercial-NoDer ivs Creative Commons
UCLA Cheerleaders at the 2012 NCAA PAC 12 Basketball Tournament© Tri Le / TheDailySportsHerald. Attribution-NonCommercial-NoDer ivs Creative Commons
This is a 4 photo HDR taken at around midnight on the UCLA campus of Powell Library. Taken with the 17-40L on my Canon 30D.
Best viewed here: 'Powell Library - UCLA' On Black
Author: Ouida
Title: Chandos
Publisher: Chatto and Windus
Publication Date: 18--
URL: catalog.library.ucla.edu/vwebv/holdingsInfo?searchId=4340...
Notes:
Ouida was the pseudonym of English writer Mary (Marie) Louise de la Ramée. Although she is now best known as the author of Under Two Flags (1867), she was a very popular late-nineteenth-century writer and wrote over 40 novels. Ouida’s career as a writer began through her introduction to William Harrison Ainsworth, who encouraged her to write for Bentley’s Miscellany. Her first story appeared in 1859 and she wrote prolifically thereafter. Her first novel, Held in Bondage, appeared in 1863. She is known for the glamorous settings of her novels about high society, which carry on the earlier nineteenth-century tradition of the ‘silver fork’ novel (“Ouida”). Ouida was critical of the feminist movement of her time and instead focused her efforts on advocating for animal welfare—she was especially fond of dogs (“Ouida”). While her novels are not currently widely read, Ouida’s work plays an important part in accounts of the role of women novelists during the nineteenth century and her writing was well-loved by her contemporaries (Stokes). There has been some revived critical interest in Ouida as a female aesthete (“Ouida”).
Works Cited:
“Ouida, 1839–1908.” Literature Online Biography. Cambridge: Chadwyck-Healey, 2005. Web. 27 Jan. 2015. gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&xri:...
Stokes, Roy B. “Ouida.” Victorian Novelists After 1885. Ed. Ira Bruce Nadel and William E. Fredeman. Detroit: Gale Research, 1983. Dictionary of Literary Biography Vol. 18. Literature Resource Center. Web. 20 Jan. 2015. go.galegroup.com/ps/i.do?id=GALE%7CH1200003422&v=2.1&...