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Analogica, Zenit TTL ( 1977 ), Helios 44-3 58 mm 2.0 F, kodak color 200 asa, sviluppo con Tetenal.

Analogica, Zenit TTL ( 1977 ) con esposimetro guasto, Helios 44-4 58 mm 2.0 F, kodak color 200 asa, sviluppo con Tetenal.

60mm Macro - 1/100s - f/11.0 - ISO 100

1 TTL speedlight + 18X15 softbox, wireless

 

Feel free to see my photo on the following social networks: Facebook | Instagram | 500px | YouPic

  

Analogica, Zenit TTl ( 1977 ) con esposimetro fuori uso, Helios 58 mm 2.0 F, sviluppo con Rodinal, Fomapan 200 asa.

Manchester Airport EGCC Runway 05R

altra fregatura. Ho messo del colore acrilico in due quadrati di pellicola trasparente per alimenti senza sigillarli, aperti. Speravo che avessero rilasciato il colore creando una nube. Macchè!!

Accontentiamoci dello splash..

 

Flash, 3. I soliti

Silverton, OR - May 2022

Provence; France;

Leica M6 TTL; Tele-Elmarit 90mm; Ektar 100

Shanghai, China - May 2016

New York, NY - November 2016

Analogica, Zenit TTL ( 1977 ), Zeiss Sonnar 135 mm 4 F, Fomapan bianco e nero 200 asa, sviluppo con Rodinal.

Kirklin, IN

2024

© James Rice, All Rights Reserved

 

Leica M6 TTL, 0.72

28mm Summaron

CineStill XX B&W Film

Developed: The Darkroom Photo Lab, San Clemente, CA

I got this idea from kennymatic, so thanks Kenny.

 

Happy Nifty Fifty Friday!

Analogica, Zenit TTl ( 1977 ) versione difettosa delle Olimpiadi di Mosca, Helios 58 mm 2.0 F, sviluppo con Rodinal, Fomapan 200 asa. Il problema più grave di questa TTL ( che farebbe buone foto ) è che non funziona lo sblocco del rullino per il riavvolgimento, la metà delle foto almento sono venute graffiate anche se ho cercato di estrarre la pellicola al buio con attenzione

Edit Software- Picnik

Low ISO low light, high f-stop experiment. Lens is Tamron 70-300mm 1:4-5.6LD

Curves adjusted for extreme contrast. Light flare for effect.

PSStandard

zenit ttl film

imprescindibles (bah.. pa´ mi)

Processed with VSCOcam with q4 preset

Chinonflex TTL with helios 44m

New York, NY - August 2019

Sham Shui Po, Hong Kong

Leica M6 TTL Summaron 35mm f2.8 Goggles

Kodak Tmax 100

Epson V700

An early morning shot of a European Wool Carder Bee. Normally I don't see many insects with dew on them, but that morning it was very damp. This one was semi-active and when it would pause I'd look for a new composition.

 

Tech Specs: Canon 80D (F11, 1/250, ISO 100) + a Canon MP-E 65mm macro lens (about 3.5x) + a diffused MT-26EX-RT with a Kaiser adjustable flash shoe on the "A" head (the key), E-TTL metering, -1/3 FEC, second curtain sync). This is a single, uncropped, frame taken hand held. I'm holding on to the stem of the flower with my left hand, and resting the lens on that same hand to keep the scene steady.

Total Linhas Aéreas 727-225(F) PR-TTW parked at hardstand awaiting the continued journey to Brazil.

Leica M6 TTL

LLL 28mm f2.8 9e

Agfa Precisa CT 100 (expired)

Processed with VSCOcam with c2 preset

Through The Lens

Nikon by Canon

thiagomarra.tumblr.com/

Leica-M6 TTL 0.72 Elmarit 1:2.8/21mm ASPH. Ilford FP 4 Plus 125asa

Developer Ilford ID 11 1+1 20º 11 min.

Nikon Super Coolscan 5000 ED. Film Scanner.

 

Art Antony Gormley, Exposure 2010.

(of crouching Man) Gehurkte man.

 

🔴Leica my point of view.

Wetzlar, Deutschland.

 

Leica-CL 1974 Rangefinder

 

Leica-M 6 TTL 0.72 1998 Rangefinder

 

Leica-M6 TTL 0.85 2001 Rangefinder

 

Thank you everyone for your visit, favorites and comments.

Tallinn, Estonia, October 2020

Leica M6 TTL, Kodak Ektar 100

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Macro Monday

Yellow

 

Lockdown Fun: The lakes here are closed, so I have to use my imagination!

 

Acme Little Cleo Wigl-Lure in color pattern YRD

This one is about 2-3/8" long.

 

Lure was hanging vertically, camera somewhat above looking about 30'deg down to get the image angle to show lure thickness. This necessitated focus stacking in post process. Six images were taken and focus stacked manually. The "wigl" in this lure creates a photographic challenge. Image rotated 90-deg.

 

Strobist:

Canon 5D Mk IV with EF 180mm f/3.5L Macro USM

1/100 at f/14 and ISO 100

3 Strobes were used in this shot.

Main: Flashpoint Explor600 Pro TTL at camera left

Background: Canon 580EXII gelled blue onto bubblewrap

Rim Light: Canon 580EXII from behind the lure.

Control via Flashpoint R2 Pro

Tsim Sha Tsui, Hong Kong

Leica M6 TTL Summicron-M 35mm f2 ASPH

Kodak Tmax 100

Strobist info : foldable black background highlighed by a strobe in TTL at 24 mm. Model with the Godox Ad600 through octabox in TTL mode.

PP in PS : first step : frequency separation to clean skin and soften the hightlights and shadows on the face. Then I added layers for the color and texture with Topaz Texture. Finally, I modified the white background with Topaz texture.

Feel free to add any comment.

When I was a young chap, I thought about a Zenit camera, but thought they were a bit clunky, and the cheap ones (i.e. the ones I could afford) needed an external light meter. And so I eventually bought a Ricoh KR-5, when I could afford it. About forty years ater I first encountered a Zenit, I bought one. Clunky seemed interesting after all. I've been going about (a little bit) with a relic of the Cold War. There's something rattling about inside that sounds like a small screw, but to no ill effect so far.

Rural American Scenes

 

McIntosh County, GA

2023

© James Rice, All Rights Reserved

 

Leica M6 TTL, 0.72

28mm Summaron

Ilford FP4+

Developed: The Darkroom Photo Lab, San Clemente, CA

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