Nature TTL - Nature Photographs
View allAll Photos Tagged ttl
Analogica, Zenit TTL ( 1977 ) con esposimetro guasto, Pentacon 29 mm 2.8 F, kodak color 200 asa, sviluppo con Tetenal. Ora esco con il cane, ieri non lo ho portato e questa notte ha fatto casino con i gatti fino alle tre
Diesel locomotive 51 150 of TTL, hauling a freight train to the Toplivo industrial branch, is ready to depart from Iliyantsi station. Back in 2022, the locomotive was one of the workhorses of the small railway operator TTL and could very often be seen at Iliyantsi station.
Unfortunately, in 2024 it was withdrawn from service and placed into storage. A few months ago, it was scrapped.
TTL's other operational Class 51 locomotive, 51 175, was sold to TBD-TP. It seems that the end of the original Class 51 locomotives in Bulgaria is near, as no more than two or three remain in operation.
A video compilation of one working day of 51 150, filmed in 2022, is available here:
1954 Chevy Bel-Air
The classic American cars of the 1950's were among my very first subjects when I first made photographs as a 6-year-old boy. I was mesmerized by those cars, and could readily identify the manufacturers and models of almost every car on the street. Each manufacturer had their own unique style, and the cars didn't all look the same as they tend to do now. The automotive designers in Detroit were amazingly creative, using fins, massive amounts of chromium, and sweeping curves. To this day, the American cars of the 1950's are regarded by many as some of the greatest cars ever designed.
Arts & Design District
Carmel, IN
2023
© James Rice, All Rights Reserved
Leica M6 TTL, 0.72
28mm Summaron
Kodak Portra 160
Developed: The Darkroom Photo Lab, San Clemente, CA
Analogica, Zenit TTl ( 1977 ) versione difettosa delle Olimpiadi di Mosca, Helios 58 mm 2.0 F, sviluppo con Rodinal, Fomapan 200 asa. Il problema più grave di questa TTL ( che farebbe buone foto ) è che non funziona lo sblocco del rullino per il riavvolgimento, la metà delle foto almento sono venute graffiate anche se ho cercato di estrarre la pellicola al buio con attenzione
Low ISO low light, high f-stop experiment. Lens is Tamron 70-300mm 1:4-5.6LD
Curves adjusted for extreme contrast. Light flare for effect.
PSStandard
Program:Manual
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:8.0
Speed:1/200
ISO:160
Focal Length:18.0 mm (35 mm equivalent 27.0 mm)
Focus Mode:AF-A
AF Area:Dynamic Area
Shooting Mode:Single-Frame, [3]
VR:On
WB:Auto
Flash:Normal
Flash type:Optional,TTL
Focus Distance:5.62 m
Dof:inf (1.49 m - inf)
HyperFocal:2.02 m
Zenit TTL
Helios 44M KMZ 58mm F/2
Nikon L37 UV/Haze 52mm
Fuji Superia 100asa
Expired 2003
Tetenal C-41
The content of this site may not be copied, reproduced, republished, downloaded, posted, broadcast or transmitted in any way without first obtaining my written permission.
C'est un appareil photo soviétique produit de 1978 à 1985 par les usines KMZ (Krasnogorski Mekhanicheskii Zavod près de Moscou). La principale innovation par rapport au modèle Zenit E est la mesure de la lumière à travers l'objectif (TTL). L'appareil possède une monture à vis de type M42 ce qui autorise l'utilisation d'une grande variété d'objectifs de différentes marques. Il est équipé ici du célèbre objectif Helios-44M 2/58 créé sur la base du Biotar 58mm f/2 de Carl Zeiss et produit un bokeh tournoyant.
www.musashichan.com/tests/helios/helios-44-58mm-f-2
L'obturateur est à rideaux en tissus qui permet les vitesses du 1/30 au 1/500 et pause B. La qualité de production à cette époque n'était pas au rendez-vous et le mien a perdu son bouton retardateur et le logement de la pile ne ferme plus.
It is a Soviet camera produced from 1978 to 1985 by the factories KMZ (Krasnogorski Mekhanicheskii Zavod near Moscow). The main innovation compared to the Zenit E model is the measurement of light through the lens (TTL). The camera has a screw mount type M42 which allows the use of a wide variety of lenses of different brands. It is equipped here with the famous Helios-44M 2/58 lens created on the basis of the Biotar 58mm f/2 by Carl Zeiss and produces a swirling bokeh.
The camera has a cloth curtains shutter with shutter speeds of 1/30 to 1/500 and B. The production quality at that time was not there and mine has lost its timer button and the battery housing no longer closes.
Pentax Super ME
Pellicule Fujicolor Super G+ 400 iso périmée en 2003 - Expired Film
Développement en Kit Rollei Colorchem C41
When I was a young chap, I thought about a Zenit camera, but thought they were a bit clunky, and the cheap ones (i.e. the ones I could afford) needed an external light meter. And so I eventually bought a Ricoh KR-5, when I could afford it. About forty years ater I first encountered a Zenit, I bought one. Clunky seemed interesting after all. I've been going about (a little bit) with a relic of the Cold War. There's something rattling about inside that sounds like a small screw, but to no ill effect so far.