View allAll Photos Tagged tlr
Lubitel 2 TLR
Fomapan Creative 200
Shot from my first test roll of 120 film. I messed a few things up, including scanning. I will have to practice some more, I guess. But this image has some charm, imo.
Street photography using an ancient manual focus TLR camera has it's challenges. On one hand, because the camera uses a waist level viewfinder (meaning that the camera is not brought up to the eye) it's not as intrusive therefore people are not as wary of the camera. On the other hand it's bl**dy difficult to focus quickly and accurately. There is a saying among street photographers - "f8 and be there" - meaning that you set your aperture to f8 (or f11) and leave it there. If you then zone focus to somewhere between 20 and 40 feet it means that most of what you photograph on the street will be in an acceptable focus because of the relatively narrow aperture and the increased depth of field it gives. This was my modus operandi for this shot and thankfully most of the frame is indeed in focus (don't pixel peep please!).
Medium format film photography
Rolleiflex 3.5f (whiteface)
Schneider Kreuznach 75mm f/3.5
Kodak Ektar 100 colour film
Do you feel "betrayed" when (if) you found out a photo was an Artificial "photo"... are we getting used to being "lied" too?
IN the "old" days photography enriched opportunities for artists and transformed the artistic landscape; AI art has taken away opportunities for artists and ultimately has contributed little to the art landscape. Photographers have proven to be capable of creating meaning beyond mere mechanism; AI artists lack the ability to create meaning because the artistic process is only a mechanism. Photography requires skill that directly relates to the output; AI art does not require skill or intentionality. Photography captures things that already exist in a transformative way; AI simply imitates without intentional or meaningful transformation.
While photography has expanded the realm of artistic expression, AI art threatens to undermine it–and thus is unlikely to be accepted as a true artistic medium.
medium.com/@elarson39/photography-was-historically-consid...
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All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission. Just ask!
© VanveenJF Photography
(slowly)
i am hoping to catch up with all of your streams over the course of this week. please excuse my slow pace- i've got a long way to go but i'm very much looking forward to the journey!
Camera: Rolleiflex 3.5B TLR Zenar 75mm f3.5 1954
Film: Lomochrome Purple 120 Color Negative Film XR 100-400
Scanned by Walkens House of Film, Melbourne, Australia
As I'll show later, Rosebery is still a town dominated by a mine. Mining has been part of its history for more than 100 years. Gold was first discovered in 1893. This old railway bridge ferries precious metals from the open cut mine to its processing plant on the other side of the Stitt River.
The Booker Prize winning author Richard Flanagan was once a resident in Rosebery.
These are genuine film effects. No digital alterations were made here.
Luxoflex 50's TLR camera
Kodak Ektar 100 Film
Double Exposure f4.5 at 1/15 + f4.5 at 1 Sec
Home Developed by www.flickr.com/photos/ukke_photo/
Bellini C-41 chemistry
The Mamiya C220 patiently waiting it's turn whilst I quickly grabbed a shot with a Canon 5DSR. Briefly, the sky was fabulous just after our early swim.
web magazine Art Levant
フランス語と日本語のアートに関するウェブマガジンです。
できたてほやほや創刊号に紹介されました。
web magazineはコチラからダウンロード
introduce me in web magazine Art Levant
French & Japanese Art web magazine.
Thank you sylvain!
its not much of a composition i know and normally i wouldn't post such a photo but i really love how the window looks here. this was taken early in the morning - my daughters love soft boiled eggs with toast soldiers :)
Strobist: AB1600 with gridded 60X30 softbox overhead. AB800 open behind backdrop of white faux suede.Triggered by Cybersync.
Strobist: AB1600 with gridded 60X30 softbox overhead. AB800 open behind backdrop of white faux suede.Triggered by Cybersync.
Hasselblad 500C
Distagon C50mm/F4 nonT
FUJICOLOR PRO 400H
『6636 Square Format 06 66人展』
【会期】
2016年6月4日(土)~6月14日(火)
10時30分~20時
初日4日(土) 16時から
最終日14日(火)16時まで
【会場】
TODAYS GALLERY STUDIO
最寄り駅 JR 都営地下鉄 浅草橋駅
ブローニーフィルムで撮影した
6x6フォーマット(真四角)写真を66枚展示いたします。
「6月6日は66の日」を合言葉に、6回目の開催です。
6x6フォーマットを中判フィルムカメラで楽しむメンバーが66人集まりました。
ブローニーフィルムで撮ったのだから、いつもよりちょっと大きめにプリントしよう!
と、写真を全紙サイズに仕上げました。
6x6への敬意と感謝を込めたグループ展示です。
ご来廊を出展者一同お待ちしております。
Often happens with older TLRs, so you get a double exposure.
Yashica 44 TLR camera (Single-coated Yashikor lens)
Blue Murano 127 film