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This neurological phenomenon is the story behind Frank's choosing of the title 'Channel Orange' for his debut album. To Frank Ocean, the colour orange relates to the summer he first fell in love, according to Wikipedia.
The Bridgewater Basin fountain on a spur from the Rochdale Canal by the Bridgewater Hall in Manchester. Sunday 2nd February 2020.
with Cliff Bond, Sam Amos, David Duncan Yandell, Stephen Haiden, Casey Driessen, Kevin Reierson and Scott Peters
First Friday opening of Synesthesia.
Gravy Studio & Gallery presents "Synesthesia,"a vibrant audio/visual collaboration by New York photographer Cana Sarnes and Philadelphia musician and composer, nervousRobot. With “Synesthesia,” Sarnes’ vivid landscape and travel photography is paired with original scores composed for each image. Each artist’s contribution to the project serves to enrich the work of the other— adding an additional level of sensory-depth and complexity. Sarnes says of her photography, “I am drawn to capturing images that utilize negative space. nervousRobot’s music fills that negative space and brings my photography to life.”
Cana Sarnes, Artist Statement:
My work projects on the plane that exists parallel to the viewer. Clusters of inanimate objects find life and interact with one another in groups imperceptible on their own. As someone who is visually stimulated by music, working with Eric was a natural fit.
Eric Zrinsky (nervousRobot), Artist Statement:
I make music for haunted houses, films, and other oddities.
TEEEL, Artist Statement:
TEEEL is a electronic music producer/songwriter from New Jersey. Inspired by the 80s new wave movement, TEEEL produces music that ranges from hypnotic vocal synthpop to dreamy newwave and dark electronic rock. TEEEL has performed across the United States and continues to push their sound.
The Bridgewater Basin fountain on a spur from the Rochdale Canal by the Bridgewater Hall in Manchester. Sunday 2nd February 2020.
Photo credit : Dorota Grajewska
Daniel Maszkowicz and Robert Turner Collective
Nothing Happens Until Something Moves
Installation
Synesthesia for the five senses
Renaissance
Installations, performances, conferences, from 2 to 25 June 2022, Le Commun Geneva
Renaissance is an exhibition of audio-visual installations produced in collaboration by the duo of digital artists from the Robert Turner Collective and the electroacoustic jazz music duo INFLUUT. Works of algorithmic abstraction offer a synesthetic immersion, inviting introspection and meditation.
Each day presents an event for which the invited artists, scientists or collectives propose an intervention that resonates with the themes of the exhibition. Performances, conferences, installations, and a festival of nights with sound punctuate the Renaissance complex.
Transdisciplinary in nature, this exhibition aims to provide a sort of demystification of the general notion of the algorithm. She deals in a sometimes didactic, sometimes playful, sometimes organic way with themes that may still be difficult to access with a positive and inclusive attitude.
Welcome
former study subject and UR graduate Lindsay Bronnenkant wears an eye-tracking device as she reenacts a study on synesthesia at the lab of University of Rochester assistant professor of brain and cognitive sciences Duje Tadin October 23, 2013 to illustrate a new paper by Tadin that documents that many people have the ability to vaguely "see" the motion of their own body in complete darkness due to the connection between our brain's motion senses and our visual senses. // photo by J. Adam Fenster / University of Rochester