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The Leaf by Jason Samfield

7 12

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Brecht Corbeel Stable Diffusion [ Aescermonium -4241519903-surrealist symbolism Synesthesia human cognition brain intelligence lsd dmt visionary art surealism, marble, crystal light dispe-0000-0000 resize2] by Brecht Corbeel

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Synesthesia Calendar by danachap

2 5

When I think of the calendar year, this is what I visualize in my head -- a 3D circle tilted at about a 30 degree angle, which January 1st at the highest point. Each month of the year takes up varying amounts of space on the circle (summer months are typically bigger) and each month has a very distinct color associated with it. The ring stays fixed in space, but depending on the time of year, my mind's eye places me someplace either inside the ring, or just above the ring; this all depends on the time of year. For instance, right now, it's April 6 (my birthday). I've always visualized this date as if I'm floating above Oct/Nov (or at about 10 o'clock on the circle) and looking across the disk towards the reddish-orange month of April. I've visualized time this way for as long as I remember and until very recently, assumed everybody else thought the same way.

16

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

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Synesthesia_BTS_DSC5465 by Philip Romeyn

1

Behind the Scene (BTS) / Fun shot:

Model(s):

- Synesthesia

- Jair

Spelling bee by Bobbi

3 6

7-letter Words Spelled in (my) Colors.

I managed to get all the letters of the alphabet in except D, G, M, S and W. 9-)

My images are not to be used, copied, edited, or blogged without my explicit permission.

Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!

My Flickr friends, I'm finding it quite difficult to type this morning. Yesterday I aggravated my right (dominant) shoulder where I have a hole in the rotator cuff and using my right arm in certain ways is painful. So I'm going to take a break from commenting.

I don't know how long a break. ;-( I will be back! I can look at your pix and fave them but I won't be leaving comments... I hope your new week is peaceful and productive!

"Jazz-series" - phases 1, 2 (synesthesia) by Hollace M Metzger

3

" Jazz-series " - Phases 1 & 2 (synesthesia):

in-process, preliminary base sketchings (with photo-underlay) for an abstract painting series for A.A. Bellariva exposition (in Florence, Italy) & final 24-piece (+12-piece "street art" / portrait / stencil series) commission / permanent installation (in New York City). - Feb.-Mar. 2022

[ _1. 2. 3. 4._ ]

| _5. 6. 7. 8._ |

[ 9. 10. 11. 12. ]

1. Dexter Gordon - youtu.be/YFKZceMYg9M

__"Body and Soul"

2. Ornette Coleman - youtu.be/BxZRCRnJChQ

__"Endless" (1957)

3. Coleman Hawkins - youtu.be/zVbWmAqze2E

__"Swingin' Scotch", "Picasso" (1948), "Round Midnight" (1945)

4. Joe Henderson - youtu.be/G0BcEHt-fic

__"Inner Urge" (1965), "Isotope"

5. John Coltrane

__"Blue Train", "Moment's Notice"

6. Paul Gonsalves - youtu.be/-UHWK-9KZo0

__"Diminuendo in Blue" (1956)

7. Ben Webster - youtu.be/J6x8UG42PwE

__"The Single Petal of a Rose" ('64), "When I Fall in Love", "That's All"

8. Sidney Bechet - youtu.be/G0BcEHt-fic

__"Petite Fleur", "Promenade aux Champs-Elysees"

9. Charlie Parker

__"Cool Blues", "No Problem"

10. Sonny Rollins - youtu.be/mTATOR4YF90

__"Keep Hold of Yourself"

11. Pharoah Sanders - youtu.be/poH4aRpG0tM

__"Alankara (Beats of the Heart)", "Across Time"

12. Lester Young - youtu.be/G0BcEHt-fic

__"Mean to Me" (1958), "Love Me or Leave Me"

(+) www.wassilykandinsky.net/book-concerning_the_spiritual_in...

@ www.hollacemetzger.com/fine-art

Sin Aesthetic - 6/1/2023 www.sin-aesthetic.con by Sin Aesthetic

1

Are you ready to get down to some filth bass music? If so check out my tracks, you can find all my streaming links here: www.linktr.ee/sinaesthetic

Available on Spotify, SoundCloud, Amazon Music, Apple Music, Itunes, YouTube, Pandora, and more

Keep up to date and connect with me on Instagram, TikTok, Twitter and more, all links available here: www.sin-aesthetic.com

Download all my music FREE here:

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If you are a music producer and use Ableton Live, check out the tutorials on my YouTube channel

www.youtube.com/@sin_aesthetix

Hearing Music in Color. Mosaic by Nutmeg Designs. by Margaret Almon

6 2

Commission for a music lover. Lettering and clef by Wayne Stratz, mosaic by Margaret Almon. Stained glass, dichroic glass, gold smalti, glass tile, mirror, on slate, 12x6".

Commission your word: nutmegdesignsart.com/commission-us/

Rise Above by Jason Samfield

2 21

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Mapping at MS Stubnitz (Hamburg) #synesthesia #laboratory #outdoor #mapping #audiovisual #generative #music #maze by Maze Tools

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Diffused Blue by Jason Samfield

3 18

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Jair_DSC5864 by Philip Romeyn

1

Our personal assistant and voice activated lightstand :)

Model(s):

- Jair, MM #

Location:

Gaasperplas park, Amsterdam - The Netherlands

Strobist info:

N/A

PP: Lightroom

Accidentally Abstract by Jason Samfield

4 19

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MAXALOT : PROCESSING LIGHT @ TodaysArt 2008 by todaysart

www.maxalot.com/

What if you had a special little helper who could assist your own creativity into creating the most intricate layout of various curious and beautifully detailed objects and things. Who would be the real creator? What if you had actually made this special little helper yourself to begin with? Artists working with programming do just that, they create a very powerful creator and let them do the hard work. Through computer software algorithms written in various scripting languages more and more artists now use these powerful tools to have information generate mind blowing imagery. This "processing" of information happens in a combination of order and disorder, and although most behaviours are very much so controlled by the artists, the outcome is always somewhat of a surprise. For this event, this public outdoor exhibition, Maxalot will present a selection of todays finest generative artists and have their work light up part of the VROM building next to The Hague's Central Station using another powerful tool, Light.

Maxalot

Maxalot crosses digital arts with emerging pop surrealism, aiming to reach broad audiences with individuals and studios who break boundaries in art and design. Formerly based in Barcelona, the Maxalots have returned to their motherland, Holland and now curate exhibitions in a series of unconventional venues throughout the city of Amsterdam. Since their debut in 2003, Maxalot has set course to become an influential force in the global graphic and design community and now incorporates an online boutique offering unique objets d'art, limited edition giclée prints and graphic wallscapes.

ARTISTS:

Neil Banas

Neil Banas is a digital artist and computational oceanographer living, working, and teaching in Seattle. Inspiration for his work comes sometimes from pure math and geometry but more often from dynamics in nature. This piece is based on a simulation of millions of faint particles running down invisible hillsides, spreading and converging like water in a stream network or draining off mudflats at low tide.

Dextro

Dextro.org presents abstract graphic design experiments and algorithmic animations. In cooperation with Lia, Dextro initiated turux.org, a platform for interactive animations

Eno Henze

Eno Henze likes to employ computers to do his work. Hence, his work focuses on generative processes involving both human and machine intelligence. He graduated in Fine Arts at the Städelschule Frankfurt and recently moved to Berlin with his studio. He also works as designer and art director for digital media environments. Eno has created an artwork called "Party Collider" for this show.

Pedro Mari

Pedro Mari (born 1986 in Salerno, Italy), also known as Defetto, currently lives and works in London.

He's an audiovisual artist focused on generative systems. Most of his works deal with synesthesia and visual music, through the use of abstract shapes and a deep study of colour. Pedro will show a work titled ????? ??? (panta rei - everything flows) "Everything is subject to change. The harmony of things is contained in their perennial change. This change is not random or chaotic; it is governed by precise rhythms. ????? ??? is an eternal flow, constantly evolving, never equal to himself." Pedro Mari's work can be found online at flickr.com/defetto and vimeo.com/defetto.

Quayola

Quayola is a visual artist based in London. His work simultaneously focuses on multiple forms exploring the space between video, audio, photography, installation, live performance and print. Quayola creates worlds where real substance, such as natural or architectural matter, constantly mutates into ephemeral objects, enabling the real and the artificial to coexist harmoniously. Integrating computer-generated material with recorded sources, he explores the ambiguity of realism in the digital realm.

C.E.B REAS

C.E.B. REAS lives and works in Los Angeles. He focuses on defining processes and translating them into images. He is an associate professor and chair of the department of Design | Media Arts at the University of California, Los Angeles. With Ben Fry, REAS initiated Processing.org in 2001. Processing is an open source programming language and environment for creating images, animation, and interaction.

Karsten Smidt

"From the 1st moment I used a computer some 16 years ago, aged 13, I knew what I wanted to do later in life. Being an active part of the Demo scene back in the early '90s, I've been programming and experimenting with code, graphics and audio for all that time and still only feel like at the beginning of the real journey."

StrangeThingsHappen

Early pioneers of generative Director programming, Lia and Dextro quickly became influential both inside and outside the Director community. Their mix of crisp pixels, erratic animation and blurred surfaces was unique during the early and mid-1990's, presenting a perfect visual counterpoint to a musical scene experimenting with glitch and sound defects.

Together, they produced Turux, a seminal web site which featured Director "soundtoys" and generative visual sketches. Thanks to the site's intentionally cryptic interface design and the "anonymous author`' fad popular with the Vienna artists (many of which used pseudonyms or group names), the authorship of Turux was unclear to outsiders. Often, visitors had no idea if Lia, Dextro or Turux were actual people or just project names. Nevertheless, Turux became an important reference for the nascent scene, its fame only heightened by its obscure origin. When the collaboration ended some time later, Turux remained online practically unchanged. As a document of a specific time period (1997-2001), it became a time capsule of styles and strategies. Now Lia is running her company StrangeThingsHappen.

Jim Soliven

Jim Soliven is a programmer and computational artist based in New York City. Armed with his Apple II+, he started exploring the computational world of artistic visualization at an early age. Although driven for his love of computer-based art, his artistic journey came to a halt when he decided to go to a more stable path as a programmer. He now spends a significant amount of his free time re-discovering his love of generating nature-inspired images on his computer using the tools that he learned as a programmer. His works has made it to university press books and magazines.

Marius Watz

Marius Watz is an artist concerned with generative systems for creating visual form, still, animated or realtime. His signature is a brand of visual hedonism, marked by colourful organic shapes and a maximalist attitude. Most of his works deal with drawing machines implemented in software, live visuals for music or large-scale projections of plastic visual systems. In 2005 Watz started Generator.x, a platform for generative art and design which so far has resulted in a conference, a blog, a travelling exhibition and concert tour. In 2005 Watz received an honorary mention for his project Universal Digest Machine. Watz currently lives in Berlin. His tools of choice are Java, Processing, VVVV and Flash. He continues to edit the Generator.x blog and prepare future Generator.x events, as well as teach workshops in computational design and generative art.

Mike Young

Originally born and raised in Tennessee, Michael Young currently calls Bangkok, Thailand home. Michael started his career as one of the directors for progressive firm Vir2l and its world renowned rethinking of web design from 1998-2000. In 2000 he left Vir2l to start the prestigious design firm WeWorkForThem that has worked with the likes of Coca-Cola, Pepsi, HP, Apple and Microsoft. While not working in the commercial industry of graphic design, Michael's online project Designgraphik has been at the forefront of online-interactive art since 1998. In 2001, at only age 23 he was nominated for the highly prestigious Chrysler Design Award, typically reserved for architects. Although not winning the Chrysler, Michael's innovative work online and in video have gone on to be exhibited around the world from America to Asia and Australia to Europe. Michael continues to work daily as a artist, designer, photographer, director, producer and hack programmer.

Another origami caterflower (r)evolution #9 by Simona

3 7

I'm almost at the end of my journey in folding Maarten van Gelder's caterpillar. This really seems to be the last transformation... so this is the first of the four configurations I got... Everything has an end sooner or later and I feel it's time to stop... this patterns comes from an idea of rythm I had while reading ruimfroda's profile, having at the same time the kids learning drums while preparing a lesson about Gestalt in visual perception. Actually I thought to give a rythm to folds by sinking caterpillar's spikes in a pattern... if we were in symmetry we would be talking of a frieze... this has actually an ABABAB rythm but obviously many more can be studied... I'm thinking about a model that could really express rythm meshing visual and brain music... we could call it sort of origami synesthesia... My brain is working but not yet getting to a real solution... that I'd like to be really minimal... let's say I'm looking for a drum, not for a marimba. Have a good rythmic week and a happy folding my friends :-)

Also, since I optimistically thought that somebody might be interested in the caterflower phenomenon itself I organized it into a set.

... and for those who asked (many many many thanks for having been interested!!!!)... in other pictures might have not been so clearly legible but this is basic kraft paper (post office store) and this is always the same sheet of paper as in the first revolution... maybe I should have done many different and save them for the future... you never know... but I'm afraid I'm quite whimsical in these affairs and I get bored quickly... so maybe... if I will ever feel that posterity can't do without...

by Janet Waters

2

The fledgling of an idea...

synesthesia: months of the year by Kelley

3 3

this is a top-down view of how i see the months of the year via my spatial-sequence syensthesia. the colored areas are the colors i hold for each month (which doesn't necessarily correspond to the color of the actual WORD for that month).

MAXALOT : PROCESSING LIGHT @ TodaysArt 2008 by todaysart

www.maxalot.com/

What if you had a special little helper who could assist your own creativity into creating the most intricate layout of various curious and beautifully detailed objects and things. Who would be the real creator? What if you had actually made this special little helper yourself to begin with? Artists working with programming do just that, they create a very powerful creator and let them do the hard work. Through computer software algorithms written in various scripting languages more and more artists now use these powerful tools to have information generate mind blowing imagery. This "processing" of information happens in a combination of order and disorder, and although most behaviours are very much so controlled by the artists, the outcome is always somewhat of a surprise. For this event, this public outdoor exhibition, Maxalot will present a selection of todays finest generative artists and have their work light up part of the VROM building next to The Hague's Central Station using another powerful tool, Light.

Maxalot

Maxalot crosses digital arts with emerging pop surrealism, aiming to reach broad audiences with individuals and studios who break boundaries in art and design. Formerly based in Barcelona, the Maxalots have returned to their motherland, Holland and now curate exhibitions in a series of unconventional venues throughout the city of Amsterdam. Since their debut in 2003, Maxalot has set course to become an influential force in the global graphic and design community and now incorporates an online boutique offering unique objets d'art, limited edition giclée prints and graphic wallscapes.

ARTISTS:

Neil Banas

Neil Banas is a digital artist and computational oceanographer living, working, and teaching in Seattle. Inspiration for his work comes sometimes from pure math and geometry but more often from dynamics in nature. This piece is based on a simulation of millions of faint particles running down invisible hillsides, spreading and converging like water in a stream network or draining off mudflats at low tide.

Dextro

Dextro.org presents abstract graphic design experiments and algorithmic animations. In cooperation with Lia, Dextro initiated turux.org, a platform for interactive animations

Eno Henze

Eno Henze likes to employ computers to do his work. Hence, his work focuses on generative processes involving both human and machine intelligence. He graduated in Fine Arts at the Städelschule Frankfurt and recently moved to Berlin with his studio. He also works as designer and art director for digital media environments. Eno has created an artwork called "Party Collider" for this show.

Pedro Mari

Pedro Mari (born 1986 in Salerno, Italy), also known as Defetto, currently lives and works in London.

He's an audiovisual artist focused on generative systems. Most of his works deal with synesthesia and visual music, through the use of abstract shapes and a deep study of colour. Pedro will show a work titled ????? ??? (panta rei - everything flows) "Everything is subject to change. The harmony of things is contained in their perennial change. This change is not random or chaotic; it is governed by precise rhythms. ????? ??? is an eternal flow, constantly evolving, never equal to himself." Pedro Mari's work can be found online at flickr.com/defetto and vimeo.com/defetto.

Quayola

Quayola is a visual artist based in London. His work simultaneously focuses on multiple forms exploring the space between video, audio, photography, installation, live performance and print. Quayola creates worlds where real substance, such as natural or architectural matter, constantly mutates into ephemeral objects, enabling the real and the artificial to coexist harmoniously. Integrating computer-generated material with recorded sources, he explores the ambiguity of realism in the digital realm.

C.E.B REAS

C.E.B. REAS lives and works in Los Angeles. He focuses on defining processes and translating them into images. He is an associate professor and chair of the department of Design | Media Arts at the University of California, Los Angeles. With Ben Fry, REAS initiated Processing.org in 2001. Processing is an open source programming language and environment for creating images, animation, and interaction.

Karsten Smidt

"From the 1st moment I used a computer some 16 years ago, aged 13, I knew what I wanted to do later in life. Being an active part of the Demo scene back in the early '90s, I've been programming and experimenting with code, graphics and audio for all that time and still only feel like at the beginning of the real journey."

StrangeThingsHappen

Early pioneers of generative Director programming, Lia and Dextro quickly became influential both inside and outside the Director community. Their mix of crisp pixels, erratic animation and blurred surfaces was unique during the early and mid-1990's, presenting a perfect visual counterpoint to a musical scene experimenting with glitch and sound defects.

Together, they produced Turux, a seminal web site which featured Director "soundtoys" and generative visual sketches. Thanks to the site's intentionally cryptic interface design and the "anonymous author`' fad popular with the Vienna artists (many of which used pseudonyms or group names), the authorship of Turux was unclear to outsiders. Often, visitors had no idea if Lia, Dextro or Turux were actual people or just project names. Nevertheless, Turux became an important reference for the nascent scene, its fame only heightened by its obscure origin. When the collaboration ended some time later, Turux remained online practically unchanged. As a document of a specific time period (1997-2001), it became a time capsule of styles and strategies. Now Lia is running her company StrangeThingsHappen.

Jim Soliven

Jim Soliven is a programmer and computational artist based in New York City. Armed with his Apple II+, he started exploring the computational world of artistic visualization at an early age. Although driven for his love of computer-based art, his artistic journey came to a halt when he decided to go to a more stable path as a programmer. He now spends a significant amount of his free time re-discovering his love of generating nature-inspired images on his computer using the tools that he learned as a programmer. His works has made it to university press books and magazines.

Marius Watz

Marius Watz is an artist concerned with generative systems for creating visual form, still, animated or realtime. His signature is a brand of visual hedonism, marked by colourful organic shapes and a maximalist attitude. Most of his works deal with drawing machines implemented in software, live visuals for music or large-scale projections of plastic visual systems. In 2005 Watz started Generator.x, a platform for generative art and design which so far has resulted in a conference, a blog, a travelling exhibition and concert tour. In 2005 Watz received an honorary mention for his project Universal Digest Machine. Watz currently lives in Berlin. His tools of choice are Java, Processing, VVVV and Flash. He continues to edit the Generator.x blog and prepare future Generator.x events, as well as teach workshops in computational design and generative art.

Mike Young

Originally born and raised in Tennessee, Michael Young currently calls Bangkok, Thailand home. Michael started his career as one of the directors for progressive firm Vir2l and its world renowned rethinking of web design from 1998-2000. In 2000 he left Vir2l to start the prestigious design firm WeWorkForThem that has worked with the likes of Coca-Cola, Pepsi, HP, Apple and Microsoft. While not working in the commercial industry of graphic design, Michael's online project Designgraphik has been at the forefront of online-interactive art since 1998. In 2001, at only age 23 he was nominated for the highly prestigious Chrysler Design Award, typically reserved for architects. Although not winning the Chrysler, Michael's innovative work online and in video have gone on to be exhibited around the world from America to Asia and Australia to Europe. Michael continues to work daily as a artist, designer, photographer, director, producer and hack programmer.

#synesthesia #art #synesthesiaart #synesthesiaartistcollective by artistdillonjames

Synesthesia Series, No.25 by Paul Germain

1

Rise Against: Whereabouts Unknown (Synesthesia Art) by Sarah Bartell

4 13

I figured out less than a year ago that I have synesthesia, a neurological condition that causes me to see colors when I look at letters or numbers or listen to music. I also see colors for personalities, days of the week, months of the year, and for certain smells (though certainly not all). I dream in color, and see sequences of time in a three-dimensional space around me (for example, months of the year 'encircle' me at about chest level, with winter months behind and summer months directly ahead. Spring is to my left, while fall is to my right).

This watercolor painting is a partial representation of what I see when I listen to Rise Against's "Whereabouts Unknown." Unfortunately, watercolor was not the best idea for a medium, since they don't show my colors as well as the acrylic works I did earlier in the year.

There is no pink in this song; that's just a wash from the red. The black and orange are from the singer throwing his voice, and the red zig-zag streaks to the left are from the jagged guitar. I see most deeper guitar parts as red, as illustrated earlier in this piece to the sound of Anti-Flag's "No Paradise."

If you are interested in commissioning a piece from me, feel free to contact me at lionheart09@comcast.net

I can do any song you request, be it The Beatles or Dead Kenedys. Just don't ask me to do cute boy-bands or obnoxious rap.

Any unauthorized use of this image is illegal and strictly prohibited.

dance performance by drizzy #synesthesia #laboratory #audiovisual #generative #music #maze by Maze Tools

Candyland by Jason Samfield

5 14

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I promise not to disappoint!

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(A crowdsourced method of identifying unknown species of any organism through discussion with up or down votes and comments from tons of people including a bunch of biologists.)

Brecht Corbeel Stable Diffusion [ Aescermonium Omniscium 00164-[number]-1706031415-chess pieces, money, cash, gold bars, currency, dollar, economics, money stock image, surrealist symbolism Synesthesia human cog-0000.png]_resized by Brecht Corbeel

(Showcase your favorite artistic photography from your peers, pros, amateurs, or even yourself.)

12

Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...

www.brechtcorbeel.com/

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20230419_18475100 by Les Stockton

The universe in glass beads trending on Artstation hyperdetailed intricately detailed 8k resolution concept art WLOP deep color 8K resolution depth of field sharp focus subtractive lighting HDR shadow depth Unreal Engine 5 beautiful astral cosmic detailed complex elegant magnificent mysterious noctilucent ominous meticulous intricate radiant space serene synesthesia horror fantasy

F# minor by zanderredux

From Wikipedia, of course: "Johann Mattheson, in 1713, wrote 'F# minor, although it leads to great distress, nevertheless is more languid and love-sick than lethal. Moreover, it has something abandoned, singular, and misanthropic about it.' On a similar theme, Harry Farjeon wrote that it is the key that Mendelssohn uses when being passionate."

Samoglasnici / Vowels by Marina Blašković

2

scannography, digital process of synesthesia

Synesthesia | Figen by Elif Sanem Karakoç

13

(Sinestezik Arkadaş Portreleri)

Salvia Salvation by Jason Samfield

5 5

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• Flowers Group on Reddit

(Everything flowers. Showcase your favorite floral shots from your peers, pros, amateurs, or even yourself)

• Butterflies Group on Reddit

(Everything butterflies. Showcase your favorite butterfly shots from your peers, pros, amateurs, or even yourself.)

Accordion 2 by Corinna John

6 15

Painted with my new rainbow LED toy.

Straight out of the camera. Only resized to 33% of the original size, no changes to the colours.

The Garden by Jason Samfield

3 19

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Sin Aesthetic - 6/1/2023 www.sin-aesthetic.con by Sin Aesthetic

Are you ready to get down to some filth bass music? If so check out my tracks, you can find all my streaming links here: www.linktr.ee/sinaesthetic

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20230419_18482300 by Les Stockton

The universe in glass beads trending on Artstation hyperdetailed intricately detailed 8k resolution concept art WLOP deep color 8K resolution depth of field sharp focus subtractive lighting HDR shadow depth Unreal Engine 5 beautiful astral cosmic detailed complex elegant magnificent mysterious noctilucent ominous meticulous intricate radiant space serene synesthesia horror fantasy

TONY WILLIAMS READING AT DURHAM BOOK FESTIVAL by summonedbyfells

1

Tony's second collection is called: The Midlands, he lived for the early part of his life in Matlock and a few of the poems refer to local places and features like Masson Hill, Wild Cat Tor (one of my favourite rock-climbing venues in Derbyshire), Scarthin Nick etc. His poetry comprises much wordplay and mixing juxtapositions of emotion and facts all out of kilter and in the wrong place - a sort of verbal synesthesia - and has more than an air of fantasy about it. Here is the opening verse from his poem about Laura, who fell in love with a mole:

LAURA, A SEAMSTRESS (Part)

I've fallen in love with a mole.

The way they was talking, stood round,

me in my dress. So I ran,

pushing the teasel suitors back

till I found the place

the man was shoveling daylight down,

slid down myself, and there:

my little man.

TONY WILLIAMS

I rather like the notion of digging as "shoveling daylight down"

I C U by Bobbi

3 7

This color is as close to the one I as a synesthete associate with the letter U as I could come. Yellowish. Dull. Sketchy.

I see Q as a bright shiny silver, like aluminum foil. In words starting with QU, the bright shiny aluminum foil is followed

by dull, sketchy yellow! Oh, and ICU is White, Sand, and Yellowish!

My images are not to be used, copied, edited, or blogged without my explicit permission.

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So far in this album these letters ~ scarlet A, blue B, purple D, yellow E, green F, chartreuse K, coffee with cream L, dark chocolate brown M, and dull yellowish U ~ sport the colors that I, as a synesthete, have associated with them ever since I learned the alphabet.

Samoglasnici / Vowels by Marina Blašković

2

scannography, digital process of synesthesia

TDF 20 airship flo and kaleo by Draxtor Despres

2

"Second LIfe changed my life!" www.youtube.com/watch?v=Vs09zz_izuM

Synesthesia by Duncan Howsley

5 5

"One day," I said to my father, "I realized that to make an 'R' all I had to do was first write a 'P' and then draw a line down from its loop. And I was so surprised that I could turn a yellow letter into an orange letter just by adding a line."

- Patricia Lynne Duffy, on experiencing grapheme-colour synesthesia at an early age.

Crystal Clear by Jason Samfield

4 5

Crystal clarity in a bottle.

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