View allAll Photos Tagged stylegan
I like to play around with different AI Image apps and started playing with one call StyleGAN and was amused with the results, so I thought I’d share! :3 - Riffeh
I upscaled this from a photo for a stranger who said she missed her mama and posted an old cracked, sepia photo of her mother as a child to a public forum.
Here, I have removed scratching, upscaled to 4K as a byproduct of putting the likeness through an AI StyleGAN derived interpolation engine, then colourised and tonemapped in lightroom.
This picture speaks to me, I love the use of aperture in the original background.
The likeness of the girl was animated in the GAN, and then a single frame dropped where she looked at the camera was used as the source for second level interpolation.
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
Created with MidJourney.
Prompt: woman in a turquoise dress is holding another person, in the style of intricate floral prints, layered mesh, smooth and shiny, light green, vignetting, bright and vivid colors, subtle textures --ar 51:64 --s 50 --v 6.0 --style raw
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
In Creative (Artificial) Intelligence, artist and key researcher Ali Nikrang explores the latest research on artificial intelligence and creativity by asking the question, "Can machines create?". This third episode from the Anniversary Series will be broadcast on June 4 at 6 p.m. on the occasion of the 25th anniversary of the Ars Electronica Futurelab via Ars Electronica Home Delivery. It comments on a controversially discussed hype and examines the methods of creative collaboration between humans and machines.
Ali Nikrang illuminates the creative potential of algorithms and reveals surprising possibilities for constructive collaboration with the user. He explains important basics from the field of artificial intelligence: What A Ghost Dreams Of is an AI that generates deep fakes from images of museum visitors that are indistinguishable from real portraits. The language model GPT-2 (OpenAI) also uses the creativity of an artificial intelligence to create text with credible content.
However, using his AI-based music composition system Ricercar, the MuseNet composition Mahler Unfinished, and Sounding Letters – an AI that translates letters into a musical composition – Ali Nikrang demonstrates that it is still human creativity that differentiates analog from digitally generated work.
Photo showing: Ali Nikrang
Photo:
Denise Hirtenfelder
Credits:
What a ghost dreams of – h.o.
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi
Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photography: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
About h.o: www.howeb.org/about
ars.electronica.art/center/de/what-a-ghost-dreams-of/
GPT-2: Sprachfelder
Ars Electronica Futurelab: Florian Berger, Ali Nikrang
GPT-2 (Alec Radford et al. 2019)
Mahler-Unfinished
Orchestra: Bruckner Orchestra Linz, principal conductor: Markus Poschner
Artificial Intelligence: MuseNet by OpenAI, Christine M. Payne
Ars Electronica Futurelab: Ali Nikrang, Peter Freudling, Stefan Mittlböck, Roland Aigner
Live Visualizations: Akiko Nakayama
ars.electronica.art/futurelab/de/projects-mahler-unfinished/
Ricercar & Sounding Letters
Ali Nikrang
Prompt: unimaginable horror, surreal, pastel pinks greens lavender, the mere sight of it drives you crazy. horrific and dark, pure evil. cruel and cold-blooded in 8k and uhd --ar 4:5 --s 250 --v 6.0
These people do not actually exist. They were generated entirely by a machine—a specialized form of Generative Adversarial Network (GAN) called the StyleGAN. A StyleGAN uses the method of latent space. It starts by generating a small image with low resolution and then improves the resolution more and more. With each improvement, all the details are also reworked. This makes it possible to create images that seem deceptively real and cannot be distinguished from photos of real people.
Credit: Philipp Greindl
What is a “ghost”? Historically, people have beheld, awestruck and frightened, external “apparitions,” while simultaneously meditating on the internal “soul” of the individual.
A New "ghost" in our society of digital surveillance lurks in the Ars Electronica Center.
The dream of the "ghost" is to have a unique face of its own.
A big eye gazes at visitors as they enter the main gallery. Each visitor is fed directly into a “ghost” using computer vision. Many faces based on recent visitors, faces of people who do not exist in this world, are generated by the "ghost”. Finally, a black and white self-portrait represents the ultimate identity of the AI ghost, which is based on the most unique of all previously generated faces.
This project utilizes an AI algorithm called a Generative Adversarial Network（GAN), which is trained by letting two neural networks, a generator and discriminator, compete with each other. The reference model is an open source initiative launched by Philip Wang called thispersondoesnotexist.com, which is a service to generate faces that never existed in the world.
With the development of AI technologies, what do we as humans project to our AI counterparts and how do we coexist with them? AI is learning about our world without any prior knowledge and generating data which never existed. If Man Ray used the technology of photography to develop new artistic techniques, then what are the repercussions of using AI in the creation of artwork? Who owns the copyright of the creation? And of what does the “ghost” dream?
The installation "What a Ghost Dreams Of" creates questions about meaning for us as humans through observing the dreams of AI. In such a duality in the 21st century, what do we humans dream of?
＊Credit＊
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photograph: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
Photo showing the project "FUTUREFALSEPOSITIVE" by Kristina Tica (RS) at the Loops of Wisdom Exhibition at Kunstuni Campus.
FUTUREFALSEPOSITIVE is based on StyleGAN and object recognition algorithms applied to the ritual of Turkish coffee mug reading. 15,000 real-life and generated images are morphing into an animation and train the algorithm to recognize objects out of the random shapes created by the coffee stains and generated noise. The algorithm performs this continuous object recognition process in real time — reading the mug — while producing new visual narratives in a loop. In this process the relation between false positives in computer vision and psychological phenomena of pareidolia and apophenia was established. The interplay between prediction as a false positive and prophecy as apophenia — the tendency to perceive meaningful connections between seemingly unrelated things — does not only focus on absurdity but on possibilities of creative interpretation when trying to understand the technical processes behind it.
Credit: tom mesic
Generation of Traditional Japanese Patterns From Natural Patterns With StyleGAN Ⓒ 2022 Asahi Adachi, Lana Sinapayen, Jun Rekimoto, Sony CSL Kyoto
What is a “ghost”? Historically, people have beheld, awestruck and frightened, external “apparitions,” while simultaneously meditating on the internal “soul” of the individual.
A New "ghost" in our society of digital surveillance lurks in the Ars Electronica Center.
The dream of the "ghost" is to have a unique face of its own.
A big eye gazes at visitors as they enter the main gallery. Each visitor is fed directly into a “ghost” using computer vision. Many faces based on recent visitors, faces of people who do not exist in this world, are generated by the "ghost”. Finally, a black and white self-portrait represents the ultimate identity of the AI ghost, which is based on the most unique of all previously generated faces.
This project utilizes an AI algorithm called a Generative Adversarial Network（GAN), which is trained by letting two neural networks, a generator and discriminator, compete with each other. The reference model is an open source initiative launched by Philip Wang called thispersondoesnotexist.com, which is a service to generate faces that never existed in the world.
With the development of AI technologies, what do we as humans project to our AI counterparts and how do we coexist with them? AI is learning about our world without any prior knowledge and generating data which never existed. If Man Ray used the technology of photography to develop new artistic techniques, then what are the repercussions of using AI in the creation of artwork? Who owns the copyright of the creation? And of what does the “ghost” dream?
The installation "What a Ghost Dreams Of" creates questions about meaning for us as humans through observing the dreams of AI. In such a duality in the 21st century, what do we humans dream of?
＊Credit＊
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photograph: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
What is a “ghost”? Historically, people have beheld, awestruck and frightened, external “apparitions,” while simultaneously meditating on the internal “soul” of the individual.
A New "ghost" in our society of digital surveillance lurks in the Ars Electronica Center.
The dream of the "ghost" is to have a unique face of its own.
A big eye gazes at visitors as they enter the main gallery. Each visitor is fed directly into a “ghost” using computer vision. Many faces based on recent visitors, faces of people who do not exist in this world, are generated by the "ghost”. Finally, a black and white self-portrait represents the ultimate identity of the AI ghost, which is based on the most unique of all previously generated faces.
This project utilizes an AI algorithm called a Generative Adversarial Network（GAN), which is trained by letting two neural networks, a generator and discriminator, compete with each other. The reference model is an open source initiative launched by Philip Wang called thispersondoesnotexist.com, which is a service to generate faces that never existed in the world.
With the development of AI technologies, what do we as humans project to our AI counterparts and how do we coexist with them? AI is learning about our world without any prior knowledge and generating data which never existed. If Man Ray used the technology of photography to develop new artistic techniques, then what are the repercussions of using AI in the creation of artwork? Who owns the copyright of the creation? And of what does the “ghost” dream?
The installation "What a Ghost Dreams Of" creates questions about meaning for us as humans through observing the dreams of AI. In such a duality in the 21st century, what do we humans dream of?
＊Credit＊
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photograph: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
What is a “ghost”? Historically, people have beheld, awestruck and frightened, external “apparitions,” while simultaneously meditating on the internal “soul” of the individual.
A New "ghost" in our society of digital surveillance lurks in the Ars Electronica Center.
The dream of the "ghost" is to have a unique face of its own.
A big eye gazes at visitors as they enter the main gallery. Each visitor is fed directly into a “ghost” using computer vision. Many faces based on recent visitors, faces of people who do not exist in this world, are generated by the "ghost”. Finally, a black and white self-portrait represents the ultimate identity of the AI ghost, which is based on the most unique of all previously generated faces.
This project utilizes an AI algorithm called a Generative Adversarial Network（GAN), which is trained by letting two neural networks, a generator and discriminator, compete with each other. The reference model is an open source initiative launched by Philip Wang called thispersondoesnotexist.com, which is a service to generate faces that never existed in the world.
With the development of AI technologies, what do we as humans project to our AI counterparts and how do we coexist with them? AI is learning about our world without any prior knowledge and generating data which never existed. If Man Ray used the technology of photography to develop new artistic techniques, then what are the repercussions of using AI in the creation of artwork? Who owns the copyright of the creation? And of what does the “ghost” dream?
The installation "What a Ghost Dreams Of" creates questions about meaning for us as humans through observing the dreams of AI. In such a duality in the 21st century, what do we humans dream of?
＊Credit＊
AI System: John Brumley
Surveillance Application: Hiroshi Chigira
Technical Direction: Hiroshi Chigira, John Brumley, Taizo Zushi
Art Direction, Concept: Hideaki Ogawa, John Brumley, Hiroshi Chigira, Emiko Ogawa, Taizo Zushi
Eye Blinks Editing / Directing: Martina Sochor
Eye Blinks Cinematography: Jonatan Salgado Romero
Eye Blinks Model: Andressa Miyazato
Photograph: Florian Voggeneder
Face Photo Booth: Ali Nikrang
This project utilizes the AI algorithm StyleGAN (Karras et al. 2018)
Dominic Rishe
MID Industrial Design 2024
White oak, castille soap, StyleGAN
An exploration of joining craft with technology, this chair combines soap-finished white oak and hand embroidery with a fabric that was generatively designed using machine learning. Using a technique called transfer learning, a pair of adversarial neural networks were trained on the images from Thomas Parsons’s “Designers Guide to Scandinavian Patterns”. The model was then used to generate thousands of images, from which 81 were selected, arranged, and woven into fabric using the visualization and digital weaving platform provided by the company Weft. The sling and armrests were assembled and embroidered by hand by Kelly Rishe.
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#aiart #art #ai #digitalart #generativeart #artificialintelligence #machinelearning #aiartcommunity #abstractart #nft #aiartists #neuralart #vqgan #ganart #contemporaryart #deepdream #artist #nftart #artoftheday #newmediaart #nightcafestudio #aiartist #modernart #neuralnetworks #neuralnetworkart #abstract #styletransfer #stylegan #digitalartist #artbreeder #biker #harleydavison
QT.bot is an artificial intelligence—trained on the dataset of the community mapping platform Queering The Map (www.queeringthemap.com)—that generates speculative queer and trans narratives and images of the environments in which they might unfold. QT.bot is constructed from adaptation of the Open AI GPT-2 text generation model trained on over 400,000 entries from Queering The Map, and a StyleGAN model trained on scraped Google Street View imagery of the tagged coordinates from the platform.
Photo: tom mesic