Stereo Photography of Architecture
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Still playing with that Begonia, actually it might be a Geranium.. but Geranium Biopsy doesn't sound as good.
Medienhafen (Media Harbour) / Düsseldorf / North Rhine-Westphalia / Germany
Please have a look at my albums:
A Season's Greeting smile.
Fuji Real 3D W3
If you are not familiar with viewing stereo cross-view images, gently cross your eyes and the third image which appears centrally is the stereo view. See the link in my profile.
www.flickr.com/people/barrie_r/?rb=1
Otherwise just enjoy , enjoy.
Outline and fantasy colourisation of one of the New Zealand Sounds, photographed from the Celebrity Solstice. This one is probably Dusky Sound.
Handheld RAW image w/ ultra wide-angle lens at 18 mm.
Cropped, saturation & light adjusted and some spots blackened with the retouch tool in Aviary.
Shot of London, taken in 2019 on a specialty film from DubbleFilm.
Nikon F4. DubbleFilm Stereo 200 35mm C41 film.
Ortofon MC 10 mk2 moving coil cartridge on a Rega RB 300 tonearm.
Three lights, left right and above.
285 original shots reduced to 28 slabs (15 frames overlapped 5) processed with Zerene Stacker for syntetic stereo
Darker shot in London in 2019, taken on a specialty film from DubbleFilm.
Nikon F4. DubbleFilm Stereo 200 35mm C41 film.
Shot of London, taken on a specialty film from DubbleFilm.
Nikon F4. AF Nikkor 24mm F2.8D lens. DubbleFilm Stereo 200 35mm C41 film.
A pair of stereo audio cable jacks found on the backside of a vintage Rotel RX-303 stereo reciver/amplifier.
Shot for Macro Mondazys pair theme.
Shot of London, taken on a specialty film from DubbleFilm.
Nikon F4. AF Nikkor 24mm F2.8D lens. DubbleFilm Stereo 200 35mm C41 film.
Stereo Love - Edward Maya & Vika Jigulina
Can I get to your soul?
Can you get to my thought?
Can we promise we won't let go?
All the things that I need
All the things that you need
You can make it feel so real
Cause you can't deny, you've blown my mind
When I touch your body
I feel I'm losing control
Cause you can't deny, you've blown my mind
When I see you baby
I just don't want to let go
A cross-eye stereo pair, looking down vertically on a turbulent ocean surface at Cuttagee, NSW Far South Coast.
Look down the bridge of your nose to help go cross-eyed. When you've found the correct viewing distance, the two images should separate, with a new, 3-D image in between. The challenge is to try and concentrate on the new image.
MUST BE VIEWED IN STEREO TO FULLY APPRECIATE!
A 3D (stereo) crosseye view.
TO SEE THIS IN 3D, there's a tutorial here:
Sydney. January 2023. Instax Square Monochrome. Nons Camera SL660 + Canon LTM 50/1.4 + Cokin filters.
Qué hay que hacer para ver esta imagen en 3D:
Deberías estar, como mínimo, a una distancia del monitor aproximada de tu brazo estirado (si eres como Pau Gasol, un poquito menos también te puede servir).
Manteniendo el par de fotografías en el centro de tu campo de visión, cruza ligeramente los ojos. Verás entonces cuatro imágenes.
Poco a poco ve cruzando más tus ojos hasta que puedas ver tres imágenes (ya que las dos del centro se han solapado).
Mantén esta imagen fijada. Podrás verla en 3D.
Ahora viene la parte complicada. Relaja tu vista (no quiere decir dejar de cruzar los ojos) y podrás ver la imagen en 3D y enfocada.
What to do to see this 3D image:
You should be, at least, at a distance from the approximate monitor of your stretched arm (if you're like Pau Gasol, a little less can also help you).
Keeping the pair of photographs in the center of your field of vision, cross your eyes slightly. You will see then four images.
Little by little, go through your eyes more until you can see three images (since the two in the center have overlapped).
Keep this image fixed. You can see it in 3D.
Now comes the complicated part. Relax your eyes (does not mean to stop crossing your eyes) and you can see the image in 3D and focused.