Canon Powershot SX40HS Users
View allAll Photos Tagged stabilizers
We recently stayed at the incredible Amstel Hotel in Amsterdam. I took this picture at sunset, handheld on a rocking boat. I'm glad the Sony a7ii has a stabilizer built in.
This is just a lonely Argan tree in the desert of Morocco. I think that is clear enough that I love the "Lonely Tree" theme. But this one has an invisible peculiarity, or better a curiosity: the photo has been made running over the 100kmh on a off-road vehicle, while we were approaching the sand dunes. It is one of the really rare shots I ever made at 1/4000s, but I must say that the nikon shutter and its stabilizer are a hell of gear! Unbelievable isn't it?
Da vedere in Alta Risoluzione - To see in High Resolution
www.flickr.com/photos/155221830@N02/32070217598/sizes/o/
Nella pozzetta in mezzo al bosco con il capanno portatile piazzato nelle sue vicinanze e con l'obiettivo su Bean bag. Quando ho visto arrivare questo Tordo sassello non credevo ai miei occhi e, tanto era la mia felicità di averlo per la prima volta nel mirino, che mi tremavano le mani…..per fortuna lo stabilizzatore ha fatto il suo dovere. Abruzzo - PNGSL
In the well in the middle of the woods with the portable shed placed in its vicinity and with the aim on Bean bag. When I saw this Redwing I could not believe my eyes and, so it was my happiness to have it for the first time in the crosshairs, that my hands were shaking ... .. luckily the stabilizer did its duty. Abruzzo - Gran Sasso Laga National Park
Fog...
Rather unsuitable for wide-angle lenses, as objects in the distance are depicted much too small. But those objects are exactly what matters. Because they fade into the distance and that creates the magical atmosphere in the fog that we all love so much, right?
So my wide-angle lens was allowed to rest at home today and I took off with my standard zoom lens. Without a tripod, without a filter, just like that, can it be grasped?
But you don't need a filter on foggy days. The water droplets in the air reflect the light in all directions and reduce the contrast. The sky is almost as bright as the grass on the ground.
And with a slightly increased ISO value (not too much, otherwise there will be ugly ISO noise), activated image stabilizer (IS) and a rather open aperture, the absence of a tripod is no longer a problem.
We love foggy days, because on these you can take photos with an inspiring ease.
I wish you all a good time, have a good new year and stay healthy.
Greetings from Bremen North.
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Nebel...
Für Weitwinkelobjektive eher ungeeignet, da Objekte in der Ferne viel zu klein abgebildet werden. Aber gerade auf die kommt es an. Denn sie verblassen in der Ferne und dadurch entsteht im Nebel die magische Atmosphäre, die wir alle so sehr lieben, oder ?
Mein Weitwinkelobjektiv durfte sich heute also zu Hause ausruhen und ich zog mit meinem Standardzoomobjektiv los. Ohne Stativ, ohne Filter, einfach so, ist das zu fassen ?
Aber einen Filter braucht man an Nebeltagen nicht. Die Wassertropfen in der Luft reflektieren das Licht in alle Richtungen und vermindern die Kontraste. Der Himmel ist fast genau so hell wie das Gras am Boden.
Und mit einem leicht erhöhten ISO Wert (nicht zu viel, sonst gibt es hässliches ISO Rauschen), aktiviertem Imagestabilizer (IS) und eine eher offenen Blende ist die Abwesenheit eines Stativs auch kein Problem mehr.
Wir lieben Nebeltage, denn an diesen lässt sich mit einer beflügelnden Leichtigkeit Fotografieren.
Ich wünsche euch allen eine schöne Zeit, kommt gut ins neue Jahr und bleibt gesund.
Liebe Grüße aus Bremen Nord.
my first Thunderbolt try:-))
taken from my terrace
bulb (here 64sec.)
f 8
ISO 100
17mm
WB: tungsten
wireless remote control
Autofocus manuell
stabilizer off
tripod
Der Weg zum Zielfoto ist begonnen. An diesem Tag wollte ich einen Greifvogel fotografieren, der genau auf mich zufliegt und auch den Anschein zeigt, dass er mich in seinem Visier hat.
Lerneffekt:
1. Bei schnellbewegenden Objekten den Stabilisator deaktivieren.
2. Bei hellem Gefieder und dunklem Hintergrund Belichtungskorrektur.
Target photo - not perfect - criticism welcome!
The path to the target photo has begun. On this day I wanted to photograph a bird of prey flying right at me and also showing the appearance of having me in its sights.
Lesson learned:
1. deactivate the stabilizer for fast-moving objects.
2. use exposure compensation for bright plumage and dark background
Leica Mp
Leica 35mm F2.0
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins (Push 1 stop)
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Un petit diptère inoffensif pour l'homme (sa longue trompe droite ne sert qu'à butiner) ... mais pas pour les abeilles solitaires (parasitisme).
On dirait qu'il utilise ses deux pattes arrière comme stabilisateurs de vol....
Comme le moro-sphinx (lépidoptère), c'est un adepte du vol stationnaire. Les ailes battent très très vite. La vitesse portant rapide de la photo (1/250 ème de seconde) n'a pas permis de les figer, laissant une discrète trace de "motion blur".
The large bee-fly
A small diptera, harmless against human poeple (its long right trunk only serves to forage) ... but not against solitary bees (parasitism).
It looks like it’s using his two hind legs as flight stabilizers...
Like the hummingbird hawk-moth (lepidopteran), it is a fan of hovering. The wings beat very, very fast. The rapid shutter speed (1/250 second) did not allow to freeze them, leaving a trace of "motion blur".
Challenge on flickr: CoF126 - AIR & CLOSE-UP
Already posted in "Challenge on Flickr" ("Free Theme")
DSC_1748
BeSpoke Doll Marionette Head BOM with multiple skins & looks for both head & body, body shapes, makeup, eyes, HUD, for female & male avis... @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Body: Maitreya Lara BOM
Barclay Hand (mechanical; w/ texture HUD): Wicca's Originals @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Ensemble: Ursula Dress (available in 5 colors) by Kiru @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Octomonocle (left eye) by Rise Design (w/ texture HUD, animation HUD) now @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Galvanic Limbs by Quills & Curiosities (w/ texture HUD, animation HUD, adjustable limbs) @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Causality Stabilizer (worn on back; w/ texture HUD) by Butanik83 @ The Engine Room Sept. 20th - Oct. 20th @ maps.secondlife.com/secondlife/Syndicate/194/144/502
Stackable Hairstyle Cuckoo Clock (w/ touch color & style changes): Curio Obscura
Divine Wedge Sandals: AZOURY
POSE: Leap Back as part of the Galvanic Limbs Animation HUD
SIM: Shui Mo Gallery by Fiona Fei @ maps.secondlife.com/secondlife/Dreams/114/142/2548
Leica MP
Leica 21mm F1.4
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Leica MP
Leica 50mm F1.5
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:45Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
I don't know how this managed to come out , having hand held it in the near darkness of the morning & the lens & camera have no image stabilizer
Hasselblad 503cw (35mm kit in 6x4.5 film back)
Carl Zeiss 150mm F4
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Remjet Remove: Baking Soda + 1000ml
40C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Bilx: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins (Push 1 stop)
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins (Push 1 stop)
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Als wenn die Wäsche tanzen würde. Ein Windhauch in der Straße.
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
I'm really excited about what the technology can do – here the IBIS, image stabilizer in the camera. Especially about the fact that you can easily do photos with movement out of hand and without a tripod – and the rest gets sharp ;-)
///
Ich freue mich wirklich sehr, was die Technik so alles kann – hier der IBIS, Bildstabilisator in der Kamera. Ganz besonders darüber, dass man einfach so aus der Hand und ohne Stativ Fotos mit Bewegung machen kann – und der Rest scharf wird ;-)
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Travel to Tuscany, Italy /// Reise in die Toskana, Italien /// Montepulciano
Graflex Speed Graphic Large Format 4X5
Lens: No.3 Acme synchro Ilex F4.5 6 1/2 inches (166mm) (Maybe Year 1950-1960)
120 back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Remjet Remove: Baking Soda + 1000ml
40C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Rollei 35
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 40C hot water
60 secs shaking +60 secs soak water
Develop：Kodak C41 40C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Konica C35 EF
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:45Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Leica MP
Leica 35mm F2.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:45Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Remjet Remove: Baking Soda + 1000ml
40C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Bilx: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Leica MP
Leica 35mm F2.0
Fuji RDP III 100
CineStill D9 First Developer Bath 1+1 9mins 30 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
© All Rights Reserved
Leica mp
Leica 50mm f1.5
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:45Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Robot II (24x24mm)
Schneider-Kreuznach Tele-Xenon 75mm F3.8
Film: Kodak Motion Picture 5203 ISO 50 push to ISO100
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 4:35Mins (Push 1 stop)
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Fujifilm 90mm F4.0
Develop： Kodak C41 40C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Across the street from our Zoo are some tall trees that about 100 Egrets of different varieties live!!
A local photographer let me know that the Stabilizer 2 setting on my 70 - 300 mm was for in flight photos!!
T - 13
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 40C hot water
60 secs shaking +60 secs soak water （39c）
Develop：CineStill ECN-2 40C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
This male Anna Hummingbird was fanning its tail feathers while hovering for a moment, before taking off in a mad dash of speed after another male Anna invading its territorial space.
Like that of a plane the Hummingbird uses its tail as both a horizontal and vertical stabilizer. While in flight, Hummingbirds are continuously adjusting their wings and tails. While hovering in a vertical position like the one shown, fanning the tail works to stop any forward motion. They can also create a high whistling sound by adjusting their tail feathers while in flight. This whistling sound is believed to be for territorial and mating displays.
Hasselblad Xpan
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 59C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2; 41C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
The Burrard Street Bridge (sometimes referred to as the Burrard Bridge) is a four-lane, Art Deco style, steel truss bridge constructed in 1930–1932 in Vancouver, British Columbia, Canada
Canon EOS Rebel G
ilford XP2 C41 ISO 400
Develop：C41 39C 4:00 mins
Blix: 8:00mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson E800
© All Rights Reserved
Contax G1
Remjet Remove: Baking Soda + 1000ml
40C hot water
60 secs shaking +60 secs soak water
Develop：C41，41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Lions Gate Bridge, Vancouver, Canada
Leica IIIf
Leica 50mm F3.5
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Lens：Hasselblad 45mm f4.0
Film: Kodak Ektar 100
Develop：C41 39C 3:40 mins
Blix: 8:00mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson E800
© All Rights Reserved
Hasselblad Xpan
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 59C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2; 41C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Leica IIIf
Leica 50mm F3.5
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：ECN2，39C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad Xpan
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 59C hot water
60 secs shaking +60 secs soak water
Develop：CineStill Cs41 43C 4 Mins
Blix: 8mins 43C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Hasselblad xpan
Hasselblad 45mm f4
Film: Kodak 200
Develop：C41，41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Canon EOS Rebel G
Meyer Optik Gorlitz Oreston 1.8/50mm M42 Adapter to EOS
ilford XP2 C41 ISO 400
Develop：C41 39C 4:00 mins
Blix: 8:00mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan: Epson E800
© All Rights Reserved
Hasselblad Xpan
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 59C hot water
60 secs shaking +60 secs soak water
Develop：CineStill Cs41 43C 4 Mins
Blix: 8mins 43C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Canon EOS Rebel G
ilford XP2 C41 ISO 400
Develop：C41 39C 4:00 mins
Blix: 8:00mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan: Epson E800
© All Rights Reserved
Hasselblad Xpan
Hasselblad 45mm F4.0
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：CineStill ECN-2 41C 3:30Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved