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Evanescent by Gerri Sayler

Missoula Art Museum

Oct 2012 — Feb 2013

(HGM 1297.1 M, Heisey Glass Museum, Newark, Ohio, USA)

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"3350 Wabash" is the designation for a specific glass product design made in Newark, Ohio by the Heisey Glass Company (1896 to 1957). Heisey glass designs are called "patterns". Pattern designations include a number (not necessarily consecutively numbered during the history of the glass factory) and a name. Some pattern names were given by the Heisey company, while others were given by Heisey glass researchers.

 

The source of silica for Heisey glass is apparently undocumented, but was possibly a sandstone deposit in the Glassrock area (Glenford & Chalfants area) of Perry County, Ohio (if anyone can provide verfication of this, please inform me). Quarries in the area targeted the Pennsylvanian-aged Massillon Sandstone (Pottsville Group) and processed it into glass sand suitable for glass making.

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From Bredehoft (2004):

 

Hawthorne: 1927 only. Replaced by Alexandrite. A light purple or lavender shade. Varies quite a lot in tone. Apparently the company had trouble controlling the color, possibly due to their inability to control the flamingo color base.

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From museum signage:

 

Augustus H. Heisey (1842-1922) emigrated from Germany with his family in 1843. They settled in Merrittown, Pennsylvania and after graduation from the Merrittown Academy, he worked for a short time in the printing business.

 

In 1861, he began his life-long career in the glass industry by taking a job as a clerk with the King Glass Company of Pittsburgh. After a stint in the Union Army, Heisey joined the Ripley Glass Company as a salesman. It was there that he earned his reputation of "the best glass salesman on the road".

 

In 1870, Heisey married Susan Duncan, daughter of George Duncan, then part-owner of the Ripley Company and later full owner, at which time he changed its name to George Duncan & Sons. A year later, he deeded a quarter interest to each of his two children. A few years after his death, A.H. Heisey and James Duncan became sole owners. In 1891, the company joined the U.S. Glass Company to escape its financial difficulties. Heisey was the commercial manager.

 

Heisey began to formulate plans for his own glass company in 1893. He chose Newark, Ohio because there was an abundance of natural gas nearby and, due to the efforts of the Newark Board of Trade, there was plenty of low cost labor available. Construction of the factory at 301 Oakwood Avenue began in 1895 and it opened in April of 1896 with one sixteen-pot furnace. In its heyday, the factory had three furnaces and employed nearly seven hundred people. There was a great demand for the fine glass and Heisey sold it all over the world.

 

The production in the early years was confined to pressed ware, in the style of imitation cut glass. The company also dealt extensively with hotel barware. By the late 1890s, Heisey revived the colonial patterns with flutes, scallops, and panels which had been so popular decades earlier. These were so well accepted that from that time on, at least one colonial line was made continuously until the factory closed.

 

A.H. Heisey's name appears on many different design patents including some when he was with George Duncan & Sons. Heisey patterns that he was named the designer include 1225 Plain Band, 305 Punty and Diamond Point, and 1776 Kalonyal.

 

Other innovations instituted by A.H. Heisey were the pioneering in advertising glassware in magazines nationally, starting as early as 1910 and the first glass company to make fancy pressed stems. That idea caught on quickly and most hand-wrought stemware is made in this manner, even now.

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Reference cited:

 

Bredehoft, N. (ed.) (2004) - Heisey glass formulas - and more, from the papers of Emmet E. Olson, Heisey chemist. The West Virginia Museum of American Glass. Ltd.'s Monograph 38.

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Info. at:

en.wikipedia.org/wiki/Heisey_Glass_Company

and

heiseymuseum.org

and

heiseymuseum.org/gallery/heisey-hawthorne/

 

The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.

 

Lets Get Straight to the Results.

 

Classic Formula Ford/Historic Formula 3 (Race 2 Result)

 

Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.

 

In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.

 

In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.

 

Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.

 

HGPCA Pre 66 Grand Prix Cars (Race 20)

 

Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.

 

In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.

 

In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.

 

In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.

 

Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.

 

HSCC 70's Road Sports (Race 19)

 

Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.

 

In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.

 

In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done

 

In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.

 

Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.

 

Aurora Trophy With Geoff Lees Trophy

 

The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.

 

In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.

 

In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.

 

In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.

 

Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.

 

Guards Trophy (Race 21)

 

Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.

 

In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.

 

In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done

 

In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.

 

A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.

 

Historic Formula Ford (Race 16)

 

Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.

 

In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.

 

In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.

 

An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.

 

Historic Road Sports (Race 17)

 

Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.

 

In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.

 

In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.

 

In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.

 

Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.

 

Historic Touring Cars (Race 22)

 

The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.

 

In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.

 

In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.

 

In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.

 

And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.

Aus der Serie „Sommerfrische“

Site-specific Performance und Intervention

Josefsberg – Ötscher 2014

Fotografie und Installation

Performance: Andrea Nagl

Fotografie: Markus Wintersberger

Nagl ~ Wintersberger 2014 / 2015

Specific Media/MySpace Holiday Bash 2011 | www.miminguyen.com

Site specific installtion projected onto a 6ft screen in a darken studio during the opening of the new C4C Cetl building at York St John University.

Location: Shanghai

Specific Location: East Nanjing Road

 

At first, I didn't believe that Nanjing Road can be so packed but now I do. You'll be walking shoulders to shoulders with other people even though the road for walking is so wide. It's constantly filled with people but more so at during night time as people are off of work and they also want to visit The Bund (which is at the end of Nanjing Road).

While there, Pam Connolly engaged several of the children in exercises to determine their specific needs.

ROMA ARCHEOLOGICA & RESTAURO ARCHITETTERA 2024: ROMA, Il FORO ROMANO - I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l'Arco di Settimio Severo tra fine 2023 e inizio 2024; in: Michele Gigante & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024) & E aggiornamento - "Digitalizzazione e software di analisi per l'area del Lapis Niger"; in: Visivalab (2012-15 [2020-24]); S.v., ROMA -"Via Sacra presso la Basilica di Massenzio"; Video & Foto; in: Visivalab (2015-16 [2020-24]). Anche: S.v., Giacomo Boni; in: L’Ill. Ital., & La Tribuna Illustrata (1899 bis 1907). wp.me/pbMWvy-4HO

 

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Nota: tutte le fotografie presenti in questo post del blog e la raccolta di album Flickr di accompagnamento sono citate dalla seguente fonte se non diversamente specificato =

 

Note: all the photographs in this blog posting and the accompanying Flickr album collection are cited from the following source unless specified as other =

 

Fonte / source:

— ROMA – ‘Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

 

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Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024); e altre fonti contemporanee e storiche correlate come citate di seguito (18/02/2024).

www.flickr.com/photos/imperial_fora_of_rome/53537733848

 

Foto: ROMA – Il Foro Romano – Veduta del Foro e del vicino quartiere Alessandrino [a sinistra = i sottostanti ruderi della Basilica Emilia, i Fori di Nerva e della Pace] guardando dal Campidoglio. Foto: data = fine 1850 o inizio 1860? {in RARA 20204 / ROMA [02/2024]) e una vista dei lunghi scavi presso il Lapis Niger nel Foro Romano, fine 2023.

www.flickr.com/photos/imperial_fora_of_rome/53537870839

 

1). ROMA - Foro Romano - i nuovi scavi e lavori di restauro tra il “Lapis Niger” e l'Arco di Settimio Severo tra fine 2023 e inizio 2024; in:

Michele Gigante & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (Da dicembre 2023 a febbraio 2024).

 

Foto: RARA 2024 / ROMA – “Roma. Vista aerea dell’area archeologica: il Foro Romano (foto a sinistra 1899, foto a destra 2009).” Fonte – “Roma ieri, Roma oggi di Alvaro de Alvariis (11/2010 & Google Earth 2009).”

www.flickr.com/photos/imperial_fora_of_rome/53537870224

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536554584

 

Foto: RARA 2024 / ROMA – Giacomo Boni & Il Foro Romano; in: L’Illustrazione Italiana, No. 28 (09/07/1899): 26 [articolo disponibile nel testo completo]; in:

— Myriam Pilutti Namer, “NOTES ON SOME UNPUBLISHED FIELDWORK REPORTS WRITTEN BY GIACOMO BONI FOR GUIDO BACCELLI IN 1899.” History of Classical Scholarship. No 3., (24/08/2021): 1-30 (in PDF). Anche: G. Boni; in: ‘L’Illustrazione Italiana 1899-1900 (testo completo). S.v., Dr. Romolo Artioli & Prof. Thomas Ashby, jr (1906 bis 1912) [in PDF]. wp.me/pbMWvy-20h

www.flickr.com/photos/imperial_fora_of_rome/53537859269

 

Foto: ROMA – Eva Carballo Gonzalez, “Il Foro Romano” / Fb (17/02/2024).

www.flickr.com/photos/imperial_fora_of_rome/53535353077

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53535358992

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53535354507

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536418868

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53535354452

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536659415

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536418793

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536418828

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536418818

 

Foto: ROMA – ‘ Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger” e l’Arco di Settimio Severo tra fine 2023 e inizio 2024’; in: Michele Gigante (a cura di) & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (nei mesi di gennaio e febbraio 2024).

www.flickr.com/photos/imperial_fora_of_rome/53536232491

 

Fonte / source / foto & video:

--- Michele Gigante & Nei Restauro e Costruzioni Srl; Genzano di Lucania (Potenza, Basilicata) / Fb (Da dicembre 2023 a febbraio 2024)

www.facebook.com/neirestauro/?locale=it_IT

 

Fonte / source / foto:

--- Eva Carballo Gonzalez, "Il Foro Romano" / Fb (17/02/2024).

www.facebook.com/eva.carballogonzalez

 

--- Link alla collezione completa di Roma - "Il Foro Romano & Lapis Niger” (2023-24) = foto e articoli di notizie (da 1 a 87) (02/2024).

www.flickr.com/photos/imperial_fora_of_rome/albums/721777...

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536566269

 

2). ROMA - Foro Romano - i nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: "Digitalizzazione e software di analisi per l'area del Lapis Niger"; in: Visivalab (2012-15 [2020-24]).

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536243101

 

Il Lapis Niger, scoperto da Giacomo Boni nel XIX secolo, è una delle poche parti sopravvissute nell’area del Comizio, luogo che precedeva il Foro, sede di di assemblee e di un culto religioso probabilmente risalente al VIII secolo a.C.. Sotto quest’area venne rinvenuto un altare con il celebre cippo inciso da una delle iscrizioni latine più antiche mai conservate.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536566264

 

Con la direzione della Soprintendenza, e affiancati da un team multidisciplinare, Visivalab ha preso parte al progetto di ricerca scientifica trasversale dell’area. Gli obiettivi hanno riguardato lo studio della documentazione storica precedente, l’acquisizione digitale dell’area del Comizio, del Lapis Niger e dell’iscrizione stessa, con la finalità di preservare i reperti in tutte le loro fasi. E’ stato inoltre sviluppato un software online in grado di elaborare le informazioni, convertitosi poi in nuovo strumento di interpretazione degli scavi e del contesto del Foro Romano.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536429253

 

CLIENTE Soprintendenza per il Colosseo e l’area archeologica centrale di Roma [oggi = “Parco Colosseo”] / ANNO 2012-2015.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536243096

 

Progetto - La metodologia applicata nel progetto ha coinvolto diversi approcci e fasi. Si è iniziato con un minuzioso studio della documentazione storica relativa al Lapis Niger e al Comitium. Successivamente, è stata effettuata la digitalizzazione dell’area e dei reperti utilizzando tecnologie di acquisizione digitale all’avanguardia.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53535365077

 

I dati raccolti sono stati analizzati attentamente e confrontati con l’archivio storico. Allo stesso tempo, è stata progettata una piattaforma che consente la segmentazione e l’organizzazione dei dati grezzi in infinite possibilità, fornendo così una vasta base di dati per il lavoro attuale e per future ricerche.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536670155

 

REINTERPRETAZIONE DELLA DOCUMENTAZIONE STORICA - Prima dell’inizio di questo progetto era disponibile una quantità significativa di materiale proveniente dagli scavi Boni e Romanelli, già digitalizzato presso il Palazzo Altemps tramite ARCHEOLECTIO.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536244081

 

Questa documentazione doveva però essere esaminata e reinterpretata per fornire contesto storico e topografico ai reperti. Questo studio era essenziale per garantire una sicura acquisizione digitale e consentire un confronto tra i rilevamenti digitali e i dati storici. Inoltre, ha permesso di texturizzare i modelli tridimensionali estratti.

 

Foto: ROMA – Il Foro Romano – I nuovi scavi e lavori di restauro tra il “Lapis Niger”; in: “Digitalizzazione e software di analisi per l’area del Lapis Niger”; in: Visivalab (2012-15 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536430053

 

Fonte / source / video & foto:

--- ROMA - "Digitalizzazione e software di analisi per l'area del Lapis Niger"; in: Visivalab (2012-15 [2020-24]).

visivalab.com/it/portfolio-item/digitalizzazione-lapis-ni... & vimeo.com/91271071

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536427548

 

2.1). ROMA - Foro Romano - "Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio"; Video & Foto; in: Visivalab (2015-16 [2020-24]).

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53537966185

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536667620

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536428383

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536668470

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53536668465

 

Foto: ROMA – Il Foro Romano – “Dalla Matita al Pixel: Via Sacra presso la Basilica di Massenzio”; Video & Foto; in: Visivalab (2015-16 [2020-24]).

www.flickr.com/photos/imperial_fora_of_rome/53535364147

 

Fonte / source video & foto:

--- Visivalab (2012-15 [2020-24]).

vimeo.com/91280781

 

Foto: RARA 2024 / ROMA – Il Foro Romano – Antonio Porretta, “La polemica sul lapis niger”, AMCE – Annali della Facolta / Universita` degli Studi di Milano, Vol. LVIII | Fascicolo III – Sett. | Dec. Milino (2005): 79-106 [in PDF].

wp.me/pPRv6-27B

 

3). RARA 2024 / ROMA - Il Foro Romano - Antonio Porretta, “la polemica sul lapis niger”, AMCE – Annali della Facolta` Lettere e Lilosofia dell` Universita` degli Studi di Milano, Vol. LVIII | Fascicolo III – Sett. | Dec. Milino (2005): 79-106 [in PDF].

 

Fonte / source:

--- Antonio Porretta; in: Universita` degli Studi di Milano, Vol. LVIII | Fascicolo III – Sett. | Dec. Milano (2005): 79-106 [in PDF].

wp.me/pPRv6-27B

 

FOTO: RARA 2024 / ROMA -“Giacomo Boni & Gli Scavi Al Foro Romano”; in: La Tribuna Illustrata, No. 44 (02/11/1902): 525-527 [articolo disponibile nel testo completo]. S.v., Dott. Romolo Artioli / L’illustrazione Italiana (25 Ottobre 1908): 396-398 & Dr. R. Artioli & Prof. Thomas Ashby, jr (1906 bis 1912). wp.me/pbMWvy-1za

www.flickr.com/photos/imperial_fora_of_rome/51751355990

 

3.1). RARA 2024 / ROMA - Architetto Restauratore e Archeologo “Giacomo Boni: Pioniere del metodo stratigrafico – Al Foro Romano e Palatino una mostra per il precursore dell’archeologia moderna, scopritore del Lapis Niger e primo a usare l’aerofotografia.” Parco Colosseo [Italiano / English] & Il Giornale Dell’ Arte (15/12/2021). S.v., Giacomo Boni; in: L’Ill. Ital., & La Tribuna Illustrata (1899 bis 1907) & Romolo Artioli, IL SECOLO XX (10/1905): 855-862. wp.me/pbMWvy-2ix

 

FOTO: Giacomo Boni, “Fango-Fango-Fango”; Il Foro Romano, tombe sotto la base del Equus Domitiani & Lettera a Frank Tenney; in: Rivista d’Italia e d’America 3.15 (1925) 22-25 [in PDF].

www.flickr.com/photos/imperial_fora_of_rome/50736055382

 

4). RARA / 2024 / ROMA - Giacomo Boni, “Fango-Fango-Fango”; Il Foro Romano, tombe sotto la base del Equus Domitiani & Lettera a Frank Tenney; in: Rivista d’Italia e d’America 3.15 (1925) 22-25 [in PDF]. S.v., Giacomo Boni – Nuova ricerca archivistica (2016-20). wp.me/pbMWvy-Sh

 

Specific, Measurable, Activating, Realistic, and Timely. SMART!

Site specific performances by 3rd year BA dance students, taken place in different locations around the University Campus: John Banks Laboratories, rooftop of the Art & Design building, and science ‘dry’ lab in the MHT building.

 

date: 3/12/2015

photo by Fenia Kotsopoulou

The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.

 

Lets Get Straight to the Results.

 

Classic Formula Ford/Historic Formula 3 (Race 2 Result)

 

Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.

 

In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.

 

In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.

 

Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.

 

HGPCA Pre 66 Grand Prix Cars (Race 20)

 

Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.

 

In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.

 

In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.

 

In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.

 

Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.

 

HSCC 70's Road Sports (Race 19)

 

Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.

 

In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.

 

In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done

 

In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.

 

Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.

 

Aurora Trophy With Geoff Lees Trophy

 

The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.

 

In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.

 

In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.

 

In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.

 

Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.

 

Guards Trophy (Race 21)

 

Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.

 

In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.

 

In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done

 

In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.

 

A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.

 

Historic Formula Ford (Race 16)

 

Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.

 

In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.

 

In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.

 

An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.

 

Historic Road Sports (Race 17)

 

Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.

 

In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.

 

In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.

 

In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.

 

Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.

 

Historic Touring Cars (Race 22)

 

The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.

 

In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.

 

In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.

 

In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.

 

And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.

Obra-Exposição em site specific. Galeria Virgínia Tamanini 2007.

 

INCIPIT HnA.

 

fotos: Luara Monteiro

Dancers in a freight elevator? Acrobats in the boiler room? Actors on a rooftop?!

 

Welcome to the Site-Specific Spectacular, a mini-festival that features performances in the most bizarre locations imaginable. In four distinct tours, more than 50 local artists will climb the heights of the Calgary Tower and explore the depths of the EPCOR CENTRE for the Performing Arts.

 

Needle in the Sky takes you on a quest throughout the Calgary Tower for five elements and ends with a journey through the depths of HELL!

 

For more information, see:

www.hprodeo.ca/2012/site-specific-spectacular

 

Photo Credit: Benjamin Laird

Specific Design Assessment

-A water feature with seating amenities in and around it provides direct engagement to the natural environment through sight, sound, and feel

-The area functions as a gathering space with its orientation facing towards the open grass field. Paths running alongside this area offer direct and clear public access

  

Relevant Land Use Code Sections

20.25A.160.E.2.e - Create attractive views and focal points

20.25A.160.E.2.k - Use artistic elements and water features where possible

20.25A.160.E.2.l - Use design elements, such as surface materials, furnishings, landscaping and pedestrian-scale lighting that are high quality, functional, and environmentally sustainable

 

Specific Design Assessment

-Public seating is available and easily identified

-Lights are located at a pedestrian scale that provide illumination as well as a sense of familiarity and enclosure

-Facade elements, such as window boxes, enhance visual interest at the pedestrian scale

  

Relevant Land Use Code Sections

20.25A.160.D.4.c - Incorporate design elements of the adjacent right-of-way, such as paving, lighting, landscaping, and signage to identify the through-block pedestrian connection as a public space

20.25A.160.D.4.f - Provide lighting that is pedestrian-scaled, compatible with the landscape design, and improves safety

20.25A.160.D.4.n - Incorporate decorative lighting and seating areas

 

Foto © Andrea Anghileri

pubblicazione realizzata da Temporary Black Space, in collaborazione con xontemporary locus 2 e Steve Piccolo

www.t-blackspace.com

Site Specific - Galeria Vimondes - Uberlândia -MG

 

Registros: Núbia Dias

www.flickr.com/photos/nubia-dias/

 

Julho/2011

Dancers in a freight elevator? Acrobats in the boiler room? Actors on a rooftop?!

 

Welcome to the Site-Specific Spectacular, a mini-festival that features performances in the most bizarre locations imaginable. In four distinct tours, more than 50 local artists will climb the heights of the Calgary Tower and explore the depths of the EPCOR CENTRE for the Performing Arts.

 

Needle in the Sky takes you on a quest throughout the Calgary Tower for five elements and ends with a journey through the depths of HELL!

 

For more information, see:

www.hprodeo.ca/2012/site-specific-spectacular

 

Photo Credit: Benjamin Laird

• The specific date(s) of each major event.

•August 28, 1963

•What city and state was the event sited.

•Washington D.C.

•Who were the major players involved in the event.

•Martin Luther King Jr.

•List the facts specific to each event

•Martin Luther King Jr. called for racial equality and an end to discrimination. The speech, from the steps of the Lincoln Memorial during the March on Washington for Jobs and Freedom, was a defining moment of the American Civil Rights Movement. Delivered to over 200,000 civil rights supporters, the speech was ranked the top American speech of the 20th century by a 1999 poll of scholars of public address

 

(HGM 945 M, Heisey Glass Museum, Newark, Ohio, USA)

-----------------------------------

"1401 Empress" is the designation for a specific glass product design made in Newark, Ohio by the Heisey Glass Company (1896 to 1957). Heisey glass designs are called "patterns". Pattern designations include a number (not necessarily consecutively numbered during the history of the glass factory) and a name. Some pattern names were given by the Heisey company, while others were given by Heisey glass researchers.

 

"Cobalt" refers to a type of colored glass that Heisey produced. It is also known as "Stiegel Blue".

 

The source of silica for Heisey glass is apparently undocumented, but was possibly a sandstone deposit in the Glassrock area (Glenford & Chalfants area) of Perry County, Ohio (if anyone can provide verfication of this, please inform me). Quarries in the area targeted the Pennsylvanian-aged Massillon Sandstone (Pottsville Group) and processed it into glass sand suitable for glass making.

-----------------------------------

From Bredehoft (2004):

 

Stiegel Blue: 1932-1941. Commonly called cobalt blue. Heisey's has exceptionally good color.

-----------------------------------

From museum signage:

 

Augustus H. Heisey (1842-1922) emigrated from Germany with his family in 1843. They settled in Merrittown, Pennsylvania and after graduation from the Merrittown Academy, he worked for a short time in the printing business.

 

In 1861, he began his life-long career in the glass industry by taking a job as a clerk with the King Glass Company of Pittsburgh. After a stint in the Union Army, Heisey joined the Ripley Glass Company as a salesman. It was there that he earned his reputation of "the best glass salesman on the road".

 

In 1870, Heisey married Susan Duncan, daughter of George Duncan, then part-owner of the Ripley Company and later full owner, at which time he changed its name to George Duncan & Sons. A year later, he deeded a quarter interest to each of his two children. A few years after his death, A.H. Heisey and James Duncan became sole owners. In 1891, the company joined the U.S. Glass Company to escape its financial difficulties. Heisey was the commercial manager.

 

Heisey began to formulate plans for his own glass company in 1893. He chose Newark, Ohio because there was an abundance of natural gas nearby and, due to the efforts of the Newark Board of Trade, there was plenty of low cost labor available. Construction of the factory at 301 Oakwood Avenue began in 1895 and it opened in April of 1896 with one sixteen-pot furnace. In its heyday, the factory had three furnaces and employed nearly seven hundred people. There was a great demand for the fine glass and Heisey sold it all over the world.

 

The production in the early years was confined to pressed ware, in the style of imitation cut glass. The company also dealt extensively with hotel barware. By the late 1890s, Heisey revived the colonial patterns with flutes, scallops, and panels which had been so popular decades earlier. These were so well accepted that from that time on, at least one colonial line was made continuously until the factory closed.

 

A.H. Heisey's name appears on many different design patents including some when he was with George Duncan & Sons. Heisey patterns that he was named the designer include 1225 Plain Band, 305 Punty and Diamond Point, and 1776 Kalonyal.

 

Other innovations instituted by A.H. Heisey were the pioneering in advertising glassware in magazines nationally, starting as early as 1910 and the first glass company to make fancy pressed stems. That idea caught on quickly and most hand-wrought stemware is made in this manner, even now.

-----------------------------------

Reference cited:

 

Bredehoft, N. (ed.) (2004) - Heisey glass formulas - and more, from the papers of Emmet E. Olson, Heisey chemist. The West Virginia Museum of American Glass. Ltd.'s Monograph 38.

-----------------------------------

Info. at:

en.wikipedia.org/wiki/Heisey_Glass_Company

and

heiseymuseum.org

and

heiseymuseum.org/gallery/heisey-cobalt/

 

The Final Day of Racing At Brands Hatch for The Superprix Weekend and After a Really Busy and Scattered Set Of Races The Previous day it was time to see which of the Drivers could Brave the Circuit One Last Time and Take Home Either a Championship Win or a Victory in their Specific Race.

 

Lets Get Straight to the Results.

 

Classic Formula Ford/Historic Formula 3 (Race 2 Result)

 

Classic Formula Ford and Historic Formula 3 Were up First and it was Time to see who could be The one to take the Checkered Flag First when they crossed the Line.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with a Lap Time of 1:39.257 and a Top Speed of 86.59mph. A Fantastic Victory Cameron Showing Incredible Car Control and Commitment to Win the Race.

 

In Second Place was (Ben Tinkler) in his Van Diemen RF80 with a Lap Time of 1:39.986 and a Top Speed of 85.77mph. A Really Great Drive from Ben to stay so close to Cameron and Keep Him on his toes the entire Time while Fighting for the Lead of the Race.

 

In Third Place was (Jordan Harrison) in his Lola T540E with a Lap Time of 1:39.994 and a Top Speed of 85.54mph. A Really Wonderfully Deserved Third Place for Jordan Pushing that Lola for everything it Has got to gain Third Place. Well Done.

 

Three Fantastically Fast Drivers all with Incredible Speed and Talent Showcasing The Best of what they Bring to Brands Hatch Every Year. An Amazing Last Race to Witness. Congratulations to The Race Winner and Keep Trying Hard Everyone Else.

 

HGPCA Pre 66 Grand Prix Cars (Race 20)

 

Next It was The Historic Grand Prix Cars and with a Massive Turn out for them it looks like Another Cracking Race to see from Start till Finish. Lets see who came out on Top.

 

In First Place was (Sam Wilson) in his Lotus 18 with a Lap Time of 1:39.384 and a Top Speed of 86.55mph. Amazing Work Sam Showing Colin Chapman How it Should be Done. He would have been Proud to Witness that Victory.

 

In Second Place was (Peter Horsman) in his Lotus 18/21 with a Lap Time of 1:41.296 and A Top Speed of 84.90mph. A Fantastic Drive by Peter to take Second Place in the Race.

 

In Third Place was (Miles Griffiths) in his Scarab Offenhauser with A Lap Time of 1:41.501 and A Top Speed of 84.38mph A Really Good Job there Miles Almost Matching Lap Times with Peter and Showing Some Incredible Car Control during The Race.

 

Another Fantastic Race for The Historic Grand Prix Cars and a Huge Congratulations to Sam for Taking Victory in the Last Race. Avery Well Done to Both Peter and Miles as well.

 

HSCC 70's Road Sports (Race 19)

 

Historic Road Sports took to the Track next and with some Legendary Cars from the Likes of Lotus Morgan and TVR it was Time to see who Had Stormed to Victory in the Last Race and Taken the Victory.

 

In First Place was (William Plant) in his Morgan Plus 8 with A Lap Time of 1:45.768 and A Top Speed of 70.67mph. Congratulations William on the Victory it was so Good to See a Morgan Take First Place while Watching this Exciting Race. An Amazing Drive.

 

In Second Place was (Jim Dean) in his Lotus Europa with A Lap Time of 1:46.411 and A Top Speed of 70.66mph. Another Incredible Drive from Jim to Take Second Place. Well Done

 

In Third Place was (Richard Plant) in his Morgan Plus 8 with A Lap Time of 1:47.697 and a Top Speed of 70.31mph. A Very Committed Drive from Richard and a Fantastic Third Place Finish that I'm sure the Whole Family will be Proud of.

 

Fantastic Racing from the 70's Road Sports to Finish the Days Racing for them Congratulations to William, Jim and Richard. Hope to see you Three Battling it out Again Soon.

 

Aurora Trophy With Geoff Lees Trophy

 

The Arora Trophy Roared onto the Grand Prix Circuit Next with Powerful V8 Engines thease Racing Cars could make the Ground Shake as they Thunder their way around the Race Track. Lets see who Managed to take that All Important Victory for their Final Race.

 

In First Place was (Martin Stretton) in his March 712 with a Lap Time of 1:25.976 and A Top Speed of 101mph. A Very Brave and Committed drive from Martin to Take Victory, Really Pushing the March to its Limits and hanging onto the Lead thought the Race.

 

In Second Place was (Mathew Wrigley) in his March 782 with a Lap Time of 1:25.127 and A Top Speed of 100.96mph. Another Incredible Driver Taking his Machinery to New heights and Keeping the March Name Alive in Historic Racing. Amazing Work Mathew.

 

In Third Place was (Samuel Harrison) in his Dallara 389 with A Lap Time of 1:29.552 and A Top Speed of 95.04mph. Amazing work Sam showing Insane Car Control even when Racing so Fast and for such A Long Time. Congratulations.

 

Another Amazing Race to Keep the Day going and showing the Amazing work that Each Team Does to ensure that their Driver and His Car are Ready to go. Well Done to all of the Teams and to the First Second and Third Place Winners as well. Looking Forward To seeing more Action this Year from the Aurora Trophy.

 

Guards Trophy (Race 21)

 

Next Up Guards Trophy with Another Range of Racing Machines from the Likes of Brabham Chevron and Lotus Lets see what will Happen and Who will be able to Drive their way to Victory in This Race.

 

In First Place was (Andy Newall) in his Chevron B6 with A Lap Time of 1:38.258 and A Top Speed of 83.84mph. Very Well Driven and Raced by Andy Showcasing the Power of the Chevron and taking it too its Limits in terms of Raw Speed and Performance.

 

In Second Place was the Duo of (Jackson S and Jackson C) in their Lenham P70 with A Lap Time of 1:38.008 and A Top Speed of 83.45mph. Fantastic Work to The Two Jacks who Really showed what Working Together Can Achieve during A Race. Well Done

 

In Third Place was the Duo of (Mitchell W and Mitchell B) in their Chevron B8 with A Lap Time of 1:38.368 and A Top Speed of 82.49mph. Another Amazing Duo who Have Taken Third Place and Kept the Fight Alive in their Respective Championship. Amazing work.

 

A Fantastic Race for the Guards Trophy Showing the Power of Each Race Car and what they Are Capable of When put into The Hands of the Right Drivers. Congratulations to Andy Mitchell W and Mitchell B as well as Jackson S and Jackson C for putting on One Hell of a Race. Keep up the Good Work Everyone Else and Never Stop Fighting for your Own Victories.

 

Historic Formula Ford (Race 16)

 

Next Up was Historic Formula Ford and some very Twitchy and Tricky Cars to be Driven Round the Circuit at Hight Speed. With Light Weight Chassis and Small Cockpits this was going to be a Very Exciting Race to Watch. Lets see who Came out Best of the Rest.

 

In First Place was (Cameron Jackson) in his Winkelmann WDF2 with A Lap Time of 1:38.596 and A Top Speed of 87.95mph. Another Incredible Drive From Cameron to Take Victory and show what A Truly Committed and Self Determined Driver is. He is an Inspiration to All Up Coming Formula Ford Racers.

 

In Second Place was (Tom Macarthur) in his Titan MK3 with A Lap Time of 1:38.484 and A Top Speed of 87.94mph. Another Really Brave and Heroic Driver Pushing His Formula Ford to its Limits and Keeping his Eye's on the Race Track. Amazing Work Tom.

 

In Third Place was (Horatio Fitzsimon) in his Merlin MK20A with A Lap Time of 1:38.513 And A Top Speed of 87.90mph. Very Well Done Horatio Fantastic Driving and A Well Deserved Third Place.

 

An Amazing Final Heat Race for the Formula Fords with Everyone Pushing As Hard as they Could for Victory. Keep Working Hard Everyone and Congratulations to Cameron Tom and Horatio.

 

Historic Road Sports (Race 17)

 

Historic Road Sports Next and it was Time to see what Each Driver could do in their Respective Race Car. Lets see how things Stacked up and who Came out on Top in the Race.

 

In First Place was (Kevin Kivlochan) in his AC Cobra with a Lap Time of 1:46.891 and A Top Speed of 72.19mph. What A Drive From Kevin to Take Victory Keeping that Cobra Far Ahead of the Rest of the Pack and Taking A Dominant Victory. Carol Shelby would have Loved to See That.

 

In Second Place was (John Davidson) in his Lotus Elan S1 with A Lap Time of 1:46.052 And A Top Speed of 72.16mph. Amazing Work John Keeping that Lotus on the Tarmac and Putting on One Hell of a Race for Everyone. Amazing Job.

 

In Third Place was (Rupert Ashdown) in his Lotus Elan S1 with A Lap Time of 1:47.481and A Top Speed of 71.61mph. Another Incredible Drive by Rupert Taking Third Place Very Well Deserved.

 

Historic Road Sports putting on Another Superb Race for the Season and Congratulations to Kevin John and Rupert on their Victories. Hope to see More of that This Year and Good Luck to Everyone Else Racing too.

 

Historic Touring Cars (Race 22)

 

The Final Race of The Day was Here and The Historic Touring Car Club did not Disappoint with Lotus Cortina's Mini Cooper S's and Ford Mustangs This was going to be a Final Battle of Titans. Lets See Who Managed to Take that Last Checkered Flag of the Day.

 

In First Place was (Steve Soper) in his Ford Mustang with A Lap Time of 1.47.084 and A Top Speed of 71.51mph. Awesome Drive Steve Fantastic to see that He Still has it in him After all The Years of Racing.

 

In Second Place was (Rob Fen) in his Ford Mustang with A Lap Time of 1:49.031 and A Top Speed of 70.93mph. Amazing Work Rob Pushing that Mustang Far and Wide to Hang onto that Second Place. Excellent Drive.

 

In Third Place was (Mark Martin in his Ford Lotus Cortina with A Lap Time of 1:49.905 and A Top Speed of 70.70mph. Very Well Done Mark Great Driving and Even a Wheel in the Air on Some Occasions Heading onto the Grand Prix Loop. What A Sight that Was to See.

 

And With that The Days Events came to an End for another year of Superprix Racing at Brands Hatch Amazing work to all of the Organisers and Race Drivers who took Part and Congratulations once again to all of the Race Winners. Keep Fighting Keep Wining and I'm Sure we will do it All Again Next Year.

Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.

 

Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.

 

Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.

 

Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.

 

PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.

 

Further exploration is available:

Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982

 

Credits

2022-2025 © Andrew Lehti

1961–2023 © NASA, ESA

Software: PEMi (GitHub: andylehti/PEMi.git)

Explore PEM-I: pemimage.streamlit.app

CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/

 

Research:

Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079

 

CC BY-SA 4.0

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

Specific Media/MySpace Holiday Bash 2011 | www.miminguyen.com

Site specific installation by Nathan Hayden.

Set a specific goal and create a plan of attack.

Think of your plan as a road map and your goal as your destination.

Without a plan and a specific goal you will be without focus and can easily get lost or side tracked.

  

lifeofiron.com/set-specific-goals/

Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.

 

Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.

 

Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.

 

Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.

 

PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.

 

Further exploration is available:

Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982

 

Credits

2022-2025 © Andrew Lehti

1961–2023 © NASA, ESA

Software: PEMi (GitHub: andylehti/PEMi.git)

Explore PEM-I: pemimage.streamlit.app

CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/

 

Research:

Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079

 

CC BY-SA 4.0

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

Photographic techniques capture electromagnetic wavelengths beyond human vision, revealing features invisible to the naked eye. These signals are processed into interpretable forms using methods like color mapping.

 

Pink lacks a specific electromagnetic wavelength, while grey poses a limitation due to its representation of only intensity—a blend of light and dark without spectral specificity. Imaging techniques reliant on spectral variation produce identical results for greyscale images unless non-visible data is present. Deviations from this uniformity may indicate errors, misinterpretations, or unknown phenomena.

 

Contention persists over analytical debates, including dismissible claims like Van Allen belt dangers and contested evidence of lunar mirrors. The precision of laser reflections targeting a moving 3x3-foot marker on the Moon highlights technical skill but often fails to resolve skepticism. For instance, a 0.1° shift moves a laser spot 670 km across the Moon's surface.

 

Forensic analysis (2022, 2023) of Apollo 11–17 photographs assessed authenticity claims. Images of humans in space, Earth, and the Moon's distant views were validated, but Moon landing visuals showed variations, suggesting diverse techniques may have replicated certain elements.

 

PEMi (Photoelectromagnetic Image) software enhances forensic analysis by differentiating natural and artificial light sources, revealing hidden features. Each PEMi-ID links to original sources, ensuring traceability and comparison.

 

Further exploration is available:

Lehti, A. (2024). The Silence of Inquiry: Forensic Reflections Reveal a Crisis of Perception. figshare. doi.org/10.6084/m9.figshare.28078982

 

Credits

2022-2025 © Andrew Lehti

1961–2023 © NASA, ESA

Software: PEMi (GitHub: andylehti/PEMi.git)

Explore PEM-I: pemimage.streamlit.app

CC BY-SA 4.0 License: creativecommons.org/licenses/by-sa/4.0/

 

Research:

Lehti, Andrew (2024). Cognitive Psychology and the Education System. figshare. Collection. doi.org/10.6084/m9.figshare.c.7532079

 

CC BY-SA 4.0

This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit creativecommons.org/licenses/by-sa/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.

Honey's a big deal, lots of space devoted to it in grocery stores, and some of it comes...I dunno, with hormones in it or something.

Dancers in a freight elevator? Acrobats in the boiler room? Actors on a rooftop?!

 

Welcome to the Site-Specific Spectacular, a mini-festival that features performances in the most bizarre locations imaginable. In four distinct tours, more than 50 local artists will climb the heights of the Calgary Tower and explore the depths of the EPCOR CENTRE for the Performing Arts.

 

Needle in the Sky takes you on a quest throughout the Calgary Tower for five elements and ends with a journey through the depths of HELL!

 

For more information, see:

www.hprodeo.ca/2012/site-specific-spectacular

 

Photo Credit: Benjamin Laird

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