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HARAJUKU EVENT: 20.01.23 - 10.02.23
NOOWAK: AKIRA HOODIE UNISEX - Gianni, Jake, Legacy
RETORIKA: BUNNY BEANIE FATPACK (resizable)
EQUAL10 EVENT: 10.01.23 - 05.02.23
PALETO: WEST POST BACKDROP
SPACE CATS ANIMESH @ TARDFISH MAINSTORE
FRYING PAN FATPACK (bumper+slapper) @ SEKAI MAINSTORE
****Check out my BLOG in profile for Full SLURLs****
Berrybird's Nimbus Mods in Midnight & Dusk coming to Gacha Guild Monday at Mdight!
Rue & Wrenna <3
Pic taken by Rue Littlepaws <3
.random.Matter. - Astrid Aura - Head Stars [G]
[SUMii] Animated Eye Depth Prim (L)
SEKA's Punkette Wrist R
SEKA's Gladiator KNEE (Legacy) L
Bonbon x .random.Matter. - Star Girl - Bang [RARE] unrig
SEKA's Waifu Top Pasties (Legacy Perky)
.:C:. Felis Bento Hea
Lunar - Lulu Bikini Panties (Legacy) - FATPACK
SEKA's NeoGlitch Collar (effect)
~~Ysoral~~.:Luxe Piercing collarbone Alexia.(Legacy)
Bonbon x .random.Matter. - Star Girl - Hair [RARE] unrig
.TeaBunny. Celestial Specs
SEKA's Waifu Top Top (Legacy Perky)
Generated By Midjourney V7
**Prompt cinématographique ultra détaillé hyperréaliste :**
Un majestueux chat tigré aux yeux turquoise cristallins flottant dans l’immensité du cosmos, vêtu d’une combinaison d’astronaute rétro-futuriste orange brûlé inspirée des missions Apollo, casque spatial ultra réfléchissant aux détails chromés complexes, portrait centré en très gros plan, regard intense et mystérieux capturant la profondeur de l’univers. Autour de lui, une galaxie vivante explose en nuances électriques de bleu nébuleux, cyan lumineux, indigo profond et éclats dorés scintillants. Des planètes géantes aux anneaux saturniens dérivent dans l’arrière-plan, accompagnées de météorites incandescentes traversant l’espace comme des flèches de lumière.
Éclairage cinématographique hollywoodien extrêmement sophistiqué, lumière volumétrique spatiale, reflets réalistes sur la visière du casque, particules lumineuses flottantes, bokeh cosmique doré et bleu, microdétails du pelage ultra nets, texture réaliste des moustaches et des fibres textiles de la combinaison spatiale. Composition symétrique immersive, profondeur de champ faible avec arrière-plan galactique légèrement diffus, contraste HDR spectaculaire, rendu 16K hyperréaliste, style blockbuster de science-fiction haut de gamme.
Ambiance épique et poétique mêlant douceur féline et immensité interstellaire, sensation de voyage cosmique contemplatif, esthétique NASA fantasy ultra détaillée, color grading teal & orange cinématographique, étoiles scintillantes infinies, halos lumineux, lens flares subtils, rendu Unreal Engine 5 photoréaliste, qualité IMAX, détails anatomiques parfaits, netteté extrême sur les yeux du chat, atmosphère immersive et magique.
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**Ultra-detailed cinematic hyperrealistic prompt (English):**
A majestic tabby cat with crystalline turquoise eyes floating through the vastness of deep space, wearing a retro-futuristic burnt-orange astronaut suit inspired by Apollo missions, ultra-reflective space helmet with intricate chrome details, centered close-up portrait, intense and mysterious gaze capturing the infinite depth of the universe. Surrounding the feline astronaut, a living galaxy erupts in electric shades of nebula blue, luminous cyan, deep indigo, and shimmering golden stardust. Giant ringed planets drift across the background while incandescent meteors streak through space like glowing arrows of light.
Extremely sophisticated Hollywood cinematic lighting, volumetric cosmic illumination, realistic reflections across the helmet visor, floating luminous particles, golden and blue cosmic bokeh, ultra-sharp fur microdetails, highly realistic whisker textures, and detailed woven fibers of the astronaut suit. Immersive symmetrical composition, shallow depth of field with a softly diffused galactic background, dramatic HDR contrast, breathtaking 16K hyperrealistic rendering, premium sci-fi blockbuster aesthetic.
Epic yet poetic atmosphere blending feline softness with interstellar grandeur, evoking a contemplative cosmic voyage. Ultra-detailed NASA-inspired fantasy aesthetic, cinematic teal-and-orange color grading, endless sparkling stars, subtle lens flares, glowing halos, Unreal Engine 5 photorealistic rendering, IMAX-quality visuals, anatomically perfect details, razor-sharp focus on the cat’s eyes, deeply immersive and magical ambiance.
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--v 7 --stylize 350 --ar 16:9 --quality 2 --chaos 12 --raw
I wanted to do a "Star Citizen" style ship, with a lavish cockpit that has a somewhat luxurious feel to it. The general shaping is more akin to a generic RTS fighter, but I tried to spice it up with just enough details to compliment the ostensibly simple shape.
Added a lot more integration to the first attempt this year: www.flickr.com/photos/34175043@N00/52110678495/
112x300s
Modified Canon 6D, WO Spacecat 51, AVX, Astronomik L2 filter.
I see the Milky Way in Maggie's Eye
“A broad and ample road, whose dust is gold,
And pavement stars—as starts to thee appear
Soon in the galaxy, that milky way
Which mightly as a circling zone thou seest
Powder'd with stars.”
― John Milton Paradise Lost
SpaceCat 51
Canon 6d rango completo
Optolong LEnhance
algo más de 3 horas en fotos de 600" y 1500" a ISO 3200
Procesado PIX y PS
bortle 3
Armed with high-explosive tranquilizer darts. Perfect for the protection of construction sites, container storage facilities, etc.
Building instructions and .ldr file available freely here.
What mainly inspired me for this build:
- intergalactic racing pit stop station something by LEGOLIZE IT MAN (2018).
- Bastard of Winterfell by dasnewten (2011).
- UNES Odyssey 21 by Kyle Collard (2013). I don't recall very well but I think this inspired me for the sensor array and the general black aesthetic behind the hull.
This is my tribute to that glorious era in the 2010's when people like dasnewten, Red Spacecat, LEGOLIZE IT MAN, Ryan Olsen, Alexander Safarik, Tim Schwalfenberg, only to name a few (find all the others in my favorites), were building all those amazing microspace ships more or less inspired by Homeworld universe, or with a brick-built hull.
「ま、なるようになるさ⋯」
"Whatever happens, happens."
Someone pointed out that the cockpit was weaksauce and I could not let that stand. And speaking of stands, I also made a proper stand this time with more than 5 pieces (inspired by some plastic models of this thing). Plus I added a missile just for Red Spacecat.
前のバージョンについて「コックピットが負けているな」とか言われたので作り直しました。ついでにプラモデルを見習ってベースもリメイク、そしてRed Spacecatさんが欲しかったミサイルを加えた。
Comments and criticism welcome.
コメントや批判があったらどうぞ。
About this image:
Comet C/2021 A1 Leonard imaged on 28 December 2021 from South Africa.
I tried to capture as much detail in the structure of the tail as possible, which makes processing a challenge (as the comet is moving). The coma, tail and stars were processed individually, and each part aligned, stacked and combined.
The Comet has a green Coma (or head). The green colour is caused by Cyanogen (CN) and diatomic Carbon (C2), which glows in the green part of the Electromagnetic Spectrum of Light when illuminated by the Sun in space.
Technical Info:
Lights/Subs total integration time: 80 min.
2 Panels (40 min. per panel).
L-Pro = 16 x 90 sec. (per panel).
R = 10 x 30 sec. (per panel).
G = 10 x 30 sec. (per panel).
B = 10 x 30 sec. (per panel).
Dual Telescope Set-up:
William Optics Star 71 Imaging APO 350mm f/4.9 &
William Optics SpaceCat 51 APO 250mm f/4.9 - Limited Edition.
QHY163M Camera sensor cooled to -15°C.
Calibration frames: Bias, Darks and Flats.
SGP Mosaic and Framing Wizard.
PlaneWave PlateSolve 2 via SGP.
Pre-Processing and Linear workflow in PixInsight. Straton was used for star separation, and final processing was done in Photoshop.
Astrometry Info:
Center RA, Dec: 323.505, -34.040
Center RA, hms: 21h 34m 01.210s
Center Dec, dms: -34° 02' 24.584"
Size: 7.56 x 2.88 deg.
Radius: 4.046 deg.
Pixel scale: 16.2 arcsec/pixel.
Orientation: Up is 2.18 degrees E of N.
View an Annotated Sky Chart for this image.
Carl Sagan on Comets:
People's reaction to Comets in History:
Excerpt from Cosmos S01E04: "By 1910, Halley's comet returned once more. But this time, astronomers using a new tool, the spectroscope had discovered cyanogen gas in the tail of a comet. Now, cyanogen is a poison. The Earth was to pass through this poisonous tail. The fact that the gas was astonishingly, fabulously thin reassured almost nobody. For example, look at the headlines in the Los Angeles Examiner for May 9, 1910: "Say, Has That Comet 'Cyanogened' You Yet?" "Entire Human Race Due For Free Gaseous Bath. Expect High Jinks." Or take this from the San Francisco Chronicle, May 15, 1910: "Comet Comes And Husband Reforms." "Comet Parties Now Fad In New York." Amazing stuff! In 1910, people were holding comet parties, not so much to celebrate the end of the world as to make merry before it happened. There were entrepreneurs who were hawking comet pills. I think I'm gonna take one for later. And there were those who were selling gas masks to protect against the cyanogen. And comet nuttiness didn't stop in 1910." - Carl Sagan, Cosmos.
Flickr Explore:
This image is part of the Legacy Series.
Download mh_Astro_Tools Suite:
(or from GitHub)
Also see:
Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin
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[Website] [Photography Showcase] [eBook] [Facebook]
This is a great shot of Luap31's incredible Brickville skyline with my mediocre photoshop skills. This is one of the craziest microcityscapes I've seen, and this is me "chopping it foreward" after Red Spacecat's chopping of my Imperial Chinese Navy.
My approximation of Aaron Beck’s “Flathead” mech. This probably was one of my more challenging builds to date. Not only am I not accustomed to building things that look as close to their real life or concept counterpart, this one also had only one image as reference. Figuring out how the elements not in view would look/work was…interesting. In the end I’m pleased with the model, even if building and photographing it were extremely challenging.
Why this concept art? For one, I followed Aaron from way back, I think he’s an exceptional artist with truly unique and instantly recognizable designs. If you’re not familiar with his work, he has done designs for Elysium, Avatar and Call of Duty, to name just a few. His blog is a treasure trove of awesomeness. And two, this specific design just kinda stuck with me over the years. It’s such a fun concept, basically a walking ammo drum, with the right balance between plausibility and weirdness.
Andrómeda es la galaxia espiral más cercana a la Tierra, visible a simple vista en noches oscuras. Hay registros del 964 a. C por un astrónomo persa.
Se sitúa a 2.54 millones de años luz y se extiende por 220.000 años luz , el doble que nuestra galaxia la Vía Láctea. Es menos densa que la Vía Láctea. La galaxia de Andrómeda se esta acercando a la Vía láctea a razón de 100km/s por lo que en unos 2500 millones de años interactuara con ella.
Datos técnicos de la captura;
Telescopio WO Spacecat 51
Canon 7d MKII
Montura AVX Celestron
Tomas RGB con filtro Optolong L-Pro 18/11/2020
30 x 10"
30 x 25"
60 x 90"
Tomas H alfa con filtro Optolong Ha 7 nm 22/11/2020
12 x 600"
Guiado QHY miniguide scope y QHY 5LII
NINA
Procesado PixInsight y PS
From Dean Salman's instruments in Colorado - Spacecat W.O. + Sbig 16200 _ L 4h - rgb 3 h for channel
The Veils nebula. The Witch's Broom (NGC 6960) above with the star 52Cygni, below on the left the Pickering Triangle (NGC5979) and below the nebulae NGC 6992 and 6995, the set is part of the Swan Loop.
AVX mount
Canon 7d MKII
SpaceCat 51
L Enhance filter
Light 4.8 h
DOF
Guide QHY5 LII + miniguide 130
Processed Pix y PS
Bortle 8 Sanse
the Nebulae of the Soul (IC 1848) and the Heart (IC1845), with the double cluster of Perseus taken from Las Inviernas in Guadalajara (Spain) on the night of October 26, 2019.
You can also see the Maffei I and II galaxies, IC1871 and IC1851 nebulae and the N957 cluster.
They are taken for 2 hours and 15 minutes.
Canon 6d modified ISO 6400
WO Spacecat 51
Optolong L-Pro filter
AVX mount without guidance
Pix and PS process
Aproximadamente dos horas y cuarto de tomas (pocas tomas para lo que necesita este campo) con sus darks , bias y flats. Hechas en San Sebastian de los Reyes bortle 8.
Tomadas con el spaceCat 51 y la cámara sin modificar Canon 7d MKII a ISO 1600 con el filtro L enhance sobre montura AVX sin guiado
Procesado PIX y PS
Approximately 2 1/4 hours of shots (few shots for what this field needs) with its darks, bias and flats. Made in San Sebastian de los Reyes bortle 8.
Taken with the spaceCat 51 and Canon 7d MKII unchanged camera at ISO 1600 with the L enhance filter on AVX mount without guidance
PIX and PS processing
Broad : 45x240s
ASI533MC-Pro, Skywatcher ED120, 0.8 reducer, Skyglow filter, CGX.
Narrow : 14x300s
ASI071MC-Cool, Optolong L-Extreme, WO SpaceCat, CGX.
Low on fuel, I headed into a truckstop for a fillup. It was the last one before a big jump into nothingness, and it was a pain in the butt to navigate into, since it was surrounded by asteroids. The asteroids gave the outpost some protection from raids, but I swore as one slammed into my right rear tailfin and broke off a sensor. This pitstop was going to take longer than I thought.
(Big thanks to Steph, for introducing me to this fantastic build, to Fianna, for the free Sheen outfit, and I noticed Andro has been visiting, too!)
On holiday in the Eifel in Germany and hoping for clear nights, but unfortunately it seems that most of the times it's clouded and lightning in the evening. So I already gave my hopes up a bit when yesterday evening I noticed it was clearing up. Against my feeling I decided to just build up the equipment and see what would happen. Somehow I was lucky and while there was lightning in the distance the sky kept clear right over my head until about 4 in the morning. So I decided to work on some dark nebulae as they are impossible to image from my home location.
I used my setup using the Spacecat and Nikon D810a with an Asiair controlling everything. This works really great, except for a few times the guiding just stopped without a reason, and so I was able to catch in total 29x300s of images of LDN 1235/1251. LDN 1235 is also known as the shark nebula but somehow this image makes me think of a shark lurking under water to catch the swimmer (LDN1251) at the surface.
During the imaging I took time to enjoy the Milky Way shining over me and see some nice details even with the naked eye. During the night quite a lot of Perseids were visible, sometimes very quick and shortly visible, but also a few that left a nice trail.
After the first night, just before leaving home the last night became clear and I was able to catch about 5 more hours of data. In the last year I also took images with my larger telescope and combined all this data into this 21 hour exposure of this beautiful region.
Relatively small and heavily armored, this cube type punches trough defenses to cause chaos behind enemy lines prior to the main assault.
On holiday in the Eifel in Germany and hoping for clear nights, but unfortunately it seems that most of the times it's clouded and lightning in the evening. So I already gave my hopes up a bit when yesterday evening I noticed it was clearing up. Against my feeling I decided to just build up the equipment and see what would happen. Somehow I was lucky and while there was lightning in the distance the sky kept clear right over my head until about 4 in the morning. So I decided to work on some dark nebulae as they are impossible to image from my home location.
I used my setup using the Spacecat and Nikon D810a with an Asiair controlling everything. This works really great, except for a few times the guiding just stopped without a reason, and so I was able to catch in total 29x300s of images of LDN 1235/1251. LDN 1235 is also known as the shark nebula but somehow this image makes me think of a shark lurking under water to catch the swimmer (LDN1251) at the surface.
During the imaging I took time to enjoy the Milky Way shining over me and see some nice details even with the naked eye. During the night quite a lot of Perseids were visible, sometimes very quick and shortly visible, but also a few that left a nice trail.
Thanks for watching and I hope for a few more nice nights to get even more detail out of this image in the coming nights.