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Digital Art - Image-editing
Watercolor Effect
Color - Texture
Double Exposure
Software: Windows Paint 3D; Pixlr
Edits made to my original photos.
Edições feitas em minhas fotos originais.
Vermilion Flycatcher
Pyrocephalus rubinus
Brasília, Brasil
Art Week Gallery Theme
3 April to 9 April our theme is:
~~ Spring Colors ~~
Here's a shot taken at Newport Pier one Sunday evening. I know your not supposed to center your subject in the composition but I just couldn't help myself. :)
Thank you for taking the time to take a look at my photos and as always, your views, comments, faves, and support are greatly appreciated!! Have a great weekend everyone :)
If you have any questions about this photo or about photography in general, I will do my best to help, just post a comment or send me a Flickr mail and I will respond as quickly as possible.
Here's my last post>>
www.flickr.com/photos/dot21studios/25329158505/in/photost...
Rivercat at sunset. Bound for Parramatta.
Passing by Blues Point. Near McMahons Point.
Sydney.
This Rivercat is 'Nicole Livingstone'. Nicole Livingstone was an Australlian swimmer who I had not actually ever heard of before seeing this Rivercat and 'Googling' the name. So she cannot have been too famous, lol. But anyway, they named a Rivercat after her.
And here's 'Squeeze', aka 'UK Squeeze', with their iconic hit-song from 1979: 'Cool for Cats':
www.youtube.com/watch?v=uJ2cEc_TCH8
My Canon EOS 5D Mk IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Closed Doors
Portas Fechadas
"URBAN SURREALISM" Vivid Art July 2020
#13 03/07/2020
Votei em 31/07/2020
Abstrato - Abstract
Arte Digital - Digital Art
Image-editing
Effects - Texture - Collage
Double Exposure
Software: Pixlr; Windows Paint 3D
Hotel Tropical de Manaus
Ponta Negra
Manaus, Brasil
NEW CHALLENGE: MIXMASTER CHALLENGE #75 - Chef: skagitrenee
CHEF skagitrenee wants us to focus on photographic work!
➤ Create your background from photographed flowers or flower parts.
➤ Your main focus should be a single organic element: botanical object or (non-human) animal.
➤ Include a repeating element, natural or not.
➤ Also a 3D-appearing geometric shape created by you (not photographed) using your own basic software, such as Photoshop or Gimp, but no pre-made or AI shapes.
➤ NO AI-prompted landscapes.
I wish all my Flickr friends a Merry Christmas
Eira barbara (nome científico)
Mustelidae (família)
Illustration/Art
High Quality (HQ) - 3D
Double Exposure
Mix Effect
Software: Windows Paint 3D; Pixlr;
PicsArt Photo Studio
Edits made to my original photos.
Edições feitas em minhas fotos originais
Trilha Cristal Água
Área de Proteção Ambiental
Água Mineral
Parque Nacional de Brasília
Brasília, Brasil
Art Week Gallery Theme
19 April.→ 25 April our theme is:
~~~ Artsy Critters ~~~ 2025
Optics : 80/480 Apo + ZWO EAF;
Mount : Ioptron CEM70G & Ioptron TriPier;
Filter : IR CUT Baader Planetarium 2”;
Filter : H alfa Daystar Quark Cromosphere;
Camera : ZWO ASI 174 MM;
Software : FireCapture, AutoStakkert3, Photoshop
Equivalent Focal Length : 2016 mm
Sun Active region : NOAA 12887, 12886
Casalecchio di Reno - Italia
44° 29’ 29” N
11° 14’ 58” E
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Walking a nature trail in Ottawa I decided to put on my very old Takumar 135/3.5 preset. A bunch of wild turkeys come walking down the trail. So this is one of the better pics I got using a MF lens. Oh and I hadn't noticed that my thumb moved the iso from Auto to 8000. Thanks Topaz software.
This scenery is completely real but it needed a focal point not just a lone road–i.e. a person, a model to represent newness. I also needed to expand my Photoshop skills for post-edits. Kick the tires. See what this editing software can do. So I asked Adobe Photoshop's artificial intelligence image generator to provide a bride and groom. Wallah, let me introduce you to soon-to-be Mr. and Mrs. AI. Pretty good, Adobe, but that couple does not look entirely real yet so I better keep them small.
Almost though.
Yes, those are gravestones that align the road. Those graves in this cemetery accentuate the ephemeral cherry tree blossoms in this photo that will soon be gone. Cherry blossoms symbolize the temporary brilliance of life and its shortness. I know. Grim. But that's life. Sorry Mr. & Mrs. AI, chances are that you'll divorce. You might have a lethal accident or if not that, you'll certainly die as your equipment degrades and stops. Or will you?
Telescopio: Officina Stellare APO 105 mm f 6.2
Montatura: iOptron CEM60
CCD: QHY10 Color
Guida:Tecnosky OAG D-King Starlight Xpress Lodestar X2
Software:Stark Labs Nebulosity 4.2, EZCAP 3.3.5, PHD Guiding 2.6.2, Pleiades Astrophoto PixInsight 1.8
Filtro:IDAS LPS D1
Spianatore di campo Tecnosky
Pose:IDAS LPS D1: 39x240" -15C bin 1x1
Integrazione: 2.6 ore
Dark: 5 Bias: 21
Pentax 6x7 MLU + 55mm Lens
Kentmere Pan 100 Film + ADOX Developer.
Negative scanned using a Pentax K1-II + K Adapter + Pentax 645 120 Macro Lens + Negative Lab Pro Software.
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
We had a fun evening at the Atmo Supercomputer Party in Berkeley, California. Atmo just finished their first product, to be delivered to Uganda. The supercomputer has groundbreaking software to predict weather using a trained AI model, a first in this industry. That means substantial cost reduction while keeping the accuracy of weather forecast. A DJ entertained the guests after the talks.
I processed a photographic and a balanced HDR photos from a JPG exposure, blended them selectively, and carefully adjusted the color balance and curves. I welcome and appreciate constructive comments.
Thank you for visiting - ♡ with gratitude! Fave if you like it, add comments below, like the Facebook page, order beautiful HDR prints at qualityHDR.com.
-- ƒ/0.95, 50 mm, 1/250 sec, ISO 800, A7 II, Canon 50mm f0.95, HDR, 1 RAW exposure, _DSC8351_hdrj1pho1bal1d.jpg
-- CC BY-NC-SA 4.0, © Peter Thoeny, Quality HDR Photography
The last part of our visit of the Romanesque churches in Le Puy-en-Velay (central France) now takes us to the one that is possibly the most moving, and certainly the most spectacular of them all: the Saint Michael Chapel, perched on top of the Aiguilhe Rock, an enormous, 82 meters high geological dike made of hard basalt and left standing like a finger sticking out of the plain below by the erosion of all the sediment that once surrounded it.
There is only one way to get there: climb the hard, tall and uneven 268 steps carved out of the basalt, and in doing so, you will be following in the exact footsteps, not only of the millions of Compostela pilgrims that came here over the centuries, but also of innumerable historic figures, among which the Kings of France Charles VII, Louis XI and Charles VIII, who ascended the rock to pray under the humble vaults of the chapel.
According to persistent legends, the first edifice built on top of the rock of Aiguilhe (notice how close the name is to the French word aiguille, i.e., needle) was a Roman temple dedicated to Mercury. No trace of such a sanctuary was ever found by archæologists. The chapel that one can see today was built in two successive phases. First, the initial and very small square chapel, probably with three apses but only two remain today. This was built soon after 950, either by bishop Godescalc (who had been the first French pilgrim of Compostela in 950–51), or more probably by Truannus, dean of the canons of the cathedral chapter, duly authorized by Godescalc. I have not been able to find any definitive evidence pointing to one rather than the other. What is documented, however, is that the finished chapel was consecrated by the said bishop in 961. It was a pre-Romanesque monument.
Secondly, during the late 1000s, the primitive oratory was “surrounded” and augmented by a Romanesque chapel built on the flattened top of the dike. In the process, the probable third apse of the oratory was destroyed to open a way of access between the newly built “nave” and the square space of the oratory, repurposed as “choir”. The best way to understand the layout if to have a look at the floor plan drawn by architect Mallay in the 19th century, here: commons.wikimedia.org/wiki/File:Plan_de_la_chapelle_Saint.... The imposing bell tower was also built at the same time.
A telephoto shot of the chapel emphasizing its stunning and unique natural location. When you see this rock in real life, you understand why men, since the dawn of time, wanted to build something on top of that to honor their god(s)...
Blended layers with Seven Styles watercolor action for Photoshop and [graphic contrast punch] layer blend in Topaz Studio.
You have a device next to your heart designed to shock you if your rhythm is in a bad state. That device is monitored by a computer that still uses weird serial ports and 3.5” floppy disk. Do you feel comforted?
Please click here to view this large!
This picture was shot on a tripod with just one RAW file format. Processed using ACR in Photoshop. I increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Used Nik Sharpener Pro to sharpen image. Applied Graduated Neutral Density filter, by Nik Software Color Efex Pro, to enhance the sky.
Got a thing about 18x9 ratio. Don't know why but it is fun. Now the nerdy bit. I'm fed up with the Fuji Raw program it’s too fiddly so I've started used Afinity software which is good at messing about with colours. As for the settings I am using the Ricoh setting for the Leica look, it’s working for me. End of the nerd commentary
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
An American Robin visits the water in my backyard. I am constantly impressed with the sharpness this lens delivers, particularly in the fine feather detail
Sony A1
Sony 70-200 GM ii
Captured remotely over wifi, using Sony Remote Camera Tool software.
Lum - 16h 1x1 bin
Red - 5h 10 m 2x2 bin
Green - 5h 20m 2x2 bin
Blue - 5h 30m 2x2 bin
Total 32 hours
Hardware - Planewave 12.5" CDK, PME, QSI 583 CCD, Lodestar guider CCD, Astrodon LRGB filters.
Acquisition software - Maxim DL, TSX, PWI focusing.
Processing software - Pixinsight 1.8
Sunset over the river in Pine Glades natural wetlands in Jupiter Florida. HDR image created in Photomatix Pro and Topaz software.
captainkimo.com/pine-glades-sunset-over-the-river-jupiter...
reprocessing old files with current software. fuji finepix F30 6MP point-and-shoot, processed in lightroom LR4 + PTLens + photoshop CS6 + nik color efex + alienskin exposure 4.
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
Beautiful dark clouds at sunrise over the Jupiter Inlet in Palm Beach County, Florida. HDR image created using in Photomatix and Luminar Software.
After sunset standing on the rim of Palo Duro Canyon 14 May 2016. Palo Duro State Park near Amarillo, TX.
Camera: Mamiya RB67 Pro S
Lens: Mamiya-Sekor 50mm f/4.5
Film: Fujichrome RVP 50 Velvia
Filter: None
Scanner: Epson V800
Scanner Software: Silverfast AI Studio 8
Testing out PTGUI panorama software, so I'm going through some of my panorama stuff that never quite worked out before.
First up is probably my favourite place in Dublin, Howth.
Shot with a Nikon D800 camera using a Nikkor 24-70mm f/2.8 lens. Stitched together using PTGui Pro and edited using Lightroom 4, Photoshop CS6 with Topaz DeNoise 5.