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Orange flower.
Fuller Avenue, Hornsby (Waitara)
Near the corner of Pretoria Parade.
Northern Sydney.
My Canon EOS 5D Mk IV, with the Canon EF 100mm macro 2.8/L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
No matter the size of whoever tries to get close, this little teal protects its companion, a duck at all times...
It's the most beautiful thing to see LOL
Não importa o tamanho de quem tenta se aproximar, esse pequeno marreco protege sua companheira, uma pata o tempo todo...
É a coisa mais linda de se ver LOL
Illustration/Art
High Quality (HQ) - 3D
Double Exposure
Mix Effect
Texture; Color; Light; Frame
Software: Windows Paint 3D; PicsArt Photo Studio;
Edits made to my original photos.
Edições feitas em minhas fotos originais
Parque da Cidade de Brasília
Dona Sara Kubitschek
Brasília, Brasil
The Love Heart and and Cupid's Arrow.
The Vivid Sydney 2024 Drone Show.
Photographed from the Sydney Harbour Bridge.
Sunday evening, 9th June, 2024.
And here is U2 and BB KIng: 'When Love Comes To Town' (1989):
www.youtube.com/watch?v=BpaAcIovUtk
My Canon EOS 5D Mk IV with the Canon EF 24-105mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Happy Slider Sunday
HSS!!
Some of my contacts wanted to know where Waterfall Park was. I put that together with AI. I figured everyone knew that. I got the inspiration from a waterfall park in Central Mexico. I took my then girl friend there thinking she would be impressed because we also stayed in the hotel next door. All she did was complain that it was too load to sleep. I went down to the front desk and had them switch room. We left the next day.
This image was put together with AI as well
Happy Weekend Everyone
Golden trees at Dural. The Hills District of Sydney.
At 460 Galston Road, Dural.
On the border with Galston.
Dural and Galston are two semi-rural suburbs in north-western Sydney. My home is nearby to here.
And here, to celebrate Autumn in the Hills District of Sydney, is Neil Young with 'Heart of Gold':
www.youtube.com/watch?v=c7eB7Wns1-M
My Canon EOS 5D Mk IV with the Canon EF 24-105mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Foto brought down to one tone each at brightness 160 using my own superior brightness calculation formula, one tone at 160 each of red, orange, yellow, yellow-green, green, cyan, blue, purple, magenta and neutral (grey), plus black and white.
Fuzzed up a bit using Lightroom's texture -100, clarity -20 and dehaze +30 tools.
Then overlaid with lines from my own edge-detection software.
Then saturated up using Lightroom's clarity +30 and dehaze +50.
An experiment in basic hues at a single brightness level.
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Memorable rest stop on the road to Oslo.
View taken: Easter 1971
Camera: Wirgin Edixa Mat FlexS
Film: Agfacolor CT18 Transparency.
Scanner: Epson V800/ Epson Scan software.
Someone very wise once said "Life is not about the number of breaths we take, it is about the moments that take our breath away".
Shot last night at Glacier Point, Yosemite.
Pano of 5 shots stitched in PS. Used Topaz denoise for the first time. Impressive results for this software.
(Copyright © 2017 K Harwin)
This is a 87 second exposure taken down at Whitstable beach. This is just down from the Old Neptune Pub.
Equipment & Settings Used.
Camera: Canon EOS M3
Mount: Canon EF-EOS M Adaptor
Lens: Sigma 10-20mm F/4-5.6 EX DC HSM
Filter: ND 110
Exposure: 87 Seconds
Aperture: f/10
Focal Length: 14 mm
ISO Speed: 200
Software: Adobe Lighroom CC
Tripod: MeFOTO Road Trip A1350
Tripod Head: MeFOTO Q1 Ball Head
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Please do not download, copy, edit, reproduce or publish any of my images. They are all my own work and are not for use without my express written permission
Beneath the vatnajökull glacier on Iceland's south coast incredible ice caves are carved by the waters flowing through and beneath the vast tongue of ice. As scientific understanding of this frozen world deepens, we begin to see that life survives even after being frozen in time for thousands of years. It even thrives in the waters underneath: icelandmonitor.mbl.is/news/nature_and_travel/2017/07/10/r...
Kevin Benedict and I had the incredible experience of exploring the ice caves, led by the fantastic guides from Blue Iceland - blueiceland.is on an unforgettable visit in 2018. Deep inside the glacier I was mesmerized by the forms, textures and otherworldly glow coming from within the ice. At times it felt almost organic, like being inside an unimaginably large alien creature (yes, I have an active imagination and I watch and read too much Sci-Fi). With our recent understanding of the vast amount of bacteria, viruses and other microscopic life that lies within the ice, this may not be entirely inaccurate! I've already posted a couple other pictures from the ice cave, so I may be starting to get repetitive here, but this is possibly my favorite picture from the entire trip. I know abstracts aren't everyone's cup of tea, but the forms, the almost oily texture, the color and the glow of this particular surface within the cave made me almost giddy, and the fact that I was able to capture this surprisingly well in camera delights me to no end. It was *not* an easy photo to take as it was a rather tight space, and quite deep within the cave, so it required some sucking in of the tummy and rather complicated arranging of tripod and camera. I couldn't get the visual alignment quite as square as I would have liked but I was happy to get any shot at all (and astounded that the camera was able to find focus in such a dark place). I was also *very* relieved once I had the shot and was able to extricate myself and move back out to less claustrophobic conditions. So I know that few others will have the same emotional reaction to this icy abstract that I do and that's ok with me, this image brings me immense personal satisfaction and some good memories of being forced out of my comfort zone to experience something truly unique.
My camera, which I dearly love and has served me brilliantly, nonetheless has some flaws. The sensor is well known to have hot spot issues with longer epxosure shots. The same Sony sensor is used by both the Nikon D810 and Pentax K-1. Nikon provided a fix for this issue once it became evident (photographylife.com/news/nikon-confirms-the-d810-thermal-...), but Pentax chose to fix it via software, so the K-1 provides a hot-spot removal option on long exposure shots, which is effectively implemented as a two-phase shot where the camera takes the same image again with the shutter closed, finds all the non-black pixels and then subtracts them or some such thing. Anyway, this is ok BUT I don't use it that often in practice because it adds a large amount of in-camera processing time to an already long shot. Keep in mind I almost always shoot with Pentax's "Pixel Shift" mode which takes 4 shots moving the sensor 1 pixel between each shot and then combining them together to get improved sharpness, dynamic range and color fidelity. Pixel Shift proved an absolute technological god-send in the darkness of the ice caves allowing me to lift the shadows by 2 additional stops without adding noise. But now you have a shot which is already a 30 second exposure X 4, so two full minutes of exposure time. Adding the automatic in-camera hot spot reduction would've taken each shot to nearly 5 minutes (!). That's a long time to be hanging around in a dark cramped nook of a cave below a few million tons of ice. So to finally come to the point of this story, I didn't use the hot spot reduction. And it's a dark long-exposure shot. So there were a lot of hot spots I found in this image and it took hours of cloning to remove the 200+ hot spots from the resulting image. And I may not have found them all.
As with all of my photos here on Flickr, this is straight out of the camera ("SOOC") -- no software was used.
ICM (intentional camera movement), or creative camera shake (multiple motions/rotations, at varied speeds and directions) was used to create this image.
(cellphone camera shot, April 2015)
C. J.R. Devaney
We got lost on the way to a winery and saw this lovely scene so stopped to take photos. I was not able to do the double exposure theme this week as I do not have the software and was traveling and too busy to learn.
Here's my best image of the moon so far. 😀
Not the telescope for this, I tried a new approach:
My 100-400 mk2 with 1.4 extender on my 80D, (900mm equiv FF).
I used a program called Registax to stack the best frames (least atmospheric turbulence) from 3x200-frame .avi files captured via usb from the camera with Backyard EOS software.
Stitched together and 'curved' in Photoshop.
Japanese cuisine, a feast for the eyes as well as palate.
SOOC JPEG except for some cropping.
Kaiseki-ryōri (懐石料理), this is the Takiawase (煮合) course where the vegetables are served with meat, seafood or tofu. The ingredients are simmered separately.
The dish glistens thanks to a layer of pure Kudzu starch which is transparent and does not leave any starchy taste. Japanese chefs pay great attention to details.
This post is to commemorate the recent demise of my Ricoh GR. A great photographic tool albeit a not too robust one at that. Its leaf shutter has been stuck for quite some time but finally its end came when its retractable lens barrel also got stuck.
Not sure if I'll bother to replace it with the newer GRiii.
Ricoh GR is ideal for street shots mainly, thanks to its stealthy form factor but it has been great for the occasional food shot too, can't imagine pointing a DSLR at a plate of food!
I also had problems installing the Ricoh Silkypix RAW developer on iMac, the workaround was to rename a USB-drive to “S-SW140”, the software will not install unless a disk-drive is identified, really clunky!
Software has always been one of my weaknesses so I chose to spend most of April developing my digital skills.
Even though I still have no clue what I'm doing, my renders should (hopefully) look more vibrant and life-like from now on. I've still got some way to go but I think it looks much better than before.
I actually built this speeder with real bricks more than a year ago but it ended up unsuccessful. The only part I liked about it was the back/thrusters so I gave it some time and finally revisited it digitally, added some detail and completely redid the nose from scratch.
Ducks and Viaduct Knaresborough.
3/03/20
Olympus OMD EM1 mkII camera.
Panasonic H-FS12060 lens.
Adjusted with DXO Photolab 3 and Silverefex Pro2.
P3021003
Opportunities are like sunrises. If you wait too long, you miss them. Quote by William Arthur Ward. Photo from Palm Beach Island Sunrise at Worth Avenue. HDR image created using Photomatix Pro and Topaz software.
captainkimo.com/opportunities-are-like-sunrises/ #westpalmbeach #opportunity #hdrphotography #business
2022-04-19 23:00-04:00
Clear, little wind, rising moon, 75% humidity, 9 degrees C
65x60s R
74x60s G
70x60s B
2022-04-21 23:00-04:00
Clear, little wind, no moon, 65% humidity, 8 degrees C
225x60s L
Camera: ASI1600MM-COOL+ZWO EFWmini, Baader R,G,B,Ha,SII,OIII, IDAS LPS-D1, gain 200, offset 50, -20C
Lens: TS-Optics 8" f/4 UNC Newtonian with GPU Superflat 2" Coma Corrector
Mount: EQ6-R Pro
QHY 5L-II-M OAG auto guider
Software: N.I.N.A., PixInsight, Photoshop
Location: Borås, Sweden