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Illustration/Art
Digital Art - Photo Art
High Quality (HQ) - 3D
Double Exposure
Texture - Light Effect
Software: Windows Paint 3D; Pixlr; Snapseed; PicsArt Photo Studio
Snapseed
Edits made to my original photos
Edições feitas em minhas fotos originais
Black-capped Donacobiu
Donacobius atricapilla
(nome científico)
Free Bird
Deck do Lago Sul
Brasília, Brasil
Recreating Masters Group
Recreating Time Challenge - September / October 2022
www.flickr.com/groups/14685405@N24/discuss/72157721
Arte Digital - Digital Art
Image-editing
Effect light
Double Exposure
Software: Windows ; Pixlr; PicsArt Photo Studio;
Brasília, Brasil
Image created for
Art Week Gallery Theme
-- Clocks And Time- Jan 9 to Jan 15
Bedruthan Steps, Cornwall, UK
One of the prettiest beaches in Cornwall only accessed at low tide. Dedicated to my friend, max tuta noronha, who was so kind to write a Flickr testimonial for me. Thanks so much, Max. Please visit Max's stream - you will be delighted with his great photography!
My other good news is that I am now one of the Ambassadors for Skylum Software, creator of the amazing photo editing programs, Luminar 3, Luminar Flex and the upcoming Luminar 4. I am proud to be part of this great team of photographers! skylum.com/ambassadors
Please use my codes for great discounts on the software plus my personal code for an additional $10 off.
Luminar 4 pre-order: macphun.evyy.net/c/1912381/645022/3255
Luminar 3 page: macphun.evyy.net/c/1912381/656614/3255
Luminar 3 checkout: macphun.evyy.net/c/1912381/320119/3255
Promo code for $10 off: STRICKLAND
Happy Slider Sunday!
HSS!
What you see is about all that's left of Driftwood. Kind of an odd name for a town that's not close to water..:) Just saying..:) Anyway, here's some more info on the town:
Driftwood is a census-designated place and unincorporated community in northern Hays County, Texas, United States. It lies along Farm to Market Road 150, north of the city of San Marcos, the county seat of Hays County.[1] Its elevation is 1,043 feet (318 m).[2] Although Driftwood is unincorporated, it has a post office, with the ZIP code of 78619;[3] the ZCTA for ZIP Code 78619 had a population of 2,467 at the 2010 census,[4] which is far larger than the population of the center of the community itself.[5]
Although the earliest settlers arrived in the area now known as Driftwood around 1850, the community was really established in the 1880s. A post office was among the results of the community's significant growth in that decade. Driftwood shrank almost to a ghost town by the early twentieth century; although it grew somewhat by the middle of the century, it returned to its almost-deserted state by the 1970s.[5]
Driftwood is also home to Driftwood Estate Winery, The Wildflower Barn Event Center, The Salt Lick, a relatively well-known barbecue restaurant and the Lazy 8 Ranch which had its dry mix products featured by the Texas Department of Agriculture in the 2010 Texas State Fair
The wreck of the 'SS Heoric'.
Homebush Bay, near Wentworth Point.
Western Sydney.
Photographed late this afternoon, Thursday, 9th March, 2023.
View looking east across Homebush Bay towards Rhodes, from the 'Shipwreck Lookout' at Sydney Olympic Park.
The SS Heroic was a steel-hulled, steam boat. It was built at South Shields, UK in 1909 for Thomas Fenwick of Sydney. During WWI, it was commandeered by the British Admiralty, renamed 'Epic' and was used in operations off the coast of Cornwall. It returned to Sydney in 1919. It sank in 1973.
My Canon EOS 5D MK IV with the Canon EF 16-35mm f/4L lens.
Processed in Adobe Lightroom and PhotoPad Pro by NCH software.
Shot at Cerridwen's Cauldron:
maps.secondlife.com/secondlife/Cerridwens%20Cauldron/150/...
Present in the picture: Creamy (creamydeliciousness) and I.
This picture is made with stitched Firestorm raw shots, no picture enhancement nor post-processing.
Tools:
❄ #IOL# Cam Pano v0.11
yaiol.blogspot.fr/2016/10/camera-panoramic.html
❄ Hugin Panorama stitching software:
➯ This is a panorama, (left) click and drag to navigate!
ErikoLeo
for a better resolution view than Flickr:
This is a re-do of a prior photograph from years ago in Washington, D.C. of the roof over the courtyard at the Smithsonian American Art Museum. It was done in Picasa, the now discontinued software made available for years by Google. Hope you enjoy the pattern and colors.
A chance visit as was passing at sunset proved to be a blast as this was the only time i have got something decent for sunset at this spot. Consequently being such a vibrant sunset it was standing room only.
A re-edit of a old crop sensor image with some decent noise reduction. Yay for new software...
Its also included with a bunch of other Coromandel images at this link;
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
Instagram: www.instagram.com/jorgeciscar
Facebook: www.facebook.com/jorgeciscar
EN |ES
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Sunrise at Aguilar Beach (Asturias - Spain). It was so cloudy that it seemed we would not going to see the sun that day, but in the end it appeared flooding the scene with its light.
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Amanecer en la Playa de Aguilar (Asturias – España). Estaba tan encapotado que parecía que no fuésemos a ver el sol ese día, pero al final le dio por asomarse inundando la escena con su luz.
Suscríbete totalmente gratis a mi blog para recibir los nuevos post en tu e-mail: localizaciones fotográficas, técnicas de procesado, reviews y mucho más.
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DESCUENTOS de mis colaboradores:
Filtros LucrOit (-10% con el código “CISCAR”)
Mochilas, trípodes y accesorios Vanguard (-20% con el código “CISCAR20VAN”)
Software Luminar (-10€ con el código “CISCAR”)
Star tracker MSM Move-Shoot-Move rotator (-5% con el código “CISCAR”)
A view from Chambers Bay Golf Course and park in University Place, WA. These old cement structures are left over relics from the sand and gravel companies that were there for many decades. What a wise move to preserve the history and make the area even more interesting. Great photo ops for scenics and portraits as well.
The reason I edited this one was to try out Topaz' new upsizing software called AI Gigapixel. It is like Genuine Fractals and other software but this one uses artificial intelligence to make up the new pixels when upsizing and man does it ever work great!
So this was a huge crop that left less than 1500px to work with before uprezzing it to 2500 with AI Gigapixel. That gave me enough px to edit decently and reduce noise. I'll be using this workflow quite a bit and it opens up opportunities for low res files from the past or huge crops in the future. It would be a great way to prepare a file for a large print too.
Thank you for your warm and kind visits my amazing flickr friends. You are the best! :)
Facebook: www.facebook.com/ernie.misner
Ericpol Software Pool
Lodz, Poland
designed by HORIZONE Studio
more pics: blog.sotiriouphotography.com/index.php/ericpol-software-p...
I was in a mood tonight what can I say with creative side. I found this free image processing software you use online. It really has some nice unexpected features for being free..Check it out here if you like www.befunky.com Some features you have to pay for but I haven't found the need to. I don't work for them or am I promoting this product. I like the free part ;-)
My local farmers field with a tree in the middle has views of Manchester City Centre in the distance.
DXO film emulation software: Agfa Ultra Color 100.
Hangar at Floyd Bennett Field, Brooklyn, New York.
Analoge Impressionen der Region „Due Laghi“ zwischen Lago Maggiore und Lago di Orta in Italien/Piemont.
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Analog Impressions of the "Due Laghi" region between Lago Maggiore and Lago di Orta in Italy/Piedmont.
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# Camera: Minolta Riva Zoom 70W
# Scanner: Nikon Coolscan 5000ED with VueScan Software
# Film: Kodak Gold 200
That is Lake O'Hara Lodge cabins on the right.
Scanned from a film (Kodachrome slide) original. A Nikon Coolscan V scanner together with VueScan software was used to make a digital copy of my 38 year old analogue original.
Shot with iPhone 15 Pro Max.
35mp ProRAW Max 74.6mb file with the 1.2x (28mm) cropped mode, post-processed externally on iMac with 3rd-party software.
It started to rain, while seeking shelter noticed the temple’s reflection on the wet floor, hence the shot.
I do wonder if the moving rain streaks affected the resolution somewhat during the iPhone’s computational process merging multiple frames? This shot lacks a bit of acuity compared to the one uploaded previously which was shot before the downpour.
I had my Olympus E-M1 Mkii with the 12-100mm f4 IS Pro attached but was not even bothered to take it out of my camera bag for the shot. This m4/3 setup while not heavy is still 1,135g compared to my phone at a mere 221g.
Some photographers like to claim that the experience shooting with system cameras is much more satisfying than handling a smartphone but this smacks of inflexibility IMO, being fixated with the old ways and proverbial “stick in the mud”. “The handling is always dubious at best and there is the ever-present risk of dropping it while taking photos.” Sounds all too similar? This is just like people who expressed reservations about EVF vs OVF when mirrorless cameras came along or worse still the irrational fear that IBIS can result in the sensor getting dislodged within the camera. Flat-earthers exist amongst photographers!
People with the irrational fear of dropping the phone, why barricade our own minds with such false fears instead of thinking about solutions? They really need to “get a grip”, literally. These days there are cheap magnetic grips readily available, just slap one on and sling a wrist-strap to your phone casing and it handles just like a camera. If ergonomics can affect the quality of your photos, you have more fundamental issues than your gear.
The freedom of shooting with a smartphone is quite liberating as you don’t have to bother with lugging heavy gear and hassle of changing lenses. I bought the new SmallRig quick release phone rig and handles but I liked the simplicity of just a wrist-strap and magnetic grip.
These days, pointing a big ass camera attached with a big ass lens in the street can intimidate people, nobody bats an eyelid when it’s a smartphone however. In fact, some touristy places where photography is prohibited, the guards can be all over you as soon as you take out your system camera but will not bat an eyelid with smartphones as everyone does it. It could be that the man in the street still thinks that smartphones take lousy photographs and that makes smartphones stealthy!
Thank you for commenting and faving my photos :-)
My Website: www.zeitfaenger.at
Creative Commons License: Attribution 3.0 Unported
Affinity by Canva: First Impressions
Credit: Giuseppe Donatiello
I spent half an hour learning/evaluating Affinity by Canva.
It's not an intuitive software, especially for those who aren't very experienced with editing, but it quickly makes you realize it's not one of those toy apps. Affinity is powerful, however, and includes a wealth of editing and graphics tools on par with more well-known and very expensive software.
It's not a product for astrophotography, so its value can be best demonstrated by its performance on non-ordinary images.
I limited myself to the Pixel section, i.e., photo editing, and after some testing, I ventured into processing a raw TIFF image of M42 (box 1), a subject rich in nuances, tones, and a myriad of details.
Even with the basic settings (box 2), the result is very satisfying. However, it's by exploring the advanced tools that I discover extremely useful applications for astrophotography, such as generating false-color images (box 3) and applying powerful and incredibly simple deconvolutional algorithms.
The use of deep learning in many tools is all too evident, and it's important/recommended not to get too carried away. The experienced user will know how much to use and, above all, when to stop to avoid entering the minefield of overprocessing, which is unfortunately widespread, where artifacts are considered objective details.
For software that has become free, can you expect more?
M42 taken with 127EDmm f/9
Using Topaz Noise Adjust 6 for the first time.
This shot of a Beach Staggerwing Replica was very noise on the underside of the aircraft. Not a very good capture but a great candidate for the test.
Inspired by Vincent Van Gogh's & Claude Monet's impressionist sunflower paintings.
Finished using Alien Skin Software.
Thanks for viewing :)
Giving Nik Software HDR efex Pro 2 a test run. I'm not big into HDR, but sometimes it's just kinda necessary (in small amounts). Now that I've got an awesome tripod of awesomeness, it's time I learned to embrace it.
Also thinking it might be time to leave my beloved CNX2. I love it. I wish they would upgrade it and fix all the problems with it and maybe give us a few more features, but it's been YEARS since NX2 was released, there's been no news from nik software of any intention of upgrading it, and their newest versions of the plug-ins aren't even compatible with NX..... sigh....
Testing CS6 with the nik software plug-ins now to see if I can make it close enough to NX2 to convince myself to make the switch.
"Economics is on the side of humanity now."
– Isaac Asimov, in "The Currents of Space" (1952).
"Many readers judge of the power of a book by the shock it gives their feelings."
– Henry Wadsworth Longfellow, "Kavanagh: A Tale"(1849), Chapter XIII.
"The measure of your quality as a public person, as a citizen, is the gap between what you do and what you say."
– Ramsey Clark