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A long exposure, landscape image of waves washing ashore on the black beach of Vik in Southern Iceland.
Thanks, as always, for stopping by and for your kind comments, awards and faves -- I appreciate them all.
© Melissa Post 2022
My first try with the Pixelshift-Mode of the A7R III. I was surprised about this level of detail in the different textures. You can see every scratch in the wall, the old age of the wooden stairs, the running roads on the worn carpet, the worn railings especially in the curves etc. The Voigtländer lens also produces nice lightstars, especially in the lower lamp.
Munich Staircases # 10
The southern tip of Canada’s Point Pelee National Park is the farthest south one can go on mainland Canada. Most of the park is either marsh or Carolinian forest, but this small tip extending out into Lake Erie is sand. This beach is constantly changing because of winds, lake currents and water levels.
One from a lovely evening on Brighton beach, with the sun setting over the remains of the West Pier - 20th January 2019.
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Job 6: 3rd Scott & Tra Gacha Challenge - Scott gave me
MINIMAL - Cyberpunk Capsule *7* backdrop
www.youtube.com/watch?v=g50cXs4bml4
:::SOLE::: SA Backpack LB2 D-EX (B) (fm)
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AZOURY - Ephese Arm Maitreya Right [leather black]
The Forge Kiera Bodice
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.Shi : Gavri'ela / Unisex
When we got to the sand dunes on the Oregon coast, we rented a dune buggy in North Bend. I didn't even try to do the driving - we rented a double and my husband drove. We hit air once going up over a hill and I was hanging on tight, and I might have even let out a bit of a scream :) But when we were all done, I realized it was actually so much fun! And the beauty was amazing. I couldn't shoot from inside the buggy because of the blowing sand, and only got out a couple of times to capture the beauty of the dunes.
Best viewed large.
Always shifting and drifting ensuring nature's canvas is constantly changing from one day to the next. Taken at Barwon Heads from under the road bridge just before sunset using Nisi ND Filters
It's still quite hot and humid and as Linus hates heat he has shifted most of his activities into the night. That sounds like a good idea as long as you aren't the human who wakes up several times per night because Linus wants to tell you that he has caught a mosquito (again) or that the tomcat nextdoor has peed on the geraniums (again). During the days he naps indoors or somewhere in the shade and gathers energy for the next night.
Weather, Geology, and Nature paint a unique scene.
A Green Heron puts a bit of an effort in to finding its next meal.
So actually two bonuses - I was photographing the dead trees along the Creek - then a Green Heron pops in - bonus - then it stretches its neck - 2nd bonus!!
Some of the causes of the death of the trees along this section of the Creek include:
Record-Breaking Droughts: The area has faced prolonged, multi-month droughts that left sections of the creek near the outpost bone-dry for long stretches. This severely starves the cypress root systems of the consistent moisture they require to keep their canopy alive. NOTE - the droughts have been going on most every year not just this year - these trees have been dead for years that I know about.
Violent Water Fluctuations: When rains do return, the water levels bounce erratically. The creek can swing from completely dry to swelling up over seven feet deep within days. This sudden, extreme shift from drought to deep, stagnant flooding suffocates the stressed tree roots.
New Cowbone Marsh Channeling: Changes and new channels cut through the nearby Cowbone Marsh have altered how water drains away from the Palmdale section. This causes the creek's water to drop much faster than it historically did, exposing the trees to rapid hydration shock.
I woke up the morning after the supermoon, and saw that clouds were covering the moon, but moving in the wind. I got the camera set up, and waited for one of the occasional clearings to cross paths with the moon. Got some decent ones of the moon alone, but found the ones with clouds more interesting!
A “boneyard beach” at Big Talbot Island State Park
Pentax K-1
SMC Pentax-A 1:2.8 24mm
Iridient Developer
Whitsand Bay is situated in South East Cornwall. It runs from Rame Head in the east, to Portwrinkle in the west. It is characterised by sheer, high cliffs and dramatic scenery. At low tide an expanse of sand approaching 4 miles in length, where several smaller coves and beaches join up, is revealed. The South West Coast Path runs the length of the bay.
The beach is fairly exposed and there are often surfable waves. However, it has a reputation for strong rip currents which makes swimming potentially treacherous. The shifting sandbanks and sandbars at Whitsand Bay, are a primary cause of this. The bay tends to develop sandbars particularly around mid-to-low tide. These sandbars create channels where water, pushed in by waves, returns to the sea, forming powerful, narrow rip currents. Dangerous rips can be found particularly around Tregonhawke and Tregantle beaches. RNLI lifeguards patrol designated sections, but not all areas, during summer. At other times there is no cover at all, making it crucial to be aware of the hazards. The area also attracts divers who come to dive the HMS Scylla, an ex-naval frigate sunk in 2004 to create an artificial reef.
Taken on a particularly low tide, this image looks east from Sharrow Point towards Rame Head. The chalets clinging to the cliff are above Freathy and Tregonhawke beaches, and the white coastguards’ cottages, further along, are above Polhawn Cove. The spire of Rame Church can just be seen on the horizon, and the white National Coastguard Institute station sits on Rame Head, just inland from the ancient chapel of St. Michael.
Sources:
www.plymouth.ac.uk/discover/understanding-rip-currents
www.cornwallbeachguide.co.uk/secornwall/whitsand/whitsand...
www.cornishsecrets.co.uk/guide/whitsand-bay/#:~:text=What....
View of the Champs-Élysées Avenue, looking towards the Place de la Concorde and the Louvre Museum in the distance.
Not of high quality as it’s 15 years old and was taken with an old P&S camera using a long focal length and high zoom, and it has traveled through several storage media. But I still like it and hope you find it interesting.
CTA Tower 18 Junction ~ The Loop ~ Chicago, Illinois
Nikon D5100, Tamron 18-270, ISO 500, f/6.3, 270mm, 1/500s
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