View allAll Photos Tagged sentence

close to the earth

interwoven

nestled

we learn

the language of trees

in our sleep

worn like a cloak

of syllables, metaphors,

wings

that carry a sentence

of song

and light

into our dreams

  

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A very big and sincere THANK YOU for the company, support, inspiration and kindness that I've had the unexpected good luck to find here.

 

I'm truly sorry not to be so active lately. Alas energy is a fragile thing, and there is, so far, only one of me. I'm working on that ;-)

 

Catch you in the stream soon :-)

 

🌲🌱🌳 💛

abstract black and white

www.alegiorgiartphoto.com

 

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Alessandro Giorgi Art Photography complete COLLECTION FOR SALE on WIRESTOCK

   

Don Pedro Domingo Murillo is the most important figure in the war of Bolivia’s liberation. Leader of the emancipation movement, he launched the first revolutionary cry on July 16, 1809. Taken prisoner by the Spaniards, he was sentenced to be hanged.

: listen

  

"Home Back"

 

What is this?! What is this mess?!

What's that noise? Is this a death sentence?

Terrifying silhouettes

Rising over the motherland

 

Are those the fireworks?

No, it's a military quirk

Is it a mermaid singing?

No, it's a siren screaming

 

Is it an angel watching over us?

It's an air-fighter making a fuss

Is it a unicorn galloping down the street

No, these are soldier boots marching down your lane

Marching to the beat

 

Is it an angel watching over us?

It's an air-fighter making a fuss

Why is this party looking so bizarre?

A party? No! This is W.A.R.

 

My darling, did we wake up like this?

Isolated bodies in a boudoir of helplessness

A bullet is an early bird, a midnight owl

Morning greeting of a rooster are replaced

With fire in a hole, with fire in a hole

My dear, do we have to go to sleep like that?

With a soothing cocktail and the hundredth cigarette

Morning greetings of a rooster are replaced

With fire in a hole!

 

Our beds are cold

As cold as basement floor

Our beds are cold

As cold as basement floor

This house is not our shelter anymore

This house is not our shelter anymore

This house is not our shelter anymore

Anymore

 

Home is not a building

Home is liberty

A place where memories live

In prosperity and peace

I came back home so I want my home back

I came back home so I want my home back

Don't you leave us homeless!

Don't you leave us homeless!

Homeless homeless

Second hand, book store, Faversham

What a difference a Year Makes

This was December 2019 , commuting in the dark and seeing the dawn rising . as the LUAS tram passed over the M50 motorway. I have been Working From Home . since late February , this year has gone in a blur of unexpected events and lots and lots of isolation. I don't know how I feel about commuting anymore. It seems like something from a bizarre Sci-fi film now :)

We are good at adapting !

 

IMG_3654WB4C9

Hair: Limerence - Else hair (gift) ♥

Cyber set: Aitne -> Trinity //body, gloves, boots, harness, pasties, sleeves// (kupra, maitreya, legacy, reborn, Belleza Gen X)

 

Tokyo zero LM

Sword: Legion - Destroyer Blade

Jaw & bandage: Legion

Ears: Aii

Oculus - Tentacio - Abdromeda

 

LM Aitne New Location!

Pants : Kindex - Tochi Legging (Legacy M/A | Jake | Gianni X | Kario Fit/Flex)

New release at Mancave Event starts on 17/DEC - 14/JAN

  

Shop more | Kindex |

Just for fun -- seeing the line up of flowers in various stages seem to form a sentence using different 'words' and 'punctuation marks'!

Take This Waltz - Leonard Cohen

youtu.be/ytdjYjM-cLg

 

[.....]

Oh I want you, I want you, I want you

On a chair with a dead magazine

In a cave at the tip of the lily

In some hallway where love's never been

On a bed where the moon has been sweating

In a cry filled with footsteps and sand

 

Aey, aey, aey, aey

Take this waltz, take this waltz

Take its broken waist in your hand

 

This waltz, this waltz, this waltz, this waltz

With its very own breath of brandy and death

Dragging its tail in the sea

 

There's a concert hall in Vienna

Where your mouth had a thousand reviews

There's a bar where the boys have stopped talking

They've been sentenced to death by the blues

Ah but who is it climbs to your picture

With a garland of freshly cut tears?

 

Aey, aey, aey, aey

Take this waltz, take this waltz

Take this waltz it's been dying for years

 

There's an attic where children are playing

Where I've got to lie down with you soon

In a dream of Hungarian lanterns

In the mist of some sweet afternoon

And I'll see what you've chained to your sorrow

All your sheep and your lilies of snow

 

Aey, aey, aey, aey

Take this waltz, take this waltz

[....]

 

And I'll dance with you in Vienna

I'll be wearing a river's disguise

The hyacinth wild on my shoulder

My mouth on the dew of your thighs

 

And I'll bury my soul in a scrapbook

With the photographs there, and the moss

And I'll yield to the flood of your beauty

My cheap violin and my cross

 

And you'll carry me down on your dancing

To the pools that you lift on your wrist

Oh my love, oh my love

Take this waltz, take this waltz

It's yours now, it's all that there is

 

José Carreras: "En Aranjuez con tu Amor" (Joaquín Rodrigo / youtube)

 

The first sentence of the play is projected onto the walls in the background. Karlos, reclining on the floor besides the record player, is listening to the same aria of the Verdi opera again and again. He tries to write a letter - he writes a line, crumbles up the paper, takes a new paper, writes, crumbles it up again and again. Domingo enters "Oh, my prince, Break this mysterious and gloomy silence!"

 

Verdi, Don Carlos: "io la vidi e al suo sorriso (Io l'ho perduta)" (am Anfang dieses Einstiegs hört man den Souffleur)

 

Auf den Wänden im Hintergrund der 1. Satz des Stückes. Karlos liegt neben dem Plattenspieler auf dem Boden, er hört immer wieder die selbe Stelle aus der Verdi Oper Don Carlos, vor ihm ein Stoß A4 Blätter, er versucht einen Brief zu schreiben - schreibt eine Zeile, zerknüllt das Papier, //: schreibt am nächsten Blatt, zerknüllt es :// Domingo kommt "Brechen Sie dies rätselhafte Schweigen...."

 

Part of: "Empty Padded ~ LeerGefüllt - Waiting Time at Work" - Left handed drawings and writings on the empty left pages of my prompter`s book Soufflierbuch Proben "Don Karlos" Friedrich Schiller

 

DMC-GH3 - P1370518_2019-01-06 #eye #auge #platte #vinyl #schallplatte #plattenspieler #brief #letter #kuvert #envelope #umschlag #briefumschlag #frucht #fruit #obst #blatt #leaf #write #schreiben #zerknüllen #zerknittern #crumble #ungeschrieben #spirale #kreis #circle #stecker #ausgesteckt #baum #tree #ast #branch #wurzel #radix #root #rinde #bark #textur #heart #herz #bleistift #pencil #ballpoint #kugelschreiber #red #rot #grau #grey #pencil #bleistift #kugelschreiber #schwarz #black #green #grün #schiefer #schieferplatte #untersetzer #loch #hole #gelocht #theater #theatre #work #arbeit #sketch #skizze #doodle #kritzelei #illustration

I've no idea what these flowers are, but they were suspended from an arch trellis and made a beautiful display.

Ex penitenziario di Procida

Nikon D 50

The stripes may mark him as the prisoner, yet the weight rests on her shoulders. His smoke drifts free into the night, while she sits bound by silence. On the steps of the Cathedral, the roles of captive and keeper quietly reverse. Shot in Cologne, Germany with a Leica M11 Mono and Summilux 50mm.

A sentimental journey

back and forth through time

a haze sometimes

clear as crystal on other days

this is where the emotion chimes

 

hourly, daily, eternally perhaps?

as much as the Sun gives to life

the hidden shadows remain lost

to the extended night

only touched by reality's hurtful frost

 

perchance can it change at all?

or has time done enough inside

that sentence dressed in ill-fitting words

like Winter nestling in the clutch of Spring

the bane of all nature's lovebirds

 

herald the call with a cry

in clonos nothing can defy the truth

of intuitive feelings so vivacious

they of the free world fly in the face of our 'society'

reaching up in unison, in search of rightness...

 

we follow suit for justification of our ills

clarification of the wrongs within

condemnation of all others we deem below us

always in denial of our own contemptuous stance

of which none among us are truly blameless

 

upon this fact we at least stand shoulder to shoulder-

the blame in part,

consuming thoughts on a diet of weighty emotions

is a recipe for the poor health of purpose

we must all take responsibility for the recycling of such actions.

 

by anglia24

09h30: 10/04/2008

©2008anglia24

Rows of prison cells in one of the cellblocks at the historic Alcatraz prison, San Francisco.

London

 

Follow me on Instagram: instagram.com/douguerreotype

 

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Buy prints, canvas and other products: dougstratton.com/shop

In Iceland, a solo exhibit a JCC, Bridgewater, NJ, April, 2018

 

20151006_0077

View Large On Black

  

I been tagged by Irena and Emily. I have to answer the following 5 questions regarding photography and tag another 10 contacts.

 

1. What I like to photograph the most:

Whatever I see through my viewfinder… but seriously, I really don’t know, I’m still trying to find that niche which appeals to me.

 

2. What I like to photograph the least:

You know when someone says, can you take a picture of us… Any time a sentence starts off that way, I just don’t like to do it because it’s not composed…

I also don’t like to take a picture of a picture (e.g. artwork in a museum) unless I use it selectively with depth.

 

3. Photography Pet Peeves:

When people take images with tripods that could otherwise be done handheld (and I know they’re not stopped down or taking HDR images too)…

Speaking of which, anyone want to buy my tripod ;-)

 

4. What I admire from other photographers:

Everything they can do that I can’t!

But I admire and value their sincerity, their willingness to share and not be snobby.

 

5. What I'd like to learn better:

I don’t own a strobe so the first item on my list is lighting!

Also: fashion photography, creative manipulation, portraits… basically everything you don’t see on my stream.

  

I tag whoever wants to do this under my comments ;-)

 

Condamné à passer un hiver très rude

 

Encore un panneau stop détourné,devant des arbres enneigés se découpant sur les belles façades colorées derrière la mairie de la Croix-rousse

My item for Fashionably late! Is a full outfit (pants + shirt) and might be a preview of items I might release soon on my store. (so many might's in one sentence!)

 

maps.secondlife.com/secondlife/CHIC/152/147/26

Price: 70L

 

_______________________________

skin: Tres Blah Hair: Shag Make up: La Malvada Mujer Headpiece: LaGyo

View from the castle tower to the village of Babice, 30 km west of Kraków.

 

The Lipowiec castle is situated on a high rocky ridge of Garb Tenczyński, which is to the west of the Kraków Upland. The first fortifications had been raised here probably long before the construction of the castle. On the site of a borough a small wooden castle was built on the initiative of Konrad Mazowiecki.

 

It became a more significant defensive structure after Bolesław Wstydliwy had come into power and in 1243 had a watch tower protecting state borders built here by the bishop Prandota. As a bishop's property, in 1295 the castle belonged to bishop Jan Muskata. In his times the original foundation was significantly developed. The first brick structures were built, e.g. a tower, which served both as a defensive structure and a prison for people sentenced to death by starvation. They were pulled down into the deep dungeon. Jan Muskata supported Chech duke, Wacław II, who pretended to the Polish Crown. Władysław Łokietek remained in power and the bishop had to shelter in the Lipowiec castle.

 

Since 1443 the castle was not a residence for the Kraków bishops any more. After Zbigniew Oleśnicki had purchased the Duchy of Siewierz he moved the seat of the bishops to the castle in Siewierz. The Lipowiec castle served as a prison for clergymen. Still one of the bishops was constantly present here as well as priests and military troops.

 

The castle acquired its present shape after the development in the 15th century. Its small courtyard was surrounded by dwelling houses and an outer castle below encircled by the wall. Another three floors were added to the tower and it has remained like this up to now. Two higher floors were fitted out with shooting positions to keep the entrance to the castle under control.

The entrance to the castle was more than 10 m above the level of the courtyard of the approaches to the castle. The subsequent modernizations the castle underwent did not change its 15th-century look to a considerable degree.

 

The castle served as a prison up to the late 18th century. It was a well-guarded prison, as only one case of successful escape was recorded. Franciszek Stankar (Francesco Stancaro), an Italian theologian and Hebraist, the author of the project of the Reformation in Poland, was put to the Lipowiec prison for his views. About 1550 he managed to escape from his cell. According to the legend a daughter of the warder helped Franciszek, as she was in love with him. He got down on the ropes she delivered.

 

In 1655 the Swedish army took over the castle and made it a seat of the governor of Kraków, general Paul Würtz. When they withdrew from Lipowiec two years later, the Swedes burned down the buildings. The reconstruction started in 1732 by bishop Konstanty Szaniawski and was completed in 1754 by bishop Andrzej Załuski.

As a structure devoid of military importance, it became a prison again, but this time a less rigorous one. A house of betterment and retreat organised special seminars here for clergymen imprisoned in Lipowiec.

In 1789 the Austrian troops occupied the castle and it was not a prison any more. During the following sixty years the castle was inhabited constantly, even in spite of the fire in 1800, when the castle got damaged quite badly. The roofs burned down completely along with the ceilings of the highest floor.

 

The castle stayed inhabited up to the mid-19th century. During the National Uprising in January 1863 the troops of general Marian Langiewicz sheltered in the castle.

Since the conservation works in 1961-1968 the Lipowiec castle has been open, as a permanent ruin, for the public.

Sunset, Scottsdale, Arizona, 2017. Shot with iphone and turned into a mirror image in Photoshop..

Doing time inside all week long at the job, now sentenced to see this beautiful sky while traveling home....I don't know about these travelers but I can handle this type of sentence just fine:)

Sentenced to drift far away now. Nothing is quite what it seems.

[www.youtube.com/watch?v=AYERWjP4on8/ ♫♫]

 

"And since our prison is

A land whose only horizon

Is a desert

A desert

And since we must suffer standing up

To survive here only on our knees

In the dust

Since love

Is unattainable, one day

And the dream too heavy

To be free one day

But may God forgive me

If being only a man

Is my maximum sentence

And since our calls are lost

And our sky remains without light

And without a gaze

Wherever we look

Even if believing is only a recourse

Before the little hope that surrounds us

That leads us astray

Since love

Is unattainable, one day

And the dream too heavy

To be free one day

But may God forgive me

If being only a man

Is my maximum sentence

Oh, oh

Maximum

But why kneel?

For whom would I want to live standing up?

Since love

Is unattainable, one day

And the dream too heavy

To be free one day

But may God forgive me

If being only a man

Is my greatest sorrow

But may God forgive me

If being only a man

Is my greatest sorrow

Oh, oh, greatest

Is my greatest sorrow "

paris. he turns. whatever he was about to say, he keeps it.

Once this red line appears on the tree, it is sentenced to be cut down. Those ashes are attacked by caterpillar of chine. And to try to save other trees, infected one are cut.

A photo of me, taken by a friend and colleague. Drinks at the King's Arms, Dorking, Surrey. on my last day at Unum.

 

Taken with a Nikon D40 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens and processed in GIMP and Photoscape.

 

Check out my 100 most interesting photos on Flickr!

artık kısa cümleler zamanı...

There’s nothing more majestic than a dogwood in spring, decked out with fabulous flowers! To some people, though, dogwoods hold a deeper meaning. The legend of the dogwood tree is an age-old story that tells the story of this magnificent tree and how it become the tree we know and love today.

 

Our story begins almost two thousand years ago in Israel. If you ventured into the forests of Israel at that time, you would have seen plenty of sturdy oaks, lofty cedars, walnut trees, and more—all of which are fine and noble trees, loved and used by carpenters.

 

However, one tree was prized above all others: the mighty dogwood. Back then, the dogwood lacked its distinct fruits and flowers, but it was still impressive, rising taller than any oak or cedar. Its wood was strong, hard, fine-grained, and easy to work with. It had no equal, and it was constantly in demand.

 

During this time, a simple carpenter was declared King of the Jews and was sentenced to death. The method of execution? Crucifixion. And the tree used to fashion the iconic wooden cross? A dogwood.

 

According to the legend, the dogwood felt great sorrow for the role it played in Jesus Christ’s death. While on the cross, Jesus sensed the tree’s anguish, and he decided to transform it so that it could never again be used in crucifixion. From that point on, the dogwood was no longer a tall, stately forest tree. Rather, it became a small and shrub-like tree with thin and twisted limbs.

 

Jesus was taken down from the cross and placed in a tomb. Three days later, he rose from the dead. At the same time, the dogwoods in the forest burst into bloom, and they continue to do so right around Easter in what is believed to be a celebration of Jesus’ resurrection.

 

While the dogwood tree never again took part in an execution, it’s still said to carry the marks of Jesus’ crucifixion. Its four large petals represent the cross he died upon, and each petal displays four red-tinged notches that are said to represent four nail holes. And in the center of each flower is a green cluster that is symbolic of Jesus’ crown of thorns.

 

Alas, the legend of the dogwood most likely originated in the United States in the 20th century. While we know Dogwoods are not native to the Middle East, nor would they have been found growing there in Jesus’ time, this story is one to think about and ponder! Nevertheless, the legend persists, and many Christians revere the beloved dogwood as it continues to remind them of Jesus’ love and sacrifice.

 

bowerandbranch.com/blogs/all-about-trees/the-legend-of-th...

 

Technical Information (or Nerdy Stuff):

Camera - Nikon D7200 (handheld)

Lens – Nikkor 18-300mm Zoom

ISO – 200

Aperture – f/7.1

Exposure – 1/125 second

Focal Length – 22mm

 

The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.

 

"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

 

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

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