Old wooden large format camera I'd gotten at auction site and repaired by myself turned out to be usable as 5x7 camera. "Momijiya &co,ltd" on the label. It was with beautiful lens,Yamasaki Congo Anastigmat 120mm F6.3 and thornton shutter. I wanted to used the lens but it didn't have iris. And the shutter didn't seem to work right. That's tricky to use. So I switched it to Fujinon 180mm lens with shutter for the time being.

Foma pan 200 5x7

,developed with rodinal in a tray.

Negative scan.

The scene was like long time ago. Relatives and friend gathered in front of wooden large camera and waited for me to set the camera up. I was confused because I couldn't be sure about the focus. It's dark there. I decided to go only with the focus on grandma in centre. "What if it didn't work?! Even you brought such a huge camera and make us all to pose!" They teased. "I forgot to make sure all of you were in the frame." I replied after the shoot. There were only two films with me.

It was fun time.

at Tama, Tokyo

Feeling * which becomes rash

I like such a tone basically.

yashica fx3 2000 - zeiss planar 50/1.7 - kodak tmax 400

「ただないて　わらって　すごすひびに

となりにたっていれることで　きみといきるいみになって

きみにささぐ　このあいのうた・・・」

Hasselblad 500C/M　+　Planar T* CF80mmF2.8

Self development

Rollei 35S, Ilford HP5+

olympus om1 - zuiko 50/1.4 - ilford delta 400 professional pushed 1600

Contax t2 - kodak portra 160

PENTAX 67 TTL 　+　Super TAKUMAR / 6×7 F2.4 105mm 　+　Kodak Portra400VC

Self development（Naniwa color kitS）

Olympus om1 - zuiko 50/1.4 - kodak 200

RICOHFLEX Vll S

FUJICOLOR SUPER G 100

RICOHFLEX Vll S

Kodak 100 TMAX

Film : AGFA APX100

Camera : Canon EOS7

Lens :Canon EF 50mm F1.8

Self-developed

osaka

pentacon six TL

fluidr

ROLLEIFLEX 2.8F Xenotar 80mm F2.8

NEOPAN 400 PRESTO

D-76 21℃ 6'00

Super Fuji Fix 23℃ 8'00

yashica fx3 2000 - agfa vista 100 exp

Canon FT QL

FD 55mm F1.2

Kodak 100 TMAX

F. Sans titre.

Paris. Octobre 2016.

Quand ça brouille l'écoute, rester sur la défensive.

#analog stuff | argentique

No EXIF : film photography

Numérisation du négatif au X10 pour lecture.

Scan for reading, with my X10.

#kodak #TriX400 IE400 self development in HC-110 "B" during 6' at 20°.

EXA la

Carl Zeiss Jena Tessar 50mm f2.8

Pentax6×7＋Takumar105/2.4

100Tmax/selfdevelopment /

PQ*1:1/29℃-3'30"

Canonet QL1.9 Eastman Kodak Double-X developed in rodinal 1+50 11min

Luzern,Switzerland

Leica M6

Ilfosol 3

Ilford Pan 400

Scan with dslr

Rolleiflex t 75 - kodak portra 400

Zeiss Ikon CONTAFLEX 1

Carl Zeiss Tessar 40mm F=2.8

FUJIFILM Neopan400PRESTO

Kodak D-76

20℃　9m30s 1:1

#analog stuff | argentique

F. Le grand large.

Paris, Fondation Louis Vuitton. Août 2016.

No EXIF : film photography

Numérisation du négatif au X10 pour lecture.

Scan for reading, with my X10.

#ilford #delta400 IE800 self development in HC-110 "B" during 10' at 20°.

Because I am not always together, I do not understand it, but want you to know only that you yearn carefully whether I contact with friends what kind of feeling this child spends it with every day...

日々、この子が

どんな気持ちで過ごしているのか、

友人たちと接しているのか、

私はいつも一緒にいるわけではないので

分かりませんが

大事に想っている事だけは

知っていて欲しい事です。

ZenzaBronica S2

Nikkor75mm F2.8

T-MAX400

Self development

66 wide pinhole camera

NEOPAN 100 ACROS

Exposure time-about 3min

Caffenol-C:20℃ 360min

RICOHFLEX Vll S

Kodak TRI-X 400

プロット 15-048_21

analog stuff | argentique

Parcelle 15-048_21

No EXIF : film photography

Numérisation du négatif au X10 pour lecture.

Ma méthode de numérisation du négatif - My method of scanning the negative

#analog stuff | argentique

F. Songes en marches.

Paris, Fondation Louis Vuitton. Août 2016.

No EXIF : film photography

Numérisation du négatif au X10 pour lecture.

Scan for reading, with my X10.

#ilford #delta400 IE800 self development in HC-110 "B" during 10' at 20°.