Scapes
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☼My works are often BEST VIEWED LARGE☼
Created for my TMI December contest Night Scape
www.flickr.com/groups/impressionists/discuss/721577219177...
Hope you join me
part of the back ground= pngwing
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Titles.....!
Another August shot taken along the Glenn Highway further up the road from the picnic shot I posted yesterday. Here looking south with some of the Chugach mountains in the distance. Loved the turning colors from greens to golds.
Autumn is my favorite season. A treat to get an extra few weeks of it by starting in Alaska.
Thank for taking a look, and for any comments, faves and suggestions!
Scape_lands
The “scape_lands“ is a readymade-fotowork series developed since 2010.
The theme is the hermetical law of correspondence (we exist in all planes, astral as well as physical) I discovered the scape_lands in the urban environments, the streets of Berlin.
YANOMANO
Some species of Agapanthus are commonly known as lily of the Nile (or African lily in the UK), although they are not lilies and all of the species are native to Southern Africa (South Africa, Lesotho, Swaziland, Mozambique) though some have become naturalized in scattered places around the world (Australia, Great Britain, Mexico, Ethiopia, Jamaica, etc.). Agapanthus is a genus of herbaceous perennials that mostly bloom in summer. The leaves are basal, curved, and linear, growing up to 60 cm long. They are rather leathery and arranged in two opposite rows. The plant has a mostly underground stem called a rhizome (like a ginger 'root') that is used as a storage organ. The roots, which grow out of the rhizome, are white, thick and fleshy. The inflorescence is a pseudo-umbel subtended by two large bracts at the apex of a long, erect scape, up to 2 m tall. They have funnel-shaped or tubular flowers, in hues of blue to purple, shading to white. 49269
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AMSTERDAM LIGHT FESTIVAL - It’s no coincidence that these shadows can be seen on the facade of the Maritime Museum. Neustetter researched the museum’s collection, which contains around 400.000 objects relating to Dutch maritime history, and selected a variety of objects. They caught his eye for different reasons: they have interesting, ambiguous, symbolic or recognisable silhouettes, play with scale, serve a mix of purposes (aesthetic and functional) or represent specific stories, perspectives or power relations. Neustetter recreated these objects – among which a ship model, a goblet, pieces of jewellery, a globe and several nautical instruments – as flat silhouettes and placed them around the building. By alternatingly illuminating the silhouettes with multiple lights, the shadows overlap each other in different ways, consequently creating a range of patterns and imaginary landscapes.