View allAll Photos Tagged revolution

The clocks turned - Earth reassuringly continued to rotate, and apparently "Seconds" even leapt.

Regardless - 2017 arrived right on time.

You say you want a Revolution

We all want to change the World

*Be Careful what you wish for. The minute you change history, erase where we have come from, you change everything you have today. You change everything our ancestors fought for, you change freedom** Tune....♪

“In a time of deceit telling the truth is a revolutionary act.”

― George Orwell

PEACE NOT WAR

STOP THE WAR, STOP PUTIN, SUPPORT UKRAINE

decadencE. supports artist supporting Ukraine

maps.secondlife.com/secondlife/Psyche/106/74/801

Abandoned Storage Facility

A deserted bar, probably due to heavy rain - Forman Street, Nottingham. © All Rights Reserved.

Taken in Leicester Uk

 

Nikon D700

14.0 mm f/2.8

ƒ/13.0

14.0 mm

1/40

Iso 200

 

The sound interrupted by unknown armies

They make the petals of the now closed flowers tremble

The once free branches

They descend tangled to the ground, touching the unsafe ground

Ravens in love have left the nest that, naked,

he remains defenseless without a voice

the light that filters still asks in confusion why

so much fear and so much silence

someone, but I don't know who, answers in a weak but clear voice

indignant: the Revolution!

(my)

Cromford Mill, the world’s first successful water powered cotton spinning mill, was built in 1771 by Sir Richard Arkwright.

 

From then until around 1790, he continued to develop the mills, warehouses and workshops, which now form the Cromford Mills site. Considered as a whole, it presents a remarkable picture of an early textile factory complex.

 

Sir Richard Arkwright’s invention of the waterframe to spin cotton transformed the manufacture of cotton into England’s major industry and created a system of factory production that spread throughout the world. The cotton industry was a cornerstone of the industrial revolution.

 

Arkwright took out a patent for his waterframe in 1769 and moved from Preston to Nottingham to set up a horse powered mill to run his machines. Driven by the need for more power he searched for a site to build a water powered mill and settled upon Cromford, using the Bonsall Brook and the Cromford Sough. In 1771 he set about building the first mill here.

 

In the next few years, the site grew rapidly, and Arkwright needed to attract more workers to the area; he expanded Cromford Village with the building of Derbyshire’s first row of planned industrial housing on North Street in 1776. Arkwright later built the marketplace, the Greyhound Hotel, and further housing for his growing workforce to create the village you see today

An amazing-looking supercell in Kansas, taken on this years storm chase.

Large on black

 

In order to “read” the photo, and for the non-portuguese:

Yesterday Portuguese celebrated the 1974 25th April revolution, which ended the dictatorship regime that lasted throughout several decades.

 

in einem Stillleben eine Revolution darstellen ...

 

Nähe trifft Freiheit ...

Freiheit trifft Nähe ...

Die Jagd nach dem Augenblick ...

Mehr Licht ...

 

Wolken, Wellen, Lichtreflexe – ab 1820 nutzen Maler*innen wie Caspar David Friedrich und Camille Corot neue, schnell trocknende Farben, um den Augenblick des Naturerlebens direkt in farbige Ölstudien, meist nur auf Papier, zu übersetzen.

 

Hier seht ihr ein typisches Equipment (unserer Kameraausrüstung gleich), das mit hinaus in die Natur genommen werden konnte.

 

Bisher dachte ich immer, das die neuen Tubenfarben erst den Impressionisten zur Verfügung gestanden haben.

 

Sie standen aber schon früher zur Verfügung und anders, als die Impressionisten, die gleich ein fertiges Bild in der Natur mit groben Strichen und ohne den Einsatz von Braun und Schwarz malten, haben die Maler zuvor noch fast "fotorealistisch", eben kleiner und fein (damit es schneller ins Papier eintrocknete), aber schnelle Vorstudien in der Natur gemalt, die nicht für das Publikum gedacht waren ...

 

Erstmals widmet sich in Deutschland eine Ausstellung der Ölstudie als größte Revolution in der Kunst des 19. Jahrhunderts.

 

Mit zahlreichen, noch nie öffentlich gezeigten Werken aus musealen und privaten europäischen Sammlungen präsentiert die von Autor und Kunsthistoriker Florian Illies kuratierte Schau im Kunstpalast (8. Februar bis 7. Mai) den wertschätzenden Blick von Künstler*innen auf die Natur im Zeitalter der Romantik ... natürlich exklusiv in Ddorf !!!

 

Mit am Meisten haben mich Himmelsstudien fasziniert, die so perfekt waren, dass ich sie hier in ein Foto einbauen könnte, ohne das es euch auffallen würde ...

 

zudem traf ich eine Malerin und geriet mir in in das "Himmel-Wolken- und (natürlich) Lichtthema ... sie sagte mir, dass sie bei aufwendigen Himmlen, die sie immer wieder nacharbeite, manchmal die Geduld haben müsse 4-5 Wochen zu warten, bis dass sie trocken sind ... (damit nutzt sie mit Sicherheit keine schnelltrocknenden Farben ...

;-) ...

 

www1.wdr.de/mediathek/video-mehr-licht-der-kunstpalast-un...

 

_V0A4513_pa2

Syria Revolution

I had just applied Sam's 'revolution' for this month and was sitting at the computer when I felt something tickle my neck. I brushed this little tick off onto my desk. Ugh!! Out of curiosity, I decided to see if I could squeeze a drop of the selamectin onto the tick to kill it - however he was still crawling around so I ended up flushing him like I usually do when I find these guys. Don't know where I picked up the tick, but I am off to have a good shower and scrub now!

Feeling radical in Cotton

Purified in my Satin

But the bomb of the season

Is a Velvet Revolution

 

I look at the sky

And feel the tears of the

Prophets crying

 

I look at the sky

And feel the rain

The rain of tears

 

Feeling radical in Cotton

Purified in my Satin

But the bomb of the season

Is a Velvet Revolution

 

All you killers of the children

There's a new Commandment

The true Divine Creator wants a

Velvet Revolution

 

All you killers of the children

There's a new Commandment

The true Divine Creator wants a

 

Velvet Revolution

 

Revolution.

Thought of this shot today during one of my many LP daydreams.

I downloaded a free clip art of a bullet hole and inverted it in Photoshop leaving the dead space in the middle of the frame. Exposed from my tablet screen then a tripod swap. Rgb wand mounted on a light stand on fade mode then a little @lightpaintingbrushes beautiful light whip waved about around where Lauren was stood.

Raw conversion with minor adjustments in Lightroom. No Photoshop.

ci sono emozioni che nessuno può capire fino a che non le vive....ci sono coincidenze che alle volte lasciano il fiato sospeso...ci sono persone che ti sembra di conoscere da sempre....

poi c'è la realtà...fatta di coraggio, di scelte....fatta di mal di stomaco..fatta di lacrime....ma sono convinta, perchè DEVE essere per forza così, che la strada giusta arriverà, che non ci si può sempre sbagliare e sopratutto..BASTA le mani sugli occhi....guardiamo davvero dentro al nostro cuore (magari bevendoci su un pò di sambuca o rum)......

C'est l'un des plus anciens monastères bénédictins de Normandie puisque sa fondation, par Saint Philibert, date de 654. Abandonnée durant les invasions vikings en 841, la reconstruction s'est poursuivie au 11ème siècle et fut un chantier quasi permanent jusqu'à la guerre de Cent Ans (1337-1453). A la Révolution, l'abbaye est vendue et devient une carrière de pierres jusqu'au 19ème siècle. Elle est aujourd'hui à la charge du Département de la Seine-Maritime.

 

It is one of the oldest Benedictine monasteries in Normandy since its foundation, by Saint Philibert, dates from 654. Abandoned during the Viking invasions in 841, the reconstruction continued in the 11th century and was an almost permanent construction site until to the Hundred Years War (1337-1453). At the Revolution, the abbey is sold and becomes a stone quarry until the 19th century. It is now the responsibility of the Department of Seine-Maritime.

 

Photographie faite par mon épouse Nathalie.

Heading south, a Direct Rail Services loco convoy makes its way along the loop adjacent to Platform 12 at Crewe station. Running in diesel mode, Class 88 loco 88001 'Revolution' leads Class 68 loco 'Evolution' and Class 66 loco 66426 near their destination on a run from Carlisle Kingmoor to Gresty Bridge Depot.

Mural in Melbourne

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