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Okay, this is my first try at using this mode...Microscope Mode on the TG6. Very cool, not as clear as I'd like to see, but I am enjoying it.
Yep...laying in the pasture with temp at 0 degrees. But hey! The sun was out!
Scanned From Print
Sin Edición . Ne Ŝanĝita . Not Edited
Xinantécatl (también conocido como Nevado de Toluca)
Estado de México, México
35 mm film Konica 200
RedCamera: 2Way Vista
Scanned From Print
Sin Edición . Ne Ŝanĝita . Not Edited
Paris, Île de France, France
Fuji 200 RedCamera:
We created this heart-shaped bokeh photo for Valentine's Day. Check out our YouTube video to see how we did it: www.youtube.com/watch?v=kNC4lEPQiMI
No. 2A Brownie Model C de Canadian Kodak Co. Ltd.
Lentille Minisque Fixe. Vitesses 1/50 et time.
Film 116. Année 1924 - 1933.
Photo #1 for Week 1 of the #dogwood52 week challenge. Big shout out to Kyle Kosaki for being my model, and Alben O for challenging me. Mahalo to Berad Studio for letting me use the Red Scarlet Weapon camera as a prop.
CC Please!
Dogwood2017
This was taken somewhere on Prince Street, in the SoHo district of Manhattan.
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This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.
That's all there is to it …
Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.
Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.
As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"
A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."
As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"
So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".
Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"
Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.
If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com
Stay tuned as the photo-walk continues, block by block ...
RED Scarlet-X
Zeiss ZE 18/3.5
Glendale, California
Time-lapse for sale: www.pond5.com/artist/jamiejones113
Filming 'The Astronot' (bit.ly/AstroTrailer) in Central Oregon with director Tim Cash of 'Far From Earth Films' & cameraman Chuck Greenwood.
Still from a charity music video I shot for American Dance Machine For the 21st Century in memory of actor Nick Cordero. adm21.org/cheech
Director of Photography Joel Hodge shooting an additional scene with Writer/Director/Actor Jonathan Keevil for the film Chuck Hank and the San Diego Twins.
Alfred J Hemlock is a 2016 comedy/fantasy/horror short directed by Edward Lyons. Shot on 6K Red Dragon.
Trailer: vimeo.com/176929079
A picture of a vintage camera I shot last year as part of a creative bokeh Valentine's Day project for work.
A couple of my old digital cameras with varying resolution. #Resolution "Flickr Friday" #FlickrFriday
Director of Photography Joel Hodge, and 1st A.C. Diesel Pfingsten setting up the shot for "Chuck Hank & The San Diego Twins".
In an upstairs cupboard sits a pile of cameras. It's quite a big pile and amongst them is this Samsung SH100. I bought it around 14 years ago, my wife used it a bit and it's just been sitting unused for a decade, maybe more.
It was released when compact cameras were starting to get a run for their money from phones, so they added some wi-fi capability - upload straight to facebook etc, some video capabilty, but the reality was that they just couldn't compete with phones. They just became redundant. I thought I'd take it out and see if it still holds up today. It kind of does. The reviews at the time said if the lighting conditions are perfect, you'll get a good shot. That's true - and when the conditions work, it can take a good picture. Exposure is a bit hit and miss but overall it's still useable.
I love all sorts of cameras, it's fun, for me, to see what the older ones can do. It's very well built and stores data on a 2GB micro SD card. You'll only get a rough idea of what you're shooting as the screen is highly reflective. It's good fun and super light weight too.
Still from a charity music video I shot for American Dance Machine For the 21st Century in memory of actor Nick Cordero.
We recently passed the 100 Mags mark on the last night we shot "Chuck Hank & The San Diego Twins", that's over 16 TB of video data alone; these are the cartridge labels...Exciting business.