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La realtà non è come ci appare, Carlo Rovelli (Raffaello Cortina, 2014)
Par-delà le visible, Carlo Rovelli (Odile Jacob, 2015)
Reality is not what it seems, Carlo Rovelli (Allen Lane, 2016)
La struttura elementare delle cose (Raffaello Cortina, 2014)
Par-delà le visible, Carlo Rovelli (Odile Jacob, 2015)
Reality is not what it seems, Carlo Rovelli (Allen Lane, 2016)
In this photo I liked the half-hidden man in the middle reading the information board in the real world whilst the other two were in their own mobile-phone worlds.
Thank you for your visit, comment or fave. All are much appreciated. Thank you also to all who invite my photos to their groups.
All photos and textures used are my own.
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way.
* De la légende à la réalité, ELLE et ON sont facilement reconnaissables. Vous AVouerez que ce n'est pas le cas de certain(s).
LACPIXEL - 2022
Please don't use this image without my explicit permission.
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It's not a very common sight to have a droid you like in front of the camera during the holiday trip. Even though, this one is showing only his backside, I'm very happy within the results.
Another fun moment with the droid I much like! This is an addition to my Action Figure Project, which I've started many many years ago.
The Golden Years, the Silver Tears
Timmy & Dorian
[.::4BIDDEN::. ] Jamie Bodysuit (JAKE + GIANNI + LEGACY + AESTHETIC)
Scene
[Shop At Dave's] Daves Realworld windlights
"You're going to a very dangerous place, so be careful. The thing that slumbers there, it's not human ..."
('Pale Man' by NECA / The Guillermo del Toro Signature Collection)
Diorama by RK
A few weeks ago, I was photographing on outdoors. I don’t remember the last time, as I’m not into sun, flowers and bugs not that much. But, sometimes I do with my camera and sometimes you find something that interest you, something like this you’ll see here. My pulse was ticking fast! The pilot in the dark is Yavin pilot looking for fuel for his TIE fighter. I didn't saw the TIE fighter, as it was hidden. Anywayahwanna, this moment was something I’ll cherish a long time!
And finally a new addition to my Action Figure Project. I really love to do these time to time, and especially when there’s a story to tell! Just for clarification, this scene is made of two separate photographs and put together as one on Ps. These are called composites and it’s quite popular art form to perform. You should try it out, if you’re into photography and Star Wars! But if you're more into see and discover new things, I have to suggest you to an art book by Cedric Delsaux (in my shelf, too!). It's titled as Dark Lens and it features high quality photos, with an introduction by George Lucas.
In the heart of L.A. where the rents are sky high, its grab a pizza and or street tacos, then go to the local all night laundry with your significant other, or all three kids in tow! That's a Saturday night out in the real world!
Deep underground in derelict sewers, Sentinels tenaciously hunt down the survivors of mankind. But 'The One' stands in their way.
This is our eighth entry for our Iron Builder. against Tyler Clites and Nannan Zhang!
Also, this is a tribute to the awesome style of Bart De Dobbelaer, from whom we gather much inspiration :)
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Finding a droid from the middle of nowhere was something that really opened my eyes to look around for more. In fact, just a twenty minutes later, I've dscovered Bossk in there as well.
Later, I was going through my photographs on the computer, the droid I photographed earlier, U-3PO, was probaply buying oil from the kiosk. I thought all they did was selling ice-cream...
A moment ago I saw the Millenium Falcon flying over a small mountain a few miles away. It seems that Chewbacca is not in that flight… do I dare to ask about it?
This is the second photo in the series where the real world and the Star Wars mix together. First one is from last winter.
We are living in the real world
Living with the lost and lonely
We are living in the real world
And we can't get out
Peter Green
"A long time ago, in the underground realm, where there are no lies or pain, there lived a Princess who dreamed of the human world. She dreamed of blue skies, soft breeze, and sunshine."
('Ofelia' and 'Fairy' by NECA / The Guillermo del Toro Signature Collection)
Diorama by RK
"Innocence has a power evil cannot imagine."
('Ofelia' by NECA / The Guillermo del Toro Signature Collection)
Diorama by RK
This image of Sydney Harbour is the opening screen in the latest update for the Steam Edition of Microsoft Flight Simulator 2022 (SE-MSFS). The upgrade (VII) covers the whole of the continent of Australia and every major city is rendered in the same detail as Sydney.
A detailed replica of one of the Sentinels in the Matrix.
This is our eighth entry for our Iron Builder. against Tyler Clites and Nannan Zhang!
Also, this is a tribute to the awesome style of Bart De Dobbelaer, from whom we gather much inspiration :)
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"Open the door to another world ..."
('Pale Man' by NECA / The Guillermo del Toro Signature Collection)
Never give up hope that the "Real World" can provide for all your needs. Some "Fantasy" is healthy... but spending too much time in the dream world zaps the energy you require to seek out & find True Fulfillment! The problem is that Fantasizing about life is way easier than doing the hard work it takes to make things happen. But if you decide in your heart that REAL is what ya long for then the strength Will Come!
Never Give Up! You are Not Alone!
(note: consider asking God for help)
This world was so far beyond the borders she had been constrained to . . . and she loved it.
This is the last installment for the series! Check out my blog post to see the photo bombing horse:http://aleahmichele.com/uncategorized/sketch-runs-away/
The vignette is meant to be part of the red brick castle under Nilfgaardian occupation you find in the north of White Orchard in The Witcher III.
The brick pattern on the floor was a thing the Romans and later Europeans loved to do. Figured it fit here.
Where do you live? I live in the virtual reality apocalypse. My technology and I have become one. The virtual world has been merged with the real world. Now I can keep up with the advances of AI. The line between man and machine has become blurred, and we have been profoundly changed.
The future is personal fabrication, a redefining of our species. The end goal is to achieve the death of death, and then we will become gods. We will use nanotechnology to build atom upon atom. Our desire is to build the perfect Adam.
Adam: the fall of man (sin).
Jesus: the second Adam (redemption).
The third Adam: the antichrist (666/transhumanism).
Will you become the digital offspring of the third Adam?
Follow the techno-fascist Beast (antichrist) and join the transhuman (antihuman) revolution. Mind-reading AI will give you a truth score, measuring your loyalty to the Beast. Worship the Image of the Beast or you will die! But hey, if you’ve had the latest jab—the mandatory smart chip—you will adore the Beast. Techno-fascist mind control, anyone?
Just imagine nanobots floating through your brain, connecting to every synapse of your brain, with the ability to control your mental faculties and senses. Is that not a recipe for a dystopian nightmare?
Indeed, Adam ate the fruit of the tree of the knowledge of good and evil. It was a test. Adam failed the test. Adam saw the evil of his sin. Good vs evil. God, however, did not allow Adam to eat the fruit of the tree of life and live forever. God banished Adam from the Garden of Eden. Yet these rebellious transhumanist dreamers think that they will one day live forever in their utopian world (Garden of Eden). Dream on! “Everyone must die once, and after that be judged by God.” Indeed, they will not live eternal life in the utopia of heaven. Instead, they will live eternal life in the dystopia of hell. “And death and hell were cast into the lake of fire.” The End
This image represents a state of active consciousness turned outward.
The gaze is alert, attentive, exposed. It observes the world as it is, without filters, fully aware of the risk involved in opening oneself to the outside. There is no naivety here, only awareness.
The external world appears as a place of possibility and, at the same time, of threat. The gaze does not close itself off, but remains on guard. It is a fragile balance between the desire for connection and the need for self-protection. Here, consciousness does not withdraw or escape; it faces what lies outside, accepting its own vulnerability.
Placed alongside the image of active consciousness turned inward, this work becomes its natural counterpart. The two images enter into dialogue as complementary states: one born from protection, the other from exposure. Two different, yet equally necessary, ways of inhabiting both the world and the self.
it should say "Oeder Weg" (exit of an underground station).
Obviously somebody bothered to cut out the letters, cause "Real world" can't neither be made out of "Oeder Weg" nor "Eschersheimer Landstrasse" (other exit)
"It's you! You've returned. Don't be frightended, I beg you. Look ... look ..."
('Ofelia' and the 'Old Faun' by NECA / The Guillermo del Toro Signature Collection)
Diorama by RK