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Citation: From the Three Mile Island Collection. Archives and Special Collections at the Penn State Harrisburg Library, Pennsylvania State University Libraries.
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Original held by Archives and Special Collections, Penn State Harrisburg
Institution: The Pennsylvania State University
Location: Middletown, PA
Contact us: 717.948.6070
On December 1, 100+ developers looking to learn or extend their ReactJS skills gathered at University of Toronto for a full-day of talks including seven sessions from industry leaders across North America.
Photography by Steve Diabo
Concept work for ReAct Theatre's bowl-a-thon.
I loved the various rabbits; it was fun coming with them. The Director preferred a more standard approach, see the final color version.
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Austrian Sculpture Park Premstätten near Graz, Austria
When sculpture and nature come together, they react to each other: an interrelationship develops that tells a story over time and constantly changes. The garden as man-made and yet constantly growing nature corresponds in the Austrian Sculpture Park in particular to the weather-exposed sculptures that blend in with the landscape or react to it. The vocabulary of contemporary sculpture ranges from abstract sculpture to everyday objects, from anthropomorphic figurations to everyday objects. The dialogue between location and sculpture is intended to make this vocabulary visible, i.e. to make statements about art, but also about society, its conflicts and dreams, and to create spaces for encounters.
Mario Terzic's ever-growing ark of living trees is the epitome of conflict and harmony between nature and sculpture. Oswald Oberhuber's sculpture on the wall points out that, since Minimal Art, every sculpture can not only stand on the floor, but can also hang on the wall, so that sculpture is also in dialogue with the picture. The dialogue inherent in art, e.g. B. between image and space, can also be expanded through a dialogue between forms of art and nature, as shown by the juxtaposition of the sculptures by Fritz Hartlauer and Jörg Schlick, which deal with rules of form, algorithms and growth. The sculptures by Christa Sommerer and Michael Kienzer also belong to this category. Works by so-called old masters can be found on a stepped landscape facing the sky, which acts as a pantheon. This power of place also supports the importance of Heimo Zobernig's tower at the entrance to the Austrian Sculpture Park or Susana Solano's "Wheel" sculpture. The same applies to Werner Reiterer's sculpture, which inflates and collapses in a hollow, Hans Kupelwieser's cushion placed between hedges, or Peter Weibel's work, which makes it possible to experience the globe as a suitcase.
Moving machines such as cars (Erwin Wurm), ships (Michael Schuster), sails (Martin Walde), airplanes (Nancy Rubins) or trains (Hans Hollein) tell of the fate of the apparatuses, of failure and standstill, social and technical dreams and transform the landscape in a sea or an airport. Correspondingly, Heinz Gappmayr's references to "things that are not yet visible" and "no longer visible" depending on the position of the viewer, Yoko Ono's cross to be nailed, the dancing trees by Timm Ulrichs and the water sculpture by Jeppe Hein increase the relationship between the visitor and artwork. The Austrian Sculpture Park is used as a platform to open up a horizon of dialogue with contemporary sculpture and to be able to better understand its language.
Elisabeth Fiedler, Peter Weibel
Fans react after Alex de Minaur of Australia defeats Adrian Mannarino of France 7-6 4-6 6-4 6-1 during round 2 match Day 4 at the Australian Open Tennis 2023 at John Cain Arena, Melbourne, Australia on 19 January 2023. Photo by Peter Dovgan.
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