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And so it is. . . 2022 the year when humanity will make quantum leaps forward . . .

 

THE REVOLUTION OF HEALING | Advancing Beyond MedBed Technology | SHARE THIS EVERYWHERE!!!

youtu.be/2bcYsBM1gnM

 

Goats-beard seeds after a shower.

Created with Mandelbulb 3d, edited with Paintshop Pro

two thoughts: i do this drive-by shot maybe four times a week and never get it centered. until today. i don't think that's meaningful, just useful since i don't want to actually pull over in winter. so here we have another one of my over-used motifs. thought 2, entirely random, was that naming a tunnel after lincoln was pretty insulting if you compare it to the george washington bridge. driving thru the lincoln tunnel is like driving thru the port authority bathrooms, circa 1972. the only remotely awesome thing about the lincoln tunnel is that it was built under a river. well, maybe that's the answer. beauty is only river deep.

"Consciousness creates reality"

 

The xx - Angels

www.youtube.com/watch?v=_nW5AF0m9Zw

St. Helens loch Bonnybridge

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Los Padres National Forest, Ventura County, California

L'abbazia di Morimondo è un'abbazia cistercense sita a pochi chilometri da Milano, in località Morimondo, ai confini con il territorio di Pavia.

L'abbazia inizia la sua storia il 4 ottobre 1134 con l'arrivo di un gruppo di monaci fondatori provenienti dalla casa-madre di Morimond, in Francia. Accolti inizialmente a Coronate, a circa un miglio dalla sede definitiva, i monaci scelsero poi il luogo per la costruzione del loro monastero l'11 novembre 1136..... Cit. Wikipedia.

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Beauty in Video Games

Beauty Digital Body

Beauty Nightlife

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NASA Archival Block #1138.04

- Rosa's Garden of Earthly Delights, Keefer Lake, Ontario, Canada -

Hair: Love- Reputation new

 

Eyes: -Uni cult- Madness Eyes -Aenigma- new

 

Chain: Richb Navia face Chain -Aenigma- new

 

Top: -Cubir Cherry- {Dooboo} Top Leather

 

Skirt: -Cubir Cherry- Nora latex -Afterglow- new

 

Heart: -Fika- Mekaniskt Heart

 

Bacdrop: -The bearbed- House vives / That goove -Men only- new

 

Pose: Quantum Sorcerer new

 

Magic: -Kokoro- Cyber 01 Holding -Cyber fair- new

This is Stu Goldspink at the controls of Spitfire Mk IX, serial MH434.

The Mk IX Spitfire was rushed into production in 1942 when it became clear that the then current Spitfire Mk V was being outclassed in battle by the Focke-Wulf Fw 190.

The Spitfire Mk IX was essentially a Mk V fitted with the new, more powerful, Rolls-Royce Merlin 60 engine with its two-stage supercharger, which put it on a more equal footing with the Fw 190. Spitfire test pilot Jeffrey Quill described the Mk IX's performance as a 'quantum leap' over the Mk V.

Based at Duxford, but seen here at nearby Old Warden on a rainy August day. ('Nearby' - about 40 minutes by road, but only 5 - 10 minutes by Spitfire!)

I see one of the greatest dangers of AI, in its ownership by a few tech oligarchs with direct access to power.

AI Surveillance software such as" Paladir Elite" laid the foundation for a force like ICE. It is on par with Chinese surveillance software and is a popular tool used by autocrats and dictators to spy on the population.

There is both a curse and a blessing in AI.

   

The dreamy Cancun beach on the morning of 2016 Christmas Eve

Processed using Photoshop and Fractalius Filter. Happy Sliders Sunday!

OlympusOmZuiko 55mmF1.2

At the border of the high Padan Plain, just at the feet of the first line of the Prealps, there lays a string of five lakes. They draw a line that is the base of the so-called Larian triangle, i.e. the triangle-shaped mountainous land between the two arms of the Lake Como (also called Lario). These lakes, often called the Lakes Briantei, or the Brianza Lakes (from the name of that land, Brianza), are way smaller than the Lario and the other great lakes of Northern Italy - just a string of beads in the higher plain - but they share the beauty of their larger cousins, although on a smaller, more intimate scale. I have always felt quite strongly the fascination of their common origin, which dates from the end of the Würm glaciation, some 11,700 years ago. I can easily see in my mind the enormous, mighty glaciers from the Alps flowing beyond the last mountains and spreading through the high plain. A powerful sight, indeed... Yet all that glory was deemed to end as the climate was becoming warmer, and eventually the glaciers began to recede, leaving behind deep ditches and huge semilunar terminal morains. You can easily fill in the story - the melting waters, the swamps, the debris from the looming mountains, and, eventually, the lakes.

Well, this is not a lesson in geology - I am by no means an expert, just a guy who perceives geology in a deeply emotional way (quite possibly a trait acquired from my late father, who was a passionate amateur mineral and fossil prospector).

 

I have begun a photographic exploration of those relics of the last glaciation, the Lakes Briantei. At sunrise, of course.

My first session was at the Lake Annone, the largest one, that is divided in two basins by a narrow peninsula. I limited myself to the Western basin, mostly looking Eastward.

This is a detail landscape showing, if needed, how a grand landscape may have smaller, complete landscapes nestled within itself. There could be many landscapes-within-a-landscape, every photographer might perceive and discover new ones. I loved this detail, as a gap between the mountains lets the eye run further and further away, following the outlines of distant mountains as the air becomes more and more transfixed with golden light, until it reaches the lone, elegant outline of the Pizzo dei Tre Signori (= "Peak of the Three Lords", a name stemming from the historical division of the area that it marked, between the State of Milan, the Republic of Venice and the Grisons canton of Switzerland). I am bound to this mountain by epic, adventurous memories from my youth and this quantum tunnel beams both my eye and my mind from the lake directly to that proud peak (which is some 30 km away), as the enticing, sparkling reflections on the waters of the lake make my soul dance. I hope that the photo is good enough to stir emotions within your heart as well... Have a happy Sunday!

 

I have processed this picture by blending an exposure bracketing [-2.0/-1.0/0/+1.0/+2.0 EV] by luminosity masks with the Gimp (EXIF data, as usual, refer to the "normal" exposure shot).

Along the journey - post-processing always is a journey of discovery to me - I tried the inverted RGB blue channel technique described by Boris Hajdukovic to give a slight tonal boost to several parts of the scene. As usual, I gave the finishing touches with Nik Color Efex Pro 4.

Raw files processed with Darktable.

Ramva3 met with K’hall’s vessel mid-flight, its scorched hull trailing faint ion wisps. Moments later, Leska10 appeared—an escort dispatched to guide the two damaged orbs to sky dock.

 

Adrienne leaned toward K’hall, her voice low. “How bad is the damage?”

 

K’hall offered a faint smile. “Not catastrophic. Some systems are offline—we need repairs. These orbs were built for reconnaissance, not war. Their defenses are minimal.”

 

Adrienne at a nearby screen, noting the other Arcturian craft. “Your people seem deeply embedded here.”

 

K’hall nodded, his gaze distant. “We arrived on Earth eighty of your years ago. Emissaries. Our purpose: to nurture the spiritual evolution of humankind. We are guardians—not just of humans, but of all realms that intersect here. Intervention is rare, but recent developments demand vigilance.”

 

He paused, studying Adrienne. “Humans are not native to this planet. They came in ships, fleeing a cataclysm that shattered their home world. That diaspora scattered them across the galaxy. They are in a somewhat immature stage of development.”

 

His eyes flicked to Kayla, though his words remained for Adrienne. “Your bloodline is not ordinary. You and she carry the bloodline of Ikhon, a very advanced race of star beings. Your kind were sent… incarnated… into human form to guide and protect. You possess more power than you know.”

 

A shadow passed over his features. “We did not anticipate the lizards. Their influence over humanity is... insidious. We’ve yet to break their hold.”

 

Kayla’s voice cut through the tension. “There is a way to deal with the Reptiles.”

 

K’hall’s reply came slow, deliberate. “That... must be discussed.”

 

Kayla frowned.

 

Avhal’s voice rang out. “Axiom5 on visual. Clearance granted for Bay 8.”

 

“Thank you, Avhal.” K’hall rose, nodded to the girls, strode to the control room and took his seat.

 

The vast underbelly of Axiom5 was on screen, its docking bays aglow. “Bext,” K’hall commanded, “lock onto Bay 8’s approach beam. Engage auto-docking.”

 

Ahead, Ramva3 limped toward Bay 3, its hull damage stark against the sky. One by one, the orbs aligned and docked. A soft jolt. The hiss of magnetic clamps. Silence.

 

K’hall turned, his voice calm but resonant. “Welcome to Axiom5.”

  

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You can view Quantum Fold episodes in order from the beginning in her album titled, Quantum Fold:

 

www.flickr.com/photos/199076397@N02/albums/72177720326169...

 

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This is an A.I. image generated using my SL avi.

 

I hope my pictures make you smile ♥

 

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Here's a link to my other Flickr photos/ images:

 

www.flickr.com/photos/199076397@N02/

 

Canon AE1, FD 50mm 1:1,4

Kodak Tmax 400 in Ilford ID-11

Quantum Break

 

- Hotsampling using SRWE

- Camera tools by Hattiwatti

- ReShade

This work started off as a flower in my garden. It has proven to be a very versatile bloom, bless it's floral little heart:-)

Done in Mosaic Art Lab, Painnt and MirrorLabPro apps.

 

For:

NEW: Mixmaster Challenge #29 - Chef: bethrosengard

www.flickr.com/groups/artisticmanipulation/discuss/721577...

 

CHEF BETH's theme is "Animal/Vegetable/Mineral/Abstract"! Here are the ingredients:

  

➤ Your image must be a pure, non-representational abstract.

➤ The source of your abstract must be a photo of a bird and/or a flower and/or a scissors (any one, two or all three).

➤ Your source photo(s) should not be recognizable (or only vaguely so) in the finished image.

➤ Be creative with your title which should convey the concept, composition and/or emotion of your abstract.

➤ You may use no other photos but the one, two or three noted above (though painting and other digital manipulation is fine).

 

portrait by a talented friend :]

her flickr is here

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