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“The material basis of media technologies – and books are only one example – is changing, for which historical perspectives might give not only comforting back-up (‘nothing is as permanent as change’) but also ideas to push the change forward.” (Jussi Parikka, 2012)
We can certainly talk about change; our present landscape is a space where the digital and physical have become synonymous, which many believe to be signaling the coming of an ontology-less future, through the accelerated disruption of cultural value. In this light old standards show their age and obsolescence in the face of the new, and with each new wave of informational overload we are further alienated by the system, that revolves around an economy of monetary circulation. All these factors come together to push a re-evaluation of identity and the human value. This brings to mind the genealogy of currency, articulated by Joseph Beuys during the discussion entitled What is money? : “Of course ‘Geld’ [‘money’] comes from ‘Gold’, same etymology. But it comes equally from ‘Geltung’ [‘validity’], meaning the value people fix based on their perception of a natural right. The word ‘Geltung’ is rooted in representations of a natural right, while the word ‘Gold’ is rooted in the economy of barter!” (Joseph Beuys, 2012).
In this light, Geltung [validity]: perception of a natural right brings together four artistic investigations that re-evaluate established methods of financial exchange bestowing new material values and identities to their subjects. In a landscape where monetary currency is pinnacle, the artists interrogate notions of personal and individual history, locality and its impact in identity and the framework that contains our cultural objects.
Diogo da Cruz’s work, WORDCOIN (2016 – Current), proposes the implementation of a new currency, that will give a literal value to each one’s speech. By creating The Bank for Argumentation, the costumer-museum-goer will have the opportunity to trust his or hers arguments to an institution that can save and trade them, giving the deserved and objective exposure to their ideas. Max Dovey presents Breath (BRH) (2017), a digital currency that is mined through human respiration. The installation combines breathing and micro-computers to mine, store and trade human breath as a virtual currency on the crypto-market(s). The market value of BRH is determined by the inflation created by respiratory miners who participate in the physical installation. Felicity Hammond’s artworks draws upon images from her own archive, using documents of the landscape and found images online; those of both existing and imagined future spaces. Hammond utilises particular motifs and structures that respond specifically to the digital representations found online of Dundee’s vast regeneration programme. For I keep forgetting I’ve been to Tokyo: GAIDEN (2017), Petra Szemán follows the virtual self through parallel and intersecting realities, along the departure-initiation-return structure of a hero’s journey. Drawing upon personal and/or constructed experiences, the work explores the idea of a non-localised identity that’s an archive of accumulated personal mythologies acquired from a multitude of realities.
An offline/online exhibition curated by Alejandro Ball and Inês Costa
Opening night: 27 October 2017, 7pm – 9pm
Performance part of NEoN Festival: 9 November 2017, 7pm – 8pm
Supported by Creative Scotland, University of Dundee and Leisure and Culture Dundee
Cosina CSM - Ilford FP4 125(pushed 200)
Ilford Ilfotec DD-X (1+4) 10.5 mins @ 24C
At last a camping trip with friends and the weather was uber good to us as it was to almost everyone in the UK. For once a weekend trip couldn't really have gone much better woohoo! :)
Good times!
I did a very short walk in the woods behind the house after work, even tho it looked like rain. I found some new mushrooms and lots of Indian Pipes. I almost missed this mushroom as I headed home for supper. It was surrounded on three sides by last summers leaves and as my stomach growled I snapped a couple of shots then headed for home.
THIS IMAGE IS STRICTLY EMBARGOED UNTIL 00:01 6th APRIL 2008
Made by Warner Bros
PUSHING DAISIES: Coming soon April 2008 on ITV1
Picture shows [L-R]: Chuck [Anna Friel]
Picture caption: Once upon a time, a mild-mannered boy named Ned realized he could touch dead things and bring them back to life. Now a pie maker, Ned puts his ability to good use, not only touching dead fruit and making it ripe with everlasting flavor, but working with a private investigator to crack murder cases by asking the murdered to name their killers. But the tale gets complicated, as all tales do, when Ned brings his childhood sweetheart, Chuck, back from the dead and keeps her alive. Chuck encourages him to use his power to help others, instead of merely solving mysteries and collecting the rewards. Life would be perfect for Ned and Chuck, except for one cruel twist: If he ever touches her again, she'll go back to being dead, this time for good.
This picture is [C] Warner Bros
Picture Source: Digital image
For further picture information, please contact:
James Hilder on 084488 13070 or email james.hilder@itv.com
Testing on two three. Push the spring so it touches the little loop on the leg of the LED. There is light, whooohooo!
Now run around like a monkey to simulate how it might behave in real wind. Or go outside and test it. (I did the monkey thing)
Instructions will be up on pappmaskin.no soon.
I just happened to be taking a picture of her when she decided to take off!
To view my set documenting this Hummingbird family (including my notes) click here.
My daughter has been getting horrible grades in spelling until I started doing this. I create these crazy flash cards in photoshop, and then use them as the screen saver on our computer.
I get the spelling words in advance, and open photoshop, and just start google- image searching. I look for on tipoc pics, but also I keep the letters in mind that she cannot remember. I look for images that recall or could recall those letters' shapes, as well as reinforce the meaning of the word- a mountain replaces the letter 'a' in "peak" for example.
another strategy is that I interfere with the letter that she cannot recall- this week I have some one "stealing" the letter 'a' from the word 'steal', another week a baby bit off the corner of the letter 'w' from 'chew'.
The best spellers are visual. She is visual. I am trying to cement these connections in her head.
She has gone from failing to getting a's and a pluses last year. THis year she was getting C's and I'm waiting to get out first 'post-visual' test back.
This is a push-pull coach that would allow the train to be driven "backward" without running the locomotive around to the other end. This 7-wide MOC features a removable roof and a full interior with guard/driver's compartment, baggage compartment, and seating for passengers.
Jag räknar inte med att få någon men planerar definitivt att köpa
en till mig själv, en fin och dyr push present. Dessa klassiker har
stått långt upp på önskelistan länge, så får det bli. Pistolerna
och ett presentkort hos en personlig tränare.
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Sedos, the City of London’s premier amateur theatre company, presents Push Up, by Roland Schimmelpfennigs, at The Bridewell Theatre, 3-7 July 2012.
Find out more at www.sedos.co.uk/2012/pushup.htm
The production is part of the Sedos Summer Festival, an exciting three week summer season featuring an edgy modern play about sexual politics in the office, a rep season of one-act plays, the musical Baby and other one-off specials. All performed at our resident home, the Bridewell Theatre.
Nikon d40 with 50mmf/1.8, 50mm, f/1.8, 1/13sec, iso 200
Photoshop: cross process, -15 saturation, whitebalance, auto levels
Sedos, the City of London’s premier amateur theatre company, presents Push Up, by Roland Schimmelpfennigs, at The Bridewell Theatre, 3-7 July 2012.
Find out more at www.sedos.co.uk/2012/pushup.htm
The production is part of the Sedos Summer Festival, an exciting three week summer season featuring an edgy modern play about sexual politics in the office, a rep season of one-act plays, the musical Baby and other one-off specials. All performed at our resident home, the Bridewell Theatre.
Using #ABLE push up stands to do stationary #push-ups. ABLE wants to roll out from under you during reps, so the #challenge with this move is balance and stability on unstable platforms. Use on harder surfaces for even more challenge.
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Push me
And then just touch me
Till I can get my
Satisfaction, satisfaction, satisfaction, satisfaction, satisfaction, satisfaction
I loved the intricate design of the metal push plate on the door, but couldn't help but wonder if it was inviting me to "push" open the door or invite me into a "lush" environment.
I thought it would work well for #tdc1366 "Go on a hunt for pareidolia" - daily.ds106.us/tdc1366/