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The Indian pangolin, thick-tailed pangolin, or scaly anteater (Manis crassicaudata) is a pangolin found on the Indian subcontinent. It is not common anywhere in its range. Like other pangolins, it has large, overlapping scales on its body which act as armour. It can also curl itself into a ball as self-defence against predators such as the tiger. The colour of its scales varies depending on the colour of the earth in its surroundings.
It is an insectivore, feeding on ants and termites, digging them out of mounds and logs using its long claws, which are as long as its fore limbs. It is nocturnal and rests in deep burrows during the day.
The Indian pangolin is threatened by hunting for its meat and for various body parts used in traditional medicine.
The Indian pangolin is a solitary, shy, slow-moving, nocturnal mammal. It is about 84–122 centimetres (33–48 in) long from head to tail, the tail usually being 33–47 cm long, and weighs 10–16 kg. Females are generally smaller than the males and have one pair of mammae. The pangolin possesses a cone-shaped head with small, dark eyes, and a long muzzle with a nose pad similar in color, or darker than, its pinkish-brown skin. It has powerful limbs, tipped with sharp, clawed digits. It is an almost exclusive insectivore and principally subsists on ants and termites, which it catches with a specially adapted long, sticky tongue.The pangolin has no teeth, but has strong stomach muscles to aid in digestion. The most noticeable characteristic of the pangolin is its massive, scaled armour, which covers its upper face and its whole body with the exception of the belly and the inside of the legs. These protective scales are rigid and made of keratin. It has 160–200 scales in total, about 40–46% of which are located on the tail. Scales can be 6.5–7 cm long, 8.5 cm wide, and weigh 7–10 grams. The skin and scales make up about one-fourth to one-third of the total body mass of this species.
The Indian pangolin has been recorded from various forest types, including Sri Lankan rainforest and plains to middle hill levels. The animal can be found in grasslands and secondary forests, and is well adapted to desert regions as it is believed to have a tolerance to dry areas, but prefers more barren, hilly regions. This pangolin species may also sometimes reach high elevations, and has been sighted in Sri Lanka at 1100 meters and in the Nilgiri mountains in India at 2300 meters. It prefers soft and semi-sandy soil conditions suitable for digging burrows.
Pangolin burrows fall into one of two categories: feeding and living burrows. Feeding burrows are smaller than living burrows (though their sizes vary depending on the abundance of prey) and are created more frequently during the spring, when there is a greater availability of prey. Living burrows are wider, deeper, and more circular, and are occupied for a longer time than feeding burrows, as they are mainly used to sleep and rest during the day. After a few months, the pangolin abandons the burrow and digs a new one close to a food source. However, it is not uncommon for the pangolin to shift back to an old burrow.
Unlike its African counterpart, the Indian pangolin does not climb trees, but it does value the presence of trees, herbs, and shrubs in its habitat because it is easier to dig burrows around them. Features that promote an abundance of ants and termites (grasses, bare grounds, bases of trees, shrubs, roots, leaf litter, fallen logs and elephant feces) are often present in pangolin habitats.
Few details are known about the breeding behaviour of the Indian pangolin. During the animal's mating period, females and males may share the same burrow and show some diurnal activities. Males have testes in a fold of the skin located in their groin areas. The female's embryo develops in one of the uterine horns. The gestation period lasts 65–70 days; the placenta is diffuse and not deciduate. Usually, a single young is born, but twins have been reported in this species. The young weigh 235–400 g at birth and measure roughly 30 cm. The newborn animals have open eyes, and soft scales with protruding hairs between them. The mother pangolin carries her young on her tail. When the mother and young are disturbed, the young pangolin is held against its mother's belly and protected by the mother's tail.
There are GM automobiles as far as the eye can see in the open racks of a train approaching Tunnelhill, Pennsylvania at Bennington Curve. On the next track, Santa Fe trailers promote a term that hasn’t been commonly used in railroading since containers and then stack trains appeared. The piggyback train is being pushed up the mountain by two more GM products.
LIRA - Let There Be Light
www.youtube.com/watch?v=9BZXA8n9-Gs&list=RDGMEMQ1dJ7w...
Wishing for and promoting the importance of love and peace. We have to find harmony for all of our children's sake, we all belong to humanity throughout the world. Let's come together in unity.
FWith heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating and stay safe! ❤️❤️❤️
Burning heather to promote new growth for the Grouse, near Tomintoul Aberdeenshire Scotland.
A smokey view across the big Cairngorm peaks yesterday afternoon from the Grantown to Tomintoul road.
Low resolution upload, for a full size file please contact Terry Eve Photography via Flickr Mail.
Coronavirus hero Captain Tom Moore has been promoted to Colonel on his 100th birthday. The veteran has raised over 30 million pounds for the NHS. His big day will also be marked with a flypast by a Spitfire and a Hurricane over his Bedfordshire home.
Happy 100th birthday Colonel Tom. You are an inspiration and epitomise everything that is, a British soldier 🇬🇧
Bexhill or Bexhill-on-Sea is a seaside town situated in the county of East Sussex in South East England. An ancient town and part of the local-government district of Rother, Bexhill is home to a number of archaeological sites, a Manor House in the Old Town, an abundance of Edwardian and Victorian architecture, and the famous De La Warr Pavilion: today a centre for contemporary art – which has featured the work of Andy Warhol, Cerith Wyn Evans and Richard Wilson amongst others – and an auditorium, where Bob Marley had his first UK appearance and has since seen performances by Elvis Costello, Goldfrapp, Ray Davies, Years & Years, Patti Smith and Laurie Anderson.
The first reference to Bexhill, or Bexelei as it was originally called, was in a charter granted by King Offa of Mercia in 772 AD. It is recorded that King Offa had 'defeated the men of Hastings' in 771 AD. At this time, the term Hastings would have referred to this whole area rather than the town itself as it does today. In the charter, King Offa established a church and religious community in Bexhill.
During the Norman Conquest of 1066 it appears that Bexhill was largely destroyed. The Domesday survey of 1086 records that the manor was worth £20 before the conquest, was 'waste' in 1066 and was worth £18 10s in 1086. King William I used the lands he had conquered to reward his knights and gave Bexhill manor to Robert, Count of Eu, with most of the Hastings area. Robert's grandson, John, Count of Eu, gave back the manor to the bishops of Chichester in 1148 and it is probable that the first manor house was built by the bishops at this time. The later manor house, the ruins of which can still be seen at the Manor Gardens in Bexhill Old Town, was built about 1250, probably on the instructions of St. Richard, Bishop of Chichester. St Richard's Catholic College, the local Catholic school, was duly for said bishop. The Manor House was the easternmost residence owned by the bishops and would have been used as a place to stay while travelling around or through the eastern part of their diocese. There were often disputes between the Bishops of Chichester and the Abbots of Battle Abbey, usually about land ownership in this area. In 1276 a large portion of Bexhill was made into a park for hunting and in 1447 Bishop Adam de Moleyns was given permission to fortify the Manor House.
In 1561 Queen Elizabeth I took possession of Bexhill Manor and three years later she gave it to Sir Thomas Sackville, Earl of Dorset. The Earls, later Dukes, of Dorset owned Bexhill until the mid 19th century. Their main residences were Buckhurst Place in Sussex and Knole House in Kent.
In 1804 soldiers of the King's German Legion were stationed in barracks at Bexhill. These troops were Hanoverians who had escaped when their country was overrun by Napoleon's French Army. As King George III was also the Elector of Hanover, he welcomed them and they fought as part of the British Army. At about this time, defensive Martello Towers were built along the south east coast, some near Bexhill, in order to repel any French invasion. In 1814 the soldiers of the King's German Legion left Bexhill, eventually playing an important part in the Battle of Waterloo the following year. The German troops had been here to protect Bexhill from the French. However, many of the local people were actively trading with the enemy by way of smuggling. The best known of the local smugglers were in the Little Common Gang and the most famous incident was the infamous Battle of Sidley Green in 1828.
In 1813 Elizabeth Sackville had married the 5th Earl De La Warr, and when the male line of the Dukes of Dorset died out in 1865 she and her husband inherited Bexhill.
It was the 7th Earl De La Warr who decided to transform the small rural village of Bexhill into an exclusive seaside resort. He contracted the builder, John Webb, to construct the first sea wall and to lay out De La Warr Parade. Webb, in part payment for his work, was given all the land extending from Sea Road to the Polegrove, south of the railway line. Opened in 1890, the luxurious Sackville Hotel was built for the 7th Earl De La Warr and originally included a house for the use of his family. In 1891 Viscount Cantelupe, his eldest surviving son, married Muriel Brassey, the daughter of Sir Thomas and the late Annie, Lady Brassey of Normanhurst Court near Bexhill. The Manor House was fully refurbished so that Lord and Lady Cantelupe could live in style as Lord and Lady of the Manor. Finally, the 7th Earl De La Warr transferred control of his Bexhill estate to Viscount Cantelupe. When the 7th Earl De La Warr died in 1896
Viscount Cantelupe became the 8th Earl De La Warr. At this time he organised the building on the sea front of the Kursaal, a pavilion for refined entertainment and relaxation. He also had a bicycle track made, with a cycle chalet, at the eastern end of De La Warr Parade. These amenities were provided to promote the new resort. Meanwhile, many independent schools were being attracted to the expanding town due to its health-giving reputation. The railway came through Bexhill in 1846, the first railway station being a small country halt situated roughly where Sainsbury's car park is today. This was some distance from the village on the hill. A new station, north of Devonshire Square, was opened in 1891 to serve the growing resort. In 1902 the current railway station was opened and a Bexhill West Station was built for the newly built Crowhurst Branch Line.
1902 was the year that Bexhill became an Incorporated Borough. This was the first Royal Charter granted by Edward VII. Bexhill was the last town in Sussex to be incorporated and it was the first time a Royal Charter was delivered by motorcar. To celebrate the town's newfound status and to promote the resort, the 8th Earl De La Warr organised the country's first ever motorcar races along De La Warr Parade in May 1902. The town was scandalised at this time by the divorce of Earl De La Warr.
Muriel had brought the action on the grounds of adultery and abandonment. She was granted a divorce and given custody of their three children. Muriel, with her children, Myra, Avice and Herbrand, went back to live with Earl Brassey at Normanhurst Court. The 8th Earl De La Warr remarried but was again divorced for adultery. He also suffered recurrent and well-publicised financial difficulties. At the start of the First World War in 1914 the Earl bought a Royal Naval commission. He died of fever at Messina in 1915.
Herbrand Edward Dundonald Brassey Sackville became the 9th Earl De La Warr. He is best known for championing the construction of the De La Warr Pavilion, which was built and opened in 1935. The 9th Earl also became Bexhill's first socialist mayor. He died in 1976.
The Second World War caused the evacuation of the schools and substantial bomb-damage to the town. Many schools returned to Bexhill after the war but there was a steady decline in the number of independent schools in the town. The break-up of the British Empire and in particular the Independence of India in 1947 hastened the process. Most of the schools were boarding and catered largely for the children of the armed forces overseas and of the colonial administration. Although the number of schools decreased, many of the parents and former pupils had fond memories of the town and later retired to Bexhill.
For further information please visit
en.wikipedia.org/wiki/Bexhill-on-Sea and www.discoverbexhill.com/
I'm still going through photos on my PC looking for 4x6 tall photographs. This is of the Soroptimist, Walk for Life benefit walk that I've participated in, and support.
Photography to Promote Breast Cancer Awareness
Soroptimist, Walk for Life - Eugene, Oregon
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A triple bill of posters from Shenton & Capelle Media on the Lichfield Road at Aston promoting the 50 Years of Phoenix book due for publication on 14 May 2021 with 66035 approaching Aston station with 6M48 Southampton Western Docks to Halewood empty car carriers.
2021 represents a significant milestone in the history of the Phoenix Railway-Photographic Circle with the celebration of our 50th anniversary by publishing a book to showcase some of the members work, past and present, from 1971 to the present day.
The book contains 14 chapters and 144 pages of photographs depicting the work of over 50 accomplished railway photographers with many differing styles and approaches. It takes an alternative view on photographing the railway scene over the past 50 years.
The book, called 50 Years of Phoenix will be published on 14th May 2021 with pre-orders now being taken – click on this link to order your copy: www.mortonsbooks.co.uk/product/view/productCode/15554
Why not take a look at the PRPC web site at www.phoenix-rpc.co.uk/
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Hoping to see much more of local designers like SafiyaSathi at bangladeshi weddings!
Currently the market is saturated with indian and pakistani designer attires.
Dhaka, Bangladesh
During the United States energy crisis of the mid-1970s, the Union Pacific promoted the 'ton-miles per gallon' of a DDA40X locomotive. Provo, Utah • Dec. 29, 1975
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Engaging with customers at the Childwickbury Arts and Christmas Market in Hertfordshire. Katharina is an actress and artist in her own right. She is also the daughter of Christiane Kubrick, the widow of Stanley (the film maker, d. 1999) Kubrick. Fuji X-E2.
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I love nature, arts and crafts, i love photgraph ,i love nature. This is my inspirations to make my crafts being different from them,i love to promote my craft in this way
CRAFT REVOLUTION / MOSAIC APPLICATION IN A PATCHWORK APPROACH, A TRULLY NEW LINE IN A ROW
Doing things like no other before is like walking in another line, why we need to do being different from them, how do we see things in another side? Is this possible to have a new line in a row?
New line in a row is a fresh and clear action ,as an artist , as a creator of this particular crafts , I love to share what I have after my long journey , this world is so fast in many particular , technology ,development, high-rise building new phone , everything that we can consider as our home outside our home or a chips on our big pockets , weight less but full of everything what we put inside that chips for our own purposes,
This new craft was born in this particular world of arts but I found out, this craft is out of the line , the material is there , the colors is in there, the meaning is there , the message is there , everything is there , and still I cannot fine the right line for this particular crafts,
I start doing craft on my early age, I still remembering cutting pages of full colored magazine cut in a small piece and paste it, collect all the colored papers and cut and paste it just my start, I love to draw plant animals flowers birds everything about nature, and this track considering of my actions whom I am now, in my own world,
I never finish college, as my root, but I take a fine arts courses in one best school in Philippines (U.S.T. University Of Santo Tomas) Manila the oldest School in Asia the school for Architecture and Fine Arts, that time I feel bless, it because I never dream to get enter in that school, I walk barefooted in my young age, I never dream one day I was in one of the room in there. In my teenage days I was always in a church I am a member of a choir group, but my voice is not good at that time, but I feel important when I am part of this group , our master telling me you are part of this group and your voice is to important to us, I joint also a theater club my master told me , here in our company money is hard to find and the only things I can share to you is how they praise you after the production is done, this group is a community base just for a public information and services, and that’s true I feel different from other person when I joint in this group I have many friends , they all like me as a devil in my characters I always portray , this group give ME more opportunity to explore my space more on the way I never do and think before, or maybe I get out of that box I never notice in this way, or I walk in a new line in a row ,
This group also sent me to college, and I walk out in this group and stop my study up to 2nd years in colleges of course the main reason is money, yes this is my hard times at that moment I need to decide which way I need to walk, to finish or make another way like a new line in a row, I need to force my self to work hard for my daily bread.
New line in a row is a formation of things on how we see and need to act patiently specially in our materials that surround us. Or a CALL on how we make a line in a way we can move perfectly, and this is what I want to share to you,
New line in a row is my greatest achievement, after searching and looking for arts and crafts, i look more books, searching more artist, looking for the master, site in the internet, regarding arts and crafts, and still I never see anything that need to compare on my crafts, but this crafts more on mosaic, patchwork, color pixel in our computer and idea coming from cross stitching, and how it make it different from them,?
Mosaic is a form of arts more on glass and stone or anything that form pattern and pastes it,
Patchwork is a form of arts too start from our old clothes recycled it and form pattern too.
Cross stitching is also form of arts that need to count and have pattern too.
Color pixel normally found in our computer if we want to see or using magnifying glass to see thing clear.
I never research much on this particular meaning (mosaic, patchwork, cross stitching, pixels,) suggestion is always welcome or comment to this particular is will help much,
This kind of words build my composition and remind me, where I start thinking and looking in different way, how can I called my crafts , or where can I place it , I thinking is there a room for me, the answer is YES , I can place it in a galleries of mosaic,
In a patchwork, in pixel room, but not in a wall that hangs cross stitching arts,
But more on more that way, my experiment get more wild and run, colored pixel is always many colors in his single square form, I decide to get out in this category,
I try more research about patchwork , and I see more clear things in this room , the next things I open my mind to the mosaic room and get involved more on more , and I notice a clear picture and help me to categories my craft more in this way.
I draw another line, a new line in a row
After fifteen years searching for the soul of my arts, I try to make room for them, I want to be different from them, I want to be more careful and I want to have a free form from them,
Arts is copying nature I thought, and maybe I think in this way, but copying is like doing things you admire and seeing things that guide us, copying is the only easy way to make us more competitive or maybe more to be exact, new line in a row starting in this way collect the things that have a connection on me make a clear picture and transform in a way I do now,
New line in a row is a form of arts with the relationship to the crafts world,
Arts is different from the crafts, arts is unique form and creation of human no same things have in common with out copying using special tools we have..
Crafts are more on copying have pattern to create more precise and get to perfectly conclusion.
New line in a row is my first step to get out of the box, I never notice for long way before.
New line in a row is a form of CRAFTS after all!
I called this crafts MOSAIC CLOTH IN A PATCHWORK APPROACH
A truly NEW LINE IN A R0W
Only the dead man can make his canvass clear and white
Oktavdsaint
The author
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★WHO IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
INTERDEPENDENCE TREE PROJECT / HUNTSVILLE, ALABAMA.
*Participants represented 39 states and 23 countries
*Estimated 431 submitting entities
*62 Schools
*Estimated 14,000 leaves were submitted
* 25 Feet wide x 35 Feet Tall
THE GAS STATION WRAP / SYRACUSE, NEW YORK
*Participants represented 17 countries and 29 states
*6,000 square foot wrap
*Approx. 6,000 artworks included
-----------------------------------------------------------------
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/
★★★SIGN UP AT WWW.THEDREAMROCKET.COM
Seen here promoting a local garage (who specialise in Audis, BMWs, Mercs and Porsches, AKA, the complete opposite of a Fiat Punto!).
It's gained another owner since. Also note the 4D plate, which may just be my least favourite current car modification fad.
Hello Lovely People! 🌟
We're excited to invite you to our official Flickr group! This is a space for everyone to connect, share, and enjoy all things PRIMA:
✨ Share Your Style: Upload your photos and show off your unique look! ✨ Stay in the Loop: Get a first look at our new releases and exciting updates. ✨ Promote Your Items: Creators are welcome to share ads for items, sales, and exclusive deals.
Don’t miss out on connecting with other members and showcasing your creativity. We’d love to see you there!
My posts are also on Instagram
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With all respect, No Awards and post 1 comment etc & self promoting signatures (high risk for permanent ban)
Visit my website : Reinier
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i thought i'd get some signs and stuff ready to promote the 'It's yours, take it!' street exhibition for which i'm one of the 'nailers'.
as always i got sidetracked and did some free art too
Born from the bowels of the Free Art Friday Flickr Group, "It's yours, take it!" is a global free art project taking place in 5 cities. Stateside we have Chicago,Illinois, Honolulu,Hawaii and Phoenix, Arizona. Outside the land of consumption is Tel Aviv, Isreal and Portsmouth Hampshire, UK.
38 artists are contributing one piece each to these five locations. In place of curators we have "Nailers"... those that will be putting these pieces up at an impromptu outdoor location. The installations will be put up around the last weekend of March, 2008. Stay tuned for previews of finished pieces and complete photographic coverage!
Welcome to the Beacon Theater. Built by the Knights of Pythias (a fraternal order that promotes peace around the globe) in 1926 but Non operational since the early 70's. The top floor though has been renovated for conferences, etc. I want to apologize for the lack of quality in these photos. I was shooting with the camera that I dropped and the viewfinder and lcd screen are both busted up so I didn't really know what I captured until I got it home on the computer. Also,I was working in conditions that were the most filthy yet. If I barely moved I would kick up tons of dust. I had no source of real light to see by as only the hall lights leading into the theater worked. I relied on my camera phone light to see in most instances.(I never claimed to be good at what I do. I just enjoy what I do). I had a blast though. What with hearing organ music playing when I was in a building completely locked up (no organ was in the building by the way)and a door opening and slamming shut. I had quite a time.
"Thrawn is promoted to the rank of Admiral and is tasked with ending a hostage situation on "Scrim Island", on the planet Batonn. His request for studying the situation further is turned down by fleet Admiral Donassius. Finding it hard to follow the order he has been given, he and Vanto embark on an undercover mission on Batonn to learn more about their opponents and their intentions."
This was the 12th Episode for RebelLUG's Thrawn collab, you can find a YouTube video of it here:
www.youtube.com/watch?v=XcWuKwxlrPw&t=4s
Overall I'm pretty pleased with the outcome, and I really do love the rocks and the whole terrain. Checkout the video for a more detailed look of it. I'm hoping to get two projects done over my two-week break (A tank and a small diorama) so look out for those.
As promoted by the Papous: franceculture.fr/emissions/des-papous-dans-la-tete
Thank you everyone for your visits, faves and comments, they are always appreciated :)
I have always dreamed out of doing a flour shoot and for whatever wild reason- I had yet to do it until PPC. We gathered for our photo walk with Brooke on day 2 and two different shoots happening with flour and it was wonderful. I was so mesmerized watching them dance around with the flour.
Model: Brooke
Promoting Passion 2018
Joshua Tree, CA
Bas Hordijk © - Our “Featured Instagram Artist” of the day!
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Emre Çakmak ©
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Special logojet promoting 'Star Wars - Galaxy's Edge', the latest movie in the Star Wars franchise, featuring the 'Millennium Falcon'.
Named: "Hot Lips", later "The Falcon" (Sep-19).
Originally ordered by GECAS for lease to Alitalia as EI-CVI, the lease was cancelled and the aircraft was leased to Virgin Atlantic Airways as G-VLIP in May-01.
In May-10 it carried large 'Harry Potter' graphics until Jan-11. In Sep-19 the aircraft was renamed 'The Falcon' and repainted in a Star Wars 'Millennium Falcon' special livery promoting the 'Star Ward - Galaxy's Edge' movie.
Virgin Atlantic were due to start retiring their seven remaining B747-400's from the end of 2000, however the COVID-19 Pandemic in 2020 caused them to retire the aircraft early. All seven aircraft were initially stored at Manchester, UK in Mar/Apr-20.
They are gradually being moved to Ciudad Real in central Spain for long term storage and lease return. This aircraft ferried Manchester / Ciudad Real on 15-Jun-20.
It was ferried to London-Heathrow and onwards to Marana, AZ, USA in Dec-20 where it was permanently retired.
Seven Eeleven ©
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Doesn`t seem possible but we`ve reached the fortieth anniversary of the first scheduled withdrawals of RM`s from front line service. A landmark day in Routemaster history for being the unfortunate - and some would say unjustified - result of a policy designed to promote greater use of public transport being undermined by a minority.
The schedule changes of 4 September 1982 removed over two hundred RM`s and caused a massive cascade of vehicle transfers (of all types) all around the fleet. I spent so much of my spare time in the preceding weeks attempting (and succeeding) to capture on film every one of the Leyland RM`s destined for withdrawal and many of the other RM`s that moved location such as here at Leyton Garage where I visited forty years ago today - 3 September 1982 - and found RM`s 541 and 375 de-blinded and ready for transfer to Peckham.