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A Programmer’s é uma empresa que atua no mercado de TI há mais de 19 anos, trazendo para seus clientes o que há de melhor em tecnologia, sempre aliado à uma forte estrutura de processos e gestão de negócios.
A agência produziu um vÃdeo de 30 segundos para uma feira da Microsoft que contou com a presença do ilustre Steve Ballmer. O objetivo do vÃdeo era relatar a experiência de um dos clientes da Programmer's e o depoimento do CEO da empresa. Como material de apoio a agência também criou e produziu o folder institucional da empresa seguindo a identidade visual clean, tecnológica e inovadora da empresa.
I'm very proud of the soldering I did on this. It looks so good because I made good use of my new 1lb. roll of .015 solder. It works so well!
Wire the whole Mess together....
I suggest you use the provided Rainbow-Cable and 1x10 female connector to make a Cable that connects to your Shruthi-1. Use the red Wire as +5v, always facing towards the LED in the Programmer Board. The next 4 Wires connect to the Output Expansion Port on the Shruthi in the same order as in the Programmer PCB. The last, opposite outer Pin must connect to IN1 on the Shruthis Digital Board. If you have a Digital Board prior to V0.6 you can solder the Wires directly to the Board, PIC available on request.
Erratum: Please IGNORE the BLACK Wire! THE WHITE WIRE CONNECTS THE PROGRAMMERS CV OUT (THE ONE PIN FAREST FROM THE LED) TO CV1 INPUT ON THE SHRUTHI!
I hacked a power switch into my programmer instead of the silly little jumper that I lost about 5 minutes after receiving the kit. The switch turns on/off power to the chip being programmed.
With it on, the programmer can be used as a low-current power supply to, say, a chip in a prototype board. Or with it off, the programmer can be used to reprogram a chip in a fully powered, production, environment.
Starring Doug McClure, Peter Cushing, Caroline Munro, Cy Grant, Godfrey James, Sean Lynch, Keith Barron, Helen Gill, Anthony Verner, Robert Gillespie, Michael Crane, Bobby Parr, and Andee Cromarty. Directed by Kevin Connor. From Edgar Rice Burroughs Pellucidar Series.
Pellucidar Series. Trailer youtu.be/sbmtCBhPkyg?t=1s
Doug McClure (David Innes), Peter Cushing (Dr. Abner Perry), Caroline Munro (Princess Dia), Cy Grant (Ra)
Directed by Kevin Connor
Doctor Abner Perry and his student, David Innes travel below the Earth's surface in a gigantic drilling machine. The scientific duo stray from their original geological course and end up in a strange land thousands of miles beneath the Earth. There they find a civilization of humans ruled over the cruel Sagoths, a race of strange creatures that serve the Mahars, a species of telepathic and prehistoric flesh eating bird monsters. David and the batty doctor Perry must find the means to destroy the Mahar city and free the enslaved people of Pellucidar.
The one cinematic adaptation of Edgar Rice Burroughs' series of novels based on his fictional world of Pellucidar. It's a fantastic realm at the center of the Earth featuring a wild menagerie of monsters and vicious creatures. The monsters seen in the Amicus film are pretty faithful to those in Burroughs' book, only they are less violent taking into account that the film version is made for the kids or the young at heart. Conner's direction is good and the film moves along from one set piece to the next with very few slow spots. The only time the film really bogs down are several scenes featuring lots of walking around in dark caves and tunnels.
Other than that, the production design of Maurice Carter is stunning and commendable. The entire film is shot on studio sets and this adds immeasurably to the fantasy elements found herein. Carter handled designing duties on the first three of the John Dark & Kevin Conner quartet of lost world fantasy movies. Michael Vickers handled the rousing score which could certainly do with an issue on DVD. Vickers also returned to do scoring duties on WARLORDS OF ATLANTIS (1978), the fourth in this quartet, but the only one not a Burroughs novel.
The opening theme is right adventurous and majestic. Similar to the playfulness of the ending theme, the score changes drastically once the intrepid explorers enter the bizarre world of Pellucidar. Possessing an otherworldly and alienesque sound, the music for the Pellucidar sequences perfectly matches the unearthly and quasi-prehistoric locations.
Doug McClure returns in full on hero mode playing a brash, yet brave, stranger in a strange land quickly turning into something of a civilized Tarzan character. There's not as much time spent with the characters as there was for the previous entry and most especially the one that follows it. However, McClure, Cushing and Munro get just enough depth for the viewer to not want to see anything bad happen to them. AT THE EARTH'S CORE is purely escapist comic book entertainment and that's all it want to be is entertainment. Anybody looking for subtext, or a serious and realistic picture would do well to look elsewhere.
McClure was known for roles in numerous American western television programs most notably on the long running western show, 'The Virginian'. He occasionally appeared in genre work on television in between the western programmers, but his career changed once he appeared in THE LAND THAT TIME FORGOT (1975). After that, more and more movie roles came his way including some extreme horror starring roles. His four lost world adventure movies are high points and memorable efforts in his long career.
Peter Cushing plays the wonderfully daffy Doctor Abner Perry. Comparable to his role as Dr. Who in two cinematic adaptations of the famed British science fiction series, Cushing plays Perry as a lively and spirited soul despite his age. Perry has no problem getting in on the action which is most prominent during a scene where he makes a bow and arrow out of the surrounding fauna to dispel an attack by a giant fire breathing frog monster that makes a hasty and unannounced appearance.
Cushing also relives one of his most memorable lines from HORROR EXPRESS (1972). In that film, he responds to a query that he may in fact be the monster on the train, "Monster? We're British you know." In CORE, the Mahar creatures use telepathy to control their victims. In an attempt to hypnotize Perry, Cushing blurts out stoically, "You can't mesmerize me! I'm British!"
The stunning beauty of Caroline Munro is one of the main reasons for male viewers to tune in. Her pouty veneer showcases an inherent sexiness that threatens to burst forth from her limited and somewhat revealing costume. Munro was one of the most famous Hammer girls despite never really getting a role worthy of her talents. Her turn in CAPTAIN KRONOS: VAMPIRE HUNTER (1972) was pretty good, but Amicus seemed to get a bit more mileage out of her looks in AT THE EARTH'S CORE (1976).
By the time STARCRASH (1978) rolled around, Munro was in full on fighting femme fatale mode playing an intergalactic bombshell in a movie that mixed STAR WARS bravado with BARBARELLA style silliness.
When AT THE EARTH'S CORE (1976) was released, it ultimately became the biggest grossing Amicus production ever with $3.5 million in box office returns. It was also the last. The next film, THE PEOPLE THAT TIME FORGOT (1977), which was not really an Amicus picture, came close to matching it with $3 million in profit. Despite the successes of the dinosaur opuses, the end of Amicus was nigh when shady business practices and the subsequent dissolving of the partnership of Max J. Rosenberg and Milton Subotsky spelled doom for the company.
There were a couple other notable lost world movies made by European filmmaker, Juan Piquer Simon. Those films were THE FABULOUS JOURNEY TO THE CENTER OF THE EARTH (1976) and MYSTERY ON MONSTER ISLAND (1980). The latter picture featured Peter Cushing briefly onscreen. There was also another series of similar style adventure yarns in 1977 to 1980. It was a trilogy of US-Japan co-productions between America's Rankin/Bass Productions and Japan's Tsuburaya Productions.
The trilogy began with THE LAST DINOSAUR (1977) and continued with THE BERMUDA DEPTHS (1978) and concluded with THE IVORY APE (1980). All three went straight to television in the United States but played theatrically on the international circuit. There's no doubt the success of Amicus' lost world epics inspired these other productions.
At one time the chief rival to the famous (and infamous) Hammer Studios, it's questionable whether Amicus could have survived in the changing markets what with big budget Hollywood blockbusters becoming the norm since the release of JAWS in 1975. This style of fantasy adventure was becoming extinct much like the dinosaurs featured in the Conner movies. The resurgence didn't take place till the release of JURASSIC PARK in 1993.
For their time, movies like AT THE EARTH'S CORE (1976) offered the type of serial inspired thrills that prospered in the 30's and 40's. Compared with the other three films, CORE contains so many more cliffhanger moments. The third film, THE PEOPLE THAT TIME FORGOT comes close as the final act is a rapid fire exchange of close calls and tight spots for the heroes.
In CORE, there's the journey to the Mahar city replete with dangers from giant man eating monsters, the ensuing escape from the city, the duel with "Jubal, the Ugly One", returning to the city to destroy the Mahar's, a duel between man and monster and finally, the obliteration of the Mahar city. It would seem the writers of WARLORDS OF ATLANTIS (1978) took the template laid down for AT THE EARTH'S CORE for the later film as there are several similarities which are discussed in that films review elsewhere on this site.
AT THE EARTH'S CORE (1976) is a highly enjoyable monster romp made during a more simpler time when sheer imagination fueled the ambitions of filmmakers capabilities. A time when budgetary constraints were channeled towards the imagination and creativity of those putting their vision up on the big screen. If you come to these types of movies with an open mind, a big smile and a buttery bucket of popcorn, you're sure to walk away with the notion you've just had a good time enjoying an old style adventure for kids, both young and old alike.
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Photo showing Christiane Spiel (Educational psychologist) at the Panel Talk "Siri search for female Programmers by Ars Electronica x Initiative Digitalisierung Chancengerecht, Ingrid Brodnig (AT), Christiane Spiel (AT), Gerfried Stocker (AT), Carina Zehetmaier (AT), Mariana Karepova (AT), Martina Mara (AT), Doris Schmidauer (AT) at the JKU.
In the context of Ars Electronica 2021, the "Initiative Digitalisierung Chancengerecht" (IDC) launched by Doris Schmidauer invites high-ranking experts from the fields of education, technology, business, culture and media to a discussion. After a keynote speech by Ingrid Brodnig, we will address the following questions: What are the causes of the digital gender divide? How can girls be empowered to become self-confident shapers of the digital transformation? What concrete measures must be taken in Austria to create digital equality of opportunity for women?
Credit: vog.photo
TechnoScore is a one-stop-shop for all your web design and development needs. Holding extensive experience and expertise in the domain, we offer comprehensive services and dedicated staffing solutions. With our flexible hiring models, business owners can hire professional programmers as per their project needs. To learn more about our flexible hiring models, visit - bit.ly/1hNJ0Cx
The Simplest AI Trick in the Book Steve Rabin | Lecturer, DigiPen Institute of Technology Jonathan Adamczewski | Programmer, Insomniac Games Rez Graham | Lead AI Programmer, Maxis Kevin Dill | Chief AI Architect, Lockheed Martin Dan Brewer | Lead AI Programmer, Digital Extremes Location: Room 306, South Hall Date: Monday, March 2 Time: 1:45pm - 2:10pm
The connections needed to connect a Mini USB Serial Programmer, pictured on the left, to an XBee radio, pictured on the right and mounted on a breakout board. This configuration is also needed if you plan on using Digi's X-CTU software to flash the XBees and upgrade their firmware.
An easy atmel programmer bodged from an ICSP programmer, an Arduino clone, and a ZIF socket. Because it was arduino compatible, it functions as a test-bed after programming.
spiffie.org/electronics/archives/microcontrollers/A High-Volume Atmega Arduino Programmer and Tester.html
Robicheaux's Renegade, 6" CATVOS lift, 30" Silverbacks, Elixr wheels, CV Tech clutch, custom LTE duals, programmer
Hire Dedicated Joomla Programmer and Custom Joomla Web Application Development provide technologically advanced internet solutions for clients internationally. www.turtlejet.net/hire-joomla-developers.php
The Simplest AI Trick in the Book Steve Rabin | Lecturer, DigiPen Institute of Technology Jonathan Adamczewski | Programmer, Insomniac Games Rez Graham | Lead AI Programmer, Maxis Kevin Dill | Chief AI Architect, Lockheed Martin Dan Brewer | Lead AI Programmer, Digital Extremes Location: Room 306, South Hall Date: Monday, March 2 Time: 1:45pm - 2:10pm
The Simplest AI Trick in the Book Steve Rabin | Lecturer, DigiPen Institute of Technology Jonathan Adamczewski | Programmer, Insomniac Games Rez Graham | Lead AI Programmer, Maxis Kevin Dill | Chief AI Architect, Lockheed Martin Dan Brewer | Lead AI Programmer, Digital Extremes Location: Room 306, South Hall Date: Monday, March 2 Time: 1:45pm - 2:10pm
The AS/400 Programmers/Analysts for the (now closed) Huntington WV location of Applied Card Systems (ACS). A good bunch of people working for a company that treated them very poorly. ACS really made Dilbert's employer look great.
BTW I didn't take this photo. It was taken by Wayne Adkins.
"AI in the Awesomepocalypse - Creating the Enemies of Sunset Overdrive
Adam Noonchester | Senior Gameplay Programmer, Insomniac Games
Location: Room 3005, West Hall
Date: Thursday, March 5
Time: 4:00pm - 5:00pm
Format: Session"
The PHP programmers work with complex business critical web applications in a variety of professional contexts. This experience extends well beyond PHP however, into the wider systems.
"AI in the Awesomepocalypse - Creating the Enemies of Sunset Overdrive
Adam Noonchester | Senior Gameplay Programmer, Insomniac Games
Location: Room 3005, West Hall
Date: Thursday, March 5
Time: 4:00pm - 5:00pm
Format: Session"
Shown here is the new Synthwerks PGM-4x4 Programmer/Sequencer. The manufacturer writes: "it is a 4x4 pot array that can be chained to 16 columns and stacked to as many rows as you can fit in you cabinet (I'm sure there's a limit but I don't know what it is - LOTS)...
This is the first in a series of modules that will allow the building of a custom sequencer by connecting the modular parts of the sequencer together - Clocks/Stepper modules, Pot and Switch matrixes, Combiners/summers/row switchers. Start small and grow as big as you want. The PGM-4x4 is a combo module mixing a basic Stepper and pot matrix."
Photo credit: James Ersatz.
LINK for more info including a video: muffwiggler.com/forum/viewtopic.php?t=42475 .