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METU, Professors Apartements, detail from the sider facade, 1961-1980
#SALTResearch, Altuğ-Behruz Çinici Archive
ODTÜ, Profesör lojmanları, yan cephe detayı, 1961-1980
#SALTAraştırma, Altuğ-Behruz Çinici Arşivi
Repository: SALT Research
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The first time I met Johnathan Vance (1978) I lost to him 0-2 in a point karate tournament.
In 1978 he won the All-Hawaii State Karate Championships in both Kumite and Kata. In the years 1975-1980 Vance comprised a Full Contact record of 29-0 with 22 by knockout. I've seen him konk guys at Bloch Arena, Conroy Bowl, Blaisdell Center, and too many school gymnasiums to count.
In 1980, we were both part of the original crew of American Hawaii Cruises new inter-island cruise ships and consequently we were sent to Maryland for a month to get our Lifeboat certification.
The next time we squared off for a little kumite, in Maryland, I landed the first strike -- a quick front leg side kick that slipped in beneath his arm. Then I landed the same kick to his mid-section again. He nodded his approval, and countered with a barrage. JV did not like to lose.
That was the first of several sparring sessions between Johnathan and myself while employed with the cruise ships. He usually got the best of it, but there were occasions when I stole the show.
One night in the Makao room, a crew recreation room toward the back of the ship, JV, Danny Keao (also with Universal Kempo), and myself were working out together. After sparring with each other for a few rounds, Johnathan declared a finish to the workout, but I asked him if we could continue a little longer.
We started sparring again and shortly thereafter, I sank a front kick deep into his stomach. Despite the solid blow, Vance pressed forward... It was more of a reaction than a thought, but I spun and caught him square in the mouth with the most devastating spinning back fist that I've ever landed. Blood splattered like a squashed tomato, yet he relentlessly pressed forward. JV then landed a beautiful three punch combo to my head -- a left hook, straight right, and a right hand uppercut that knocked me off my feet.
"Get up, you wanted to go some more, get up" Vance demanded as he kicked me in the butt on the ground. I rose and put my hands up, and that's when I saw them, the black beady eyes of a ninja warrior locked on his prey. I knew that this was the void, the unknown, the point of no return...
I turned around and put my hands down at my side in surrender. He punched me twice in the back before he too knew that it really was time to call it quits for the night.
It was kind of ironic that we were roommates at the time, both of us in need of ice packs later that night. That exchange of punches was the defining bond between us - Budo blood brothers.
my dear friend, rival, mentor, and fellow karateka...
10th Degree Professor Johnathan Leroy Vance
Born: June 17, 1958 Fukuoka, Japan
Passing: February 10, 2007 Honolulu, Hawaii
Began his martial arts training in 1965 with Pearl City Judo Club. In 1972 he began training at Godin's Kula Ona Kupale Kempo-Karate (later Universal Kempo-Karate with Prof. M. Buell).
He won numerous awards in his career including a Full-Contact record of 29-0 with 22 knockouts (1975-1980) and the Grand Champion of the 1978 All-Hawaii State Karate Championship.
He began teaching Kempo-Karate as an Assistant Instructor. He later ran two Kempo-Karate Branches before opening and founding Advanced Kempo-Karate in July 2003. He continued teaching and training while raising his family and working as a Sherriff for the State of Hawaii.
He was born in Fukuoka, Japan. He was a former Senior Chief Instructor for Professor Martin Buell, Universal Kempo and Founder of Advanced Kempo-Karate System, 10th degree Black Belt. Also, a Civil Deputy Sheriff for 25 years.
Sadly, tragedy struck Johnathan Vance in 2007. A leukemia like blood disorder suddenly came upon him. He checked into Queen's hospital but passed away two days later.
After moving to Kauai I had not seen Johnathan since 1991 and am thankful to have seen him again in 2006 at Hanapepe where he had a fighter in an MMA event held there.
At the time of his passing, he had impacted the lives of over 3000 students and their families.
Survived by wife, Jowella Vance; daughters, DeRae Riturban, Cazden and Jazdee Vance; brothers, Alec and Lee Pacheco; sister, Normandie Enderton; mother, Kumiko Vance; mother, Audrey Vance; grand-children, Mahina and Lilinoe.
"...As the war between Earth's bravest psychic amphibian defenders and vicious alien invaders rages on, one ophthalmologist is pushing his experiments perhaps a bit too far"
Professor DR Schreiber hadn't heard of steam punk when he created his Regency period magician alter-ego, but the steam punk community soon found him. His current hat (see photo No. 1) was a gift from that community, and now he proudly wears googles at special occasions.
Feliz dia do professor à todas amigas flickeras que estão em atividade, aposentadas ou que se afastaram para dedicar-se ao artesanato.
Esses mimos fiz para as professoras do meu filhote.
Que todas tenham um lindo fim de semana!! Bjokas
Professor Zamorra / Heft-Reihe
Oliver Fröhlich / Nähre deine Wut!
Horrorroman
cover: Candy Kay
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 2011)
ex libris MTP
Hogwarts' Magic History ghost teacher. background is from the video game Lego Harry Potter years 1-4, look is based from the video game too
harrypotter.wikia.com/wiki/Cuthbert_Binns
Sorry for the huge delay, picture take hours (literally like 5-6) to upload and I hope this si considered and let me enter the contest sorry. made for Burakki's Brick Lego Minifigure Desgn contests. THIS PICTURE WASN´T ACCEPTED IN THE CONTEST
Credit if use.
Part of the Question of the Moment bulletin board set, “Which Hogwart’s professor would you rather have for detention: Professor Snape or Professor Umbridge?”
Associate Professor of Engineering.
Professor Hill's research interests include infectious disease prognosis and diagnostics; aerobiological processes; methods to engineer soils for greater fertility.
Photo by Rob Strong '04.
Darwin College Lecture Series 2020: Sean Carroll (Caltech and Santa Fe Institute), Mysteries of Modern Physics.
Professor Cuthbert Binns, was a wizard and History of Magic professor at Hogwarts School of Witchcraft and Wizardry. He owned an office in the main castle and Classroom 4F on the first floor to teach in. He taught until a very old age, when he fell asleep in the staff room and died in slumber. Now, he is a ghost who continued to teach, droning on about various Goblin Rebellions and Giant Wars to bored, sleeping students.
Professor Zamorra / Heft-Reihe
Robert Lamont ( Manfred Weinland) /
Gejagt von den Dämonen-Schatten
Horrorroman
cover: Yücel Köksal
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 1983)
ex libris MTP
Clare College, Cambridge. Jonathan Goodman, Professor of Chemistry, Academic Dean, Director of Studies in Chemistry.
The history of the Austrian Museum of Applied Art/Contemporary Art
1863 / After many years of efforts by Rudolf Eitelberger decides emperor Franz Joseph I on 7 March on the initiative of his uncle archduke Rainer, following the model of the in 1852 founded South Kensington Museum (now the Victoria and Albert Museum, London) the establishment of the "k.u.k. Austrian Museum for Art and Industry" and appoints Rudolf von Eitelberger, the first professor of art history at the University of Vienna director. The museum should be serving as a specimen collection for artists, industrialists, and public and as a training and education center for designers and craftsmen.
1864/ on 12th of May, opened the museum - provisionally in premises of the ball house next to the Vienna Hofburg, the architect Heinrich von Ferstel for museum purposes had adapted. First exhibited objects are loans and donations from the imperial collections, monasteries, private property and from the k.u.k. Polytechnic in Vienna. Reproductions, masters and plaster casts are standing value-neutral next originals.
1865-1897 / The Museum of Art and Industry publishes the journal Communications of Imperial (k.u.k.) Austrian Museum for Art and Industry .
1866 / Due to the lack of space in the ballroom the erection of an own museum building is accelerated. A first project of Rudolf von Eitelberger and Heinrich von Ferstel provides the integration of the museum in the project of imperial museums in front of the Hofburg Imperial Forum. Only after the failure of this project, the site of the former Exerzierfelds (parade ground) of the defense barracks before Stubentor the museum here is assigned, next to the newly created city park at the still being under development Rind Road.
1867 / Theoretical and practical training are combined with the establishment of the School of Applied Arts. This will initially be housed in the old gun factory, Währinger street 11-13/Schwarzspanier street 17, Vienna 9.
1868 / With the construction of the building at Stubenring is started as soon as it is approved by emperor Franz Joseph I. the second draft of Heinrich Ferstel.
1871 / The opening of the building at Stubering takes place after three years of construction, 15 November. Designed according to plans by Heinrich von Ferstel in the Renaissance style, it is the first built museum building at the Ring. Objects from now on could be placed permanently and arranged according to main materials. / / The School of Arts and Crafts (Kunstgewerbeschule) moves into the house at Stubenring. / / Opening of Austrian arts and crafts exhibition.
1873 / Vienna World Exhibition. / / The Museum of Art and Industry and the Vienna School of Arts and Crafts are exhibiting together at Stubenring. / / Rudolf von Eitelberger organizes in the framework of the World Exhibition the worldwide first international art scientific congress in Vienna, thus emphasizing the orientation of the Museum on teaching and research. / / During the World Exhibition major purchases for the museum from funds of the Ministry are made, eg 60 pages of Indo-Persian Journal Mughal manuscript Hamzanama.
1877 / decision on the establishment of taxes for the award of Hoftiteln (court titels). With the collected amounts the local art industry can be promoted. / / The new building of the School of Arts and Crafts, adjoining the museum, Stubenring 3, also designed by Heinrich von Ferstel, is opened.
1878 / participation of the Museum of Art and Industry as well as of the School of Arts and Crafts at the Paris World Exhibition.
1884 / founding of the Vienna Arts and Crafts Association with seat in the museum. Many well-known companies and workshops (led by J. & L. Lobmeyr), personalities and professors of the School of Arts and Crafts join the Arts and Crafts Association. Undertaking of this association is to further develop all creative and executive powers the arts and craft since the 1860s has obtained. For this reason are organized various times changing, open to the public exhibitions at the Imperial Austrian Museum for Art and Industry. The exhibits can also be purchased. These new, generously carried out exhibitions give the club the necessary national and international resonance.
1885 / After the death of Rudolf von Eitelberger, Jacob von Falke, his longtime deputy, is appointed manager. Falke plans all collection areas al well as publications to develop newly and systematically. With his popular publications he influences significantly the interior design style of the historicism in Vienna.
1888 / The Empress Maria Theresa exhibition revives the contemporary discussion with the high Baroque in the history of art and in applied arts in particular.
1895 / end of directorate of Jacob von Falke. Bruno Bucher, longtime curator of the Museum of metal, ceramic and glass, and since 1885 deputy director, is appointed director.
1896 / The Vienna Congress exhibition launches the confrontation with the Empire and Biedermeier style, the sources of inspiration of Viennese Modernism.
1897 / end of the directorate of Bruno Bucher. Arthur von Scala, director of the Imperial Oriental Museum in Vienna since its founding in 1875 (renamed Imperial Austrian Trade Museum 1887), takes over the management of the Museum of Art and Industry. / / Scala wins Otto Wagner, Felician of Myrbach, Koloman Moser, Josef Hoffmann and Alfred Roller to work at the museum and School of Arts and Crafts. / / The style of the Secession is crucial for the Arts and Crafts School. Scala propagates the example of the Arts and Crafts Movement and makes appropriate acquisitions for the museum's collection.
1898 / Due to differences between Scala and the Arts and Crafts Association, which sees its influence on the Museum wane, archduke Rainer puts down his function as protector. / / New statutes are written.
1898-1921 / The Museum magazine Art and Crafts replaces the Mittheilungen (Communications) and soon gaines international reputation.
1900 / The administration of Museum and Arts and Crafts School is disconnected.
1904 / The Exhibition of Old Vienna porcelain, the to this day most comprehensive presentation on this topic, brings with the by the Museum in 1867 definitely taken over estate of the "k.u.k. Aerarial Porcelain Manufactory" (Vienna Porcelain Manufactory) important pieces of collectors from all parts of the Habsburg monarchy together.
1907 / The Museum of Art and Industry takes over the majority of the inventories of the Imperial Austrian Trade Museum, including the by Arthur von Scala founded Asia collection and the extensive East Asian collection of Heinrich von Siebold .
1908 / Integration of the Museum of Art and Industry in the Imperial and Royal Ministry of Public Works.
1909 / separation of Museum and Arts and Crafts School, the latter remains subordinated to the Ministry of Culture and Education. / / After three years of construction, the according to plans of Ludwig Baumann extension building of the museum (now Weiskirchnerstraße 3, Wien 1) is opened. The museum thereby receives rooms for special and permanent exhibitions. / / Arthur von Scala retires, Eduard Leisching follows him as director. / / Revision of the statutes.
1909 / Archduke Carl exhibition. For the centenary of the Battle of Aspern. / / The Biedermeier style is discussed in exhibitions and art and arts and crafts.
1914 / Exhibition of works by the Austrian Art Industry from 1850 to 1914, a competitive exhibition that highlights, among other things, the role model of the museum for arts and crafts in the fifty years of its existence.
1919 / After the founding of the First Republic it comes to assignments of former imperial possession to the museum, for example, of oriental carpets that are shown in an exhibition in 1920. The Museum now has one of the finest collections of oriental carpets worldwide.
1920 / As part of the reform of museums of the First Republic, the collection areas are delimited. The Antiquities Collection of the Museum of Art and Industry is given away to the Museum of Art History.
1922 / The exhibition of glasses of classicism, the Empire and Biedermeier time offers with precious objects from the museum and private collections an overview of the art of glassmaking from the former Austro-Hungarian Empire. / / Biedermeier glass serves as a model for contemporary glass production and designs, such as of Josef Hoffmann.
1922 / affiliation of the museal inventory of the royal table and silver collection to the museum. Until the institutional separation the former imperial household and table decoration is co-managed by the Museum of Art and Industry and is inventoried for the first time by Richard Ernst.
1925 / After the end of the directorate of Eduard Leisching, Hermann Trenkwald is appointed director.
1926 / The exhibition Gothic in Austria gives a first comprehensive overview of the Austrian panel painting and of arts and crafts of the 12th to 16th Century.
1927 / August Schestag succeeds Hermann Trenkwald as director.
1930 / The Werkbund (artists' organization) Exhibition Vienna, a first comprehensive presentation of the Austrian Werkbund, takes place on the occasion of the meeting of the Deutscher (German) Werkbund in Austria, it is organized by Josef Hoffmann in collaboration with Oskar Strnad, Josef Frank, Ernst Lichtblau and Clemens Holzmeister.
1931 / August Schestag concludes his directorate.
1932 / Richard Ernst is new director.
1936 and 1940 / In exchange with the Kunsthistorisches Museum (Museum of Art History), the museum at Stubenring gives away part of the sculptures and takes over arts and crafts inventories of the collection Albert Figdor and the Kunsthistorisches Museum.
1937 / The Collection of the Museum of Art and Industry is newly set up by Richard Ernst according to periods. / / Oskar Kokoschka exhibition on the 50th birthday of the artist.
1938 / After the "Anschluss" (annexation) of Austria by Nazi Germany, the museum is renamed into "National Museum of Arts and Crafts in Vienna".
1939-1945 / The museums are taking over numerous confiscated private collections. The collection of the "State Museum of Arts and Crafts in Vienna" in this way also is enlarged.
1945 / Partial destruction of the museum building by impact of war. / / War losses on collection objects, even in the places of rescue of objects.
1946 / The return of the outsourced objects of art begins. A portion of the during the Nazi time expropriated objects is returned in the following years.
1947 / The "State Museum of Arts and Crafts in Vienna" is renamed into "Austrian Museum of Applied Arts".
1948 / The "Cathedral and Metropolitan Church of St. Stephen" organizes the exhibition The St. Stephen's Cathedral in the Museum of Applied Arts. History, monuments, reconstruction.
1949 / The Museum is reopened after repair of the war damages.
1950 / As last exhibition under director Richard Ernst takes place Great art from Austria's monasteries (Middle Ages).
1951 / Ignaz Schlosser is appointed manager.
1952 / The exhibition Social home decor, designed by Franz Schuster, makes the development of social housing in Vienna again the topic of the Museum of Applied Arts.
1955 / The comprehensive archive of the Wiener Werkstätte (workshop) is acquired.
1955-1985 / The Museum publishes the periodical ancient and modern art .
1956 / Exhibition New Form from Denmark, modern design from Scandinavia becomes topic of the museum and model.
1957 / On the occasion of the exhibition Venini Murano glass, the first presentation of Venini glass in Austria, there are significant purchases and donations for the collection of glass.
1958 / End of the directorate of Ignaz Schlosser
1959 / Viktor Griesmaier is appointed as new director.
1960 / Exhibition Artistic creation and mass production of Gustavsberg, Sweden. Role model of Swedish design for the Austrian art and crafts.
1963 / For the first time in Europe, in the context of a comprehensive exhibition art treasures from Iran are shown.
1964 / The exhibition Vienna around 1900 (organised by the Cultural Department of the City of Vienna) presents for the frist time after the Second World War, inter alia, arts and crafts of Art Nouveau. / / It is started with the systematic work off of the archive of the Wiener Werkstätte. / / On the occasion of the founding anniversary offers the exhibition 100 years Austrian Museum of Applied Arts using examples of historicism insights into the collection.
1965 / The Geymüllerschlössel (small castle) is as a branch of the Museum angegliedert (annexed). Simultaneously with the building came the important collection of Franz Sobek - old Viennese clocks, made between 1760 and the second half of the 19th Century - and furniture from the years 1800 to 1840 in the possession of the MAK.
1966 / In the exhibition Selection 66 selected items of modern Austrian interior designers (male and female ones) are brought together.
1967 / The Exhibition The Wiener Werkstätte. Modern Arts and Crafts from 1903 to 1932 is founding the boom that continues until today of Austria's most important design project in the 20th Century.
1968 / To Viktor Griesmaier follows Wilhelm Mrazek as director.
1969 / The exhibition Sitting 69 shows at the international modernism oriented positions of Austrian designers, inter alia by Hans Hollein.
1974 / For the first time outside of China Archaeological Finds of the People's Republic of China are shown in a traveling exhibition in the so-called Western world.
1979 / Gerhart Egger is appointed director.
1980 / The exhibition New Living. Viennese interior design 1918-1938 provides the first comprehensive presentation of the spatial art in Vienna during the interwar period.
1981 / Herbert Fux follows Gerhart Egger as director.
1984 / Ludwig Neustift is appointed interim director. / / Exhibition Achille Castiglioni: designer. First exhibition of the Italian designer in Austria
1986 / Peter Noever is appointed director and starts with the building up of the collection contemporary art.
1987 / Josef Hoffmann. Ornament between hope and crime is the first comprehensive exhibition on the work of the architect and designer.
1989-1993 / General renovation of the old buildings and construction of a two-storey underground storeroom and a connecting tract. A generous deposit for the collection and additional exhibit spaces arise.
1989 / Exhibition Carlo Scarpa. The other city, the first comprehensive exhibition on the work of the architect outside Italy.
1990 / exhibition Hidden impressions. Japonisme in Vienna 1870-1930, first exhibition on the theme of the Japanese influence on the Viennese Modernism.
1991 / exhibition Donald Judd Architecture, first major presentation of the artist in Austria.
1992 / Magdalena Jetelová domestication of a pyramid (installation in the MAK portico).
1993 / The permanent collection is newly put up, interventions of internationally recognized artists (Barbara Bloom, Eichinger oder Knechtl, Günther Förg, GANGART, Franz Graf, Jenny Holzer, Donald Judd, Peter Noever, Manfred Wakolbinger and Heimo Zobernig) update the prospects, in the sense of "Tradition and Experiment". The halls on Stubenring accommodate furthermore the study collection and the temporary exhibitions of contemporary artists reserved gallery. The building in the Weiskirchner street is dedicated to changing exhibitions. / / The opening exhibition Vito Acconci. The City Inside Us shows a room installation by New York artist.
1994 / The Gefechtsturm (defence tower) Arenbergpark becomes branch of the MAK. / / Start of the cooperation MAK/MUAR - Schusev State Museum of Architecture Moscow. / / Ilya Kabakov: The Red Wagon (installation on MAK terrace plateau).
1995 / The MAK founds the branch of MAK Center for Art and Architecture in Los Angeles, in the Schindler House and at the Mackey Apartments, MAK Artists and Architects-in-Residence Program starts in October 1995. / / Exhibition Sergei Bugaev Africa: Krimania.
1996 / For the exhibition Philip Johnson: Turning Point designs the American doyen of architectural designing the sculpture "Viennese Trio", which is located since 1998 at the Franz-Josefs-Kai/Schottenring.
1998 / The for the exhibition James Turrell. The other Horizon designed Skyspace today stands in the garden of MAK Expositur Geymüllerschlössel. / / Overcoming the utility. Dagobert Peche and the Wiener Werkstätte, the first comprehensive biography of the work of the designer of Wiener Werkstätte after the Second World War.
1999 / Due to the Restitution Act and the Provenance Research from now on numerous during the Nazi time confiscated objects are returned.
2000 / Outsourcing of Federal Museums, transformation of the museum into a "scientific institution under public law". / / The exhibition Art and Industry. The beginnings of the Austrian Museum of Applied Arts in Vienna is dealing with the founding history of the house and the collection.
2001 / In the course of the exhibition Franz West: No Mercy, for which the sculptor and installation artist developed his hitherto most extensive work, the "Four lemurs heads" are placed at the bridge Stubenbrücke, located next to the MAK. / / Dennis Hopper: A System of Moments.
2001-2002 / The CAT Project - Contemporary Art Tower after New York, Los Angeles, Moscow and Berlin is presented in Vienna.
2002 / Exhibition Nodes. symmetrical-asymmetrical. The historical Oriental Carpets of the MAK presents the extensive rug collection.
2003 / Exhibition Zaha Hadid. Architecture. / / For the anniversary of the artist workshop, takes place the exhibition The Price of Beauty. 100 years Wiener Werkstätte. / / Richard Artschwager: The Hydraulic Door Check. Sculpture, painting, drawing.
2004 / James Turrell's MAKlite is since November 2004 permanently on the facade of the building installed. / / Exhibition Peter Eisenmann. Barefoot on White-Hot Walls, large-scaled architectural installation on the work of the influential American architect and theorist.
2005 / Atelier Van Lieshout: The Disciplinator / / The exhibition Ukiyo-e Reloaded presents for the first time the collection of Japanese woodblock prints of the MAK on a large scale.
2006 / Since the beginning of the year, the birthplace of Josef Hoffmann in Brtnice of the Moravian Gallery in Brno and the MAK Vienna as a joint branch is run and presents annually special exhibitions. / / The exhibition The Price of Beauty. The Wiener Werkstätte and the Stoclet House brings the objects of the Wiener Werkstätte to Brussels. / / Exhibition Jenny Holzer: XX.
2007/2008 / Exhibition Coop Himmelb(l)au. Beyond the Blue, is the hitherto largest and most comprehensive museal presentation of the global team of architects.
2008 / The 1936 according to plans of Rudolph M. Schindler built Fitzpatrick-Leland House, a generous gift from Russ Leland to the MAK Center LA, becomes with the aid of a promotion that granted the Bureau of Educational and Cultural Affairs of the U.S. Department the MAK Center, center of the MAK UFI project - MAK Urban Future Initiative. / / Julian Opie: Recent Works / / The exhibition Recollecting. Looting and Restitution examines the status of efforts to restitute expropriated objects from Jewish property from museums in Vienna.
2009 / The permanent exhibition Josef Hoffmann: Inspiration is in the Josef Hoffmann Museum, Brtnice opened. / / Exhibition Anish Kapoor. Shooting into the Corner / / The museum sees itself as a promoter of Cultural Interchange and discusses in the exhibition Global:lab Art as a message. Asia and Europe 1500-1700 the intercultural as well as the intercontinental cultural exchange based on objects from the MAK and from international collections.
2011 / After Peter Noever's resignation, Martina Kandeler-Fritsch takes over temporarily the management. / /
Since 1 September Christoph Thun-Hohenstein is director of the MAK and declares "change through applied art" as the new theme of the museum.
2012 / With future-oriented examples of mobility, health, education, communication, work and leisure, shows the exhibition MADE4YOU. Designing for Change, the new commitment to positive change in our society through applied art. // Exhibition series MAK DESIGN SALON opens the MAK branch Geymüllerschlössel for contemporary design positions.
2012/2013 / opening of the newly designed MAK Collection Vienna 1900. Design / Decorative Arts from 1890 to 1938 in two stages as a prelude to the gradual transformation of the permanent collection under director Christoph Thun-Hohenstein
2013 / SIGNS, CAUGHT IN WONDER. Looking for Istanbul today shows a unique, current snapshot of contemporary art production in the context of Istanbul. // The potential of East Asian countries as catalysts for a socially and ecologically oriented, visionary architecture explores the architecture exhibition EASTERN PROMISES. Contemporary Architecture and production of space in East Asia. // With a focus on the field of furniture design NOMADIC FURNITURE 3.0. examines new living without bounds? the between subculture and mainstream to locate "do-it-yourself" (DIY) movement for the first time in a historical context.
2014 / Anniversary year 150 years MAK // opening of the permanent exhibition of the MAK Asia. China - Japan - Korea // Opening of the MAK permanent exhibition rugs // As central anniversary project opens the dynamic MAK DESIGN LABORATORY (redesign of the MAK Study Collection) exactly on the 150th anniversary of the museum on May 12, 2014 // Other major projects for the anniversary: ROLE MODELS. MAK 150 years: from arts and crafts to design // // HOLLEIN WAYS OF MODERN AGE. Josef Hoffmann, Adolf Loos and the consequences.
Kavli Institute for Systems Neuroscience/Senter for nevrale nettverk
Bildet kan brukes med kreditering av fotograf Geir Mogen / NTNU
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Kavli Institute for Systems Neuroscience/Centre for Neural Computation
If used, please credit Geir Mogen, NTNU
Professor Zamorra / Heft-Reihe
Robert Lamont / Der Wechselbalg
Horrorroman
cover: Richard Newton
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 1995)
ex libris MTP
Professor Zamorra / Heft-Reihe
Thilo Schwichtenberg / Boreas' Gier
Horrorroman
cover: Jürgen Speh
Bastei-Verlag
(Bergisch-Gladbach /Deutschland; 2013)
ex libris MTP
Professor Zamorra / Heft-Reihe
Robert Lamont / Plutons Zauberbuch
Horrorroman
cover: Sebastián Boada
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 1983)
ex libris MTP
Professor Zamorra / Heft-Reihe
Werner .K. Giesa / Tanz der Skelette
Gruselroman
cover: Candy Kay
Bastei-Verlag
(Bergisch Gladbach / Deutschland; 2007)
ex libris MTP
There is such attention to detail in his backpack, the copper tubing, the little screws, gauges and then you have all of the custom leather harnesses and buckling and his primary gun. Wow. So cool. I should have asked if it weighs a ton, especially after a long day at the con.
I had my camera at school today and took a picture of my office. As you can see, it is well-decorated with cat pictures. :-) The computer sits on my desk (to the right in this shot, and behind the filing cabinet).
Professor Zamorra / Heft-Reihe
Robert Lamont / Der ewige Feind
Horrorroman
cover: Jan Balaz
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 1996)
ex libris MTP
I attended the presentation at Melbourne University on the IPCC 2014 Working Group II report on climate impacts on 10 April 2014. The event was presented by Australian Meteorological and Oceanographic Society (AMOS), together with the Melbourne Sustainable Society Institute, the Monash Sustainability Institute, the Victoria University Institute for Strategic Economic Studies, The Victorian Centre for Climate Change Adaptation Research, and RMIT University.
Master of ceremonies was Rob Gell AM – Environmental Entrepreneur and Chairman of UNESCO Western Port Biosphere, Chair of Wildlife Victoria, Advisory Board Member Melbourne Sustainable Society Institute.
Presenters included:
Professor Roger Jones – Professorial Research Fellow at the Victoria Institute for Strategic Economic Studies (VISES) at Victoria University, Coordinating Lead Author (Chapter 2: Foundations for decision making)
Professor Lesley Hughes – Ecologist at the Department of Biological Sciences, Macquarie University, Councillor, Climate Council, Lead Author (Chapter 25: Australasia)
Panel members:
Professor Jon Barnett – Professor and Australia Research Council Future Fellow in the Department of Resource Management and Geography, Melbourne University, Lead Author (Chapter 12: Human security)
Dr David Lobell – Associate Professor in Environmental Earth System Science and Associate Director of the Center on Food Security and the Environment, Stanford University, Lead Author (Chapter 7: Food production systems and food security)
Dr Kathleen McInnes – Research Scientist, CSIRO, Lead Author (Chapter 5: Coastal systems and low-lying areas)
Professor Zamorra / Heft-Reihe
Christian Schwarz und Manfred H. Rückert / Luzifers Plan
Horrorroman
cover: Arndt Drechsler
Bastei-Verlag
(Bergisch-Gladbach / Deutschland; 2012)
ex libris MTP