Professional Photographers (1Post - Comment 1)
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This is one professional portrait I was asked to do. Natural light, handheld with my 85mm. The newly Doctor was asking me for a nice profile picture and I hope we got it right. I hope you like it and help me to congratulate him for finishing his degree in Medicine.
Explored on 11/05/2015.
Thank you all for your appreciation.
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Mentioned in Photoplus as Photographer of the day
© 2015 Jordi Corbilla - All Rights Reserved.
Do not use any of my images
without permission.
LE PETIT DÉJEUNER ET LONG à VENIR §
NOUNOURS ( CRITIQUE DE MAISON !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Weavers' nests on an acacia tree, a very common scene in Africa, most active near a ready food source, such as a coffee field with coffee beans turning mature. Samburu National Reserve, Kenya.
Kodak Ektar 100 // Mamiya C33 // My Back Patio (San Diego)
Hello! How do you do?
This is the benefit of finding an old mirror left in the shed and then hanging it in the garden. What you don't know is that I am most definitely standing on a chair.
Hey team how are we all doing?
It be throwback Thursday today and I've finally finished processing a photo taken 2 weeks ago from my trip to Sydney and the Blue Mountains.
Renown for its unique architecture this crazy critter being the Sydney Opera House continues to fascinate and inspire architects all around the world, or so I'm led to believe. This photo was shot from the Milson's Point side with a 70-300mm telephoto lens on a dodgy tripod.
The processing was done like this; firstly the photo was taken into Lightroom where the massively blinding highlights and whites were dulled down. The shadows were raised up a tad too as some parts of the photo were too dark. Then I played around with the colours using the HSL panel until I got the feel that I liked. I aimed to contrast the bluish sky with the orangey/yellow lights inside the building. I cropped the image and fixed up the horizon to make it straight. I then brought the photo into Photoshop and did some noise reduction using Imagenomic's Noiseware Professional software. Finally I cleaned off the image by using a combination of the clone stamp tool, spot healing brush and the brush tool. The most challenging part of this process was to get the image right in camera with the nasty gale forced winds of that night.
Hope you enjoy this one, and as always feel free to use this image in your videos, your website, you blog, print it out, remix it or do whatever you wish with it as per the CC licence.
All the best my people, don't stop shooting.
Wearing the Emma Turtleneck from Baesics
Fitted for Legacy, Kupra, Maitreya, EBody Reborn.
Available now @ N21!
Advertised as in 'excellent condition' but if your definition of 'excellent condition' means a working camera then it's not. The shutter is broke.
I think this is a new government initiative to get more people into work.
These women get paid to spend their wages on clothes, which they later return for a refund and buy more clothes with - it keeps the economy running smoothly without the need for costly manufacturing and distribution.
The men are just there to carry stuff.
I always enjoyed this movie, and wanted to do a picture after watching it again tonight. That and I think Leon was a total badass.
Pose: 5ifth Order
Guns: C-Tech Redemption 4.7
The biggest dung beetles I've ever seen!
If you would like to use any of my images please contact me at cameronwdejong@gmail.com
580EXII in a shoot through umbrella to the top and a bare 580EX in the back pointed towards the couple.
I was so lucky to have the help of two very professional and dedicated people who assisted me during this wedding:
www.flickr.com/photos/relativestranger/
www.flickr.com/photos/10746816@N07/
A very special thank you guys, you are incredible!
Professional Shill.
Смена курсов в поисках лет, мастер пафос, современные выражения, заставляющие исполнять долг, рев позорные умы, сдерживающие волны.,
infrangere regole feroci accuse minacciose grida urlanti idioti curve di successo pietre in movimento scappando guerre fortune parole,
喘氣的胸部搏鬥騎著血腥的戰神諭罪行征服技能中斷頻繁運行淹沒大膽的辦公室,
poète flamboyant constellations construction pouvoirs limites froid bâtiments stériles avertissements de vapeurs armes jaunes lamentations flammes,
פּראָוקליימינג דילייץ ריגינג טריט העכער דיסטורבינג ווענט ומרויק וועגן ראַשינג רויך פארזאמלט הערצער דאַדזשינג גאָנטלעץ דאַלד אויגן,
巨大な箱入りの冷たい皮粘り強い名前明るさボウル埋葬スパイラル熱狂的な太陽揺れるボート大胆な揺れ気絶した海岸ブラインドボス滑りやすい運命同志落下する急流クリア.
Steve.D.Hammond.
This pic reminded me of the ones people put on Linkedin :)
Website: www.gettyimages.co.uk/detail/photo/cat-professional-royal...
Final variant for the Haunt Kruel series!
This time, I wanted to try something a bit new, so this came out :D
The Professional sports a nicely integrated suppressed barrel, with the length compensating for the thickness of the subsonic material. Also with adjustable bipod/handguard and bonus cheek rest.
What to make now...I wonder ;)
Professional landscape photographers usually talk about re-visiting the familiar locations and how photographers may actually benefit from it. In my surroundings, I have three or four locations where I go for a shoot. And I give my best to find something new to shoot when I’m there.
But that's easier said than done. I don’t know precisely why, but I’m often drawn to the same compositions that I already photograph. Is it familiarity, or maybe the comfort of knowing something I already photograph is working?
Luckily, or not, nature is changing just like everything in life is. So the scene that was looking in one manner doesn't look the same in just a few months. And I’m not talking just about changing the colours of the leaves, there is much more than that, like fallen trees and similar disruptions or shrubs that have grown in front of the tree so much that the scene is not shootable anymore, and so on…
Also, the light and fog can totally change the scene. So, you can always find a way to be new, original and improve your photography.
When I’m out and about photographing in nature, I always, always, previsualise and plan my compositions, at least roughly in the outlines. I never go with the flow. That is how I am, an overthinker.
It was not easy to get to this place. I was in one part of the forest, planning to go on the bridge into another part of the forest. But I delayed the crossing.
After I finished photographing my main part of the forest for the morning, I felt relief and satisfaction with the photos I’ve got. Out of curiosity, I started walking on a trail that I usually don’t go on, to see if the road is maybe leading to something interesting.
Walking like that, I didn’t see much in the near distance because the fog was too thick. Suddenly, I bumped into these guys, and that is how this photo was made.
Now, from time to time, I tend to find some scenes, when I’m in a familiar location, that I didn’t see in my previous outings. At first, I feel kinda of surprised that I didn’t find this scene earlier. But after that feeling passes, the fun part begins, to look for the optimal angle to photograph it.
That was the case with the photo I’m posting now. The atmosphere was going so much in my favour. Dense fog all around, yellow leaves here and there, all reminded me of the dancefloor with the trees being the dancers.
I’m not sure if these trees are planted by people, which I doubt, because of the way they are grouped in pairs. Also, the location is pretty much wild, without any order around.
The music from the riverflow is nearby. Dancing trees are swaying in the rhythm of it. And the yellow leaves are falling on the ground like confetti on the dancefloor.
Yet, at the same time, everything is quiet - a perfect harmony. You just need to dive into the feeling of complete fulfilment and relaxation that scene brings.
One of my own photographs taken at the Bluebell Railway sometime around 1982.
I used a Bronica medium format camera and Kodak Ektachrome 200 (Daylight) colour transparency film.
66140 hauls 6M82, the 12.42 Walsall Freight Terminal to Briggs Sidings, through Hemington, and passes the access to East Midlands Gateway Container Terminal.
The line is freight only, from Stenson Junction to Sheet Stores Junction. This location is close to the latter. Andy, 'SilsonRoadrunner', takes his shot, Thursday 17.12.20
For the Phoenix Railway Photographic Circle and alternative railway photography, follow the link:
www.phoenix-rpc.co.uk/index.html
Here's Andy's shot: www.flickr.com/photos/andy_hoare/50739207618/
Had an amazing experience having work done by an incredibly talented makeup artist / hair stylist.