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animation created in Processing, composited in FCPX. piano piece composed by Christian Kriegeskotte; performed by Eric Clark.
video : vimeo.com/124791927
These are seashell pendants fresh from being cast. They are all sterling silver except for the 14K gold seashell in the middle.
implementing this barnacly thing in processing. right now the pattern is just generated by interaction with the mouse. I think I'll make it more independent though.
next up is more complex surfaces. might test out Jesse's nurb's library.
based on these original sketches I made with a rhinoscript which you can see here
Opeth - The Twilight is my Robe
"The birds of the sun
Seperates these dark clouds
While the winds of winter sleeps gently around
I am sworn to the oath
To breathe...
At the waters I dwell
The waves are still whispering
Ancient lullabies
I die....
While our mystic brothers still seek
Under your command I will obey
In my vision
You are the embodiment of pure freedom
But through my eyes you are made of stone"
Photo taken at night and heavily post processed. My camera is a rather crappy entry-level and with 200 ISO manages to yield a ridiculous amount of noise in "border-line" situations, such as poor lighting conditions. Nevertheless, I like the "watercolorish" effect I got from it and decided to upload the picture anyways. Cheers!
Stills from VJ projects performed last night at the Mighty Gallery to Bitshifter's gameboy-driven audio.
All visuals were run as Processing-exported OSX applications controlled live with an M-Audio Trigger Finger. Someone buy me a Lemur so I can do this properly.
Note: Parts of this particular project were HEAVILY influenced by Toxi (Karsten Schmidt). His work puts mine to shame!
This week for 52 Weeks of 2011 the theme was "Processing, before and after"... this is the after, most done in Lightroom. The after is below.
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Made with Processing.
With these last two stills, I have created concentric spheres which dictate the positioning of relevant generations. The inside gets occluded pretty quick but enjoying the implied depth. Would love to make 3D prints or metal casts of these some day.
The wall to the right was inch thick old plaster over brick. It was studded and drywalled which made room for the light switch and gave an even surface for mounting cabinets. After the studs were up but before it was drywalled, DD#3 signed her name and drew pictures on the wall. :)
DH did most of the painting. Here he has started putting primer on the ceiling.
nxComposition025-2012-12-12_1-8-50-01 for nxVacuity002; musicnumbers.wordpress.com/2012/12/13/nxvacuity002-for-co...
'Color Search' sketch:
I found inspiration in the 'Pixel Path' Processing work done by Craig Mackenzie, and wanted to try my hand at it:
blog.craig-mackenzie.com/2008/02/25/pixel-path-my-prelimi...
In this sketch, it isolates every 5th pixel, and if it fist a certain HSB criteria, it finds every matching pixel in the image, and draws a line to it.
The class I used to author this Sketch can be found on my wiki:
processingwiki.tiddlyspot.com/#[[Class: ImageData]]
Simplified things a bit. Now it uses just one texture whereas the previous two images relied on 8 images.
Sometimes memories are not at all like the actual event, yet they are what stays with us and eventually become reality.
The altar serving team processes in at the making of deacons in Salisbury Cathedral on Sunday 1 July 2018.
The adpater controlling a BlinkM MaxM.
Errors to this prototype are in notes above.
See also, short video description