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joins turned off here - nice self-constraining edge. still getting lost in the parameter space frequently. these are saved from processing as pdf then rendered to bitmap with preview
Please view on black!
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Sometimes memories are not at all like the actual event, yet they are what stays with us and eventually become reality.
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A contact print with A4 size digital negative and hand coated Kallitype paper.
3 minutes exposed under the winter Sun.
正午頃の晴天の太陽で 3分 って辺りが適正な模様。 ＾＾
感光液塗布用の道具を自作したら、そーとー上手く塗れました。
Using Peter Kirkeskov Rasmussen's photo 'return the cart' as the source [ www.flickr.com/photos/peterras/15732813631 ] & a bit of Processing code to swaps blocks of pixels inside the image continually . . . the little app creates decay in the image. I'm continuing a series of works meditating on forgetting, recognition, loss, avoidance, etc.
Taken with a Smena Cosmic Symbol camera using Fuji Velvia 100 Colour Slide film. Cross-processed and scanned by Lomography Labs.
I shall have to assemble a small album of these; they may be of slight interest to those few cranks, reactionaries, flat-earthers and eccentrics who, "in denial" of, and unable to "handle" modernity, persist in using film and doing their own processing. With the real ale aficionados, the people who don't watch television, prefer open fires, keep free-range hens, continue to write letters, refuse to use the self-service checkouts in supermarkets, attach some importance to the correct use of apostrophes and don't own mobile phones, they are among the very best people in our society. Never mind. They'll all be dying off during the coming decades, leaving future progress unopposed.
This was from my one and only attempt at "stand" developing. We are in Oxford Street on Tuesday 20th September 2011. The film was Rollei Retro 400S developed in "Rodinal" (actually Adox APH09) for an hour with only thirty seconds of agitation at the start. I failed to record the dilution, but it was probably 1:100. Well. You can see that mysterious dark area in the sky. Now what caused that? The fault extends through the upper part of the closest tree, so it seems to be a fault associated with the highest, rather than the lightest, part of the photograph. In the other frames, the problem is mostly confined to the top right-hand quarter of the photo. Apart from the sky the photo looks reasonably OK.
Five short years ago only one of the passers-by appears to be using a mobile phone. How unimpressive Oxford Street looks these days. Divested of its traffic and furnished with subtopian "street furniture", is this the main "popular" shopping street of a world capital ...or the high street of ...I dunno, Swansea?
Finally i am finished with this painting. the heat had me movin slow so it took longer then expected to finished this piece but here it is, hot off the easel. Now its waiting to dry so that i can sign it and apply varnish to it. Once i am all done with that i will take up-close, high quality detail pictures of it.
...with this painting i documented my creation process step by step and put it into a set.
I wrote a blog chronicalling the creative process with this painting from the first rough sketch to the last brush stroke. read about it here: lucidrose.blogspot.com/
This building, which I saw for the first time over a year ago, is nothing short of miraculous.
So perfect and intricate are its colorful and varying degrees of decay, the fabric disintegrated to threads, the papered-over windows water stained and peeling, the rusted hinges, the empty places where windows once were.
It stands alone in a neighborhood of big white houses. Like a frail, naked old woman in a room full of hapless people wearing white tee shirts and jeans. No one will look at her, but she is as beautiful as she is delicate.
© laura kicey