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i wish that this natural scene can be preserved for future generations to see

The Carina Nebula and Running Chicken Nebula from my Adelaide metro (Bortle 6) backyard. This is a combination of 13 stacked shots with a Optolong L-Pro filter and 1 shot with an Astronomik 12nm Ha filter as a luminance layer. Lots of issues, no lens collar meant I was getting trailing from differential flexure despite autoguiding. The light pollution meant even with the filter the blue channel was maxing out way too early. Horrible gradients over the frame (this is a crop). After huge amounts of adjustment the star colours are somewhat red. I will try the L-Pro again with a longer focal length (see if that stops the gradients) and will see if it helps when used without light pollution. Otherwise I am doing something very wrong here!

iPhone 14 Pro-4482

Sunny Boy is a non-standard Minskin cat, with long legs and a short, strait coat. He was born on May 18, 2023.

 

Chillcat Cattery www.facebook.com/profile.php?id=100087920464460

 

I have no idea why these two are loafing on the kitchen floor, but they've both been just fed. Sunny is the bigger of the two but Cherie's the fastest growing cat that we've ever had. 🐱

 

Cherie's face is heavily camouflaged by her tortoiseshell fur pattern. I had to increase the shadows so that her nose and jawline could be seen. She has a very soft, medium length fur which makes it easy for us to groom.

- Press "L" or "Z" for a large view - an absolute must to fully enjoy this picture!

OLYMPUS DIGITAL CAMERA

Olympus OM-D E-M10 MKII, M.Zuiko 40-150mm f2.8 Pro + MC-14 Teleconverter

Rolleiflex 2.8 GX, Ilford Delta400, Xtol 1+1

Doppelbelichtung

And now for something completely different: This is the view from the chancel facing the congregation during children's sermon time at the beginning of a Christmas Eve Holy Communion service at College Lutheran Church in Salem, Va. I was the assisting minister and just happen to have my iPhone underneath my alb and caught a view most folks don't get to see. 鲰24 John M. Hudson | jmhudson1.com

**sigh** "My Franky... where is my Franky?" **sigh**

Rolleiflex 2.8 GX, Ilford HP5+, Xtol 1+1

analogue film

A captured image from an overlook along the Beaver Pond Trail with a view extending to the south-southwest. This is in Voyageurs National Park. My thought in composing this image was to captured what I felt was a layered look across this national park setting, using some nearby trees as foreground interest that would lead the eye to the main part of the image with the pond and then beyond to more distant forest of trees. I felt raising the horizon by angling my Nikon Z8 Mirrorless Camera slightly downward would bring out more of a sweeping view for the image captured.

◄ ◊ ► Run ◄ ◊ ►

 

I′ll sing it one last time for you

Then we really have to go

You've been the only thing that′s right

In all I've done

And I can barely look at you

But every single time I do

I know we'll make it anywhere

Away from here

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I′ll be right beside you, dear

Louder, louder

And we′ll run for our lives

I can hardly speak, I understand

Why you can't raise your voice to say

To think I might not see those eyes

Makes it so hard not to cry

And as we say our long goodbyes

I nearly do, hmm, oh

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I′ll be right beside you, dear, oh

Louder, louder

And we'll run for our lives

I can hardly speak I understand

Why you can′t raise your voice to say

Light up, light up

As if you have a choice

Even if you cannot hear my voice

I'll be right beside you, dear

Louder, louder

And we′ll run for our lives

I can hardly speak, I understand

Why you can't raise your voice to say, ooh

Hamburg, Fischmarkt

 

Sony Alpha 6000, f/8.0, 1/1250 sec, 16.0mm, ISO 100

E 16-70mm F4 ZA OSS

KSM Polfilter MRC nano xs-pro

This picture was created with Frax Pro.

Negative Lab Pro v2.3.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Cinematic - Flat | WB: Auto-Neutral | LUT: Frontier

 

Negative Lab Pro v2.3.0 | Color Model: None | Pre-Sat: 3 | Tone Profile: Cinematic - Flat | WB: Auto-Neutral | LUT: Frontier

A not particularly welcoming backstreet in Belfast city centre.

Sunset over the small town of Orroroo, in South Australia's outback

Tmax 400 developed in Xtol, shot in Bronica SQ-A

Fuji pro400H in Rolleicord

Kodak Tri-X400 in Bronica SQ-A

Fomapan 200 developed in Xtol

A "Waterlogue" watercolour conversion of a very grainy Agfa CT18 "slide/transparency" taken near Greendale in Wasdale in the 1980's.

It was a wonderful display of stormy lighting, with a low sun. This isn't the only time I've seen it like this. The last was in 2014(?), with my digital camera, but sadly the pool reflections were less good, having reeded up since the above was taken.

The original slide, won't stand close inspection, but I rather like what Waterlogue Pro has done with it....with a little playing with the settings.

(From Agfa CT18 film original.) DSC04928-HDR_Lr9 W. Nat. medb_Lr9

iPhone 14 Pro-7678

 

Happy Caturday!

Leica m6, Ilford hp5+, Rodinal 1+50

Ilford Delta 100 developed in Xtol. Shot in Leica iiif with Jupiter 8 lens.

Captured by DJI Mavic Pro 2

“The night beyond the window was still, mordant white snow, punctuated only by the eerie dark of the trees, gumshoeing their way along the edge of the path outside. Their skeletal fingers clawed up at the stars, held down by an insidious, weightless lacing of snowflakes. I gazed idly at the moon and wondered if it truly had the power to sway the will of men.” ― Hazel Butler:

• 4k • PS4-Pro • Photomode

Rollei Infrared 400 in Fujica ST605 with 35 mm Super Takumar f/3.5 lens

Pierre Heckmann, sculpteur sur ivoire

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