prints photos on Flickr

Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.

Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...

December5.2021 by Paul Barden

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This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.

This print is on Bergger COT 320 paper, and gold toned.

Lumen print 91 by Hanni K.

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Immortalised Palm prints by Doda -Maryoga

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Feeling the Atmosphere in the History of the Film Festival

Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.

A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.

Cinephilia and Filmmaking ... Cannes April 2017

Seedheads from Fall by Kirt E. Carter

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Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.

www.kirtecarterfineartphotography.com

Shinagawa, 1931 by Giuseppe Morlando

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Kawase Kasui (1883 - 1957)

Colour woodblock print

Ashmolean Museum, Oxford

Print! by judo_dad1953

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A handprint left in the icy snow. An outline or indentation left by a hand.

Seagull 1st print by Ludwig Römer

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Lake Lucerne

near Weggis LU

Schweiz

Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+

Lithprint onto unknown Baryta paper

Cropped to portrait format to fit my A4 scanner

I'm still discovering old prints in my basement.

Brownie Print by Ventral Stream

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Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.

Photo taken with Brownie box camera: Six-16 Brownie

Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975

Developing: Caffenol-C

Shelby8x10-print by Mary Ann Roesler

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This is a Christmas print for a friend who lost her dog this year,

Spots and circles by ~Suemil~

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The Old, The New, and The Tools by Vince Montalbano (autofocus)

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OK, what is this? While sitting across from this "mix of stuff" I realized it was an interesting juxtaposition of the old, the new, and some of the tools used. In the foreground an old print of an old friend sits. She happens to be painting her mailbox at the time, and the time was mid 1970's. A b/w 8x10 print I shot on a Minolta SRT102 on Kodak Tri-X film which I had processed and printed in a darkroom I had built in my basement.

Off in the distance, "the new," a new b/w image matted and framed, and awaiting to be wrapped up and given as a gift. That one shot on the Nikon you see on the right.

The tools in the middle, an old Canon 50D, and still very useable, and many of the photos of mine seen here on Flickr were shot with it. Mounted on it is one of Canon's best L lenses, their 24-105, F/4 lens. To the right of that sits our Nikon D850, an absolute joy of a camera, and on it sits our go-to 24-70 F/2.8 Nikon lens.

As I sat and looked at all this I thought it be an interesting time machine of a shot, nothing special maybe, but interesting to me. This shot was done on an iPhone.

blowsy by susan

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lumen prints with paper hanni sent me.

blowsy rose and blowsy doll

**the the doll is by Sandy Mastroni

Printed Words_MM by Ana Villar

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Lumen print 19 by Hanni K.

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print by Simon Long

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chine colle proof by Tanya Hutchinson

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Linocut print and chine colle on paper 10 x 15 cm

alien print by Julie 1970

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Fern Lumen Print by Johan Alfraeus

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Classic lumen print on warmtone silver gelatine paper.

Bought this old Fotokemika paper on a Swedish net auction site. Emaks K 888 UB 24x30 cm, claimed to be unopened. It probably wasn't, as it was heavily fogged, even for lith printing. But Ag + UV light never goes wrong.

There's almost no scenario when silver gelatine papers are not usable. The last resort is lumen printing, which worked out well also in this case (warmtone papers being more "photogenic" than cold tone papers).

Photogram using a Fresh Fern + Sunlight + Silver gelatine paper, 30 min in Swedish evening sunlight.

No developer. No stop bath. No fix. No toning. Just Sun and Silver.

PS borders.

SLA Resin Print by #Sacho#

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feeling slightly faded lately by susan

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lumen print on portriga rapid paper

inside under the light

The Paw Print by that_damn_duck

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Taken at the abandoned South Carolina State Mental Hospital