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Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
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[lumen print 270a & b]
This, is the big bang, the end of reality as it is known and the beginning of something beautiful. An explosion of light and sound to create a new universe, a slur of space dust and dead stars and a celestial glow that halos every head.
This is it.
I am afraid and I am liberated and I am alive and I am awake and at 6 o'clock this morning I remembered what it all meant to me, this is my world, my work, what I create and display, it's my perspective, my mindset, what I see when I open my eyes in the morning,
this is everything.
And I am not scared of showing it to you and I am not going to dwindle away like a dead star, only here because my light left millions of years ago, I will exist in full, like a raging nebula threatening but never reaching the peak of its existence.
I will continue to grow and thrive and be.
And I will change, I swear that I will, always for the better.
Thank you for following on my tail as I soared through space like a comet, smacking meteors and planets on my way to this point in history, meeting my end, another space rock, my end and my beginning.
When I sat in the car with Cody on the way out this morning I said I wasn't sure what to write here, and he said I didn't need to write anything except,
"I'm done."
So here we are, I am a new galaxy, a young mess of planets sprawled out across a deep black,
a metamorphosis.
sooc :)
cody smith
you have to View large On Black
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p.s. MY PHOTOS FROM THE LAST TWO DAYS MADE THE FRONT PAGE OF EXPLORE OMG
Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.
Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.
Developed in Ilfosol-3 for 5:30 (N+1.)
Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)
Toned in selenium 1:40 dilution for seven minutes.
The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.
After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...
Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."
This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.
None of my photos are HDR or blended images, they are taken from just one shot
Sony A900 + Carl Zeiss16-35mm + ND8 filter + reverse GND8 filter
Algeciras (Cádiz - AndalucÃa)
More seascapes in Algeciras
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Natalie Kucken and I shared some film, I shot the roll first and then wound it up and she shot it next
Her photos span over a few months, from summer bike rides to snow
this was such a beautiful experience and I have a roll from Jill that I will be doing the same with
the rest of the shots are here:
my photo is the young girl on the bottom and hers is the snow
Contact Print - 4x5 Film Negative - Sanders LPL enlarger - Dektol 1+2 - Ilford Galerie Paper
I recently was juried into a winter residency at the Penland School of Craft, I spent two weeks in their amazing darkroom printing nonstop.
Dear partner,
this mini quilt I made for you. I hope you like it.
I really enjoyed making it!
And other surprise is in a packet that´s on a way to you.
Send last week.
A technician refilling printer cartridges, in Didcot, Oxfordshire
Shot with a Nikon D7000 and a Nikkor AFS DX 35mm F/1.8 lens, processed in GIMP and tweaked in Photoscape.