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“Printed Word”
corner of an old nursery rhymes book,
within 2 3/4 inches, yes size matters! ;-P
Jiggety-jog!
HMM everyone!
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
😄 HAPPY MACRO MONDAY TO EVERYONE 😄
Quote (by Meher Baba) typed into a text field in “WORD”
(< 2” x 2” incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
ƒ/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
The orchid is backlit by a softbox acting as a scrim - a snoot is providing additional light on the center of the main orchid.
Toyo 45G View Camera Fujinon A 240mm f/9. Ilford FP4+ @125. 1/60 sec f/16 ASA 125.
Standard development in Ilfosol-3 @1:9 dilution.
Printed on Ilford MG Fiber Classic - Glossy. Ilford MG Developer @1+9. Six seconds exposure with dodging of the central petals and 3 seconds burning of the leaves and stem.
Despite taking all of the expected measures, my developing time for this contact print was uncomfortably fast. I have ordered some silver chloride photo paper, which is much slower, and I may experiment with one of the old school developers...
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for 8 minutes. Borders masked with Scotch removable Magic Tape.
Salt Print. Hasselblad 501CM with 180mm CF T* and Kodak T-Max 100 (ASA 50) developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox for four minutes. Borders masked with Scotch removable Magic Tape.
Salt Print toned with Selenium 1:50.Intrepid Mk2 8x10 with Fujinon f/5.6 300 CM-W and Ilford HP5+ developed in PMK Pyro. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
Vandyke brownprint from digitized film negative printed on vellum paper. Contact printed for 3 minutes in direct sunlight.
Photo taken with Brownie box camera: Six-16 Brownie
Film: Verichrome Pan 616 (2.5" x 4.25" negatives), expired in 1975
Developing: Caffenol-C
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
Heading out to the Bangkok Comic Con :D Hope I can get some decent shots. Catch you guys in the evening! Later! :)
Classic lumen print on warmtone silver gelatine paper.
Bought this old Fotokemika paper on a Swedish net auction site. Emaks K 888 UB 24x30 cm, claimed to be unopened. It probably wasn't, as it was heavily fogged, even for lith printing. But Ag + UV light never goes wrong.
There's almost no scenario when silver gelatine papers are not usable. The last resort is lumen printing, which worked out well also in this case (warmtone papers being more "photogenic" than cold tone papers).
Photogram using a Fresh Fern + Sunlight + Silver gelatine paper, 30 min in Swedish evening sunlight.
No developer. No stop bath. No fix. No toning. Just Sun and Silver.
PS borders.
I dig tikis and just had to make a piece to make prints. Share the tiki love.
prints and more info available at
Oil-based ink on Japanese paper, about A4 in size.
For more on this one, you could click here: davewhatt.wordpress.com/2022/11/26/that-lino-print-with-t...