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Salt Print toned with Selenium 1:50. Hasselblad 501CM with 120mm Makro Planar and T-Max 100 developed in Rodinal 1:50. Digital negative made with Pictorico Premium OHP Transparency Film. Printed on Hahnemuhle Platinum Rag under Edwards Engineering 18x20 UV lightbox.
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
lumen prints with paper hanni sent me.
blowsy rose and blowsy doll
**the the doll is by Sandy Mastroni
None of my photos are HDR or blended images, they are taken from just one shot
Sony A900 + Carl Zeiss16-35mm + ND8 filter + reverse GND8 filter
Algeciras (Cádiz - Andalucía)
More seascapes in Algeciras
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Robert Rauschenberg, print-making 1968.
(seen at Museo Carmen Thyssen, Malaga, spain, exhibition Artist's posters, January - February, 2016)
photo by DM, 21-2-2016
Natalie Kucken and I shared some film, I shot the roll first and then wound it up and she shot it next
Her photos span over a few months, from summer bike rides to snow
this was such a beautiful experience and I have a roll from Jill that I will be doing the same with
the rest of the shots are here:
my photo is the young girl on the bottom and hers is the snow
I dig tikis and just had to make a piece to make prints. Share the tiki love.
prints and more info available at
Oil-based ink on Japanese paper, about A4 in size.
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2021/06/15/that-will-be-the-bird-...
Autumn is here...
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Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
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Print on Rollei Vintage with Moersch SE6.
A technician refilling printer cartridges, in Didcot, Oxfordshire
Shot with a Nikon D7000 and a Nikkor AFS DX 35mm F/1.8 lens, processed in GIMP and tweaked in Photoscape.
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
I had a day full of classes and then brainstormed some ideas on my way home from campus. I have yet to use this canopy since my shoot with emily so I unwrapped it and headed out to the golf course for the first time in a long time. I had my camera under one arm and the canopy under the other and I ventured out to the furthest away point that the sun hits first when golden hour starts to sink in. I watched the shadows of the trees behind me stretch further and further down the hill in front of me as time passed. Sunlight and the way it moves across the landscape is one of the most inspiring things to me.
Also! It was a beautiful day today so many people were out and about, exercising and walking their pups. I am proud of myself because although lots of people passed while I was shooting, I kept going like they weren't even there. The light was too beautiful to risk losing over embarrassment and discomfort. Some people were polite, glancing and then continuing on their way. Some slowed down to stare. And all the while I toted my little canopy around the field, spreading it out, sprawling out on it, dragging it behind me, as if nothing else existed. It was a wonderful feeling.
Unfortunately, this fabric aka mosquito net, is made to trap bugs and trap bugs it did. I carried so many grasshoppers home with me after multiple shaking attempts wouldn't free them. I ended up spreading out the canopy on the sidewalk in front of our apartment and picking the bugs off one by one so they wouldn't be left to die in my closet. They were relocated from their homes but I am sure they won't be too upset.
I had a stressful morning and somehow the day blended into this glorious afternoon and I am so thankful for that.
Playing with the computer on how to make triptych out of the lumen prints I have made.
“I wandered lonely as a cloud
That floats on high o'er vales and hills
When all at once I saw a crowd
A host of golden daffodils
Beside the lake beneath the trees
Fluttering and dancing in the breeze.”
― William Wordsworth, I Wander'd Lonely as a Cloud
4x5 negative contact printed on 5x7 Ilford MGFB Classic photographic paper. Ilford MG developer at usual concentration of 1:9.
Initial exposure for 7 secs (one second underexposed) with burning of center for one second. Development for 25 secs - 10 second water bath - re-exposure to light for two seconds - then development continued for 95 additional seconds. Stop, Fix, and Wash.
The finished print was photographed with the Nikon D850 and Nikkor 105mm/2.8D Macro lens. The WB was checked with a gray card, and there was no B&W conversion. There are minor adjustments to the Black and White points - otherwise, no global changes to contrast were made, and there was no local dodging and burning.
Solarization, as rediscovered and practiced by Man Ray and Lee Miller, is a technique in which the partially developed positive image is briefly re-exposed to light, leading to interesting effects which include a partial reversal of tonality, particularly in the light tones (which contain less exposed silver halide.) Strong black or white "Mackie" lines may occur at borders between areas of high contrast.
The Sabattier effect, discovered in 1862, is similar but is said to have been produced in photo prints only partially developed, as opposed to the full development practiced by Man Ray. Solarization of negative film is a somewhat different process in which very long exposures lead to complete tone reversal.
This project (and it was a project...) arose from a discussion at the Brooklin, Maine Camera Club. Thanks to Stephen Greenberg and Russell Kaye.