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A page from an ongoing (never ending) art book series. Made with lots of found materials!
Prints for sale here: www.etsy.com/shop/findingmachine
Lumen print on Fomatone MG warm tone variable gradation matte 532-II paper, ~3 hour exposure, not fixed.
This image is protected by copyright and may not be used in any way, for any purpose, without my written permission. Please contact me if you would like to use any of my photos.
[lumen print 270a & b]
This, is the big bang, the end of reality as it is known and the beginning of something beautiful. An explosion of light and sound to create a new universe, a slur of space dust and dead stars and a celestial glow that halos every head.
This is it.
I am afraid and I am liberated and I am alive and I am awake and at 6 o'clock this morning I remembered what it all meant to me, this is my world, my work, what I create and display, it's my perspective, my mindset, what I see when I open my eyes in the morning,
this is everything.
And I am not scared of showing it to you and I am not going to dwindle away like a dead star, only here because my light left millions of years ago, I will exist in full, like a raging nebula threatening but never reaching the peak of its existence.
I will continue to grow and thrive and be.
And I will change, I swear that I will, always for the better.
Thank you for following on my tail as I soared through space like a comet, smacking meteors and planets on my way to this point in history, meeting my end, another space rock, my end and my beginning.
When I sat in the car with Cody on the way out this morning I said I wasn't sure what to write here, and he said I didn't need to write anything except,
"I'm done."
So here we are, I am a new galaxy, a young mess of planets sprawled out across a deep black,
a metamorphosis.
sooc :)
cody smith
you have to View large On Black
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p.s. MY PHOTOS FROM THE LAST TWO DAYS MADE THE FRONT PAGE OF EXPLORE OMG
People may hear your Words,
but they feel your Attitude.
( John C. Maxwell )
😄 HAPPY MACRO MONDAY TO EVERYONE 😄
Quote (by Meher Baba) typed into a text field in “WORD”
(< 2” x 2” incl. neg. space) printed with an inkjet printer on paper and
taken a macro of on August 8th, 2019, uploaded for #MacroMondays #PrintedWord
ƒ/2.8
4.5 mm
1/5 Sec
ISO 400
Dedicated to CRA (ILYWAMHASAM)
I try to save them when I find them dead, but they are so fragile. I had to draw on the antennae.
precious little creatures.
lumen print.
This is a scan of the Salt Print of the wet plate collodion negative I made 2 days ago as a test for this process.
This print is on Bergger COT 320 paper, and gold toned.
Feeling the Atmosphere in the History of the Film Festival
Interesting to see bronze hand prints of most of the celebrities on the Allee des Stars.It was somewhat like the Hollywood Walk of Fame in the US.
A selection of palm prints near the popular Palais des Festivals for the cinephiles & music lovers.
Cinephilia and Filmmaking ... Cannes April 2017
Lake Lucerne
near Weggis LU
Schweiz
Hasselblad 503 CW, Makro Planar 4/120 mm, Ilford FP4+
Lithprint onto unknown Baryta paper
Cropped to portrait format to fit my A4 scanner
I'm still discovering old prints in my basement.
i tagged the winners of the print giveaway. so if you won please flickrmail me and tell me which picture you wanna have and your adress...and then i can sent them away in the next week :]
Snow scenes.
I'm really excited about these pictures. I saw these markings out in the field all by themselves, with no tracks around them. Weird! What could that have been? My best guess was that a large bird (maybe a Hawk) dropped down out of the sky and got a mouse.
After I got home I searched on images of bird wing prints in the snow and this is what they look like.
Neat!
Looks like in this one, it took several shots for the bird to get the mouse.
February 20, 2021
MKT Trail, Columbia, Missouri
Macro Mondays ~ Printed Word
Small section of the printed cover of one of our many books on genealogy.
We have been working for many years on our family history and thoroughly enjoy finding new members of our extended family.
Thank you to everyone who pauses long enough to look at my photo. Any comments or Faves are very much appreciated.
Toyo 45G View Camera Fujinion A 240/9. Ilford FP4+ 125 rated at ASA 64. 1/125 sec F16.
Speedlight in softbox with inner baffle removed - full power, camera right. White V-flat on left.
Developed in Ilfosol-3 for 5:30 (N+1.)
Contact printed on Ilford MG Fiber paper with Ilford MG developer. 16 sec exposure with dodging of the orchid petals and burning of the upper right corner (to remove the softbox flap that was in the frame...)
Toned in selenium 1:40 dilution for seven minutes.
The initial versions were very flat and appeared underexposed. After several iterations, I achieved denser negatives by rating the film a full-stop slower, and extending the developing time to lift the whites. I also pulled back on the selenium toning.
After accounting for the bellows factor, I was at F16, which was a more open aperture than I wanted - I was maxed-out on my lighting. I tried to compensate for the shallow DOF by utilizing swing in the front standard to bring the three orchid flowers into focus - I think I achieved partial success...
Overall, I think that I could have used another stop of light. I am still finding it somewhat difficult to account for the print "dry down."
This is all new to me, and I am having a lot of fun. The next step may be to try the silver chloride paper that I recently bought - this will entail a lot of testing, since the paper is much slower than the typical "enlarger" paper that I have been using.
My camera finds Hosta leaves more interesting when dead.
I am inclined to agree.
Lith print
Burke and James 5x7
Arista 200 in Perceptol.
Contact Print - 4x5 Film Negative - Sanders LPL enlarger - Dektol 1+2 - Ilford Galerie Paper
I recently was juried into a winter residency at the Penland School of Craft, I spent two weeks in their amazing darkroom printing nonstop.
Autumn is here...
.
Fomapan 100 in Rodinal 1:100
Voigtlander R3A, Voigtlander Norton 40/1,4
.
Print on Rollei Vintage with Moersch SE6.
Lumen print using 11x14" Ilford MGFB warmtone photo paper.
"I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love" - Ray Noble from the song The Very Thought of You
For more on this one, you could have a look at my blog: davewhatt.wordpress.com/2021/12/30/those-three-birds/
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Mono-printed resist and discharge dyed silk - 63cm x 63cm
This is one of several pieces that have been created through a series of processes designed to help me 'get out of my own way' with work aligned more to feelings and moods which arise as marks are made. Spontaneous responses backed up with confident experimentation.
I didn't care too much for this piece in it's earlier stages as the mono-printed ink was heavy and lacked the dynamic textures that had been created on the other pieces, but later, as the work developed, the darkness became a core feature in itself.
As with all abstract work, interpretations are personal to the viewer.
Who is the creator?
Scan of 17.8x24cm Ilford MG FB print. Leica IIIf, Summaron 3.5cm 1:3.5, Ilford Delta 100 @ 80, PMK 1:2:100 10' 24ºC. Leitz Focomat 1c, Schneider Componon-S 2.8/50, Ilford Multigrade developer.
All I had to do was keep Floyd off the kitchen floor for a couple of hours, I turn my back for a second and there he was right in the middle leaving his grubby paw prints all over it.