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Reddish-black mineral is blackened sphalerite, with calcite, brassy sulphides are unconfirmed.FOV width 2cm. Sphalerite samples has been chemically & physically tested 3 times & turn more yellow-red when cleaned/heated.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
Grand Canyon: is one of the most physically & mentally demanding trips at VVS. After a service project for the National Park Service, students descend into the Canyon, covering over 5,000 feet of descent, shouldering packs containing food, clothing and necessities for the next 10 days. Students cover over 50 miles, as well as an additional 25 miles of day hikes. On the final day they ascend over 4,000 feet. In return, students are exposed to some of the most breathtaking scenery in North America, from the rim of the canyon to swimming in the Colorado, to impressive slot canyons and waterfalls.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Go to Page with image in the Internet Archive
Title: Culpeper's English physician; and complete herbal : to which are now first added, upwards of one hundred additional herbs, with a display of their medicinal and occult properties, physically applied to the cure of all disorders incident to mankind : to which are annexed, rules for compounding medicine according to the true system of nature, forming a complete family dispensatory, and natural system of physic, beautified and enriched with engravings of upwards of four hundred and fifty different plants and a set of anatomical figures, illustrated with notes and observations, critical and explanatory
Creator: Culpeper, Nicholas, 1616-1654
Creator: Sibly, E. (Ebenezer), 1751-1800
Creator: Lofft, Elizabeth Susan, Provenance
Creator: Phillips, Edward England, Provenance
Creator: University of Bristol. Library
Publisher: London : Printed for the author, and sold at the British Directory-Office, Ave-Maria-Lane; and by Champante and Whitrow, Jewry-Street, Aldgate
Sponsor: Jisc and Wellcome Library
Contributor: University of Bristol
Date: 1794
Language: eng
Description: With a frontispiece and 29 numbered plates
Forms v. 1 of a 2 v. set: the herbal and the medical part
The set is published in 42 numbered parts of which v. 1 includes nos. 1-25 and v. 2 nos. 26-42
Dedication dated: In the year of Masonry 5798
ESTC
This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library
University of Bristol Library
With this are bound the second part of another edition, and the editor's A key to physic. The volume is bound according to the "Directions to the binder" (on p. 256, at the end of the second part): pt. 1, Appendix (usually forming pt. of Key to physic), pt. 2 and Key to physic
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Nancy Veatch
I am Christian, a mother, grandmother, sister, aunt, cousin and probably more I ‘m not aware of now, professionally young and physically old. I’ve been in the Navy, oil field, farmers market, bars, restaurants, hospitals, parts houses. The Lord must have really become frustrated because He finally hit me on the head with the idea of school to become a teacher of children. This was the agenda until I took an art appreciation class. The images that I had seen many times over at this time seemed to reach out with colors and shapes. The professor said I should take more art classes so I did and let myself literally get sucked in to the world of making the shapes and colors that I had seen.
My chosen medium, clay, actually there was no choice. The material seemed to be an extension of my soul. I can reach into and mould it until something appears. When I work techniques don’t separate themselves, one so called technique blends into another depending on the intended form. There is not a thought process that says “well, now I will coil or soft slab”. These words only appear when explaining to another about the process, actually there is no language when a work is started.
My love is sculpture and throwing is second. I work to improve my skill in throwing and actually spend more time throwing. I think that if I could throw as skillfully as I should then I’d probably never throw again.
When I need to work, there is so much I need to know that I usually go to the wheel with the thought of design and glazing. When I start sculpture, I’m more at ease and comfortable especially with the human or animal form. I don’t worry about design and glazing. I rely on the form and like the unglazed texture of the clay.
Anything made to edify, stimulate thought, make a statement is art. Art is all around us architecture, landscaping, clothes cars, furniture etc. The thought that art is exclusive and only the gifted can “create art” is foolish. Art making is a learned skill accessible to anyone.
I’ve been working in clay since1996 and I work best when I work for myself but always are persuaded by demands to work for other reasons. Life always gets in the way. A successful artist doesn’t let life get in the way.
Art was being made through the 40’s.I’m not impressed with modernism and postmodernism. Expressionism and abstract expressionism are always exciting. I don’t consciously model what I do because of influence from any artistic movement. I am taken with the work of Rodin and Van Gough.
Artists are treated with esteem and respect but sometimes as unnecessary.
I like the Museum of Modern Art because they have many of my favorites, most of all Starry Night by Van Gough.
Clicked in Papanasam - Agasthiyar Falls, Tirunelveli Dist, Tamilnadu, India
- Normally these kind of monkeys are soft in Character. When we tried to feed this monkey specifically, other monkeys got angry...
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
While our society places a great importance on being physically fit, an emphasis is rarely placed on the eyes. It has been said that the eyes are the window into the soul. If they are not cared for correctly, it can be hard to perform everyday activities. Many people who do not care for their...
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Bramwell physically and emotionally exhausted upon returning from the street walk.
The Salvation Army’s School For Youth Leadership runs a 9-month intensive program for young adults aged 18-28 who seek experience in hands on social work. The school, situated in a rural area of Sydney’s Central Coast provides a residence and learning environment where students live as a family, training to minister to the poor and marginalized.
Near the end of their course Salvation Army’s Edify program brought the students to Sydney for a week of hands on activity.
Labelled STUMP, the Short Term Urban Ministering Program takes the students away from the classroom and into the city. Photographer Mark Tipple embedded himself for the week-long course.
Here I present my take on the Gunderson (or Greenbrier) Maxi iv’s. This is the first MOC of mine that I’ve physically built. Whilst I found this a rewarding experience, it inevitably threw up a few issues. I was very conservative with the spacing between units to try and accommodate R40 track, however I’ve found I really don’t like the spacing and have since redesigned the middle bogies to bring the cars 2 studs closer together. This has also lead to my first experience with ball bearings, which has turned out to be a frustrating experience. As a result, I’m awaiting delivery of some new axels that better fit the bearings. The reference images used for the design were from Kato N scale models. Whilst I think I’ve replicated that design well, I feel the model is lacking a bit of overall detail which I’ll look to add at a later date - I just need to find some better reference material first. That being said, I’m not too happy with the stairs design either, and will look for alternatives. The model itself is big! Predominantly 8 wide but peaking at 9.8 wide with the stairs, and coming in at 180 studs long. Surprisingly it cost around £130 to build which I thought was good - most likely due to the number of elements I could get from the local PAB wall. I went to order parts for the containers (not my design) last night, but that proved cost prohibitive, so I’m just finalising a design of my own which should be cheaper, despite having a few more details (but not sticker friendly).
In the later images I’ve copied the design and modified the well length to serve as a basis for Maxi I cars, but yet to address further elements to represent that design. I also decided to mess around with colour options to try and represent Maersk cars. The lightest colour (1/3) I feel is the closest match, but lacking numerous elements for a sleek design. 2/3 is the one I favour most, whilst I think it’s further from true Maersk colour, when I look at it in isolation it’s the one that’s ’most Maersk’ to me. The darkest (3/3) has the best part pallet in the colour, but I think it’s a shade too far. Originally I’d planned to build a 5 car rake as per the real thing, but at a provisional 244 studs long I might just settle for a 3 car rake.
The cars accommodate containers to the BMR intermodal standard.
Thoughts/feedback welcome.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Hiking Te Araroa (The Long Pathway) in New Zealand was one of the most physically and mentally challenging adventures that I've undertaken so far. It was an extremely rewarding experience, but the mental struggle to complete this thru hike took a big toll on me.
My advice to anyone wanting to hike this trail is: Only do it if you want to challenge yourself to the extremes and don't forget that to complete the entire trail, you'll be walking almost a 1000km along roads with next to no road shoulder to stay awayy fromn the dangerous traffic. The Southern Island is the most rewarding part of the trail, but it doesn't even come close to the beauty that can be experienced on the Pacific Crest Trail on the US Westcoast.
Copyright © 2017 by Stefan Kohler | All rights reserved.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Photos by Danny Wild // The 2016 Sandhurst Competition is a two-day event scheduled from April 8-9. The Sandhurst Competition is structured differently each year and is developed to test a team’s ability to perform specified tasks that are both mentally and physically challenging. Each event offers the opportunity for each team to showcase their military skills and illustrate leadership.
But where I am physically at any given moment is only part of the puzzle…because we are interconnected and our behaviors and desires co-create much that is occurring around the world.
This is a collection of mappings of networks, suburbia, islands, refugee camps, resorts, etc in a puzzle-like array of growth patterns.
John Fromuth, maintenance worker at Orwell Dam, near Fergus Falls, Minn., poses in front of his charge on Nov. 15, 2017. Fromuth was on site to provide access for hunters and volunteers taking part in the 10th Annual Physically Disabled and Veterans hunt, providing an impactful opportunity for a few folks who thought hunting was not possible.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
I've been feeling very sympathetic toward this one raccoon who's been visiting the deck, nightly, seeking food. If I could keep from feeding several others, I'd gladly feed him! He has a withered back leg & walks on three. I admired the way he is able to pull himself up to the deck railing with his two front legs & manage to get down to the squirrel lunchbox to check it out. Unfortunately, we are getting ready to leave on summer trips & feel we must wean our nighttime guests away from the deck before we go. It's hard for me to turn "the kids" away, hungry. Seen on June 8, 2009 in Columbia County, New York, USA.
I thought it was physically impossible to go from Birmingham to London in three hours, but against all the odds, this train managed it. Albeit after a journey punctuated by several layovers at red signals while some pointless functionary somewhere decided that we had to be held to time. The words "Job's" and "Worth" leap to mind.
The lamented 37087 heads up the consist.
I happened to join this group of kind compassionate Buddhists in a visit to a Handicapped Home located at Bukit Tengah, Bukit Mertajam, Penang. I was so overwhelmed by these physically and mentally handicapped inmates that I need to have a series documented and dedicated to these less fortinate fellow human beings in this world.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
A physically challenged women voter with family members on her way to cast her vote at a polling booth of Trilok Puri, in Delhi during the 4th Phase of General Election-2009 on May 7, 2009.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
Journaling says:
Cuddling-Many dogs yearn to be as physically close to their humans as possible. If your pup snuggles up next to you every chance she gets, rest assured she loves you and everything about you.
Locking eyes-If your pup gazes into your eyes and there’s no obvious reason for her attention (she needs a walk, or she wants your dinner), she’s showing her extraordinary devotion and love for you. She literally can’t take her eyes off you.
Following you around-If you are the primary object of your dog’s devotion, she’ll follow you everywhere you allow her to. Your dog wants to be wherever her beloved human is, and she’ll tirelessly follow you from room to room, or to the ends of the earth just to be in your company.
Licking-whether you enjoy wet, sloppy canine smooches or refuse to tolerate them, licking is a form of affection for your dog, very similar to kissing in humans.
CNN's award-winning chief medical correspondent, Dr. Sanjay Gupta, comes to BW to offer his unique perspective on how does the business of health care affect our health — physically and financially, personally and nationally. In addition to working as a journalist, Dr. Gupta is also a practicing neurosurgeon, teacher and author and has helped to inform public health policy as a White House Fellow.
Hyderabad,18-11-2013: Several women and physically challenged people have been protesting to secure their right to 2% quota of public jobs. The protest has been carried out night and day at Hyderabad Press Club for 74 days. Some of the protesters had to suffer from the bitter cold wind, as the protests entered the night.
Al-Khidmat Foundation distributed blankets among these disabled protesters to save them from bitter cold. President Al-Khidmat Foundation Hyderabad Mr. Rao Masood Ali Khan, Vice-President Syed Nasir Ali Kazmi, and other Al-Khidmat Foundation managers distributed the blankets among the posters.
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The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Watching Joe Millionaire, you might think women want men for their money. Local Phoenix Arizona Matchmaker Roseann Higgins says her clients want something else.
At the time this aired, romance headhunter Roseann Higgins had been in the upscale matchmaking business eight years. Higgins has met thousands of men and women and surveyed them on their likes and dislikes as she makes matches.
Higgins says women put HONESTY #1.
The next for qualities women want in a mate:
#2: someone they can talk to
#3: somebody who can make them laugh
#4: a man who is physically fit
#5: a man who is financially secure
Higgins website: especiallyselective.com has more information on what successful men and women they want to date and fall in love with seek in a mate. Her company SPIES - headquartered in Phoenix has been approaching extraordinary women at events for the most successful men in America since 1994. Catch the FOX TV News interview with Roseann Higgins - the most approachable and high success rate matchmaker you'll meet at an event while she's out looking for love: youtu.be/YNrTfuwJjJU
Posting this from my bed while I physically can't move a single muscle. But it was worth it! #lightforfreedom #24hourrace #hurtlikeabitch #vscocam #running #stophumantrafficking (@decemberabi thank you for helping me stretch, you're my saviour ❤️❤️)
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9 Comments on Instagram:
instagram.com/karen.gif: I'm coming in now with some chicken soup
comeondude: Mom is no where to be found @karen.gif
decemberabi: ❤️
yigoes: Are the shirts this year black?? That's so cool 😁
comeondude: Yup it's black this year! @yigoes
yigoes: Looks good 😎
instagram.com/vishak.karakkatt: Sorry for making you run that lap ❤ @comeondude
sunnythaithaithai: We all look so dead 😭