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The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

Probably over did it physically today working in the yard. Also ate dinner really late. What I did eat, I didn't like; I was at in-law family's place. They are vegetarians and I don't like most vegetables. Still, I was starving and ate a plateful.

 

Time for Alieve PM and rest.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

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Physically challenged students participating in competetion in SAMRAT 2014

Go to Page with image in the Internet Archive

Title: Culpeper's English physician; and complete herbal : to which are now first added, upwards of one hundred additional herbs, with a display of their medicinal and occult properties, physically applied to the cure of all disorders incident to mankind : to which are annexed, rules for compounding medicine according to the true system of nature, forming a complete family dispensatory, and natural system of physic, beautified and enriched with engravings of upwards of four hundred and fifty different plants and a set of anatomical figures, also an astronomical illustration of the celestial influx on the human frame

Creator: Culpeper, Nicholas, 1616-1654

Creator: Sibly, E. (Ebenezer), 1751-1800

Creator: Teichman, Oskar, Provenance

Creator: Margetts, P., Provenance

Creator: Windt, Harry de, Provenance

Creator: University of Bristol. Library

Publisher: London : Printed for the author, and sold at the British Directory-Office; and by Champante and Whitrow

Sponsor: Jisc and Wellcome Library

Contributor: University of Bristol

Date: 1790

Language: eng

Description: Forms pt. 2 of a 2 pt. set, the herbal and the medical part

With 13 plates numbered 30-42

The set is published in 42 numbered parts of which v. 1 includes pts. 1-25 and v. 2 pts. 26-42

This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library

University of Bristol Library

Bound with pt. 1 of an edition of 1790

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

OLYMPUS DIGITAL CAMERA

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

If a badlands is growing such plants, it is not really a badlands is it.

 

I literally had to physically restrain my eyeballs from popping themselves out of my head and bounding toward the patch of STARRY FALSE LILY OF THE VALLEY A/K/A STARRY FALSE SOLOMON'S SEAL (Maianthemum stellatum) at the lower left.

 

-----------------------

 

In Badlands National Park, South Dakota, on September 3rd, 2019, along the Cliff Shelf Nature Trail off South Dakota Highway 240 in Interior Township in Jackson County.

 

-----------------------

 

Getty Thesaurus of Geographic Names terms:

• Badlands (7019845)

• Badlands National Park (1101394)

• Jackson (county) (Q6029469)

 

Art & Architecture Thesaurus terms:

• Asparagaceae (family) (300375622)

• branches (plant components) (300379798)

• evergreens (300132417)

• forests (plant communities) (300387598)

• grasses (plants) (300132397)

• Juniperus (genus) (300343647)

• national parks (300008189)

• summer (season) (300133099)

 

Wikidata items:

• 3 September 2019 (Q57350498)

• Interior Township (Q6029469)

• Maianthemum stellatum (Q6735249)

• Northern short grasslands (Q3401268)

• Northwestern Great Plains (Q68928558)

• September 3 (Q2860)

• September 2019 (Q47087604)

• Sioux Act of 1889 (Q90003099)

• South Dakota Highway 240 (Q809237)

• White River Badlands (Q68930347)

 

Library of Congress Subject Headings:

• Conifers (sh85031129)

• Junipers (sh85071044)

• Parks—South Dakota (sh85098194)

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The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.

Grand Canyon: is one of the most physically & mentally demanding trips at VVS. After a service project for the National Park Service, students descend into the Canyon, covering over 5,000 feet of descent, shouldering packs containing food, clothing and necessities for the next 10 days. Students cover over 50 miles, as well as an additional 25 miles of day hikes. On the final day they ascend over 4,000 feet. In return, students are exposed to some of the most breathtaking scenery in North America, from the rim of the canyon to swimming in the Colorado, to impressive slot canyons and waterfalls.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

I feel like I physically melt every time someone is remotely nice to me and I wanted to express that through literal metaphor. I painted myself using a mirror and used quick strokes that add expressiveness, painting on top of that to make the melting effect, with a portrait of myself. I first rendered the whole face out after a light sketch with opaque gouache, and then I left it to dry (with some splotches of wet paint) before spreading the paint around with a hairdryer and long brush strokes. I wanted to limit the palette, so I only used yellows and purples (particularly seen in the hair) as complimentary colors. Layering with gouache is hard past 2-4 layers, so I will take that into consideration when I paint in the future.

If you practice some basic lifestyle habits you can stay looking fresh and young. Taking care of yourself both physically and mentally to stay look young. I want to share some tips through which you can make your looks so young.

    

1- Avoid using drugs and smoking.

    

2- Try to maintain your weight, it should not be fluctuated more than 5 pounds, your skin become stretch and hanging an wrinkled skin later in life.

    

3- Eat fresh fruits and green vegetables, protein rich food, Use meat in less quantity. Take multi vitamin as well. Drink a lot of water which is the best way to prevent dryness, which can leads to wrinkles. Stay away from sodas, caffeinated drinks and alcohol.

    

4- Sun damage is the number one cause of aging. Use of sunscreen while sitting in front of television or computer to avoid your skin from U.V rays.

    

5- Stay away from harsh cleansers that dry your skin out, use soft gentle cleanser to keep your skin looking fresh and young.

    

6- Take special care of eyes and lips, because these areas quickly become dry and wrinkled. Use of anti-aging skin care products for your younger look and which color of clothes you will wear on, it must give you a unique look.

    

7- With regular trim, conditioning treatments, use of hair vitamins, good professional products of hair care you can maintain your hair health and get rid of hair loss problem too.

    

8- Get sufficient sleep to get rid of eye circles, maximum 8-10 hours per night, because sleep deficiency can cause puffiness and can accentuate fine lines.

    

9- Avoid stress by practicing meditation or yoga to ensure your stress levels are under control.

    

By following these useful tips you will stay looking young and fresh at least throughout your lifespan.

The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.

Inside the Moss Park Armoury; Toronto, Ontario.

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The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

Go to Page with image in the Internet Archive

Title: Culpeper's English physician; and complete herbal : to which are now first added, upwards of one hundred additional herbs, with a display of their medicinal and occult properties, physically applied to the cure of all disorders incident to mankind : to which are annexed, rules for compounding medicine according to the true system of nature, forming a complete family dispensatory, and natural system of physic, beautified and enriched with engravings of upwards of four hundred and fifty different plants and a set of anatomical figures, illustrated with notes and observations, critical and explanatory

Creator: Culpeper, Nicholas, 1616-1654

Creator: Sibly, E. (Ebenezer), 1751-1800

Creator: Lofft, Elizabeth Susan, Provenance

Creator: Phillips, Edward England, Provenance

Creator: University of Bristol. Library

Publisher: London : Printed for the author, and sold at the British Directory-Office, Ave-Maria-Lane; and by Champante and Whitrow, Jewry-Street, Aldgate

Sponsor: Jisc and Wellcome Library

Contributor: University of Bristol

Date: 1794

Language: eng

Description: With a frontispiece and 29 numbered plates

Forms v. 1 of a 2 v. set: the herbal and the medical part

The set is published in 42 numbered parts of which v. 1 includes nos. 1-25 and v. 2 nos. 26-42

Dedication dated: In the year of Masonry 5798

ESTC

This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library

University of Bristol Library

With this are bound the second part of another edition, and the editor's A key to physic. The volume is bound according to the "Directions to the binder" (on p. 256, at the end of the second part): pt. 1, Appendix (usually forming pt. of Key to physic), pt. 2 and Key to physic

 

If you have questions concerning reproductions, please contact the Contributing Library.

 

Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.

 

Read/Download from the Internet Archive

 

See all images from this book

See all MHL images published in the same year

Nancy Veatch

 

I am Christian, a mother, grandmother, sister, aunt, cousin and probably more I ‘m not aware of now, professionally young and physically old. I’ve been in the Navy, oil field, farmers market, bars, restaurants, hospitals, parts houses. The Lord must have really become frustrated because He finally hit me on the head with the idea of school to become a teacher of children. This was the agenda until I took an art appreciation class. The images that I had seen many times over at this time seemed to reach out with colors and shapes. The professor said I should take more art classes so I did and let myself literally get sucked in to the world of making the shapes and colors that I had seen.

My chosen medium, clay, actually there was no choice. The material seemed to be an extension of my soul. I can reach into and mould it until something appears. When I work techniques don’t separate themselves, one so called technique blends into another depending on the intended form. There is not a thought process that says “well, now I will coil or soft slab”. These words only appear when explaining to another about the process, actually there is no language when a work is started.

My love is sculpture and throwing is second. I work to improve my skill in throwing and actually spend more time throwing. I think that if I could throw as skillfully as I should then I’d probably never throw again.

When I need to work, there is so much I need to know that I usually go to the wheel with the thought of design and glazing. When I start sculpture, I’m more at ease and comfortable especially with the human or animal form. I don’t worry about design and glazing. I rely on the form and like the unglazed texture of the clay.

Anything made to edify, stimulate thought, make a statement is art. Art is all around us architecture, landscaping, clothes cars, furniture etc. The thought that art is exclusive and only the gifted can “create art” is foolish. Art making is a learned skill accessible to anyone.

I’ve been working in clay since1996 and I work best when I work for myself but always are persuaded by demands to work for other reasons. Life always gets in the way. A successful artist doesn’t let life get in the way.

Art was being made through the 40’s.I’m not impressed with modernism and postmodernism. Expressionism and abstract expressionism are always exciting. I don’t consciously model what I do because of influence from any artistic movement. I am taken with the work of Rodin and Van Gough.

Artists are treated with esteem and respect but sometimes as unnecessary.

I like the Museum of Modern Art because they have many of my favorites, most of all Starry Night by Van Gough.

 

Physically fit shirtless man standing on Maui, Hawaii beach.

Life has become so hectic that no one has much time to go to the gym or follow a strict diet or get dance training etc. However, every second person wants to be fit physically and mentally, as well. If you are also one of those willing to be fit physically and mentally as well, then you can try Mixed Martial Arts Training.

Some fantastic benefits of Mixed Martial Arts

There are several amazing benefits of Mixed Martial Arts Training. These benefits are not only for men but also women can also get benefitted from the same as well.

Building Up The Strength And Power

It plays an essential role in building up the strength and power in the body. People who want to build up their career in Boxing and Kick Boxing must go for this. It plays an essential role in improving the strength and power of the body.

Develop Endurance

Mixed Martial Arts is a combination of partner skill training, interval training, and high-intensity cardio sessions. Those who are not having time to join the clubs or gym fir enhancing their endurance can easily try this at home.

Build Self-esteem

In order to achieve a sense of pride and achievement, learning and acquiring impressive skills plays an important role. There are many people who join Mixed Martial Arts for attaining peace of mind. As we have stated, it is a Myth that Mixed Martial Arts is not only for men. There are amazing benefits of this Art for Women. By adopting the Mixed Martial Arts Training, women can easily fight against violence and abusive situations. It will help them in building physical and mental strength as well.

Improve Balance and Coordination

Mixed Martial Arts Training also plays an essential role in improving balance and coordination. Everyone wants to have full control over their postures and feet. In body building, self-control and coordination are must to have. With the help of this art, one can easily avail the same.

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The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

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If you are going to start your advertisement though STATIONARY products, then you are in right place. Because I will help you to make eye catching design, So that people can easily grab the objective point of your business. Which can help your targeting audience convert into a real Customer.

 

All images are just used for preview purpose only and NOT included in the main files. All Photography credit goes to owner.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

Bramwell physically and emotionally exhausted upon returning from the street walk.

  

The Salvation Army’s School For Youth Leadership runs a 9-month intensive program for young adults aged 18-28 who seek experience in hands on social work. The school, situated in a rural area of Sydney’s Central Coast provides a residence and learning environment where students live as a family, training to minister to the poor and marginalized.

Near the end of their course Salvation Army’s Edify program brought the students to Sydney for a week of hands on activity.

Labelled STUMP, the Short Term Urban Ministering Program takes the students away from the classroom and into the city. Photographer Mark Tipple embedded himself for the week-long course.

Here I present my take on the Gunderson (or Greenbrier) Maxi iv’s. This is the first MOC of mine that I’ve physically built. Whilst I found this a rewarding experience, it inevitably threw up a few issues. I was very conservative with the spacing between units to try and accommodate R40 track, however I’ve found I really don’t like the spacing and have since redesigned the middle bogies to bring the cars 2 studs closer together. This has also lead to my first experience with ball bearings, which has turned out to be a frustrating experience. As a result, I’m awaiting delivery of some new axels that better fit the bearings. The reference images used for the design were from Kato N scale models. Whilst I think I’ve replicated that design well, I feel the model is lacking a bit of overall detail which I’ll look to add at a later date - I just need to find some better reference material first. That being said, I’m not too happy with the stairs design either, and will look for alternatives. The model itself is big! Predominantly 8 wide but peaking at 9.8 wide with the stairs, and coming in at 180 studs long. Surprisingly it cost around £130 to build which I thought was good - most likely due to the number of elements I could get from the local PAB wall. I went to order parts for the containers (not my design) last night, but that proved cost prohibitive, so I’m just finalising a design of my own which should be cheaper, despite having a few more details (but not sticker friendly).

 

In the later images I’ve copied the design and modified the well length to serve as a basis for Maxi I cars, but yet to address further elements to represent that design. I also decided to mess around with colour options to try and represent Maersk cars. The lightest colour (1/3) I feel is the closest match, but lacking numerous elements for a sleek design. 2/3 is the one I favour most, whilst I think it’s further from true Maersk colour, when I look at it in isolation it’s the one that’s ’most Maersk’ to me. The darkest (3/3) has the best part pallet in the colour, but I think it’s a shade too far. Originally I’d planned to build a 5 car rake as per the real thing, but at a provisional 244 studs long I might just settle for a 3 car rake.

 

The cars accommodate containers to the BMR intermodal standard.

 

Thoughts/feedback welcome.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

Tennis tournaments can take it out of you.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.

 

Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.

 

The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).

 

The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.

 

Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).

 

From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.

 

I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.

 

Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.

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But where I am physically at any given moment is only part of the puzzle…because we are interconnected and our behaviors and desires co-create much that is occurring around the world.

 

This is a collection of mappings of networks, suburbia, islands, refugee camps, resorts, etc in a puzzle-like array of growth patterns.

 

John Fromuth, maintenance worker at Orwell Dam, near Fergus Falls, Minn., poses in front of his charge on Nov. 15, 2017. Fromuth was on site to provide access for hunters and volunteers taking part in the 10th Annual Physically Disabled and Veterans hunt, providing an impactful opportunity for a few folks who thought hunting was not possible.

The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.

I've been feeling very sympathetic toward this one raccoon who's been visiting the deck, nightly, seeking food. If I could keep from feeding several others, I'd gladly feed him! He has a withered back leg & walks on three. I admired the way he is able to pull himself up to the deck railing with his two front legs & manage to get down to the squirrel lunchbox to check it out. Unfortunately, we are getting ready to leave on summer trips & feel we must wean our nighttime guests away from the deck before we go. It's hard for me to turn "the kids" away, hungry. Seen on June 8, 2009 in Columbia County, New York, USA.

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