View allAll Photos Tagged physically"
Today was a miserable day. I worked my later shift which is physically exhausting and later went into Amherst to pick up some prints. While trying to park, a woman backed into my car. She never even turned her head to look behind her as she backed up and then got out of her car to yell at me for being in HER way!
There was no real damage (bent my plate) but when I got my prints and came back to my car, I couldn't find my keys. They were in the ignition. Because this is only one of several times I have locked my keys in my car, I have a spare hidden on my car. But it was bitter cold, raining and I was parked on a main road so there was no way I was going to climb under the car. So I was forced to make the "hubby, come rescue me" call as my phone battery was DYING! *sigh*
It all worked out when I met up with a friend and all three of us went to have dinner at the dining commons on Umass campus where my son works. The food was great and Mary and I talked the night away. P1240018
View of (physically) large power resistor within 91 01 44 arc lamp power supply. Value is 1 ohm and the orange and white wires on either side go directly to the I/O connector (lamp interface) so I am figuring it to have something to do with current sensing/regulation...
Being a tad physically challenged and living where the ground easily could be called "cement" in the Summertime, a specie of 'raised planters' makes flowers possible. In our case, the cheapest and easiest version has proved to be half wine barrels all about the place.
This has further enabled snapshot vistas which include various depths of colors as one moves about with a camera among them.
Fun, color, and unexpected results prevail...
From Wikipedia:
Letchworth Village was a residential institution located in Rockland County, New York, built for the physically and mentally disabled of all ages from the newborn to the elderly. Opened in 1911, Letchworth Village at its peak consisted of over 130 buildings spread out over many acres of land.
On February 27, 1950, the first trial case of the polio vaccine in the United States was administered to an 8-year-old patient. After the patient suffered no side effects, the vaccine was administered to 19 more of the institution's children.
In 1972, a New York affiliate of ABC News featured Letchworth Village and its appalling conditions in an episode called Willowbrook: The Last Great Disgrace which helped lead to reform of similar healthcare institutions throughout the United States. But prior media attention and national focus was not enough to save Letchworth Village, and by the mid-1980s, the institution was no longer being adequately funded nor properly managed and residents, including children, continued to be found unclothed, unbathed, and neglected. In addition to rampant abuse among the institution's residents, staff also suffered abuse at the hands of fellow co-workers which included incidents of rape.
In 1996 the institution was permanently closed down, and many of its abandoned structures have since fallen into serious disrepair.
In 2011, Letchworth was featured on the Travel Channel's Ghost Adventures cable-television series on Season 5, Episode 6 which originally aired on October 28, 2011.
Photo: Taken Nov. 2012
Note: We were never disrespectful to the grounds, buildings or the past while visiting.
Physically separate from the more famous Berlin Wall, the Inner German border was nearly 1,400km long and divided East and West Germany from 1949, when the Soviets established East Germany, until the border fortifications started to topple down in 1989.
Germany, Schifflersgrund, Feb. 2025
via Instagram An #Israeli soldier questions a young #Palestinian boy at the entrance to the Old City of Hebron. The soldiers at times physically stop #Palestinians from moving about the city – but even when they aren’t physically stopped, they still have to question whether leaving the house and facing a sudden interrogation is worth the risk. Every Saturday, the #Israeli military go through the homes of #Palestinians in the Old City of Hebron and make their way onto the top to provide surveillance the Hebron Fund – a right wing Jewish organization that seeks to claim Hebron in it’s entirety. The tour they give every Saturday gives an alternative narrative to the history of Hebron, cleansing the rich, cultural, economic, religious and social contributions the Palestinians have made for generations. #TAKE_ACTION The weekly settler tour restricts Palestinian freedom of movement and presents a false history of Hebron. Stop the Hebron Fund now - http://bit.ly/StopTheHebronFund OR YOU CAN Christian Peacemaker Teams work is only sustained by donations. Stand up for peace and justice. Make a difference, click here: bit.ly/CPT_Donate #Invasion #hebrontour #Israelisettlertour #israelioccupation #freepalestine #peace #love #apartheid #israel #occupation #nonviolentresistance #oppression #Palestine #Hebron #الخليل #المقاومة #فلسطين #الاحتلال #שלום #אהבה #צדק #ירושלים #חברון #פלסטין #الحرية
Gov.Amosun and His Wife during the UpLIFTing of the Physically Challenged program organized by the UpLIFTing Development Foundation of Mrs. Olufunso Amosun
the asshole in the go-kart is a park maintenance worker who tried to cancel the wedding. at one point, he physically tried to intervene.
so my fiance and i were planning on getting married and decided to do a little research to find an appropriate spot that we both liked to get married in. we decided on the conservatory garden in central park. we went online to see if we needed permits. what we found was that in new york you may get married in any public place permit free as long as you have less than 20 people gathered, do not have chairs set up and no tripod photography.
her mom and sister fly out from california, my dad drives down from vermont, other friends come from around the country and our group of 19 meets at 3:58 in the park ready to have a quick, ten minute ceremony, snap a few pictures and then go party at the reception.
thats when this asshole steps in. he is a park maintenance worker who in this shot is telling the officiator and i that we are not having the wedding here. it's not fair to the other people. what other people? there's no one else around. the people who pay for their permits to get married here. i tell him that according to the information i found on the official central park and nyc websites we are within guidelines. no dice, you have to leave-its not my decision. well, it kinda is your decision, there isn't anybody here, can we have ten minutes to do our thing, what could it hurt? not ten minutes, not five minutes-you're leaving now or i'm calling the police!
so we decide to go for it anyway. the ten minute ceremony gets cut down to three and we basically say that love is great, do you love each other, exchange rings, kiss the bride, and you're done. but This asshole comes back and tries to physically intervene. luckily we had some big guys there who blocked him for the necessary three minutes.
he stuck around to harass us, went over to lock the public bathrooms and yes, he did call the police who showed up about twenty minutes later after most of the wedding party had left. it was only the bride and groom, our parents and a friend taking pictures, which of course the cops didn't do anything about.
yes, folks, there are self important assholes out there in the world who will try to stop you from getting married on your wedding day. here is one of them.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
SEP 9 – SEP 29, 2014
This first annual Talking Books traveling art show showcases the artistic talents of the blind, visually impaired, and physically impaired Kansas Talking Books patrons. For information about the artists, call the Sabatini Gallery at 785-580-4515.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
JOINT BASE LEWIS-McCHORD, Wash. - Command Sgt. Maj. John W. Troxell, outgoing I Corps command sergeant major, shrugs off torrential rain and swings a 135-lb. chain during physical training Sep. 3. It was his last 'Physically, Mentally, Emotionally (PME) Hard' training session before relinquishing responsibility. Later in the day, Troxell passed on the responsibility of corps command sergeant major to Command Sgt. Maj. James P. Norman. (U.S. Army photo by Spc. Leon Cook)
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
Physically and mentally disabled students from programs of the Directorate General for Special Education and Social Welfare create artwork for the new Children’s Room at the Helen Keller Center in Islamabad, a partnership between the U.S. and Pakistan.
A physically-challenged musician entertains and inspires passersby on a street in Centro Guanajuato, Mexico
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
SEP 9 – SEP 29, 2014
CLOCKWISE FROM TOP: Heidi Hibbs (Gas), "Listening", tactile paper. Dale Anderson, (Emporia), Untitled, thrown pottery. Nancy Johnson (Topeka), "Enigma", latch-hook.
This first annual Talking Books traveling art show showcases the artistic talents of the blind, visually impaired, and physically impaired Kansas Talking Books patrons. For information about the artists, call the Sabatini Gallery at 785-580-4515.
From Wikipedia:
Letchworth Village was a residential institution located in Rockland County, New York, built for the physically and mentally disabled of all ages from the newborn to the elderly. Opened in 1911, Letchworth Village at its peak consisted of over 130 buildings spread out over many acres of land.
On February 27, 1950, the first trial case of the polio vaccine in the United States was administered to an 8-year-old patient. After the patient suffered no side effects, the vaccine was administered to 19 more of the institution's children.
In 1972, a New York affiliate of ABC News featured Letchworth Village and its appalling conditions in an episode called Willowbrook: The Last Great Disgrace which helped lead to reform of similar healthcare institutions throughout the United States. But prior media attention and national focus was not enough to save Letchworth Village, and by the mid-1980s, the institution was no longer being adequately funded nor properly managed and residents, including children, continued to be found unclothed, unbathed, and neglected. In addition to rampant abuse among the institution's residents, staff also suffered abuse at the hands of fellow co-workers which included incidents of rape.
In 1996 the institution was permanently closed down, and many of its abandoned structures have since fallen into serious disrepair.
In 2011, Letchworth was featured on the Travel Channel's Ghost Adventures cable-television series on Season 5, Episode 6 which originally aired on October 28, 2011.
Photo: Taken Nov. 2012
Rolleiflex 3.5F TMAX400 @ ISO800
Note: We were never disrespectful to the grounds, buildings or the past while visiting.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
SEP 9 – SEP 29, 2014
This first annual Talking Books traveling art show showcases the artistic talents of the blind, visually impaired, and physically impaired Kansas Talking Books patrons. For information about the artists, call the Sabatini Gallery at 785-580-4515.
*Feeling physically present*
Direct cinema filmmakers’ non-interference adage makes them dependent on other people making the action, which is why they have always been very interested in showing encounters between people. This dependence has learned direct cinema to get close to people and observe well. A great example are the observations of Pennebaker (he operates the camera himself) in Don’t Look Back: they are still remarkably fresh looking today.
Pennebaker's camera is in the middle of the action; physically speaking the camera gets very close in this film. We don't see the smooth gliding images that nowadays are made with the help of a Steadycam but the chaos of a handheld camera that tries to push through a crowd into a taxi. Although the observer is supposedly not present in the situations in the film, as direct cinema suggests, there are moments when the presence of the camera can be felt almost physically.
Several sequences show how Pennebaker makes the best of the limitations of unanticipated situations he ends up in. Examples are rough movements (getting into that taxi through a crowd), zooms resulting in out of focus close-ups, or pans that cross non-spaces seemingly forever. If fly-on-the-wall documentary is done in a rough style like this, the filmmaker may be invisible in the image but the viewer can feel the presence of the camera.
This way of using the camera really helps to get across a mood, it makes the viewer feel present in the situation as a person rather than as a fly. Pennebaker says about this:
"Most people look at [Don't look back] and say it's documentary. It's not documentary at all by my standards. It throws away almost all its information and becomes purposely kind of abstract and tries to be musical rather than informational. Many people complained about the movie - it didn't tell about the life-style of the hippies or dope or something like that; that's what most complaints are. Especially the people who were in it. They felt it wasn't informational because it wasn't something that I should tell you about. What I want you to tell about is the mood, I guess, not the information." [Pennebaker in Levin, 1971, p. 243]
The distinction that Pennemaker makes here, between information and mood, ressembles the distinction sometimes made in design research, between information and inspiration. It is hard to agree with Pennebaker though that his film would contain no information and therefore is not a documentary. The film may leave out certain information that others might have expected to find. But it does contain other information, for instance how Dylan deals with journalists, how his manager makes deals and how Dylan works on new songs while he is on the road. Because expectations are not always met, as a filmmaker or researcher, and as a viewer, it is important to keep an open mind on the kind of information you find or you might not recognise it as something of interest.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The National Museum of African American History & Culture (NMAAHC) is one of the newer museums on the National Mall in Washington, D.C.
Physically, it's an impressive structure from outside, on the northeast corner of 15th & Madison next to the Washington Monument.
The museum is basically 7 floors. The ground floor with the gift shop & information with a large atrium. The 3 floors below ground predominantly tell history (chronologically) from the slave trade up to current day. The 3 upper floors address different aspects of culture (music, art, dance, theater, sports, and literature among others).
The photo you are looking at here is from my second visit, which happily coincided with Malcolm X's 96th birthday (19 May 2021). Since I'd been before, I didn't stop by information, but from what I recall of my first visit, they suggest starting with the lower floors and finishing with the upper floors. You'll probably want to block a half day, at least, to take this museum in.
Should you follow the suggestion of history before culture, you'll walk behind the information desk and around a back hallway to take an elevator down to the bottom floor (or stairs around the elevator shaft, should you choose). When you come out, you're greeted by darkness and displays regarding the slave trade in general, and in the different regions of the country, including "highlights" of the era, like Bacon's Rebellion, Denmark Vesey, etc. There is no specific demarcation to let you know you are moving up from one floor to another, but there are ramps (it's not a trick or anything like that). The farther up you go, the more you approach modern day, passing information about famous historical figures (Douglass, Tubman, DuBois, Booker T. Washington) and historic events (emancipation, sit ins, segregation, Jim Crow laws, black nationalism) until finishing with a few exhibits that highlight specific decades (1970s, 1980s, 1990s, 2000s).
From there, you can take a break and grab lunch in the cafe -- if it ever opens again -- where they have foods that are staples in the black community -- before continuing to the other half of the museum.
I would suggest taking the escalator up to the top floor and working your way down. On the top floor, you'll find the exhibits for art, music, literature, and theater/television. Going down a floor, you'll find sports and special exhibitions. The fourth floor (well...2nd, I guess) is a hands on workshop and genealogy research center.
Realistically, this museum takes multiple visits to really let everything seep in. Even after two visits, I feel like I barely glossed over everything.
The Berlin Wall (Berliner Mauer) was a guarded concrete barrier that physically and ideologically divided Berlin from 1961 to 1989. Constructed by the German Democratic Republic (GDR, East Germany), starting on 13 August 1961, the Wall cut off (by land) West Berlin from virtually all of surrounding East Germany and East Berlin until government officials opened it in November 1989. Its demolition officially began on 13 June 1990 and finished in 1992. The barrier included guard towers placed along large concrete walls, accompanied by a wide area (later known as the "death strip") that contained anti-vehicle trenches, "fakir beds" and other defenses. The Eastern Bloc portrayed the Wall as protecting its population from fascist elements conspiring to prevent the "will of the people" in building a socialist state in East Germany. In practice, the Wall served to prevent the massive emigration and defection that had marked East Germany and the communist Eastern Bloc during the post-World War II period.
en.wikipedia.org/wiki/Berlin_Wall
3/3/10
Okay, so I am literally phoning this one in. It was an extremely exhausting day, both mentally and physically. Had some personal drama going on all day and then ended the day with kickboxing class. I'm really excited about this class, but OMG is it kicking my ass right now! I haven't worked out in a few years and I swear my muscles must have atrophied. After my first class last week I literally could not stand upright all weekend because my abs were so sore. Now, it seems I have strained or sprained or pulled something in my right shoulder.
Anyway, not a lot to say about this shot. It sucks. I took it with my iPhone because I was too tired to get out the big guns. My arms were like Jello and I probably couldn't have held my Nikon anyway.
Physically and culturally, Honolulu is an odd hybrid: equal parts Asian, (mainland) American and native Hawaiian, like a plate lunch. Visitors who never leave the bubble of Waikiki do themselves a disservice. From this angle, at the summit of Diamond Head, Waikiki is in the foreground.
Rahul Gandhi and Priyanka Gandhi Vadra distributed three-wheelers to over 200 physically challenged persons in New Delhi. On Late Rajiv Gandhi's birthday it was supposed to be distributed by Congress President Sonia Gandhi but due to her illness it got postponed.
Rahul and Priyanka, interacted with almost all the people who were given motorised three-wheelers by the Rajiv Gandhi Foundation and spent some time with them.
They went to almost every single person, exchanged pleasantries with them and heard their problems.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
Houston Texas Livestock Show and Rodeo State FFA tractor technician contest Kids repairing a physically disabled tractor March 7 2011 Reliant Center AG Signs mechanics tools box's
Emerging Leaders physically and emotionally walk through the gates and barriers that prevent them from being all they can be in the final executive coaching session with Susan Dunlap & Associates.
i can physically feel the weight lifted off my shoulders after our last meeting of the year on tuesday
and i can physically feel my sense of purpose feel a tiny bit smaller
i'm not leading it next semester because i'll be abroad
i'm going to miss it very, very, very much
i love those people and i love that club, i love those ideas and that sense of agency to change something, to educate, or to anything
i'm so pessimisstic lately, i'm to the annoying point of where i'm sad about the fact that i'm sad
it's not about anyone in particular
it's just about everyone
in the world
and no one at the same time
it's about how lazy people are
it's about how no one cares too much about anything and those that do are too jaded and burnt out to actually help other people
amber said it best today, when she said, sometimes i get really sad about the soup and bread program
she said, it's like people think they are above sacrificing something of themselves so that other people can have anything at all
all my favorite people have no idea how beautiful they are
all the people who bore me the most think they are so exciting
i am definitely a boring person sometimes
isn't everyone?
i'm not often bored with myself, which probably means either i am good at occupying myself or that i am arrogant
i am making a series of fifty paintings of the same thing
it is going to be displayed in succession
i will make this over the summer
it will be another project
this one is not for the internet however,
ha, ha, ha. ha, ha, ha.
i think i have convinced myself that being told i am different is a good thing, finally
i always used to hate it, squirming in my seat feeling even more alienated by everyone around me whenever someone told me that
but then i realized there is no true way to be connected, to stay connected forever
so you might as well be alienating in a way that you think is really beautiful, even if it hurts more than anything ever
and some may say that is a dramatic or stupid thing to think or feel
but i don't really care
cause it's none of their business really
You´re allowed to roam free in the gallery and use your camera as much as you want to. No hysteric guards around.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
Manila, Philippines – The All in One Logistics Network (AiO) just celebrated their inaugural Annual General Meeting (AGM) in the Philippines. As this was a special occasion, both members and non-members were invited to attend. Although there were no attendees physically on site from the Americas, the attendees from Europe, Africa, Asia and Australia were very well represented.
The meeting began on the eve of September 13th at the Makati Shangri-La with a cocktail party to register and welcome everybody. The cocktail party also acted as an ice-breaker of sorts, allowing everyone to mingle at their own pace while making that all important first impression. Everyone was smiling, laughing and, perhaps most importantly, just plain having a good time together.
On the morning of September 14th, The real AGM began. After a quick registration, it was time to move onto the presentations portion of the AGM.
Presenters were:
•Gary Dale Cearley, Managing Director, Advanced International Networks Ltd (AIN) / Executive Director, All-in-One Logistics Network (AiO)
•Dominic Harrington, Managing Director, D&S Harrington (Australia)
•Ahsanullah Momen, CEO, Ease Logistics (Bangladesh)
•Tom K. De Vera, General Manager, EMCS (Philippines) - Presented a video on the Philippines
After a break for lunch, the attendees went straight into their one-to-one meetings which were, at a distance, quite lively. Even the people who had an open block, soon grew restless and sought out other companies to share details. The 30 minute blocks of time flew by until it was time to break and prepare for the evening’s banquet which was also held at the Makati Shangri-La.
The final day of the AiO AGM took place on September 15th and, aside from a lunch break, entailed a rigorous gauntlet of one-to-one meetings. The attendees never tired, being fuelled by coffee and snacks, made the most of each minute. The success of an AGM comes chiefly from the efforts and enthusiasm of the attendees. Judging from the cooperation of all involved, this inaugural AiO AGM was hands down and without a doubt a big success.
"In all the years that I have been in the international logistics networking business this was far and away the best network launching AGM I have had the pleasure to be a part of," said Gary Dale Cearley, Executive Director of the All-in-One Logistics Network. "Everything came together. I was proud of the quality of membership and how they took to making business with one another. It is a clear sign of being on the right path."
“I couldn’t be more pleased with this event, my colleagues, and the attendees,” added Trevis J. Cunningham AIN Events Coordinator, “I think we hit the sweet spot by not having too few or too many attendees. We not only earned new business opportunities, but more importantly gained new lifelong friends.”
Red Wolf Global, (Philippines and Thailand), was the event's Admiral sponsor. World Line Logistics (India), was a signage sponsor. Corporate sponsors were Volga-Dnepr Group and Wisetech Global. The dates and location of the 2016 AiO AGM will be announced in the near future.
The most physically beautiful people I have encountered live in Athens. The land of the Greek gods, legends and myths and the Acropolis, Athens' is a cosmopolitan landscape of bars and shopping. But this landscape bears nothing against its historic landscape of Seven Hills and majestic Parthenon.
Emerging Leaders physically and emotionally walk through the gates and barriers that prevent them from being all they can be in the final executive coaching session with Susan Dunlap & Associates.
John Fromuth, maintenance worker at Orwell Dam, near Fergus Falls, Minn., poses in front of his charge on Nov. 15, 2017. Fromuth was on site to provide access for hunters and volunteers taking part in the 10th Annual Physically Disabled and Veterans hunt, providing an impactful opportunity for a few folks who thought hunting was not possible.
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Title: Culpeper's English physician; and complete herbal : to which are now first added, upwards of one hundred additional herbs, with a display of their medicinal and occult properties, physically applied to the cure of all disorders incident to mankind : to which are annexed, rules for compounding medicine according to the true system of nature, forming a complete family dispensatory, and natural system of physic, beautified and enriched with engravings of upwards of four hundred and fifty different plants and a set of anatomical figures, illustrated with notes and observations, critical and explanatory
Creator: Culpeper, Nicholas, 1616-1654
Creator: Sibly, E. (Ebenezer), 1751-1800
Creator: Lofft, Elizabeth Susan, Provenance
Creator: Phillips, Edward England, Provenance
Creator: University of Bristol. Library
Publisher: London : Printed for the author, and sold at the British Directory-Office, Ave-Maria-Lane; and by Champante and Whitrow, Jewry-Street, Aldgate
Sponsor: Jisc and Wellcome Library
Contributor: University of Bristol
Date: 1794
Language: eng
Description: With a frontispiece and 29 numbered plates
Forms v. 1 of a 2 v. set: the herbal and the medical part
The set is published in 42 numbered parts of which v. 1 includes nos. 1-25 and v. 2 nos. 26-42
Dedication dated: In the year of Masonry 5798
ESTC
This material has been provided by University of Bristol Library. The original may be consulted at University of Bristol Library
University of Bristol Library
With this are bound the second part of another edition, and the editor's A key to physic. The volume is bound according to the "Directions to the binder" (on p. 256, at the end of the second part): pt. 1, Appendix (usually forming pt. of Key to physic), pt. 2 and Key to physic
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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