Photo for the WashingtonPost.com.

 

Physically challenged athletes prepare for the NYC Olympic triathlon in N.Y. Melissa Stockwell, left, the first female amputee from Iraq is assisted by her husband, Dick. Melissa is a member of the Operation Rebound Team of Veterans led by Major David Rozelle.

July 16th, 2006

 

A concrete four-pointed star serves as the sculpture’s plinth. Three brick and concrete walls form a niche, which viewers are invited to physically occupy. Affixed to the brick walls, the niche contains bronze plaques explaining the history of Jerry Henry’s rescue and the symbolism of the sculpture. Emerging from the central brick wall, on the side that faces outward, away from the architectural niche, are three life-size bronze figures. Rendered in high relief, the artist, BuMann, depicts an imagined scene of Jerry’s rescue. A shirtless Henry, with broken shackles on his wrists, is helped to safety with the assistance of Rev. Samuel J. May and the Rev. Jermain W. Loguen (who was himself a formerly enslaved person), men who were not actually present during Jerry’s escape. (source: www.slaverymonuments.org/items/show/1171)

 

On the first of October 1851, William “Jerry” Henry, an escaped slave and cooper residing in Syracuse, was arrested ostensibly for theft. Only after he had been placed in manacles, however, was it revealed that he had been arrested by federal marshals under the terms of the Fugitive Slave Law passed in September of 1850. Jerry at that point struggled furiously but was brought before the U.S. commissioner Joseph Sabine. A first attempt to free him by abolitionists occurred in that office, and he was able to escape from the building and flee to one of the bridges over the Erie Canal, where he was recaptured and then delivered to the Police Justice offices. It was in this location that the famous Jerry Rescue was effected when a crowd of approximately twenty-five hundred people surrounded and ultimately stormed the facility. A few shots from a pistol were fired, but the sheer force of the crowd was sufficient to daunt the federal officers. Jerry was successfully hidden in the city until he was transported to freedom in Kingston, Ontario, where he remained until his death just a few years later. The Jerry Rescue was celebrated as one of the great triumphs of the antislavery movement and became an integral part of the lore and the strategizing of abolitionists in the region. (Source: library.syracuse.edu/digital/exhibits/u/undergroundrr/cas...)

Do I look worn out? Maybe physically!

Batman is a superhero appearing in American comic books published by DC Comics. The character was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939. In the DC Universe continuity, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in Gotham City. Batman's origin story features him swearing vengeance against criminals after witnessing the murder of his parents Thomas and Martha as a child, a vendetta tempered with the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth, James Gordon, and Catwoman; and foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker.

 

Kane conceived Batman in early 1939 to capitalize on the popularity of DC's Superman; although Kane frequently claimed sole creation credit, Finger substantially developed the concept from a generic superhero into something more bat-like. The character received his own spin-off publication, Batman, in 1940. Batman was originally introduced as a ruthless vigilante who frequently killed or maimed criminals, but evolved into a character with a stringent moral code and strong sense of justice. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth. The 1960s Batman television series used a camp aesthetic, which continued to be associated with the character for years after the show ended. Various creators worked to return the character to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.

 

DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders. In addition to Bruce Wayne, other characters have taken on the Batman persona on different occasions, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, son of Wayne's ally Lucius, as of 2021. DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations from Elseworlds stories.

 

One of the most iconic characters in popular culture, Batman has been listed among the greatest comic book superheroes and fictional characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games like the Batman: Arkham series. Batman has been adapted in live-action and animated incarnations, including the 1960s Batman television series played by Adam West and in film by Michael Keaton in Batman (1989), Batman Returns (1992), and The Flash (2023), Val Kilmer in Batman Forever (1995), George Clooney in Batman & Robin (1997), Christian Bale in The Dark Knight trilogy (2005–2012), Ben Affleck in the DC Extended Universe (2016–2023), and Robert Pattinson in The Batman (2022). Kevin Conroy, Diedrich Bader, Jensen Ackles, Troy Baker, and Will Arnett, among others, have provided the character's voice.

 

Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).

 

Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions

 

"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".

 

The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.

 

The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.

 

Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.

 

Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:

 

Wet with cool dew drops

fragrant with perfume from the flowers

came the gentle breeze

jasmine and water lily

dance in the spring sunshine

side-long glances

of the golden-hued ladies

stab into my thoughts

heaven itself cannot take my mind

as it has been captivated by one lass

among the five hundred I have seen here.

 

Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.

 

Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.

 

There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.

 

Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.

 

The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.

 

In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:

 

During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".

 

Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.

 

While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’

 

Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.

 

An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.

 

Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983

 

Commercialization and entrance into mainstream pop culture

Main article: Commercial graffiti

With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.

 

In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".

 

Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.

 

Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.

 

Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.

 

Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.

 

There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.

 

The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.

 

Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.

 

Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis

 

Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.

 

Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.

 

Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"

 

Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal

 

In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.

 

Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.

 

Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.

 

Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.

 

With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.

 

Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.

 

Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.

 

Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.

 

Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.

 

Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.

 

Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.

 

Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.

 

The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.

 

I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.

 

The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.

 

Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.

 

Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.

 

In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".

 

There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.

 

Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.

 

A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.

By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.

 

Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.

 

In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.

 

A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.

 

From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.

 

In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.

 

Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.

 

Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.

 

Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.

  

In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.

 

Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.

 

In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.

 

In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."

 

In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.

 

In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.

 

In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.

 

In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.

 

In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.

 

The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.

 

To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."

 

In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.

 

In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.

 

Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".

 

Graffiti Tunnel, University of Sydney at Camperdown (2009)

In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.

 

Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.

 

Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.

 

In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.

 

Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.

 

Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.

 

To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.

 

When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.

Information From: en.wikipedia.org/wiki/Brooklyn_bridge

 

Brooklyn Bridge

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For other uses, see Brooklyn Bridge (disambiguation).

Brooklyn Bridge

 

Carries Motor vehicles (cars only)

Elevated trains (until 1944)

Streetcars (until 1950)

Pedestrians, and bicycles

Crosses East River

Locale New York City (Manhattan–Brooklyn)

Maintained by New York City Department of Transportation

Designer John Augustus Roebling

Design Suspension/Cable-stay Hybrid

Total length 5,989 feet (1825 m)[1]

Width 85 feet (26 m)

Longest span 1,595 feet 6 inches (486.3 m)

Clearance below 135 feet (41 m) at mid-span

Opened May 24, 1883

Toll Free both ways

Daily traffic 123,781 (2008)[2]

Coordinates 40°42′20″N 73°59′47″W / 40.70569°N 73.99639°W / 40.70569; -73.99639 (Brooklyn Bridge)Coordinates: 40°42′20″N 73°59′47″W / 40.70569°N 73.99639°W / 40.70569; -73.99639 (Brooklyn Bridge)

  

Brooklyn Bridge

U.S. National Register of Historic Places

U.S. National Historic Landmark

NYC Landmark

 

Built/Founded: 1883

Architectural style(s): Gothic

Added to NRHP: 1966[3]

Designated NHL: January 29, 1964[4]

NRHP Reference#: 75001237

 

The Brooklyn Bridge is one of the oldest suspension bridges in the United States. Completed in 1883, it connects the New York City boroughs of Manhattan and Brooklyn by spanning the East River. With a main span of 1,595.5 feet (486.3 m), it was the longest suspension bridge in the world from its opening until 1903, and the first steel-wire suspension bridge.

 

Originally referred to as the New York and Brooklyn Bridge, it was dubbed the Brooklyn Bridge in a January 25, 1867 letter to the editor of the Brooklyn Daily Eagle,[5] and formally so named by the city government in 1915. Since its opening, it has become an iconic part of the New York skyline. It was designated a National Historic Landmark in 1964[4][6][7] and a National Historic Civil Engineering Landmark in 1972.[8]

 

Contents [hide]

1 Construction

2 Pedestrian and vehicular access

2.1 Notable events

2.2 100th anniversary celebrations

2.3 125th anniversary celebrations

3 Cultural significance

4 References

5 Further reading

6 External links

  

[edit] Construction

The Brooklyn Bridge was initially designed by German immigrant John Augustus Roebling, who had previously designed and constructed shorter suspension bridges, such as Roebling's Delaware Aqueduct in Lackawaxen, Pennsylvania, and the John A. Roebling Suspension Bridge in Cincinnati, Ohio.

 

While conducting surveys for the bridge project, Roebling sustained a crush injury to his foot when a ferry pinned it against a piling. After amputation of his crushed toes he developed a tetanus infection which left him incapacitated and soon resulted in his death, not long after he had placed his 32 year-old son Washington Roebling in charge of the project.[9]

 

Washington Roebling also suffered a paralyzing injury as a result of decompression sickness shortly after the beginning of construction on January 3, 1870.[10] This condition, first called "caisson disease" by the project physician Dr. Andrew Smith, afflicted many of the workers working within the caissons.[11][12] After Roebling's debilitating condition left him unable to physically supervise the construction firsthand, his wife Emily Warren Roebling stepped in and provided the critical written link between her husband and the engineers on-site.[13] Under her husband's guidance, Emily had studied higher mathematics, the calculations of catenary curves, the strengths of materials, bridge specifications, and the intricacies of cable construction.[14][15][16] She spent the next 11 years assisting Washington Roebling helping to supervise the bridge's construction.

 

When iron probes underneath the caisson found the bedrock to be even deeper than expected, Roebling halted construction due to the increased risk of decompression sickness. He deemed the aggregate overlying the bedrock 30 feet (9 m) below it to be firm enough to support the tower base.[17]

 

The Brooklyn Bridge was completed thirteen years later and was opened for use on May 24, 1883. The opening ceremony was attended by several thousand people and many ships were present in the East Bay for the occasion. President Chester A. Arthur and New York Mayor Franklin Edson crossed the bridge to celebratory cannon fire and were greeted by Brooklyn Mayor Seth Low when they reached the Brooklyn-side tower. Arthur shook hands with Washington Roebling at the latter's home, after the ceremony. Roebling was unable to attend the ceremony (and in fact rarely visited the site again), but held a celebratory banquet at his house on the day of the bridge opening. Further festivity included the performance of a band, gunfire from ships, and a fireworks display.[18]

 

On that first day, a total of 1,800 vehicles and 150,300 people crossed what was then the only land passage between Manhattan and Brooklyn. Emily Warren Roebling was the first to cross the bridge. The bridge's main span over the East River is 1,595 feet 6 inches (486.3 m). The bridge cost $15.5 million to build and approximately 27 people died during its construction.[19]

 

One week after the opening, on May 30, 1883, a rumor that the Bridge was going to collapse caused a stampede, which crushed and killed at least twelve people.[20] On May 17, 1884, P. T. Barnum helped to squelch doubts about the bridge's stability—while publicizing his famous circus—when one of his most famous attractions, Jumbo, led a parade of 21 elephants over the Brooklyn Bridge.[21][22][23][24]

  

Plan of one tower for the Brooklyn Bridge, 1867At the time it opened, and for several years, it was the longest suspension bridge in the world—50% longer than any previously built — and it has become a treasured landmark. Since the 1980s, it has been floodlit at night to highlight its architectural features. The towers are built of limestone, granite, and Rosendale cement. Their architectural style is neo-Gothic, with characteristic pointed arches above the passageways through the stone towers. The paint scheme of the bridge is "Brooklyn Bridge Tan", although is has been argued that the original paint was "Rawlins Red".[25]

 

At the time the bridge was built, the aerodynamics of bridge building had not been worked out. Bridges were not tested in wind tunnels until the 1950s—well after the collapse of the original Tacoma Narrows Bridge (Galloping Gertie) in 1940. It is therefore fortunate that the open truss structure supporting the deck is by its nature less subject to aerodynamic problems. Roebling designed a bridge and truss system that was six times as strong as he thought it needed to be. Because of this, the Brooklyn Bridge is still standing when many of the bridges built around the same time have vanished into history and been replaced. This is also in spite of the substitution of inferior quality wire in the cabling supplied by the contractor J. Lloyd Haigh—by the time it was discovered, it was too late to replace the cabling that had already been constructed. Roebling determined that the poorer wire would leave the bridge four rather than six times as strong as necessary, so it was eventually allowed to stand, with the addition of 250 cables. Diagonal cables were installed from the towers to the deck, intended to stiffen the bridge. They turned out to be unnecessary, but were kept for their distinctive beauty.

 

After the collapse in 2007 of the I-35W highway bridge in the city of Minneapolis, increased public attention has been brought to bear on the condition of bridges across the US, and it has been reported that the Brooklyn Bridge approach ramps received a rating of "poor" at its last inspection.[26] According to a NYC Department of Transportation spokesman, "The poor rating it received does not mean it is unsafe. Poor means there are some components that have to be rehabilitated." A $725 million project to replace the approaches and repaint the bridge was scheduled to begin in 2009.[27]

 

The construction of the Brooklyn Bridge is detailed in the 1978 book The Great Bridge by David McCullough[13] and Brooklyn Bridge (1981), the first PBS documentary film ever made by Ken Burns.[28] Burns drew heavily on McCullough's book for the film and used him as narrator.[29] It is also described in Seven Wonders of the Industrial World, a BBC docudrama series with accompanying book.

 

[edit] Pedestrian and vehicular access

 

Cross section diagramAt various times, the bridge has carried horse-drawn and trolley traffic; at present, it has six lanes for motor vehicles, with a separate walkway along the centerline for pedestrians and bicycles. Due to the roadway's height (11 ft (3.4 m) posted) and weight (6,000 lb (2,700 kg) posted) restrictions, commercial vehicles and buses are prohibited from using this bridge. The two inside traffic lanes once carried elevated trains of the BMT from Brooklyn points to a terminal at Park Row via Sands Street. Streetcars ran on what are now the two center lanes (shared with other traffic) until the elevated lines stopped using the bridge in 1944, when they moved to the protected center tracks. In 1950 the streetcars also stopped running, and the bridge was rebuilt to carry six lanes of automobile traffic.

 

The Brooklyn Bridge is accessible from the Brooklyn entrances of Tillary/Adams Streets, Sands/Pearl Streets, and Exit 28B of the eastbound Brooklyn-Queens Expressway. In Manhattan, motor cars can enter from either direction of the FDR Drive, Park Row, Chambers/Centre Streets, and Pearl/Frankfort Streets. Pedestrian access to the bridge from the Brooklyn side is from either Tillary/Adams Streets (in between the auto entrance/exit), or a staircase on Prospect St between Cadman Plaza East and West. In Manhattan, the pedestrian walkway is accessible from the end of Centre Street, or through the unpaid south staircase of Brooklyn Bridge-City Hall IRT subway station.

  

View from the pedestrian walkway. The bridge's cable arrangement forms a distinct weblike pattern.The Brooklyn Bridge has a wide pedestrian walkway open to walkers and cyclists, in the center of the bridge and higher than the automobile lanes. While the bridge has always permitted the passage of pedestrians across its span, its role in allowing thousands to cross takes on a special importance in times of difficulty when usual means of crossing the East River have become unavailable.

 

During transit strikes by the Transport Workers Union in 1980 and 2005, the bridge was used by people commuting to work, with Mayors Koch and Bloomberg crossing the bridge as a gesture to the affected public.[30][31]

 

Following the 1965, 1977 and 2003 Blackouts and most famously after the September 11, 2001, attacks on the World Trade Center, the bridge was used by people in Manhattan to leave the city after subway service was suspended. The massive numbers of people on the bridge could not have been anticipated by the original designer, yet John Roebling designed it with three separate systems managing even unanticipated structural stresses. The bridge has a suspension system, a diagonal stay system, and a stiffening truss. "Roebling himself famously said if anything happens to one of [his] systems, 'The bridge may sag, but it will not fall.'"[32] The movement of large numbers of people on a bridge creates pedestrian oscillations or "sway" as the crowd lifts one foot after another, some falling inevitably in synchronized cadences. The natural sway motion of people walking causes small sideways oscillations in a bridge, which in turn cause people on the bridge to sway in step, increasing the amplitude of the bridge oscillations and continually reinforcing the effect. High-density traffic of this nature causes a bridge to appear to move erratically or "to wobble" as happened at opening of the London Millennium Footbridge in 2000.[33]

  

Frank Leslie's Illustrated Newspaper c.1883[edit] Notable events

First jumper

The first person to jump from the bridge was Robert E. Odlum on May 19, 1885. He struck the water at an angle and died shortly thereafter from internal injuries.[34] Steve Brodie was the most famous jumper, or self-proclaimed jumper (in 1886).

 

Bungee jump

On June 1993, following 13 reconnoiters inside the metal structure, and with the help of a mountain guide, Thierry Devaux performed (illegally) eight acrobatic bungee jumps above the East River close to the Brooklyn pier, in the early morning. He used an electric winch between each acrobatic figure.[35]

 

1994 Brooklyn Bridge shooting

Main article: Brooklyn Bridge Shooting

On March 1, 1994, Lebanese-born Rashid Baz opened fire on a van carrying members of the Chabad-Lubavitch Orthodox Jewish Movement, striking sixteen-year-old student Ari Halberstam and three others traveling on the bridge.[36] Halberstam died five days later from his wounds. Baz was apparently acting out of revenge for the Hebron massacre of 29 Muslims by Baruch Goldstein that had taken place days earlier on February 25, 1994. Baz was convicted of murder and sentenced to a 141-year prison term. After initially classifying the murder as one committed out of road rage, the Justice Department reclassified the case in 2000 as a terrorist attack. The entrance ramp to the bridge on the Manhattan side was named the Ari Halberstam Memorial Ramp in memory of the victim.[37]

 

The 2003 plot

In 2003, truck driver Iyman Faris was sentenced to about 20 years in prison for providing material support to Al-Qaeda, after an earlier plot to destroy the bridge by cutting through its support wires with blowtorches was thwarted through information the National Security Agency uncovered through wiretapped phone conversations and interrogation of Al-Qaeda militants.[38]

 

2006 bunker discovery

In 2006, a Cold War era bunker was found by city workers near the East River shoreline of Manhattan's Lower East Side. The bunker, hidden within the masonry anchorage, still contained the emergency supplies that were being stored for a potential nuclear attack by the Soviet Union.[39]

 

[edit] 100th anniversary celebrations

The centennary celebrations on May 24, 1983, saw a cavalcade of cars crossing the bridge, led by President Ronald Reagan. A flotilla of ships visited the harbor, parades were held, and in the evening the sky over the bridge was illuminated by Grucci fireworks.[40] The Brooklyn Museum exhibited a selection of the original drawings made for the bridge's construction, some by Washington Roebling himself.

 

[edit] 125th anniversary celebrations

Beginning on May 22, 2008, festivities were held over a five-day period to celebrate the 125th anniversary of the opening of the Brooklyn Bridge. The events kicked off with a live performance of the Brooklyn Philharmonic in Empire–Fulton Ferry State Park, followed by special lighting of the bridge's towers and a fireworks display.[41] Other events held during the 125th anniversary celebrations, which coincided with the Memorial Day weekend, included a film series, historical walking tours, information tents, a series of lectures and readings, a bicycle tour of Brooklyn, a miniature golf course featuring Brooklyn icons, and other musical and dance performances.[42]

 

Just before the anniversary celebrations, the Telectroscope, which created a video link between New York and London, was installed on the Brooklyn side of the bridge. The installation lasted for a few weeks and permitted viewers in New York to see people looking into a matching telectroscope in front of London's Tower Bridge.[43] A newly renovated pedestrian connection to DUMBO was also unveiled before the anniversary celebrations.[44]

 

[edit] Cultural significance

Contemporaries marveled at what technology was capable of and the bridge became a symbol of the optimism of the time. John Perry Barlow wrote in the late 20th century of the "literal and genuinely religious leap of faith" embodied in the Brooklyn Bridge ... "the Brooklyn Bridge required of its builders faith in their ability to control technology."[45]

 

References to "selling the Brooklyn Bridge" abound in American culture, sometimes as examples of rural gullibility but more often in connection with an idea that strains credulity. For example, "If you believe that, I've got a bridge to sell you."[citation needed] References are often nowadays more oblique, such as "I could sell you some lovely riverside property in Brooklyn ...".[citation needed] George C. Parker and William McCloundy are two early 20th-century con-men who had (allegedly) successfully perpetrated this scam on unwitting tourists.[46] The 1949 Bugs Bunny cartoon Bowery Bugs is a joking reference to Bugs "selling" a story of the Brooklyn Bridge to a naive tourist.

 

In his second book The Bridge, Hart Crane begins with a poem entitled "Proem: To Brooklyn Bridge." The bridge was a source of inspiration for Crane and he owned different apartments specifically to have different views of the bridge.

 

[edit] References

^ "NYCDOT Bridges Information". New York City Department of Transportation. www.nyc.gov/html/dot/html/bridges/bridges.shtml#brooklyn. Retrieved 2008-08-23.

^ "New York City Bridge Traffic Volumes 2008" (PDF). New York City Department of Transportation. March 2010. p. 63. www.nyc.gov/html/dot/downloads/pdf/bridgetrafrpt08.pdf. Retrieved 2010-07-10.

^ "National Register Information System". National Register of Historic Places. National Park Service. 2007-01-23. www.nr.nps.gov/.

^ a b "Brooklyn Bridge". National Historic Landmark summary listing. National Park Service. tps.cr.nps.gov/nhl/detail.cfm?ResourceId=376&Resource....

^ E.P.D. (January 25, 1867). "Bridging the East River – Another Project". The Brooklyn Daily Eagle: p. 2. www.brooklynpubliclibrary.org/eagle/. Retrieved 2007-11-26.

^ "The Brooklyn Bridge", February 24, 1975, by James B. Armstrong and S. Sydney Bradford "National Register of Historic Places Inventory-Nomination"]. National Park Service. 1975-02-24. pdfhost.focus.nps.gov/docs/NHLS/Text/66000523.pdf "The Brooklyn Bridge", February 24, 1975, by James B. Armstrong and S. Sydney Bradford].

^ The Brooklyn Bridge—Accompanying three photos, from 1975. "National Register of Historic Places Inventory-Nomination"]. National Park Service. 1975-02-24. pdfhost.focus.nps.gov/docs/NHLS/Photos/66000523.pdf The Brooklyn Bridge—Accompanying three photos, from 1975.].

^ "Brooklyn Bridge". ASCE Metropolitan Section. www.ascemetsection.org/content/view/339/872/. Retrieved 2010-06-30.

^ "THE BUILDING OF THE BRIDGE.; ITS COST AND THE DIFFICULTIES MET WITH-- DETAILS OF THE HISTORY OF A GREAT ENGINEERING TRIUMPH.". The New York Times. May 24, 1883. query.nytimes.com/gst/abstract.html?res=9F01E5DC1431E433A.... Retrieved 2009-10-27.

^ Butler WP (2004). "Caisson disease during the construction of the Eads and Brooklyn Bridges: A review". Undersea Hyperb Med 31 (4): 445–59. PMID 15686275. archive.rubicon-foundation.org/4028. Retrieved 2008-06-19.

^ Smith, Andrew Heermance (1886). The Physiological, Pathological and Therapeutical Effects of Compressed Air. Detroit: George S. Davis. books.google.com/?id=hLq981_A5bMC&printsec=frontcover.... Retrieved 2009-04-17.

^ Acott, Chris (1999). "A brief history of diving and decompression illness.". South Pacific Underwater Medicine Society journal 29 (2). ISSN 0813-1988. OCLC 16986801. archive.rubicon-foundation.org/6004. Retrieved 2009-04-17.

^ a b Amazon.com: The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge: J'aime Drisdelle: Books

^ Weigold, Marilyn (1984). Silent Builder: Emily Warren Roebling and the Brooklyn Bridge. Associated Faculty Press.

^ McCullough, David (1983). The Great Bridge: The Epic Story of the Building of the Brooklyn Bridge. New York: Simon & Schuster. p. 421.

^ "Emily Warren Roebling". American Society of Civil Engineers. www.asce.org/PPLContent.aspx?id=2147487328. Retrieved 2010-06-30.

^ "GlassSteelandStone: Brooklyn Bridge-tower rests on sand". www.glasssteelandstone.com/BuildingDetail/435.php. Retrieved 2007-02-20.

^ Reeves, Thomas C. (1975). Gentleman Boss. New York: Alfred A. Knopf. pp. 359–360. ISBN 0-394-46095-2.

^ "Brooklyn Daily Eagle 1841–1902 Online". Archived from the original on 2007-11-14. web.archive.org/web/20071114135249/http://eagle.brooklynp.... Retrieved 2007-11-23.

^ "Dead on the New Bridge; Fatal Crush at the Western Approach". The New York Times. May 31, 1883. query.nytimes.com/gst/abstract.html?res=980DE3DA1431E433A.... Retrieved 2010-02-20.

^ Bildner, Phil (2004). Twenty-One Elephants. New York: Simon & Schuster. ISBN 0689870116.

^ Prince, April Jones (2005). Twenty-One Elephants and Still Standing. Boston: Houghton Mifflin. ISBN 061844887X.

^ "P.T. Barnum – MSN Encarta". Archived from the original on 2009-10-31. www.webcitation.org/5kwQPajtQ.

^ Strausbaugh, John (November 9, 2007). "When Barnum Took Manhattan". The New York Times. www.nytimes.com/2007/11/09/arts/09expl.html. Retrieved 2008-09-21.

^ Gary Buiso, New York Post (May 25, 2010). "A True Cover Up. Brooklyn Bridge Paint Job Glosses over History". www.nypost.com/p/news/local/brooklyn/true_cover_up_brookl.... Retrieved October 23, 2010.

^ Chan, Sewell (August 2, 2007). "Brooklyn Bridge Is One of 3 With Poor Rating". The New York Times. cityroom.blogs.nytimes.com/2007/08/02/brooklyn-bridge-is-.... Retrieved 2007-09-10.

^ "Brooklyn Bridge called 'safe' – DOT says span is okay despite getting a 'poor' rating". Courier-Life Publications. www.baynewsbrooklyn.com/site/news.cfm?newsid=18685076&amp.... Retrieved 2007-08-12.

^ Burns, Ken. "Why I Decided to Make Brooklyn Bridge". Public Broadcasting Service. www.pbs.org/kenburns/brooklynbridge/about/. Retrieved 2010-02-20.

^ "Burns, Ken – U.S. Documentary Film Maker". The Museum of Broadcast Communications. www.museum.tv/eotvsection.php?entrycode=burnsken. Retrieved 2010-02-20.

^ Quindlen, Anna (April 2, 1980). "Koch Faces Day Ebulliently; He Looks Well Rested". The New York Times. select.nytimes.com/gst/abstract.html?res=F3061EFB395C1272.... Retrieved 2010-06-30.

^ Rutenberg, Jim (December 21, 2005). "On Foot, on Bridge and at City Hall, Bloomberg Is Irate". The New York Times. www.nytimes.com/2005/12/21/nyregion/nyregionspecial3/21ma.... Retrieved 2010-06-30.

^ Julavits, Robert (August 26, 2003). "Point of Collapse". The Village Voice. www.villagevoice.com/2003-08-26/news/point-of-collapse/. Retrieved 2010-02-20.

^ Steven Henry, Strogatz (2003). Sync: The Emerging Science of Spontaneous Order. New York: Hyperion. pp. 174–175, 312, 320. ISBN 0786868449.

^ "Odlum's Leap to Death". The New York Times: p. 1. May 20, 1885. query.nytimes.com/gst/abstract.html?res=990DE4D91739E533A.... Retrieved 2008-04-15.

^ "Brooklyn Bridge". SunnyDream. www.sunnydream.info/index.php?page=brooklyn. Retrieved 2010-06-25.

^ Sexton, Joe (March 2, 1994). "4 Hasidic Youths Hurt in Brooklyn Bridge Shooting". The New York Times. www.nytimes.com/1994/03/02/nyregion/4-hasidic-youths-hurt.... Retrieved 2010-06-30.

^ "In Memoriam". Ari Halberstam Memorial Site. www.arihalberstam.com/in-memoriam/. Retrieved 2010-06-30.

^ "Iyman Faris". GlobalSecurity.org. www.globalsecurity.org/security/profiles/iyman_faris.htm. Retrieved 2010-06-30.

^ Lovgren, Stefan (March 24, 2006). "Cold War "Time Capsule" Found in Brooklyn Bridge". National Geographic. news.nationalgeographic.com/news/2006/03/0324_060324_broo.... Retrieved 2010-02-20.

^ NYC Roads. "The Brooklyn Bridge". www.nycroads.com/crossings/brooklyn/. Retrieved October 23, 2010.

^ Burke, Kerry; Hutchinson, Bill (May 23, 2008). "Brooklyn Bridge turns 125 with a bang". Daily News (New York). www.nydailynews.com/ny_local/brooklyn/2008/05/22/2008-05-.... Retrieved 2009-08-01.

^ "Brooklyn Bridge 125th Anniversary Celebration". ASCE Metropolitan Section. www.ascemetsection.org/content/view/121/830/. Retrieved 2009-08-01.

^ Ryzik, Melena (May 21, 2008). "Telescope Takes a Long View, to London". The New York Times. www.nytimes.com/2008/05/21/arts/design/21tele.html. Retrieved 2009-08-01.

^ Farmer, Ann (May 21, 2008). "This Way to Brooklyn, This Way". The New York Times. cityroom.blogs.nytimes.com/2008/05/21/welcome-to-dumbo-it.... Retrieved 2009-08-01.

^ Cultural Significance

^ Cohen, Gabriel (November 27, 2005). "For You, Half Price". The New York Times. www.nytimes.com/2005/11/27/nyregion/thecity/27brid.htm. Retrieved 2010-02-20.

[edit] Further reading

Cadbury, Deborah. (2004), Dreams of Iron and Steel. New York: HarperCollins. ISBN 0-00-716307-X

Haw, Richard. (2005). The Brooklyn Bridge: A Cultural History. New Brunswick: Rutgers University Press. ISBN 0-8135-3587-5

Haw, Richard. (2008). Art of the Brooklyn Bridge: A Visual History. New York: Routledge. ISBN 0-415-95386-3

McCullough, David. (1972). The Great Bridge. New York: Simon & Schuster. ISBN 0-671-21213-3

Strogatz, Steven. (2003). Sync: The Emerging Science of Spontaneous Order. New York: Hyperion books. 10-ISBN 0-7868-6844-9; 13-ISBN 978-0-7868-6844-5 (cloth) [2nd ed., Hyperion, 2004. 10-ISBN 0-7868-8721-4; 13-ISBN 978-0-7868-8721-7 (paper)]

Strogartz, Steven, Daniel M. Abrams, Allan McRobie, Bruno Eckhardt, and Edward Ott. et al. (2005). "Theoretical mechanics: Crowd synchrony on the Millennium Bridge," Nature, Vol. 438, pp, 43–44.link to Nature articleMillennium Bridge opening day video illustrating "crowd synchrony" oscillations

Trachtenberg, Alan. (1965). Brooklyn Bridge: Fact and Symbol. Chicago: University of Chicago Press. ISBN 0226811158 [2nd ed., 1979, ISBN 0-226-81115-8 (paper)]

[edit] External links

New York City portal

Wikimedia Commons has media related to: Brooklyn Bridge

360° Interactive panorama from the top of the Brooklyn Bridge

The Brooklyn Bridge: A Study in Greatness

NYCroads.com – Brooklyn Bridge

Transportation Alternatives Fiboro Bridges – Brooklyn Bridge

The story of Brooklyn Bridge – by CBS Forum

Panorama of Brooklyn Bridge 1899 – Extreme Photo Constructions

Structurae: Brooklyn Bridge

Great Buildings entry for the Brooklyn Bridge

American Society of Civil Engineers

Railroad Extra – Brooklyn Bridge and its Railway

Images of the Brooklyn Bridge from the Brooklyn Museum

Brooklyn Bridge Photo Gallery with a Flash VR 360 of the Brooklyn Bridge Pedestrian Walkway

Opening Ceremonies of the New York and Brooklyn Bridge, May 24, 1883 at Project Gutenberg

Brooklyn Bridge at Historical Marker Database

 

. . . physically, even if not actually by the calendar. The main problem here in the Upper Midwest is that it lasts so long.

Tajuddin the physically and mentally challenged beggar is a new entrant to the iconic band of beggars at Bazar Road my backyard .

Earlier when I went to take his shot his handler made a face but Tajuddin signalled to him to let me shoot him and he seemed to enjoy the attention and my presence I gave them money and bought him some snacks for breakfast .

While returning from Tennis I saw them Tajuddin lit up and I told him that Tajuddin Baba of Nagpur is a famous holy entity..

Here I must also thank these beggars that add to my humility and to my street stories and I complete an year at Facebook without deactivating my account ..I normally self exiled myself to de tox and de stress and returned to Facebook after a long hiatus. .I needed to get out of this rusty birds cage and 're learn to fly ..I never blogged at Facebook but I am doing it now all my new stories are posted at Facebook copied pasted from here to Flickr Blogspot and linked to Twitter .

It's easy for me to upload my street pictures from my phone to Facebook earlier my phone pictures were synced to my Flickr timeline ...

I have taken a sabbatical I see the garbage truck my conservancy friends I wave out to them without shooting any videos ..I have to yet upload the pictures and videos I shot on my DSLR of the Easter Sunday Latin Mass By Fr Jaun at St Peter's chapel above the main Church .

Shooting the Church from above has a beautiful vantage ..and perspective .

I paid a guy some money he eats Ekru and his Bhaiyya supplier gets the best stuff from Bhaucha Dhakka so this guy who lives in the transit camp will buy and keep it for me ..he has worked in the Gulf ate Hamooz here known as Ekru .

I have to ask him for the Arabic recipe for making Ekru .

For a long time since last Moharam I had stopped eating fish ..the Shia s don't eat fish for two month eight days of Moharam ..though the Bohra community starts the first day of Moharam with fish .

Fish is considered a festive dish among the Shia s and you will see it on old Lucknow arches doorways too ...

The Nahari my wife made recently for a relative who is staying at our place she is leaving for Karbala ziyrath..was buffalo meat we hardly eat it otherwise but Nahari tastes better ...and because of the beef ban it is tender buffalo meat without any fat ...no bones at all. The Kulches were from Lucknow .

Wife likes to cook and she cooks with a Lucknowi mijaz ..the masalas main ingredients are from Lucknow .

The dish loved by all my three granddaughters is Biryani ..

Mostly chicken biryani my granddaughter s don't eat fish at all.

So imagine a few frames of a Muslim Beggar are catharsis to empty the emotional pot of my restless angst . Shooting storyless pictures devoid of feelings devoid of passion or pathos according to me is certainly not photography the way I was taught by my Gurus..

A picture must make you talk even in silence evoke touch your strings within...

Photography made me a talker ...I talk but it is the picture that adds the colloquial expressions like the mystic art of the ventriloquist.

Happy Morning from Bandra Bazar .

Spectators can physically enter the 'Double Steel Cage' of Bruce Nauman. To follow the small corridor (in between cages) is also a mental experience. View On Black

"Whatever you are physically...male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside".

I'm a big fan of Doctor Who, so I thought I'd start a series of vector drawings of all the various Doctors.

 

Matt Smith began portraying the Doctor in 2010, and at age 27 is the youngest actor to ever play the role.

 

My, oh my, the Doctor seems to be getting younger with every regeneration, doesn't he? The First Doctor looked like an old man, and each successive incarnation has appeared younger than the next (more or less). I'm assuming this is because the Doctor is a physically demanding role, what with all that running up and down corridors, and it might be a strain on an older actor (as turned out to be the case with the First Doctor).

 

When David Tennant, the Tenth Doctor, first announced he was leaving the show, I was honestly depressed for at least a week. Doctor Who is one of the very few shows I still watch on TV, and Tennant was hands down my all time favorite Doctor. I couldn't imagine how anyone could possibly replace him, and his announcement caused me to lose my enthusiasm for the show.

 

But if you don't like change, then Doctor Who is not the show for you. Every few years it reinvents itself and changes pretty much everything, including the Doctor himself. I can't think of any other TV show that's had eleven different actors play the title role.

 

I needn't have worried though. By the end of Matt Smith's first episode I'd totally accepted him as the Doctor and barely missed Tennant at all.

 

The Eleventh Doctor wears a tweed jacket, bowtie and suspenders, and rolled up trousers and boots, appearing somewhat like a hipster college professor. According to an interview with Matt Smith, the original costume concept was a pirate-like monstrosity, similar to something Captain Jack Sparrow would wear in the Pirates of the Caribbean movies. Yikes.

 

So far Doctor #11 seems a bit more of a comedian than past incarnations, and hasn't plunged into the melancholy funks so often indulged in by the Ninth and Tenth Doctors. I hope that's a trend that lasts.

 

The Doctor also gained a new companion in Amy Pond. Amy's a fun new companion, and I hope she sticks around for a few more seasons. The Doctor first meets her moments after his regeneration, when Amy is a young girl. He jumps back into his TARDIS for a quick errand, and when he returns, he finds that while only a few minutes have passed for him, years have passed for Amy, who's now an adult.

 

Amy's fiance, Rory Williams, accompanies her and the Doctor on a couple of adventures and eventually becomes a full-fledged companion. Poor Rory really got put through the ringer in his first season. He's killed by a Silurian warrior and wiped out of existence, he's reborn as an Auton (a robotic lifeform), he accidentally kills Amy and then spends a thousand years guarding her body until she heals inside the Pandorica. Eventually Rory's restored to normal when the Doctor sacrifices himself to reset the timeline, and Amy and Rory are married at last.

 

I do like that the Doctor and Rory appear to have become pals. Past incarnations of the Doctor have been dismissive or downright hostile to the male friends of his female companions (Mickey Smith, for example), so it's nice to see his "bromance" with Rory.

 

River Song also makes a return appearance to complicate the Doctor's life. She's sort of a futuristic cat burglar from the Doctor's future. She even throws out a few hints that they were once a couple, something that hasn't yet happened from the Doctor's point of view. River's true nature and agenda remain a mystery. Alex Kingston plays River, and adds a bit of sultriness to the show.

 

Not only did the Doctor regenerate at the beginning of the season, but so did the TARDIS, inside and out. It changes its outside appearance slightly, and radically reconfigures its control room. Once it's done, the Eleventh Doctor stands before it and says, "What have you got for me this time?" This confirms the notion that the TARDIS is alive and not just a machine and has a measure of sentience, something fans have suspected for years. It also explains why the Doctor seems to always show up at crucial moments in various planet's histories.

 

In the old series, the Doctor was rarely able to control where the TARDIS was going, traveling randomly through time and space. In the new series, however, the Doctor seemed to have nearly complete control. The Eleventh Doctor's TARDIS-flying skills seems to be slipping a bit, as several times in the series he takes trips that seem like minutes to him, but years to the people he left behind.

 

As mentioned earlier, the Eleventh Doctor is fond of bowties, telling anyone within earshot that, "Bowties are cool." He also briefly wears large red fez, declaring, "I wear a fez now. Fezzes are cool." Unfortunately the fez doesn't survive long, as Amy and River savagely destroy it.

 

In addition to a new Doctor, new companions and new TARDIS, there were more changes this season: the Doctor got a newly redesigned sonic screwdriver, there were new Dalek designs and even a new opening theme song (well, same song, different arrangement).

 

I really liked the TARDIS interior during the Ninth and Tenth Doctors' tenure. It was a large, dome-like alien-Victorian looking cavern. I can't say I'm a fan of this new interior though. It's a neon and sheet metal monstrosity that seems to be a random collection of shapes and angles. No matter how long I stare at photos of the new interior, my eyes just can't make any sense out of it. Maybe it'll grow on me in time.

 

I also wasn't a fan of the new Dalek design either at first. Then I bought some of the action figures and once I had a chance to hold them and look at the design from all angles, I've come to accept them.

 

Doctor #11 is a vector drawing, drawn all in InDesign. You can see a special bonus drawing of the Eleventh Doctor over at my blog.

 

Please forgive the ugly watermark on the illustration. I swore I would never add one to my art, because I know that 99.99% of my readers would never even think of stealing it. But earlier this year I had a run-in with an art thief who was not only stealing my work, but selling it as her own! Hence the watermarks. This is why we can't have nice things.

 

Want to see more? Check out my new blog! All the cool kids are doing it!

I'm also on Twitter for some reason.

Trying the 50f2. Very physically small lens.

Nice comments without copied/pasted group icons are welcome. .

As Flickr is a sharing site I only add my pictures to public groups, .

 

Photography training courses available, please email for details.

 

Large scale prints are available, i.e. 24 x 24 at $249

 

The full portfolio available from Stock photography by Tim Large at Alamy

 

Photographer:- Tim Large

purpleport.com/portfolio/timlarge/?referrer=timlarge

 

Location: - Pizza Express, Bristol, England.

 

©TimothyLarge - TACraftPhotography

Taking doll prototyping to the next level - trying physically accurate 3D rendering ...or simply speaking, 3D preview of Aurelia in different resin colors ^^ *Please kindly note this is just a mockup and actual resin color may differ!

 

I always try to improve my dollmaking skills by learning new techniques. Creating this 3D rendered image took me almost 2 weeks of trial and error, working many hours daily and combining different types of software.

 

And now I need your help with deciding what resin to use! ^^ Thinking of calling them Berry Pink, Caramel Forest and Mermaid Violet.

 

Which one do you like?

 

I plan to introduce some changes to ordering system with Aurelia, which I hope to share with you soon along with one more resin color preview. Stay tuned for this exciting week!!

  

Electrically, this model has one unique feature uncommon with multiple unit trains built in Lego: it has a 4-way power bus running the entire length of the train. This power bus physically consists of two key components:

1. Ceiling mounted PCB strips with integral surface mount LED lighting

2. 4-way connectors between coaches

 

The PCB strips are identical in each coach. The PCBs are custom made by me and I designed them to be general purpose enough for many different applications. The PCBs have Lego stud clearance holes every 5 studs so that they can be conveniently and securely mounted using standard Lego elements.

 

For this model, 4 wires are used:

1. Common anode +5V

2. Ceiling lighting return

3. Forward headlight return

4. Reverse headlight return

 

The "pantograph" coach is effectively the "locomotive" for this consist (although in the real Shinkansen, traction motors are distributed along the entire length of the train). It has 2x 9V motor bogies modified with its power pickup and motor drive terminals separated. The power pickups supply power to a PFx Brick. Each motor is driven by a dedicated PFx Brick motor channel (with one channel configured inverted). The coach also has an XL speaker used for the sound effects. The interior coach lighting is powered continuously from the PFx Brick +5V lighting supply and the headlight/reverse lights are connected to different light effects channels. These light effect channels are configured to automatically change state depending on the motor polarity (forward / reverse).

 

Overall, this configuration works very well, although I would admit to two issues:

1. Power interruptions reset the PFx Brick to startup. Therefore, if it was moving, it stops and does not resume. Because 8-wheels are picking up power, this occurs very rarely. However, it does suggest a useful firmware update to allow for an "auto resume" feature. This would instruct the PFx Brick to resume whatever state it was in since its last shutdown.

2. The 9V motor bogies are barely powerful enough for 6x 48-stud+ long coaches. I typically run the track at +12V to help compensate for the reduced tractive effort, but it does increase the power dissipation. Also, as the 9V motors begin to warm up, they gradually loose power (even with the thermistor removed). Still, at full speed at +12V it does go--but I'm not comfortable pushing it for continuous running.

 

Incidentally, the power-bus PCB actually has 8-wires. This was with the intent of "bussing" the motor drive and power pickup along the train as well. This would allow for multiple motor bogies to be placed along the length of the train for better and more even tractive effort. It also allows for very reliable power pickup distributed along the length of the train too. I have yet to experiment with this feature, but look forward to seeing how well it works!

  

He is one of the six founding members of the Front de Libération Nationale (FLN; National Liberation Front) that launched an armed revolt throughout French Algeria and issued a proclamation calling for a sovereign Algerian state.Marcel Bigeard personally interrogated Ben M'hidi, and according to him would not allow him to be tortured. After two weeks of questioning, Ben M'hidi showed no sign of backing down, and Bigeard grew to like and respect him. During the interrogation, Ben M'hidi constantly stood up to his interrogators, due to the extensive pressure of the interrogation, insisting that Algeria would be victorious in the battle and that the Algerian people would be liberated. Bigeard was impressed with Larbi Ben M'hidi's defiance and dignity, even though defeated, he proved that he was in no way of form broken, mentally, physically or spiritually. When told the war was lost he responded by citing the 'chant des partisans' of the French Resistance: 'Another will take my place'.

Mohamed Larbi Ben M'hidi (1923 – 4 March 1957) (Arabic: محمد العربي بن مهيدي‎), commonly known as Larbi Ben M'hidi or simply as Ben M'hidi, was a prominent leader during the Algerian war of independence. He is one of the six founding members of the Front de Libération Nationale (FLN; National Liberation Front) that launched an armed revolt throughout French Algeria and issued a proclamation calling for a sovereign Algerian state.

Ben M'hidi initially commanded Wilaya V (the military district in the Oran region) and played an important role at the FLN's Soummam conference in August 1956. He headed FLN operations during the Battle of Algiers where he was the last member of the FLN's Comité de Coordination et d'Exécution (CCE; Committee of Coordination and Implementation). Ben M'hidi was a strong believer in that the revolution should be directed by "internal" rather than "external" revolutionaries.

He was captured by French paratroopers in February 1957. His death was announced in March 1957 by Pierre Gorlin, Robert Lacoste's press officer. The events surrounding his death were disputed, and contended by many that he was in fact tortured before being summarily executed. Many who knew him, have ruled out the possibility of him taking his own life, as was reported in the media due to his devoutness to his faith. In 2000, General Aussaresses admitted that Ben M'hidi was executed whilst in his custody. The exact truth regarding Ben M’hidi’s death remains a mystery to this day. Ben M'hidi is considered to be a national hero in Algeria, and is considered to be a symbol of the revolution that brought an end to French colonialism.Larbi Ben M'hidi was born sometime in 1923 in the village of El Kouahi, Ain M'lila, which was part of the Constantine department at the time. He was the youngest of six children. He attended a French primary school for his first school year, and then transferred to a school in Batna, so that he could continue his studies – this is where he received his primary school certificate (Certificat d'études primaires élémentaires). The Ben M'hidi family later moved to Biskra, where Larbi Ben M'hidi began secondary school. In 1939, he joined the Algerian Muslim scouts, where he became a group leader within a very short period of time.Ben M'hidi became a follower of Messali Hadj and was a member of Hadj's Algerian People's Party (PPA) during World War II, rapidly obtaining significant responsibilities within the movement. Ben M'hidi was arrested the following day [6] after the Sétif uprising against the occupying French forces in May 1945.The uprising was suppressed through what is now known as the Sétif massacre. He was arrested in Biskra and imprisoned in the Coudiat prison in Constantine for four months.The massacres committed by the French army in Setif, Guelma and Kherrata had completely shocked him. On March 15, 1946, Ben M'Hidi was released from prison due to an amnesty being granted to the majority of nationalists imprisoned for the 1945 riots. The PPA was disbanded following the 1945 Sétif riots, and was replaced in October 1946 by the Movement for the Triumph of Democratic Liberties (MTLD), also headed by Messali Hadj. In 1950, Ben M'hidi had been convicted in absentia and sentenced to 10 years in prison.[6] Ben M'hidi and eight other members of this movement soon grew impatient with Hadj, and decided to form the Revolutionary Committee of Unity and Action (CRUA), on 30 March 1954. During May and June 1954, they decided that French Algeria would be split into five areas; Ben M'hidi was assigned Zone 5, Oran. On 10 October, Larbi Ben M'hidi and five other members of the CRUA approved the transformation, thus giving birth to the National Liberation Front (FLN) and the National Liberation Army (ALN). At a meeting at the Climat de France, a house overlooking Bab El Oued, the FLN decided to launch an insurrection, which broke out in the early morning of 1 November 1954, and quickly escalated into the Algerian War. The outbreak soon became known as "Toussaint Rouge" (Red All Saints Day) as it coincided with the Catholic festival.The rebellion was conducted internally by Ben M'hidi, Mourad Didouche, Rabah Bitat, Krim Belkacem, Mohammed Boudiaf, and Mostefa Ben Boulaïd, while three more members (Hocine Ait Ahmed, Ahmed Ben Bella, and Mohammed Khider) were operating externally in Cairo. They later became known as "The Men of November".Ben M'hidi was designated Wilaya V (Oran), however, he encountered exceptional difficulties as the area had been recently struck by and earthquake and arms that were promised had not arrived.On 2 November 1955, Ben M'hidi took command of the Zone Autonome d'Alger (ZAA) and appointed Yacef Saadi as his aide. On 25 June 1956, a FLN tract authored by Ben M'Hidi and Abane Ramdane declared: "All executions of combatants will be followed by reprisals. For each FLN soldier guillotined, a hundred Frenchmen will be cut down."On 20 August 1956 a congress assembled in the Soummam Valley in the Kabyle. Ben M'hidi attended alone from Wilaya V (Oran). He also deputized for the "externals" in absentia, as he was the delegate to have been most recently in contact with their views. The first session was presided over by Ben M'hidi, with Abane Ramdane as secretary. Ben M'hidi had criticized the "uselessly bloody operations" which had given a bad impression on public opinion, specifically citing Zighout's massacre at El-Halia which had occurred exactly one year previously. He had also criticized Amirouche where perhaps over a thousand dissident Muslims had been "liquidated" in a village near Bougie. The conference lasted 20 days ending sometime in September 1956. The French authorities had no knowledge that many of their most important adversaries were assembled in one place.During the conference Ben M'hidi was elected along with Abane Ramdane and Krim Belkacem to the Comité de Coordination et d'Exécution (CCE; Committee of Coordination and Implementation) where they were given the responsibility in running the Algerian War of Independence.In August 1956, Ben M'hidi handed over Oran to Abdelhafid Boussouf and assumed command in Algiers, as he was given the responsibility after the election for launching the Battle of Algiers.In January 1957, he suggested the idea of an insurrectional strike. It took place on the 28 January 1957. It caught the attention of the world and the United Nations (UN).Ben M'hidi did not stay longer than two days in each hideout in the Casbah with his companions as two thousand paratroopers were searching for FLN members.Ben M'hidi was captured by Marcel Bigeard and his men on 23 February 1957 after receiving a tip-off provided by Roger Trinquier's network of informers. The details regarding Larbi Ben M'hidi's arrest are controversial, as there are several versions which contradict each other. According to French sources, parachutists burst into an apartment on Rue Claude Debussy, in the European quarter, and arrested Larbi Ben M'hidi in his pajamas. Apparently they thought they were on the trail of Ben Khedda, who was another leader of the Coordinating and Executing Committee (CCE). The other members of the committee had fled to the mountains or abroad (primarily Tunis). The photograph of his arrest was published the following day in all the newspapers in Algiers. The photograph showed Larbi Ben M'hidi with handcuffs on his wrists and ankles, with a cheerful brave face. Ben M'hidi also appeared in video footage released by the French press, alongside Brahim Chergui, the liaison chief of the Zone Autonome d'Alger (ZAA) who was arrested on the 24 February 1957. Ben M'hidi was seen to be smiling towards the camera, and exchanging words with the armed paratroopers. He was handcuffed and had his feet shackled on the video footage, unlike Brahim Chergui. The video footage was taken in El Biar at then Colonel Bigeard's command post.Larbi Ben M'hidi in custody.Marcel Bigeard personally interrogated Ben M'hidi, and according to him would not allow him to be tortured. After two weeks of questioning, Ben M'hidi showed no sign of backing down, and Bigeard grew to like and respect him. During the interrogation, Ben M'hidi constantly stood up to his interrogators, due to the extensive pressure of the interrogation, insisting that Algeria would be victorious in the battle and that the Algerian people would be liberated. Bigeard was impressed with Larbi Ben M'hidi's defiance and dignity, even though defeated, he proved that he was in no way of form broken, mentally, physically or spiritually. When told the war was lost he responded by citing the 'chant des partisans' of the French Resistance: 'Another will take my place'.General Jacques Massu, however, was frustrated with Bigeard's slow progress, and arranged for Ben M'hidi to be transferred into the custody of Major Paul Aussaresses. According to a report to the CCE on 4 March 1957 made by an FLN spy who had been working in the Algiers police headquarters, Bigeard “was unable to prevent Ben M’hidi being handed over to men of a ‘special section’ of the paratroops. These interrogated him on their own initiative, and killed him last night.”. Under Aussaresses, Ben M'hidi was tortured, and then driven to an isolated farm 18 kilometres south of Algiers, where he was hanged – "to make it look like suicide".On 6 March 1957, Pierre Gorlin (Robert Lacoste's press officer) announced that Ben M'hidi "had committed suicide by hanging himself with strips of material torn from his shirt". His body was later transferred to Maillot hospital in Algiers. On arrival, two French medical officers stated officially after examining him that he was already dead. General Jacques Massu claimed that Ben M'hidi was "still breathing" on his way to hospital after hanging himself with an electric flex during the night.

General Aussaresses admitted in 2000 that Ben M'hidi had been killed by the state, as had the lawyer Ali Boumendjel.General Bigeard said he had respect for Ben M'Hidi and that he regretted his death.not in citation given] Bigeard had declared himself 'sickened' by the news that French troops had assassinated Ben M'hidi. Another French Army officer, Roger Trinquier, claimed that Ben M'hidi had been killed, but not tortured: "I know that all of you think we tortured him to death, but we did not ... We shot him to death, but we gave him a guard of honor before we shot him". However, Aussaresses' confession appears to contradict this account. Trinquier also regretted Ben M'hidi's death, stating: "I didn't want to shoot him. I had never met anyone like that ... I would have liked to see him as le président de la France."

After Independence one of the main place of Biskra was renamed Place Larbi Ben M'hidi.

en.wikipedia.org/wiki/Larbi_Ben_M%27hidi

Some idiot painted "Free P*lestine", so this artist had to restore the original artwork.

 

East Side Gallery, Mühlenstraße, Berlin, Germany.

 

[EN] The Berlin Wall was a guarded concrete barrier that physically and ideologically divided Berlin from 1961 to 1989. Construction of the Wall was commenced by the German Democratic Republic (GDR, East Germany) on 13 August 1961. The Wall cut off West Berlin from surrounding East Germany, including East Berlin. The barrier included guard towers placed along large concrete walls, accompanied by a wide area (later known as the "death strip") that contained anti-vehicle trenches, "fakir beds", and other defenses. The Eastern Bloc portrayed the Wall as protecting its population from fascist elements conspiring to prevent the "will of the people" in building a socialist state in East Germany.

 

GDR authorities officially referred to the Berlin Wall as the Anti-Fascist Protection Rampart (German: Antifaschistischer Schutzwall). The West Berlin city government sometimes referred to it as the "Wall of Shame", a term coined by mayor Willy Brandt in reference to the Wall's restriction on freedom of movement. Along with the separate and much longer Inner German border (IGB), which demarcated the border between East and West Germany, it came to symbolize physically the "Iron Curtain" that separated Western Europe and the Eastern Bloc during the Cold War.

 

Before the Wall's erection, 3.5 million East Germans circumvented Eastern Bloc emigration restrictions and defected from the GDR, many by crossing over the border from East Berlin into West Berlin; from there they could then travel to West Germany and to other Western European countries. Between 1961 and 1989, the Wall prevented almost all such emigration. During this period, over 100,000 people attempted to escape, and over 5,000 people succeeded in escaping over the Wall, with an estimated death toll ranging from 136 to more than 200 in and around Berlin.

 

In 1989, a series of revolutions in nearby Eastern Bloc countries—in Poland and Hungary in particular—caused a chain reaction in East Germany that ultimately resulted in the demise of the Wall.[9] After several weeks of civil unrest, the East German government announced on 9 November 1989 that all GDR citizens could visit West Germany and West Berlin. Crowds of East Germans crossed and climbed onto the Wall, joined by West Germans on the other side in a celebratory atmosphere. Over the next few weeks, euphoric people and souvenir hunters chipped away parts of the Wall. The Brandenburg Gate in the Berlin Wall was opened on 22 December 1989. The demolition of the Wall officially began on 13 June 1990 and was completed in November 1991. The "fall of the Berlin Wall" paved the way for German reunification, which formally took place on 3 October 1990.

 

[DE] Die Berliner Mauer war während der Teilung Deutschlands ein Grenzbefestigungssystem der Deutschen Demokratischen Republik (DDR), das mehr als 28 Jahre, vom 13. August 1961 bis zum 9. November 1989, bestand, und die DDR von West-Berlin hermetisch abriegeln sollte. Sie trennte nicht nur die Verbindungen im Gebiet Groß-Berlins zwischen dem Ostteil („Hauptstadt der DDR“) und dem Westteil der Stadt, sondern umschloss völlig alle drei Sektoren des Westteils und unterbrach damit auch seine Verbindungen zum Berliner Umland, das im DDR-Bezirk Potsdam lag.

 

Von der Berliner Mauer ist die ehemalige innerdeutsche Grenze zwischen West- (alte Bundesrepublik) und Ostdeutschland (DDR) zu unterscheiden.

 

Die Berliner Mauer als letzte Aktion der Teilung der durch die Nachkriegsordnung der Alliierten entstandenen Viersektorenstadt Berlin war Bestandteil und zugleich markantes Symbol des Konflikts im Kalten Krieg zwischen den von den Vereinigten Staaten dominierten Westmächten und dem sogenannten Ostblock unter Führung der Sowjetunion. Sie wurde aufgrund eines Beschlusses der politischen Führung der Sowjetunion Anfang August 1961 und einer wenige Tage später ergehenden Weisung der DDR-Regierung errichtet. Die Berliner Mauer ergänzte die 1378 Kilometer lange innerdeutsche Grenze zwischen der DDR und der Bundesrepublik Deutschland, die bereits mehr als neun Jahre vorher „befestigt“ worden war, um den Flüchtlingsstrom zu stoppen.

 

Für die DDR-Grenzsoldaten galt seit 1960 in Fällen des „ungesetzlichen Grenzübertritts“ der Schießbefehl, der erst 1982 formell in ein Gesetz gefasst wurde. Bei den Versuchen, die 167,8 Kilometer langen und schwer bewachten Grenzanlagen in Richtung West-Berlin zu überwinden, wurden nach derzeitigem Forschungsstand (2009) zwischen 136 und 245 Menschen getötet. Die genaue Zahl der Todesopfer an der Berliner Mauer ist nicht bekannt.

 

Die Berliner Mauer wurde am Abend des 9. November 1989 im Zuge der politischen Wende geöffnet. Dies geschah unter dem wachsenden Druck der mehr Freiheit fordernden DDR-Bevölkerung. Der Mauerfall ebnete den Weg, der innerhalb eines Jahres zum Zusammenbruch der SED-Diktatur, zur Auflösung der DDR und gleichzeitig zur staatlichen Einheit Deutschlands führte. (Wikipedia)

Barranco Alto, Southern Pantanal | Brazil

 

Physically similar to our own northern river otter, the Neotropic Otter is found in both Central and South America. Diet consists mainly of fish and crustaceans, although they will occasionally feed on small mammals. We encountered them a couple of times this year on the Rio Negro and on each occasion were able to get photographs of them catching fish. Strangely their conservation status is largely unknown as they are currently listed as ‘data deficient’ which could either imply that they are simply so plentiful that formal classification is not needed, or that they are in fact not that common but not yet researched.

 

We got our boat pretty close to this pair and stayed to watch them feeding for quite a while - as soon as one fish was eaten, the mother would dive and come up with another almost immediately

The closed distance. Physically closed but detached.

“Whatever you are physically...male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. All those other things, they are the glass that contains the lamp, but you are the light inside.” ― Cassandra Clare

"When I was around eight years old my mum and dad split up. The custody of myself and my younger siblings turned into a two-year battle and it got quite heated, to the point where I was physically abused by both of them in order to use me a weapon against the other. I went into care because I used to run away from home quite often, and I ended up in prison around the age of 21. I saw some horrific things inside. I saw a boy being beaten to death once, it taught me some harsh truths. I used to do some stupid stuff, I was hooked on drugs and alcohol. It wasn’t all driven by my turbulent childhood, I had a destructive nature. I fell into a job in catering, washing pans and worked my way up. The industry is built around long hours and bad habits. I was living on drugs to get me through my shifts a lot of the time.

 

Going to Australia definitely changed my life. It made me realise that the world is a lot bigger than just your immediate surroundings. I had a lot of time to think and reflect out there. I decided I needed to do something positive in my life and I knew it had to involve food as that’s what I knew. When I started working on the farms out there and saw food being wasted on an astronomical scale, that’s when the initial idea for The Real Junk Food Project was formed."

  

Meet Adam.

 

He is the chef-turned-social-entrepreneur who runs The Real Junk Food Project, the 'pay-as-you-feel' café in Leeds. It was pure chance I bumped into him. I had heard of the project but hadn't known much about it so it was great to spend half an hour with him asking him about his life and how he got the project started and what his plans are going forward.

 

We were in one of the lovely arcades in town, and the light can be a little hit and miss but I managed to get the perspectives correct and also get 'Leeds' in the bokeh (although a little blown out).

 

Adam has achieved some great things, and he's only 30. He did a Tedx talk recently and was voted the 40th most influential man in the world last year.

 

It was a privilege to get his time, and photograph him.

  

This picture is #090 in my second round of the 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page

 

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Capt. Andrew “Dojo” Olson, Lockheed Martin F-35A Lightning II "Joint Strike Fighter" Demonstration Team pilot and commander outlines the aerial demonstration by stepping through each maneuver before his final certification flight March 2, 2019, at Davis-Monthan Air Force Base, Ariz. Accustomed to pilot training, Olson both mentally and physically prepares himself before each flight.

  

From Wikipedia, the free encyclopedia

 

The Lockheed Martin F-35 Lightning II is a family of single-seat, single-engine, all-weather, stealth, fifth-generation, multirole combat aircraft, designed for ground-attack and air-superiority missions. It is built by Lockheed Martin and many subcontractors, including Northrop Grumman, Pratt & Whitney, and BAE Systems.

 

The F-35 has three main models: the conventional takeoff and landing F-35A (CTOL), the short take-off and vertical-landing F-35B (STOVL), and the catapult-assisted take-off but arrested recovery, carrier-based F-35C (CATOBAR). The F-35 descends from the Lockheed Martin X-35, the design that was awarded the Joint Strike Fighter (JSF) program over the competing Boeing X-32. The official Lightning II name has proven deeply unpopular and USAF pilots have nicknamed it Panther, instead.

 

The United States principally funds F-35 development, with additional funding from other NATO members and close U.S. allies, including the United Kingdom, Italy, Australia, Canada, Norway, Denmark, the Netherlands, and formerly Turkey. These funders generally receive subcontracts to manufacture components for the aircraft; for example, Turkey was the sole supplier of several F-35 parts until its removal from the program in July 2019. Several other countries have ordered, or are considering ordering, the aircraft.

 

As the largest and most expensive military program ever, the F-35 became the subject of much scrutiny and criticism in the U.S. and in other countries. In 2013 and 2014, critics argued that the plane was "plagued with design flaws", with many blaming the procurement process in which Lockheed was allowed "to design, test, and produce the F-35 all at the same time," instead of identifying and fixing "defects before firing up its production line". By 2014, the program was "$163 billion over budget [and] seven years behind schedule". Critics also contend that the program's high sunk costs and political momentum make it "too big to kill".

 

The F-35 first flew on 15 December 2006. In July 2015, the United States Marines declared its first squadron of F-35B fighters ready for deployment. However, the DOD-based durability testing indicated the service life of early-production F-35B aircraft is well under the expected 8,000 flight hours, and may be as low as 2,100 flight hours. Lot 9 and later aircraft include design changes but service life testing has yet to occur. The U.S. Air Force declared its first squadron of F-35As ready for deployment in August 2016. The U.S. Navy declared its first F-35Cs ready in February 2019. In 2018, the F-35 made its combat debut with the Israeli Air Force.

 

The U.S. stated plan is to buy 2,663 F-35s, which will provide the bulk of the crewed tactical airpower of the U.S. Air Force, Navy, and Marine Corps in coming decades. Deliveries of the F-35 for the U.S. military are scheduled until 2037 with a projected service life up to 2070.

 

Development

 

F-35 development started in 1992 with the origins of the "Joint Strike Fighter" (JSF) program and was to culminate in full production by 2018. The X-35 first flew on 24 October 2000 and the F-35A on 15 December 2006.

 

The F-35 was developed to replace most US fighter jets with the variants of a single design that would be common to all branches of the military. It was developed in co-operation with a number of foreign partners, and, unlike the F-22 Raptor, intended to be available for export. Three variants were designed: the F-35A (CTOL), the F-35B (STOVL), and the F-35C (CATOBAR). Despite being intended to share most of their parts to reduce costs and improve maintenance logistics, by 2017, the effective commonality was only 20%. The program received considerable criticism for cost overruns during development and for the total projected cost of the program over the lifetime of the jets.

 

By 2017, the program was expected to cost $406.5 billion over its lifetime (i.e. until 2070) for acquisition of the jets, and an additional $1.1 trillion for operations and maintenance. A number of design deficiencies were alleged, such as: carrying a small internal payload; performance inferior to the aircraft being replaced, particularly the F-16; lack of safety in relying on a single engine; and flaws such as the vulnerability of the fuel tank to fire and the propensity for transonic roll-off (wing drop). The possible obsolescence of stealth technology was also criticized.

  

Design

 

Overview

 

Although several experimental designs have been developed since the 1960s, such as the unsuccessful Rockwell XFV-12, the F-35B is to be the first operational supersonic STOVL stealth fighter. The single-engine F-35 resembles the larger twin-engined Lockheed Martin F-22 Raptor, drawing design elements from it. The exhaust duct design was inspired by the General Dynamics Model 200, proposed for a 1972 supersonic VTOL fighter requirement for the Sea Control Ship.

 

Lockheed Martin has suggested that the F-35 could replace the USAF's F-15C/D fighters in the air-superiority role and the F-15E Strike Eagle in the ground-attack role. It has also stated the F-35 is intended to have close- and long-range air-to-air capability second only to that of the F-22 Raptor, and that the F-35 has an advantage over the F-22 in basing flexibility and possesses "advanced sensors and information fusion".

 

Testifying before the House Appropriations Committee on 25 March 2009, acquisition deputy to the assistant secretary of the Air Force, Lt. Gen. Mark D. "Shack" Shackelford, stated that the F-35 is designed to be America's "premier surface-to-air missile killer, and is uniquely equipped for this mission with cutting-edge processing power, synthetic aperture radar integration techniques, and advanced target recognition".

  

Improvements

 

Ostensible improvements over past-generation fighter aircraft include:

 

Durable, low-maintenance stealth technology, using structural fiber mat instead of the high-maintenance coatings of legacy stealth platforms.

 

Integrated avionics and sensor fusion that combine information from off- and on-board sensors to increase the pilot's situational awareness and improve target identification and weapon delivery, and to relay information quickly to other command and control (C2) nodes.

 

High-speed data networking including IEEE 1394b and Fibre Channel (Fibre Channel is also used on Boeing's Super Hornet.

 

The Autonomic Logistics Global Sustainment, Autonomic Logistics Information System (ALIS), and Computerized maintenance management system to help ensure the aircraft can remain operational with minimal maintenance manpower The Pentagon has moved to open up the competitive bidding by other companies. This was after Lockheed Martin stated that instead of costing 20% less than the F-16 per flight hour, the F-35 would actually cost 12% more. Though the ALGS is intended to reduce maintenance costs, the company disagrees with including the cost of this system in the aircraft ownership calculations. The USMC has implemented a workaround for a cyber vulnerability in the system. The ALIS system currently requires a shipping-container load of servers to run, but Lockheed is working on a more portable version to support the Marines' expeditionary operations.

 

Electro-hydrostatic actuators run by a power-by-wire flight-control system.

 

A modern and updated flight simulator, which may be used for a greater fraction of pilot training to reduce the costly flight hours of the actual aircraft.

 

Lightweight, powerful lithium-ion batteries to provide power to run the control surfaces in an emergency.

 

Structural composites in the F-35 are 35% of the airframe weight (up from 25% in the F-22). The majority of these are bismaleimide and composite epoxy materials. The F-35 will be the first mass-produced aircraft to include structural nanocomposites, namely carbon nanotube-reinforced epoxy. Experience of the F-22's problems with corrosion led to the F-35 using a gap filler that causes less galvanic corrosion to the airframe's skin, designed with fewer gaps requiring filler and implementing better drainage. The relatively short 35-foot wingspan of the A and B variants is set by the F-35B's requirement to fit inside the Navy's current amphibious assault ship parking area and elevators; the F-35C's longer wing is considered to be more fuel efficient.

  

Costs

 

A U.S. Navy study found that the F-35 will cost 30 to 40% more to maintain than current jet fighters, not accounting for inflation over the F-35's operational lifetime. A Pentagon study concluded a $1 trillion maintenance cost for the entire fleet over its lifespan, not accounting for inflation. The F-35 program office found that as of January 2014, costs for the F-35 fleet over a 53-year lifecycle was $857 billion. Costs for the fighter have been dropping and accounted for the 22 percent life cycle drop since 2010. Lockheed stated that by 2019, pricing for the fifth-generation aircraft will be less than fourth-generation fighters. An F-35A in 2019 is expected to cost $85 million per unit complete with engines and full mission systems, inflation adjusted from $75 million in December 2013.

The Pug is a breed of dog with physically distinctive features of a wrinkly, short-muzzled face, and curled tail. The breed has a fine, glossy coat that comes in a variety of colours, most often fawn or black, and a compact square body with well-developed muscles.

Pugs were brought from China to Europe in the sixteenth century.

Pugs are known for being sociable and gentle companion dogs. (Wikipedia)

 

With their short-muzzled face it is easy to get all their face in focus. ;-)

 

Nikon D810 with Nikkor AF 200mm f/4D ED micro lens.

youtu.be/p0kjGOOZZog

 

Go-Go for a wild ride with the action girls! Russ Meyer, the king of exploitation, directs this lurid thrill-ride starring Tura Satana, Haji, and Lori Williams as a trio of dancers who turn to murder and mayhem on a road trip from hell. Varla is well-endowed, beautiful, physically powerful, savvy and conniving. She lives for kicks, but she's also got a serious mad on for the world, and anyone who crosses her finds out the hard way. Her job as a go-go dancer, supplemented by a part time career in petty crime has afforded her a sleek and fast sports car, which she enjoys riding in the desert with her fellow dancers. One of them, Rosie, has a crush on Varla, which she happily encourages, even if Varla is really more interested in the control it gives her over Rosie than in Rosie herself. The other dancer, Billie, is a little harder for Varla to manage, but Billie isn't bright enough to outmaneuver Varla.

 

When the little gang run into a square drag racer, he winds up getting into a fight with Varla, losing of course. Varla makes sure he never talks back again, then kidnaps his girlfriend and makes a run for it. BIllie and Rosie tag along, and they soon become involved in intrigue with an old letch in the desert rumored to have a stash of cash hidden away somewhere. When Varla starts to lose control of the situation, things (again) become violent, leading to a revved-up climax! Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.

synopsis

Exploitation maven Russ Meyer created a cult classic with this turbo-charged action film. Three curvaceous go-go dancers in a cool sports car go on a desert crime spree, led by Varla (the amazing Tura Satana), a busty, nasty woman dressed entirely in black. Varla's lesbian moll, Rosie (Haji) -- who has an extremely overwrought accent -- and reluctant bimbo Billie (Lori Williams) are along for the ride. When they meet a naïve young couple, Tommy and Linda (Ray Barlow and Sue Bernard), Varla challenges the man to a race then kills him by breaking his back. They take Linda hostage and drive to a house owned by a crippled old lecher (Stuart Lancaster) and his muscular but retarded son, Vegetable (Dennis Busch). Varla discovers that the old man has money hidden on the property, so the girls try to find it. Meanwhile, Vegetable's perverted father tries to trick him into assaulting one of the girls as he watches, but his other son (Paul Trinka) finally shows up to save the day. A great deal of bloodshed, campy catfighting, and funny dialogue fills the bulk of this fast-paced comic book of a movie.

Born 1946 Quebec,Canada

Passed on 2013

Birth Name - Barbarella Catton Nickname - Haji

Haji was a Cando-American actress renowned for starring in Russ Meyer's sexploitation classic Faster, Pussycat! Kill! Kill! (1965), in which she made her theatrical film debut. Barbarella Catton was born in Quebec City, Quebec on January 24, 1946, and at the age of 14, began dancing topless. The renamed Haji caught the eye of cinema's "King Leer" while performing as an exotic dancer.

He also cast her as one of three go-go dancers who turn into avenging furies in "Pussycat", which was her theatrical film debut as it was released before Motor Psycho (1965). She also appeared in Meyer's potboiler Good Morning... and Goodbye! (1967), his big budget Hollywood sextravaganza Beyond the Valley of the Dolls (1970), and his cartoonish amalgamation of sex and violence, Supervixens (1975).

Haji died on August 10, 2013 at the age of 67.

Was a fervent supporter of animal rights and environmentalism. Interviewed in the book "Invasion of the B-Girls" by Jewel Shepard. Began as an exotic dancer. Moved to California at the age of fourteen and was discovered by filmmaker Russ Meyer performing in a topless bar. Her only child, a daughter she had at age 15, is named Cerlette. Haji was of British and Filipino descent, and her nickname was bestowed on her by an uncle. Was a friend and co-star of former stripper and long-time Russ Meyer paramour Kitten Natividad.

Haji, an Actress Featured in Cult Films by Russ Meyer, Dies at 67

By DANIEL E. SLOTNIK

Published: August 17, 2013

Haji, a voluptuous actress who played one of three homicidal go-go dancers in Russ Meyer’s 1965 cult film “Faster, Pussycat! Kill! Kill!,” died on Aug. 9 in Southern California. She was 67.

Her death was confirmed by the dancer and actress Kitten Natividad, a friend, who said she did not know the cause. She said Haji had high blood pressure and heart problems in recent years and was taken to a hospital after falling ill at a restaurant in Newport Beach.Haji, a brunette of Filipino and British descent, met Meyer, the celebrated B-movie director, in the mid-1960s while she worked in a strip club in California. He cast her as the lead in his biker movie “Motorpsycho” (1965) even though she had no acting experience.Later that year Haji appeared in “Faster, Pussycat! Kill! Kill!,” the tale of three dancers who beat a young man to death, kidnap his girlfriend and flee into the desert. She played the lesbian paramour of the lead character, Varla, played by Tura Satana. The film has acquired a devoted following and has been embraced by the filmmakers John Waters and Quentin Tarantino and even some feminists, including the film critic B. Ruby Rich, who praised it in The Village Voice as a “female fantasy.”“You just didn’t see women taking over and beating up men in those days,” Haji said in an interview posted on Russ Meyer’s Ultravixens, a Web site devoted to Meyer, who died in 2004, and his films. “Russ did something no one else had the imagination to do. And he was smart to use three bodied-up women, so whether the picture’s good or not, you still sort of stare at it.”Haji played a scantily clad bartender in Meyer’s “Supervixens” in 1975 and appeared in “Beyond the Valley of the Dolls,” the story of an all-woman rock band’s descent into debauchery. It was the first of Meyer’s films produced by a mainstream studio. She also acted in John Cassavetes’s gritty drama “The Killing of a Chinese Bookie” in 1976.

Haji was born in Quebec on Jan. 24, 1946. Ms. Natividad said that Haji’s last name at birth was Catton, and that she thought her given name was Cerlette. (The name Haji, she said, was a nickname given to her by an uncle.) Haji left school before finishing the sixth grade and began stripping at 14. She had a daughter, also named Cerlette, at 15. She lived in Oxnard, Calif. Her survivors include her daughter and a granddaughter. Haji’s last screen role was in the 2003 comedy “Killer Drag Queens on Dope.”

www.nytimes.com/2013/08/18/arts/haji-an-actress-featured-...;

 

.The Mana Spirits, also known as Elemental Spirits, are magical beings representative of the elements that make up the world. There are eight spirits in all:Salamander, the spirit of fire Undine, the spirit of water, Gnome, the spirit of earth, Jinn, the spirit of wind, Dryad, the spirit of wood,Luna, the spirit of the moon,Wisp, the spirit of light,Shade, the spirit of darkness.According to Seiken Densetsu 3, in her creation of the world, the Mana Goddess forged the Mana Sword and with it sealed the eight God-Beasts inside Mana Stones, which were then scattered across the world; the Elementals were charged with the duty of protecting the Stones. While each Elemental is a powerful spirit, being an embodiment has a drawback in that they can be physically harmed or limited, notably Jinn (Sylphid) in Seiken Densetsu 3 and Salamando in Secret of Mana. In the World History Encyclopedia featured in Legend of Mana, the Elementals are descended from the Mana Goddess, the embodiment of the creative and destructive forces of Mana, each being born from the light which formed the respective elements of Fa'Diel, the world of Mana.There is a basic system of opposing elemental pairs in the games before Legend of Mana: Undine (water) and Salamando (fire); Gnome (earth) and Sylphid/Jinn (wind); Lumina/Wisp (light) and Shade (darkness); Dryad (nature) and Luna (celestial). The system works differently in Legend of Mana, with the four Western Elements in a circular relationship: Undine overcomes Salamander, who overcomes Gnome, who overcomes Jinn, who overcomes Undine, thus launching the cycle over again; while Wisp and Shade are opposites, and Aura (gold/metal) becomes the new opposite to Dryad (wood) (see Elements).

mana.wikia.com/wiki/Mana_Spirit

www.mythsdreamssymbols.com/dreamsarchetypes.html

 

Imagine you are sitting in a theater, listening to a heroine sing longingly of her beloved. Suddenly the stage is invaded by two bands of acrobatic warriors. They tumble and twirl, cartwheel and somersault, flip this way and that. From the orchestra come sounds of cymbal, gong, and clapper to punctuate the action.

Dreams and myths are constellations of archetypal images. They are not free compositions by an artist who plans them for artistic or informational effects. Dreams and myths happen to human beings. The archetype speaks through us. It is a presence and a possibility of "significance." The ancients called them "gods" and "goddesses."What then is an archetype? Jung discovered that humans have a "preconscious psychic disposition that enables a (man) to react in a human manner." These potentials for creation are actualized when they enter consciousness as images. There is a very important distinction between the "unconscious, pre- existent disposition" and the "archetypal image." The archetype may emerge into consciousness in myriads of variations. To put it another way, there are a very few basic archetypes or patterns which exist at the unconscious level, but there are an infinite variety of specific images which point back to these few patterns. Since these potentials for significance are not under conscious control, we may tend to fear them and deny their existence through repression. This has been a marked tendency in Modern Man, the man created by the French Revolution, the man who seeks to lead a life that is totally rational and under conscious control. Where do the archetypes come from? In his earlier work, Jung tried to link the archetypes to heredity and regarded them as instinctual. We are born with these patterns which structure our imagination and make it distinctly human. Archetypes are thus very closely linked to our bodies. In his later work, Jung was convinced that the archetypes are psychoid, that is, "they shape matter (nature) as well as mind (psyche)" (Houston Smith, Forgotten Truth, 40). In other words, archetypes are elemental forces which play a vital role in the creation of the world and of the human mind itself. The ancients called them elemental spirits How do archetypes operate? Jung found the archetypal patterns and images in every culture and in every time period of human history. They behaved according to the same laws in all cases. He postulated the Universal Unconscious to account for this fact. We humans do not have separate, personal unconscious minds. We share a single Universal Unconscious. Mind is rooted in the Unconscious just as a tree is rooted in the ground. Imagine the Universal Unconscious as a cosmic computer. Our minds are subdirectories of the root directory. If we look in our personal "work areas," we find much material that is unique to our historical experience--could only have happened to us--but it is shaped according to universal patterns. If we humans have the courage to seek the source to which our "account" belongs, we begin to discover ever more impersonal and universal patterns. The directories of the cosmic computer to which we can gain access are filled with the myths of the human species. Modern man fancies that he has escaped the myths through his conscious repudiation of revealed religion in favor of a purely rational natural religion (read: Natural Science). But consider his theories of human origin. In the beginning, there was a Big Bang, a cosmic explosion. This is an image from which reason may begin to work, but it is not itself a rational statement. It is a mythical construct. Consider the theory of biological evolution. Man's ancestors emerge from the seas, and they in turn emerged from a cosmic soup of DNA. The majority of creation myths also begin with the same image of man emerging from primordial oceans. See Genesis 1 or the Babylonian creation epic. Consider the Modern tendency to call ourselves persons from the Latin persona. The term derives from the "mask" of Dionysus. Moderns are the wearers of masks! The reality is concealed in the darkness of mystery. This too is a mythical construct. Synchronicity Personality theorists have argued for many years about whether psychological processes function in terms of mechanism or teleology. Mechanism is the idea that things work in through cause and effect: One thing leads to another which leads to another, and so on, so that the past determines the present. Teleology is the idea that we are lead on by our ideas about a future state, by things like purposes, meanings, values, and so on. Mechanism is linked with determinism and with the natural sciences. Teleology is linked with free will and has become rather rare. It is still common among moral, legal, and religious philosophers, and, of course, among personality theorists. Among the people discussed in this book, Freudians and behaviorists tend to be mechanists, while the neo-Freudians, humanists, and existentialists tend to be teleologists. Jung believes that both play a part. But he adds a third alternative called synchronicity.

Synchronicity is the occurrence of two events that are not linked causally, nor linked teleologically, yet are meaningfully related. Once, a client was describing a dream involving a scarab beetle when, at that very instant, a very similar beetle flew into the window. Often, people dream about something, like the death of a loved one, and find the next morning that their loved one did, in fact, die at about that time. Sometimes people pick up he phone to call a friend, only to find that their friend is already on the line. Most psychologists would call these things coincidences, or try to show how they are more likely to occur than we think. Jung believed the were indications of how we are connected, with our fellow humans and with nature in general, through the collective unconscious. Jung was never clear about his own religious beliefs. But this unusual idea of synchronicity is easily explained by the Hindu view of reality. In the Hindu view, our individual egos are like islands in a sea: We look out at the world and each other and think we are separate entities. What we don't see is that we are connected to each other by means of the ocean floor beneath the waters. The outer world is called maya, meaning illusion, and is thought of as God's dream or God's dance. That is, God creates it, but it has no reality of its own. Our individual egos they call jivatman, which means individual souls. But they, too, are something of an illusion. We are all actually extensions of the one and only Atman, or God, who allows bits of himself to forget his identity, to become apparently separate and independent, to become us. But we never truly are separate. When we die, we wake up and realize who we were from the beginning: God. When we dream or meditate, we sink into our personal unconscious, coming closer and closer to our true selves, the collective unconscious. It is in states like this that we are especially open to "communications" from other egos. Synchronicity makes Jung's theory one of the rare ones that is not only compatible with parapsychological phenomena, but actually tries to explain them!

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On this day ghosts and other supernatural creatures come out from the Underworld and move among the living. Families prepare food and other offerings and place them on a shrine dedicated to deceased relatives.Mana You must understand that these archetypes are not really biological things, like Freud's instincts. They are more spiritual demands. For example, if you dreamt about long things, Freud might suggest these things represent the phallus and ultimately sex. But Jung might have a very different interpretation. Even dreaming quite specifically about a penis might not have much to do with some unfulfilled need for sex. It is curious that in primitive societies, phallic symbols do not usually refer to sex at all. They usually symbolize mana, or spiritual power. These symbols would be displayed on occasions when the spirits are being called upon to increase the yield of corn, or fish, or to heal someone. The connection between the penis and strength, between semen and seed, between fertilization and fertility are understood by most cultures.The concept of archetypes is central to Jungian psychology and myth analysis. However there are many different ways of looking at what exactly an archetype is (cf Heiddegger). Carol Pearson, in her book, Awakening The Heroes Within shows how five different individuals would view the idea of archetypes.A Shaman, or other seeker after spiritualism, will conceive of archetypes as gods and goddesses, encoded in the collective unconscious, whom are scorned at great risk. Academics and other rationalists, who are typically suspicious of anything that sounds mystic, may conceive of archetypes as controlling paradigms or metaphors, the invisible patterns in the mind that control how we experience the world.Scientists may see the process of identifying archetypes as similar to other scientific processes. Physicists learn about the smallest subatomic particles by studying the traces they leave; psychologists and other scholars study archetypes by examining their presence in art, literature, myth, and dream. Carl Jung recognized that the archetypical mages that recurred in his patients' dreams also could be found in the myths, legends, and art of ancient peoples, as well as in contemporary iterature, religion, and art. They know that they are archetypical becausethey leave the same traces over time and space. People who are committed to religious positions that emphasize one all-encompassing God, can distinguish the spiritual truth of monotheism from the pluralistic psychological truth of archetypes. The god we mean when we speak of "The One True God" is beyond the human capacity to envision and name. The archetypes are like different facets of that God, accessible to the psyche's capacity to imagine numinous reality. Thus these archetypes helpthe person connect to the Eternal; they make great mysteries more accessible by providing multiple images. This is evident in both the Catholic idea of the Trinity (The Father, The Son, and The Holy Ghost), and the Buddhist idea of one Buddha (which is then divisible into the 40, the 400, and the 4000 facets or aspects of that single deity, each with it's own name and story). Finally archetypes are the primal symbols of aspects of our own nature. By identifying with one of more archetypes we can identify our own nature. By portraying these archetypes, we portray ourselves. Thus we can use these archetypes as a spiritual guide to the discovery of selfhood. And what does an archetype mean to ? That's simple. Archetypes are symbols. In the Hermetic Tradition there is very little difference between the symbol and the thing it represents. This is explicit in the Law of Association. By manipulating the symbol it is therefore also possible to directly manipulate the thing. And because archetypes are symbols representing facets of ourselves they allow us to change ourselves. As within, so without. The macrocosm embodies the microcosm.So much for the content of the psyche. Now let's turn to the principles of its operation. Jung gives us three principles, beginning with the principle of opposites. Every wish immediately suggests its opposite. If I have a good thought, for example, I cannot help but have in me somewhere the opposite bad thought. In fact, it is a very basic point: In order to have a concept of good, you must have a concept of bad, just like you can't have up without down or black without white. This idea came home to me when I was about eleven. I occasionally tried to help poor innocent woodland creatures who had been hurt in some way -- often, I'm afraid, killing them in the process. Once I tried to nurse a baby robin back to health. But when I picked it up, I was so struck by how light it was that the thought came to me that I could easily crush it in my hand. Mind you, I didn't like the idea, but it was undeniably there.According to Jung, it is the opposition that creates the power (or libido) of the psyche. It is like the two poles of a battery, or the splitting of an atom. It is the contrast that gives energy, so that a strong contrast gives strong energy, and a weak contrast gives weak energy. The second principle is the principle of equivalence. The energy created from the opposition is "given" to both sides equally. So, when I held that baby bird in my hand, there was energy to go ahead and try to help it. But there is an equal amount of energy to go ahead and crush it. I tried to help the bird, so that energy went into the various behaviors involved in helping it. But what happens to the other energy? Well, that depends on your attitude towards the wish that you didn't fulfill. If you acknowledge it, face it, keep it available to the conscious mind, then the energy goes towards a general improvement of your psyche. You grow, in other words.

But if you pretend that you never had that evil wish, if you deny and suppress it, the energy will go towards the development of a complex. A complex is a pattern of suppressed thoughts and feelings that cluster -- constellate -- around a theme provided by some archetype. If you deny ever having thought about crushing the little bird, you might put that idea into the form offered by the shadow (your "dark side"). Or if a man denies his emotional side, his emotionality might find its way into the anima archetype. And so on. Here's where the problem comes: If you pretend all your life that you are only good, that you don't even have the capacity to lie and cheat and steal and kill, then all the times when you do good, that other side of you goes into a complex around the shadow. That complex will begin to develop a life of its own, and it will haunt you. You might find yourself having nightmares in which you go around stomping on little baby birds! If it goes on long enough, the complex may take over, may "possess" you, and you might wind up with a multiple personality. In the movie The Three Faces of Eve, Joanne Woodward portrayed a meek, mild woman who eventually discovered that she went out and partied like crazy on Saturday nights. She didn't smoke, but found cigarettes in her purse, didn't drink, but woke up with hangovers, didn't fool around, but found herself in sexy outfits. Although multiple personality is rare, it does tend to involve these kinds of black-and-white extremes. The final principle is the principle of entropy. This is the tendency for oppositions to come together, and so for energy to decrease, over a person's lifetime. Jung borrowed the idea from physics, where entropy refers to the tendency of all physical systems to "run down," that is, for all energy to become evenly distributed. If you have, for example, a heat source in one corner of the room, the whole room will eventually be heated.When we are young, the opposites will tend to be extreme, and so we tend to have lots of energy. For example, adolescents tend to exaggerate male-female differences, with boys trying hard to be macho and girls trying equally hard to be feminine. And so their sexual activity is invested with great amounts of energy! Plus, adolescents often swing from one extreme to another, being wild and crazy one minute and finding religion the next.As we get older, most of us come to be more comfortable with our different facets. We are a bit less naively idealistic and recognize that we are all mixtures of good and bad. We are less threatened by the opposite sex within us and become more androgynous. Even physically, in old age, men and women become more alike. This process of rising above our opposites, of seeing both sides of who we are, is called transcendence.

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The ego is the centre of consciousness. It is identity. It is 'I'. But it is not the totality of the psyche. Being the king of consciousness amounts to dominion over a small but important land surrounded by a wide world of terra incognita. The more aware the King is of lands beyond his domain the more secure he will be on his throne, but he must not be tempted to open the borders to it all. In Jungian theory the unconscious is far too vast to ever be made fully conscious, poking about in it is not without danger, yet ignoring it is also a mistake since it leads to a brittle fixedness which at best impedes growth, at worst can break when under the pressure of the 'threat' of change.So called "humanist spirit" relates to the thought and the viewpoint concerning man's mental life: the humanist spirit is linked with humanitarianism and is different from each other. Compared with animals, the author concluded: Tao (Dao) and Food, kindheartedness and living, righteousness and benefit, moral integration and feats of strength, principles and appetites and independent will, etc. all are human personality values. Simultaneously strong human social responsibility is also human social value. Human beings live in nature, mutually coordinate, and co-exist in harmony together with nature which is also the representation of man's natural

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Character Creation

 

Batman[b] is a superhero who appears in American comic books published by DC Comics. Batman was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939.

 

In the DC Universe, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in the fictional Gotham City. His origin story features him swearing vengeance against criminals after witnessing the murder of his parents, Thomas and Martha, as a child, a vendetta tempered by the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth and James Gordon; love interest and occasional adversary Catwoman; as well as foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker, among others.

 

Kane conceived Batman in early 1939 to capitalize on the popularity of Superman. Along with Kane, Finger substantially developed the concept from a generic superhero into something more bat-like. They drew inspiration from pulp fiction characters like the Shadow, Sherlock Holmes, & The Green Hornet. Batman received a spin-off publication, Batman, in 1940.

 

Kane and Finger introduced Batman as a ruthless vigilante who frequently killed or maimed criminals, but he evolved into a just, tempered superhero with a stringent moral code that prohibits killing during the 1940s. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth.

 

The 1960s Batman television series used a camp aesthetic, which continued to be associated with Batman for years after it ended. Various creators worked to return Batman to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.

 

DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label; he has been considered DC's flagship character since the 1990s. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders.

 

In addition to Bruce Wayne, other characters used the Batman persona, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, the son of Wayne's ally Lucius, since 2021. DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations in comics published under the Elseworlds label.

 

Batman is one of the most iconic characters in popular culture and has been listed among the greatest comic book superheroes and characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games such as the Batman: Arkham series.

 

Batman has been adapted in many live-action and animated television series and films. Adam West portrayed him in the 1960s Batman television series, and he has been portrayed in film by Michael Keaton, Val Kilmer, George Clooney, Christian Bale, Ben Affleck, and Robert Pattinson. Many actors, most prolifically Kevin Conroy, have provided Batman's voice in animation and video games. In September 2024, Batman was given a star on the Hollywood Walk of Fame, being the first superhero to receive the honor.

 

Publication History

 

Creation and early history

 

In early 1939, following the success of Superman, DC Comics' editors requested more superheroes.[7] Bob Kane created Batman, initially drawing a character with red tights, bat wings, and a domino mask. Bill Finger, a collaborator, made significant contributions by suggesting a cowl, cape, gloves, and a darker costume.[8] The character's alter ego, Bruce Wayne, was inspired by historical figures Robert the Bruce and Mad Anthony Wayne.[9] Batman's early adventures drew inspiration from contemporary pulp fiction and characters like Zorro and the Shadow, establishing Batman as a master detective with a dark, brooding persona driven by the murder of his parents.[10][11]

 

Golden, Silver and Bronze Ages

 

Batman debuted in Detective Comics #27 in 1939. Early stories were dark, featuring a Batman who did not shy away from killing. The character quickly became popular, leading to his own solo title in 1940. Robin, Batman's sidekick, was introduced in 1940, lightening the tone and boosting sales. Over the next few years, Batman's rogues' gallery expanded with iconic villains like the Joker and Catwoman.

 

The 1950s saw Batman in lighter, science fiction-influenced stories. However, declining sales led to a 1964 revamp by editor Julius Schwartz, who returned Batman to his detective roots and updated his appearance. The 1966 Batman TV series introduced a campy, humorous tone, which was reflected in the comics until its cancellation in 1968. In the 1970s, writers Dennis O'Neil and Neal Adams restored Batman's dark, gritty nature, a trend that continued despite fluctuating sales.

 

Modern Age and reboots

 

In the Modern Age of Comic Books Batman comics have undergone significant transformations, reflecting changing storytelling trends and audience interests. Beginning with seminal works like The Dark Knight Returns in the 1980s, which reintroduced Batman in a grittier, more mature context, the character's narrative evolved to explore deeper themes and darker tones. This period also saw the exploration of Batman's origins and psyche through works like Batman: Year One, and Batman: The Killing Joke, which delved into the complexities of heroism and villainy.

 

In the 1990s, storylines such as "Knightfall" introduced new adversaries like Bane, who physically and mentally challenged Batman, leading to a temporary replacement by Jean-Paul Valley. The aftermath of an earthquake in "No Man's Land" depicted Gotham City in chaos, further pushing Batman to new limits of heroism and survival.

 

Entering the 21st century, Grant Morrison's influential run introduced Damian Wayne as Batman's son and heir, bringing familial dynamics and a new generation of challenges to the forefront. Morrison's storytelling also delved into surreal and existential themes, such as in Batman R.I.P. and Final Crisis, which tested Batman's resolve and sanity against cosmic threats and personal demons.

 

The New 52 reboot in 2011 refreshed Batman's continuity while preserving core elements of his character. This era introduced modern interpretations of classic storylines, like Night of the Owls, where Batman confronts the Court of Owls, a clandestine society controlling Gotham for centuries. The chilling return of the Joker in "Death of the Family" explored the intricate relationships within Batman's extended family of allies and adversaries. More recent developments under DC Rebirth and Infinite Frontier have continued to evolve Batman's universe, exploring new characters like Gotham and Gotham Girl, and tackling contemporary issues within the context of Gotham City's ever-evolving landscape of crime and heroism.

 

Bruce Wayne

 

Batman's secret identity is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, Dr. Thomas Wayne and Martha Wayne, which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, Wayne Manor.

 

Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of Wayne Enterprises, his inherited conglomerate. He supports philanthropic causes through his nonprofit Wayne Foundation, which in part addresses social issues encouraging crime as well as assisting victims of it, but is more widely known as a celebrity socialite.

 

In public, he frequently appears in the company of high-status women, which encourages tabloid gossip while feigning near-drunkenness with consuming large quantities of disguised ginger ale since Wayne is actually a strict teetotaler to maintain his physical and mental prowess. Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time. While Bruce Wayne is never depicted as being especially religious, he is ethnically Jewish on his mother's side; his maternal cousin Batwoman (Kate Kane) is practising. His father, Thomas, raised Bruce as a Christian.

 

Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade. In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Wayne's principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason, and anything is possible.

 

Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. Morrison notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.

 

Will Brooker notes in his book Batman Unmasked that "the confirmation of the Batman's identity lies with the young audience ...he doesn't have to be Bruce Wayne; he just needs the suit and gadgets, the abilities, and most importantly the morality, the humanity."

 

Personality

 

Batman's primary character traits can be summarized as "wealth; physical prowess; deductive abilities and obsession". The details and tone of Batman comic books have varied over the years with different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "Julie Schwartz did a Batman in Batman and Detective and Murray Boltinoff did a Batman in the Brave and the Bold and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."

 

The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes". Despite his trauma, he sets his mind on studying to become a scientist and to train his body into physical perfection to fight crime in Gotham City as Batman, an inspired idea from Wayne's insight into the criminal mind. He also speaks over 40 languages.

 

Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".

The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.

 

Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order". Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting, a fear that originates from the criminals' own guilty conscience.

 

Miller is often credited with reintroducing anti-heroic traits into Batman's characterization, such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned to have a stringent moral code, which has stayed with the character of Batman ever since. Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.

 

Others as Batman

 

On several occasions former Robin Dick Grayson has served as Batman; most notably in 2009 while Wayne was believed dead, and served as a second Batman even after Wayne returned in 2010. As part of DC's 2011 continuity relaunch, Grayson returned to being Nightwing following the Flashpoint crossover event.

 

In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained their intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero.

 

The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."

 

Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean-Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga. Jim Gordon donned a mecha-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016. In 2021, as part of the Fear State crossover event, Lucius Fox's son Jace Fox succeeds Bruce as Batman in a 2021 storyline, depicted in the series I Am Batman, after Batman was declared dead.

 

Additionally, members of the group Batman Incorporated, Bruce Wayne's experiment at franchising his brand of vigilantism, have at times stood in as the official Batman in cities around the world. Various others have also taken up the role of Batman in stories set in alternative universes and possible futures, including, among them, various former proteges of Bruce Wayne.

 

Enemies

 

Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime. These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman opposes".

 

Other long-time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar anti-heroine who is variously an ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face (Harvey Dent), the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc, among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.

 

Allies

 

Alfred Pennyworth, Batman's loyal butler and father figure, first appeared in Batman #16 (1943). After Bruce Wayne's parents were killed, Alfred raised Bruce and became one of the few people to know his secret identity. He is often portrayed as a steadying presence in Bruce's life, offering both emotional support and practical assistance in Batman's crime-fighting endeavors. More than just a caretaker, Alfred is a trusted ally and sometimes sidekick, sharing Wayne Manor with Bruce and contributing to Batman's mission.

 

One of Batman's most crucial allies is Commissioner James Gordon. Their relationship is built on mutual respect and a shared commitment to justice in Gotham City. In Batman: Year One, Gordon and Batman learn to trust each other, which transforms their efforts against crime into a more effective partnership. Gordon's perspective as a police officer complements Batman's vigilantism, allowing them to tackle Gotham's challenges together. Another important ally is the Justice League, which further emphasizes the importance of collaboration. Batman's relationship with Superman showcases how their contrasting ideologies can complement each other. In stories like World's Finest, their friendship highlights how Batman's methods benefit from Superman's optimism and strength.

 

Sidekicks

 

Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years; each iteration of the Robin character, of which there have been five in the mainstream continuity, function as members of the Batman family, but additionally, as Batman's "central" sidekick in various media.

 

Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking." The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero Nightwing. A second Robin, Jason Todd was introduced in the 1980s, following Dick Grayson's departure from the role. Initially impulsive and rebellious, Jason's tenure as Robin was controversial among fans. In 1988, DC held a fan vote to determine his fate in the iconic A Death in the Family storyline, where the Joker brutally beat Jason with a crowbar and left him to die in an explosion. The fans voted for his death. However, Jason was later resurrected and returned as the antihero Red Hood.

 

The third Robin in the mainstream comics is Tim Drake, who first appeared in 1989. He went on to star in his own comic series, and goes by the name Red Robin, a variation on the traditional Robin persona. In the first decade of the new millennium, Stephanie Brown served as the fourth in-universe Robin between stints as her self-made vigilante identity the Spoiler, and later as Batgirl.

 

After Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to Damian Wayne, the 10-year-old son of Bruce Wayne and Talia al Ghul, in the late 2000s.[58] Damian's tenure as du jour Robin ended when the character was killed off in the pages of Batman Incorporated in 2013.

 

Batman's next young sidekick is Harper Row, a streetwise young woman who avoids the name Robin but followed the ornithological theme nonetheless; she debuted the codename and identity of the Bluebird in 2014. Unlike the Robins, the Bluebird is willing and permitted to use a gun, albeit non-lethal; her weapon of choice is a modified rifle that fires taser rounds. In 2015, a new series began titled We Are...Robin, focused on a group of teenagers using the Robin persona to fight crime in Gotham City. The most prominent of these, Duke Thomas, later becomes Batman's crimefighting partner as The Signal.

 

Romantic interests

 

Batman's romantic history spans decades, filled with relationships that reflect his struggle between personal happiness and his duty as Gotham's protector. His first love interest was Julie Madison, introduced in Detective Comics #31 (1939). Though engaged to Bruce Wayne, she left due to his distant and playboy persona, highlighting the conflict between Bruce's dual life and his desire for a normal relationship.

 

Selina Kyle, also known as Catwoman, is perhaps the most notable figure in Batman's romantic history. Debuting in Batman #1 (1940), their relationship is characterized by a blend of romance and rivalry. Over the years, they have shared intense connections, often navigating the fine line between love and conflict. Their relationship culminated in an engagement during the DC Rebirth.

 

Another important figure is Vicki Vale, a journalist introduced in Batman #49 (1948). Vicki's attempts to uncover Batman's true identity lead to a complicated romantic involvement that waxed and waned over the years, especially during the early 1980s when their relationship became more serious.

 

Talia al Ghul, introduced in Detective Comics #411 (1971), is another key player in Batman's love life. Their relationship is fraught with conflict due to her father, Ra's al Ghul, and his criminal ambitions. Despite the challenges, their love story resulted in the birth of Damian Wayne, who would grow to become the latest Robin and add a new layer of complexity to Batman's character.

 

Additionally, Batman's relationship with Wonder Woman has been explored in various storylines, including a passionate kiss in JLA (2003) during a moment of crisis. However, their relationship remains largely unexplored, often overshadowed by their respective commitments.

 

Abilities

 

Skills and training

 

Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess". Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage.

 

In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver. Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical and mental conditioning. As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe. He has shown prowess in assorted fields such as mathematics, biology, physics, chemistry, and several levels of engineering. He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.

 

Batman has trained extensively in various fighting styles, making him one of the best hand-to-hand fighters in the DC Universe. He possesses a photographic memory, and has fully utilized his photographic memory to master a total of 127 forms of martial arts. In terms of his physical condition, Batman is described as peak human and far beyond an Olympic-athlete-level condition, able to perform feats such as easily running across rooftops in a Parkour-esque fashion, pressing thousands of pounds regularly, and even bench pressing six hundred pounds of soil and coffin in a poisoned and starved state.

 

Superman describes Batman as "the most dangerous man on Earth", able to defeat an entire team of superpowered extraterrestrials by himself in order to rescue his imprisoned teammates in Grant Morrison's first storyline in JLA.

 

Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of telepathy and mind control. He is a master of disguise, multilingual, and an expert in espionage, often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and escapology, which allows him to appear and disappear at will and to break free of nearly inescapable deathtraps with little to no harm. He is also a master strategist, considered DC's greatest tactician, with numerous plans in preparation for almost any eventuality.

 

Batman is an expert in interrogation techniques and his intimidating and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of Superman and Wonder Woman.

 

Among physical and other crime fighting related training, he is also proficient at other types of skills. Some of these include being a licensed pilot (in order to operate the Batplane), as well as being able to operate other types of machinery. In some publications, he even underwent some magician training.

 

Technology

 

Batman utilizes a vast arsenal of specialized, high-tech vehicles and gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian Les Daniels credits Gardner Fox with creating the concept of Batman's arsenal with the introduction of the utility belt in Detective Comics #29 (July 1939) and the first bat-themed weapons the batarang and the "Batgyro" in Detective Comics #31 and 32 (Sept. and October 1939).

 

Personal armor - Batsuit

 

Batman's batsuit aids in his combat against enemies, having the properties of both Kevlar and Nomex. It protects him from gunfire and other significant impacts, and incorporates the imagery of a bat in order to frighten criminals.

 

The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops. The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ...Everybody loves to draw Batman, and everybody wants to put their own spin on it."

 

Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue. Hence, the costume's colors have appeared in the comics as dark blue and grey; as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol. Seemingly following the suit of the DC Extended Universe outfit, Robert Pattinson's uniform in The Batman restores the more traditional gray bodysuit and black appendage design, notably different from prior iterations by mostly utilizing real world armor and apparel pieces from modern military and motorcycle gear.

 

Batmobile

 

The 1966 television Batmobile, built by George Barris from a Lincoln Futura concept car

Batman's primary vehicle is the Batmobile, which is usually depicted as an imposing black car, often with tailfins that suggest a bat's wings.

 

Batman also has an aircraft called the Batplane (originally a relatively traditionally, but bat-motifed plane, later seen as the much more unique "Batwing" starting in the 1989 film), along with various other means of transportation.

 

In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s Batman live-action television show and the Super Friends animated series) stretched the practice to campy proportions. For example, the 1960s television show depicted a Batboat, Bat-Sub, and Batcycle, among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the Bat-computer, Bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-shark repellent bat-spray, and Bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In The Dark Knight Returns, Batman tells Carrie Kelley that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle.

 

The Batmobile, which was before frequently depicted to resemble a sports car, was redesigned in 2011 when DC Comics relaunched its entire line of comic books, with the Batmobile being given heavier armor and new aesthetics.

 

Utility belt

 

Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it.

 

Since the 1989 film, Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable (before this, a he employed a traditionally thrown grappling hook.) This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City.

 

An exception to the range of Batman's equipment are hand guns, which he refuses to use on principle, since a gun was used in his parents' murder. In modern stories in terms of his vehicles, Batman compromises on that principle to install weapon systems on them for the purpose of non-lethally disabling other vehicles, forcing entry into locations and attacking dangerous targets too large to defeat by other means.

 

Bat-Signal

 

When Batman is needed, the Gotham City police activate a searchlight with a bat-shaped insignia over the lens called the Bat-Signal, which shines into the night sky, creating a bat-symbol on a passing cloud which can be seen from any point in Gotham. The origin of the signal varies, depending on the continuity and medium.

 

In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.

 

Batcave

 

The Batcave is Batman's secret headquarters, consisting of a series of caves beneath his mansion, Wayne Manor. As his command center, the Batcave serves multiple purposes; supercomputer, surveillance, redundant power-generators, forensics lab, medical infirmary, private study, training dojo, fabrication workshop, arsenal, hangar and garage. It houses the vehicles and equipment Batman uses in his campaign to fight crime. It is also a trophy room and storage facility for Batman's unique memorabilia collected over the years from various cases he has worked on.

 

Fictional Character History

 

The Man Who Laughs

 

Gotham City got its first taste of Batman's greatest enemy, the Joker, when the police found an abandoned warehouse filled with mutilated corpses, all having ghastly rictus grins on their faces. While Batman was tracking down the killer, the Joker himself appeared on live TV, on a news report on Arkham Asylum, killing the reporter with his mysterious laughing venom and predicting the deaths of some of the richest individuals in Gotham. Bruce wondered whether the Joker was a deformed version of the Red Hood, a criminal who fell into chemical waste while being engaged by Batman. The Joker carried out his hits as promised, using his venom, despite Batman's efforts to stop him. The city was thrown into chaos when he invaded a prison facility and sets its inmates free, providing them with weapons and killing all of its guard personnel in the process.

 

The criminals wrought great havoc throughout the city, but ware apprehended by Batman. When the Joker's next target became Bruce Wayne, Wayne Manor came under strict surveillance and guard by the police, rendering Bruce unable to act as Batman. He secretly injected himself with some Joker venom he had gathered. The venom took instant effect, and Bruce was rushed to the hospital.

 

But on the way, Alfred Pennyworth administered him with an antidote that Bruce had synthesized after careful study, and as Bruce recovered, he understood the Joker's true plan. He had gained an understanding of what drove the Joker while under the effects of the venom and had realized that Bruce Wayne's assassination was only a diversion from his real mission, which was killing everyone in Gotham City by poisoning its water reservoir, which Batman deduced from the clues he had gained in the last few days while tracking the Joker. He found and stopped the Joker at the reservoir and refrains from killing him, though not without giving him a severe beating. The Joker was confined to the reopened Arkham Asylum.

 

The Long Halloween

 

In Batman's early years, his main objective was to take down Gotham's biggest crime lord Carmine "The Roman" Falcone. To do this, Batman required the help of two of Gotham's finest, "hero cop" Jim Gordon and District Attorney Harvey Dent. Despite dealing massive blows to the criminal empire, the Roman still stood tall until a killer by the name of Holiday started making his move and killing a member of the Falcone Crime family on every occasion.

 

Over the course of the story, the trio's morals are put into question, notably Dent's, who has let it be known that he does not care for the deaths of criminals and even contemplated stealing some of the weakened Roman's money. Jealous by the attention Holiday has received, the Joker attempts to release his gas on Gotham Square on New Year's Eve to kill everyone in attendance, and hopefully Holiday but he is stopped by Batman.

 

Later on, it is revealed that Dent owned the same type of gun that was used in the Holiday murders, turning him into a prime suspect. Despite Gordon's suspicions, Batman refuses to believe that his friend, who shares his love for justice, would be a killer. On the Roman's birthday, Sal Maroni, Falcone's rival, is set to testify against Carmine, prosecuted by Dent.

 

Just as things seemed to go Dent's way, Maroni ends up throwing acid in the attorney's face, physically and mentally scarring him. After being rushed to the hospital, Harvey escapes in a crazed state and kills a doctor. Gordon moves Maroni to a new cell, suspecting that he may be Holiday's next target.

 

Surely enough, Holiday makes his move and kills Maroni, and just as he is about to kill Gordon, who was escorting the gangster, Batman appears just in time to save his friend and take down the killer, and he is revealed to be Falcone's son, Alberto, who holds a grudge against his father for neglecting him and keeping him out of the family business. A while later, Dent makes his return, with half his face disfigured, now calling himself Two-Face. He regroups all the costume freaks including Joker, Scarecrow, and Poison Ivy, among others, and bursts into the disgraced Roman penthouse to signify the change that has come to Gotham.

 

Batman appears and takes down the villains except for Dent who holds Falcone hostage. Despite Batman's pleads, Two-Face ends up killing Falcone and then surrenders himself. In the end, when confronted by Batman and Gordon, Dent claims that his methods were the most effective in taking down Falcone. Despite witnessing the corruption of their friend, Batman and Gordon's resolve remains strong and they both vow to never give up on ridding Gotham of evil.

 

Dark Victory and Robin

 

In the aftermath of Roman's death, Falcone's daughter, Sofia Gigante has taken over the family business and vows to kill Two-Face who managed to escape from Arkham Asylum. Meanwhile, a killer by the name of Hangman has been killing various cops and implying that Two-Face is responsible. A gang war erupts between the crime families and the costumed freaks, recruited by Two-Face, and in the crossfire, circus acrobats, the Flying Graysons are killed by Falcone associate, Tony Zucco, leaving the performers' son, Dick, an orphan.

 

Feeling sympathy for the child and remembering his own trauma, Bruce Wayne adopts Dick as his son. However, since Bruce was too busy trying to stop the war as Batman, Dick would often sneak out at night looking for his parent's killer. A terrified Tony Zucco, who knows that Batman is looking for him, is confronted by Dick and due to his poor health, ends up dying of a heart attack. Realizing the boy's vigilante tendencies, Bruce reveals his identity and decides to train him to avoid his death. It is later revealed that Hangman is actually Sofia Gigante and sets Gotham on fire to bring Dent out of hiding but before she could kill him, Batman saves him, allowing Dent to kill her and escape into the sewers with the rest of the super-villains with Batman in pursuit.

 

In the climactic battle, Two-Face and his villainous group find themselves in the bat cave but Dick's presence prevented them from discovering Batman's secret. Batman and Dick end up fighting off and defeating the villains once and for all. In the end, Batman offers Dick a chance to live a normal life away from vigilantism, but Dick insists on joining his war, and so, he becomes Robin, assisting Batman in his mission, and thus the Dynamic Duo was born.

 

Tales of the Ghul

 

While trying to stop the criminal Doctor Dark, who was leading the League of Assassins at the time, Batman meets the enigmatic Talia Al Ghul, who was kidnapped by Dark in an attempt to blackmail her father, the wealthy Ra's Al Ghul. Batman saves Talia and she ends up falling in love with the Dark Knight. One night, Batman discovers that Robin has been kidnapped and then, Ra's Al Ghul, who has used his immense resources to discover Batman's secret identity, appears to him in the Bat-Cave to ask for his help, as his daughter has also been kidnapped, possibly by the same person who kidnapped Robin.

 

The two work together and, accompanied by Ra's' faithful bodyguard Ubu, travels the world looking for the kidnapper. Batman solves various puzzles and obstacles thrown in his path, and after finding both Talia and Robin, he deduces that Ra's was behind the entire ordeal as a personal test, which Ra declares he has passed. Ra's reveals that he wants to change the world into a better place, but to that, he wants to eradicate most of mankind. However, he is growing old and reveals that this machination took place because he needed a successor, and Batman has proven himself worthy of that position as well as the affections of his only daughter, Talia. However, Batman, appalled by his view of the world, sees him as a dangerous criminal mastermind and vows to stop him at all costs.

 

In his crusade to take down the criminal mastermind, he discovers in the story that Ra's has lived for centuries due to the mystical Lazarus Pit, which restores Ra's youth as well as gives him immense strength that allowed him to defeat Batman in a fight. In his pursuit of Ra's and his league, Batman finds himself in Nanda Parbat where Ra's challenges him to a swordfight. After fighting a stalemate, a scorpion stings Batman, leaving him incapacitated. Though Ra's sees Batman as a worthy foe, because he refused his offer, he leaves him to die.

 

However, Talia, still having feelings for the Dark Knight, gives him a final kiss that contained the antidote. Batman recovers from the scorpion's poison, and in a fit of rage, confronts Ra's, who was immobilized with fear at the sight of the recovered vigilante, and decisively defeats him. In the end, Batman embraces Talia and offers her the chance to come back with him, but she refuses, because, despite her feelings for Bruce, she feels that she must remain by her father's side.

 

Just Another Kid on Crime Alley

 

During an encounter with the Joker, Robin is seriously wounded and the media believes him to be dead. Worried about Dick's safety, Batman decides to keep it that way and retires the Robin mantle, but Dick's insists that he will remain a crime-fighter and he would, later on, become the superhero known as Nightwing. On the anniversary of his parent's death, Batman, as is his tradition, keeps watching over Crime Alley, the site of that tragic night. However, on his way back to the Batmobile, he finds a young street orphan by the name of Jason Todd attempting to steal the tires of the car. Though impressed by the kid's courage, he decides to take him to a school for the homeless, but when it is revealed that the school housed criminals, Batman, with Jason's help, takes it down.

 

With nowhere for Jason to go and at the risk of him becoming another criminal on the streets, Batman decides to take Jason in as his own son, and seeing his potential to be a hero and also partly due to the loneliness he experienced after Dick Grayson's departure, offers Jason the mantle of Robin, which Jason gladly accepts. Batman later discovers that Jason's mother died of an overdose and his father was a reluctant partner of Two-Face, who ended up getting killed by the criminal. Although Batman attempted to hide this from Robin, fearing what he may do, his faith in Jason is restored when Robin, having discovered Two-Face's acts, spared him even though he had the chance to avenge his father's death. This made Batman see Jason as a worthy sidekick.

 

A Death in the Family

 

As time passed, it quickly became evident to Batman that Jason was far from the ideal crime-fighter. His conduct on the field was in stark contrast to that of Batman's cold professionalism. Jason would often thrust himself into exceedingly dangerous situations, endangering both student and mentor, giving vent to his inner emotions, which seemed to be dominated by rage. This became even more evident when Jason seemingly killed a serial rapist who had walked free after causing the death of one of his victims. Batman soon realized Robin hadn't coped with the death of his parents and felt it was best to make him inactive.

 

Back at his birthplace in Crime Alley, Jason finds his birth certificate and learns that his mother wasn't the late Catherine Todd, but that three women could be his mother, and all there are out of the country, so he left off in search of the first one, in the Middle East where he coincidentally meets up with Batman who was there tracking down the Joker. Together, they thwart the Joker's plans and take down the terrorists, but to Jason's dismay, the suspected woman is not his mother.

 

Continuing their investigation, and after an encounter with the deadly assassin Lady Shiva, they eventually track down Sheila Haywood, who was working in famine relief efforts in Ethiopia and it is revealed that she is, in fact, Jason's real mother. Bruce leaves Jason to spend time with his mother while he chases after the Joker, but it is later revealed that Sheila was being blackmailed by the Joker into giving him shipments of medical supplies that he can sell in the black market while transferring his deadly Joker gas to relief destinations.

 

Batman orders Jason to stay put while he chases the Joker, but Jason defies Batman's orders and leaves for the warehouse to find his mother. Jason manages to find her and reveals his secret identity to her, but she turns him over to the Joker in an attempt to save her own life. Joker savagely beats Jason with a crowbar, then detonates an explosion that kills both Jason and his mother.

 

Batman arrives just as the explosion goes off, and as he searches through the rubble, he finds, to his horror, the corpse of Jason. Batman grieves over the horrible site and vows to avenge Jason's death and take down the Joker once and for all. Batman vengefully tracks down the Joker, and though he manages to stop his latest death plot, the madman escapes, ending this counter the same way as others, unresolved. Batman continues grieving over Jason's death, considering it to be his greatest failure, and vows to never endanger anyone else in this line of work. Since then, he keeps Jason's costume in a glass casing in the Bat-Cave as a memorial, underneath it reads "A Good Soldier".

 

A Lonely Place of Dying

 

After Jason's tragic death, Batman became more violent and almost self-destructing when he battled crime. Tim Drake, a young boy who witnessed the death of the Graysons, noticed the dark nature of Batman after the loss of Robin. Tim once idolized the Flying Graysons and was in attendance when Dick's parents were killed. He also idolized Batman and Robin, as he saw them as heroes. Tim was able to deduce that Dick Grayson was, in fact, Robin when he noticed the costumed fighter perform an acrobatic move that only Dick could do, and knowing that the former acrobat was adopted by Bruce Wayne, he pieced things together and deduced that the millionaire is indeed Batman. He had figured out that the original Robin was Dick Grayson and thus, Bruce Wayne had to be Batman.

 

Tim knew that Batman needed an ally in his war and after being unsuccessful in convincing Dick to return to the role, Dick petitions Bruce to train Tim to become the next Robin, to keep Batman sane, but Batman refuses, vowing to never endanger anyone but himself in his war on crime. Meanwhile, Two-Face is on the loose and has prepared a plot to kill Batman once and for all, and this would have happened if not for the timely intervention of Tim Drake, wearing the Robin costume with Alfred's blessing and providing the necessary distraction for Batman to defeat his foe. In the end, both Alfred and Nightwing insist that the boy is capable of doing much good, especially under the guidance of Batman, and after much reluctance, Batman ends up agreeing. After a grueling training regime, Tim finally becomes the new Robin.

 

Knightfall

 

After a long time of hard work, Batman and Robin finally succeed in placing all of the worst villains in Arkham Asylum and thus apparently ensuring peace for Gotham. At one point he also encounters Jean-Paul Valley who is called Azrael, a victim of "The System" who was brainwashed into becoming an assassin for the sinister order known as The Order of Dumas, but Batman comforts Valley and takes him in as an ally to fight crime alongside him and reject his previous life.

 

Just when it seemed that Gotham was at peace, a new villain makes his way to Gotham seeking to conquer it and defeat its guardian, the Batman. The villain, known only as Bane, destroys the walls of Arkham and frees every single inmate to rage havoc on the city. Batman, who was also sick at the time, is forced to run a gauntlet of his worst enemies, putting both his body and mind to the test.

 

After a series of plots and encounters that weigh heavily on him, mentally and physically, fighting the likes of the Mad Hatter, the Ventriloquist, Amygdala, Victor Zsasz, Firefly, Riddler, Killer Croc, Poison Ivy, Scarecrow, Joker, and Two-Face, as well as encountering Bane's henchmen Zombie, Trogg and Bird, Batman finally manages to put them all back in prison however still oblivious to the mastermind behind this Gauntlet.

 

Batman finally returns home to rest only to be confronted by Bane, whose plan has come full circle and has come to Gotham to conquer it and defeat its protector. Though having almost no strength left, Batman accepts Bane's challenge and has one final fight. However, he is no match for this skilled foe, whose strength has also increased due to a drug known as Venom, and despite his best efforts Batman is horribly beaten and has his back broken by Bane in his own Batcave, paralyzing him.

 

Bane throws Batman's body in the middle of a crowded street so that everyone sees the fall of the Dark Knight. Before his identity is compromised, Alfred and Robin quickly take him back to the manor to nurse him back to health. However, his will is just as broken as his body, as he realizes that he cannot don the costume again, and since Gotham needs a protector, he entrusts the mantle of Batman to Jean-Paul Valley and instructs a distraught Robin to be his ally.

 

Knightquest and Knightsend

 

After his paralysis, Batman is tended to by Shondra Kinsolving, a doctor whom Bruce met before and the two shared romantic feelings. However, one night, Shondra is kidnapped along with one of her patients, Jack Drake, Robin's father, and so, despite being in a wheelchair, Bruce, along with Alfred go after the kidnappers, and track them down to London, leaving Gotham under the care of Robin (who is oblivious to his father's kidnapping) and the new Batman. It is revealed in the story that Shondra had psychic powers, and was kidnapped by her brother Asp who intended to use those powers for his own gain. Bruce is caught in a telepathic exchange between Shondra and Asp, and the energy released causes Bruce to regain mobility of his legs.

 

Now healed, he defeats Asp and saves Drake and Shondra, but the doctor's mental state was regressed to childhood due to the drugs given to her by her brother and she loses all memory of her relationship with Bruce. Preparing to get back into shape and regain his strength, Batman seeks the help of the skilled martial artist and assassin, Lady Shivam who agrees with the condition that he must kill. After several weeks of intense training, when it was time for Batman to kill, he refuses, causing Shiva to send variously skilled assassins after him to force his hand. Bruce defeats the assassins and appears to kill the final one, much to Shiva's delight. However, he had used a technique that appeared to be lethal even though it was not. With his strength now regained, Batman is ready to come back to Gotham.

 

Meanwhile, back in Gotham, Valley, now operating as Batman, attempts to track down Bane, who has now taken control of Gotham's underworld. However, Valley's brainwashing by the Order resurfaces, causing him to become more violent and to start losing control over his sanity. Donning a new tech-heavy costume and refusing Robin as a partner, Valley becomes a far darker and much more violent Batman and eventually manages to defeat Bane and end his reign of terror.

 

As the new Batman watches over Gotham, his vicious and reckless methods became intolerable by Robin, especially when he caused the deaths of the villain the Abattoir and his victims. When Robin tried to reason with him, Valley lashed out at him, almost killing him as he now considers himself to be superior to the real Batman. When Batman returns, having healed from his back injury, Jean-Paul tried to kill him to prove his superiority but Batman defeats and tricks him into removing his costume, thereby getting rid of "the system" in his head. Humbled and regretting his actions, Valley admits to Bruce that he (Bruce) is the one and only Batman and vows to redeem himself in his eyes.

 

Though having regained the use of his legs, Batman decides to travel the world to fully regain his strength, and in his absence gives the mantle to the man he should have given it to in the first place, Nightwing until he comes back.

 

No Man's Land

 

Gotham is struck by a massive Earthquake, one which claims the lives of many people in Gotham. Batman had anticipated the arrival of an earthquake and had all Wayne-funded buildings be protected from such an event, including Oracle's Watchtower and Tim Drake's home, however, his own house did not receive such protection because that may compromise his identity as Batman.

 

Bruce and Alfred barely survive the earthquake, and once out of the rubble, Batman watches in horror his city in ruins and there's nothing he could do about it. With most of the city destroyed, criminals run rampant around the remains, and chaos ensues to the point where Gotham is declared a No Man's Land by the government and it is cut off from the rest of the country. Batman travels to Washington, and as Bruce Wayne does his best to convince Congress to help the city he loves, but he fails to do so, causing him to be distraught and almost loses all hope himself in exile until he is motivated back into action by Talia Al Ghul.

 

Meanwhile in Gotham, with very limited food and resources, new rules are applied and the criminals divide the city into territories and use spray paint to claim ownership of said territories. Members of the GCPD that stayed in Gotham are now known as the Blue boys and they try to maintain order in Gotham. Others join the fight as well, including Oracle, who monitors the entire city and serves as information broker while Helena Bartinelli aka the Huntress, dons a Batman-inspired costume to be more effective as a crime-fighter.

 

Batman eventually returns and adapts to the new rules of Gotham, using spray paint to mark his territory and does everything he can to help his city. He allows Huntress to operate as Batgirl for a while until Two-Face's gang invades his territory and kill several people. Helena was forced to flee and when she refuses to follow Batman's orders anymore, he forces her to relinquish the Batgirl mantle.

 

When things become more dire Batman assembles all his allies including Nightwing, Robin, Jean-Paul Valley and Oracle as well as new Batgirl, the mute Cassandra Caine, who proved herself when she saved Gordon's life from her father the assassin David Caine, and they all fight to take back their city.

 

No Man's Land comes to an end thanks to Lex Luthor, who used legal and illegal means as well as political machinations to fund the renovation of Gotham city all in an attempt to take over himself. Batman allows Luthor to do his work while having Catwoman collect necessary evidence against Luthor regarding his illegal business, thereby preventing Lex from claiming ownership over Gotham.

 

Hush

 

Batman finds himself to be the target of a mysterious conspiracy that pits him against some of his worst villains. While giving chase to Catwoman who was under Poison Ivy's mind control, his bat-rope is cut, causing him to fracture his skull though he is eventually saved by his childhood friend and surgeon Thomas Elliot. Later on, Batman and Catwoman track down Poison Ivy to Metropolis and despite using a mind-controlled Superman against them, Batman manages to get past the Man of Steel and stop the villain. Over the course of this adventure, Batman and Catwoman start to develop a relationship and Batman even reveals his identity to her.

 

Later on, after encounters with Killer Croc, Ra's Al Ghul, Joker and Scarecrow, all seemingly manipulated under the same conspiracy as well as the apparent death of his friend Tommy, he is confronted by someone claiming to be Jason Todd, Batman's old sidekick who was killed years ago, however it turned out to be another ruse.

 

Frustrated and desperate to know who has been manipulating all these villains, Batman investigates further until the villain known as Hush finally makes his presence known and reveals that he is in fact, Tommy Elliot. Tommy had always hated his parents and wanted them dead to collect his inheritance, so he staged a car accident that caused his father's death but Bruce's father managed to save his mother, and because of this Tommy held a grudge against the entire Wayne family. He faked his death using Clayface to throw Batman off his trail, as he was the mastermind behind the entire ordeal. After the intervention of Gordon and a recovered Harvey Dent, Hush falls into a river and manages to escape.

 

In the aftermath, Batman learns that Riddler was the one who told Hush his secret having learned it after using the Lazarus Pit to cure himself of cancer. However, Batman warns Riddler that if he ever decides to reveal this information again, he will feel the wrath of Ra's Al Ghul, ensuring his silence. After all these events, Batman has become more suspicious, causing him to drive Catwoman away as he won't allow himself to fall in love again.

 

War Drums and War Games

 

When Tim Drake's father discovers his alter-ego, Tim is forced to retire as Robin and Batman goes back to working alone, that is until Stephanie Brown, aka the young vigilante known as Spoiler and Tim's ex-girlfriend, petitions to be the next Robin, and though reluctant at first, as he previously didn't see her as hero material, Bruce ends up accepting with the condition that she follow his every order. After training her, he hands her a costume and she officially becomes the fourth Robin. Though initially there were some problems, especially when she used lethal force on the villain Mr. Zsasz, she starts proving herself when she handily takes down Tiger Moth.

 

Stephanie's infectious energy and enthusiasm grow on Batman and he starts to see her as a worthy partner. However, while tracking down the assassin Scarab, she disobeys Batman's order to stay put and ends up getting herself held hostage and almost compromising the mission. Because of that, Batman ends her tenure as Robin. Determined to win back Batman's trust, Stephanie steals from the Bat-cave one of his contingency plans that was supposed to take place in case of crime in Gotham got too out of control. The plan, which she put into motion behind Batman's back, dealt with unifying all the Gotham crime-families under one man, Matches Malone.

 

What Stephanie didn't know was that Malone is actually one of Batman's underground alter-egos, and because Malone was not present at the staged meeting between crime-lords, things went awry and a huge gang war raged in Gotham, causing the deaths of many. Batman's reputation takes a major hit when he is seen by the media in broad day light holding the dead body of a young student who was killed in the crossfire of the gang war, and even more so when makes several morally questionable actions, including forcefully taking over command of the GCPD (which the results in the death of many), and attempting to put his underground ally, Orpheus, as the leader of all the gangs, but the Black Mask makes his move, kills Orpheus and becomes Gotham's kingpin of crime instead.

 

Another consequence of this war was Stephanie Brown's death after intense torture at the hands of Black Mask. Batman was at her side in her last moments and comforted her with the fact that she did earn her place as Robin.

 

Under the Red Hood

 

After the recent war, Batman has lost too much. Robin, Batgirl and Oracle have left Gotham City, Stephanie Brown is dead, Nightwing is injured, the GCPD sees Batman as a criminal and the Black Mask controls all crime in Gotham. However, a mysterious figure known as The Red Hood has been making his move on Black Mask's operations and taking control of his gangs.

 

While intercepting one of Black Mask's shipments, Batman and Nightwing encounter Red Hood for the first time, and as they chase after him, they encounter the cyborg Amazo, which they barely manage to defeat. The Red Hood then steals another one of Mask's shipments tries to blackmail him, but the meeting turns sour with Freeze and Batman and Nightwing getting involved, and all the villains end up escaping. However, during the battle, Batman is intrigued by Red Hood's skills, as he sees something familiar.

 

While intercepting another one of Black Mask's operations, Red Hood is confronted by Batman where they fight to a stalemate. Red Hood finally takes off his mask and to Batman's horror, reveals that he is in fact, Jason Todd, the Robin who apparently died many years ago and even gives him samples of his DNA to prove it before escaping.

 

It is revealed in the story that Jason came back after he was dipped in a Lazarus Pit by Talia Al Ghul. After this revelation, Alfred offers to remove Jason's memorial from the Cave, but Batman refuses, claiming that the recent developments don't change anything.

 

After Red Hood blows up Black Mask's penthouse, the desperate crime lord seeks the help of Deathstroke of the Secret Society, who sends Hyena, Captain Nazi and Count Vertigo to kill the Red Hood. Batman intervenes and together they manage to take down the trio of super-villains, but not without Red Hood killing one of them and escaping.

 

After tricking Black Mask into killing the last of his lieutenants, Red Hood, who has been holding the Joker captive, challenges Batman to come to Crime Alley to end things once and for all. After apprehending Black Mask, Batman complies and meets up with Jason. After an intense back and forth fight, Batman defeats Jason and apologizes for failing him.

 

Disgusted, Jason reveals that the reason he holds a grudge against Batman is that he never killed Joker to avenge his death. He then holds Joker hostage and throws Bruce a gun, and challenges him to make a choice: either kill Joker or kill him. Batman refuses both choices and ends up incapacitating Jason with a Batarang. An ecstatic Joker ends up blowing the entire place and in the aftermath, Jason manages to escape.

 

Infinite Crisis

 

Bruce also becomes more suspicious of other heroes, creating a super satellite called Brother Eye, which is stolen and eventually causes the death of Ted Kord. Things then hit a personal low for Bruce during the story Infinite Crisis when he almost murders megalomaniac Alex Luthor. Bruce realizes his morality is at an all-time low and decides to take a sabbatical from fighting crime.

 

⚡ Happy 🎯 Heroclix 💫 Friday! 👽

_____________________________

 

A year of the shows and performers of the Bijou Planks Theater.

 

Secret Identity: Bruce Wayne

 

Publisher: DC

 

First appearance: Detective Comics #27 (March 30, 1939)

 

Created by: Bob Kane (Writer)

Bill Finger (Artist)

 

DC Comics Nanoscene

The Batcave

2020, Jada Toys

 

First appearance cover:

www.flickr.com/photos/paprihaven/51710275435/

Happy July 4th (as pormised, from the Horn Lake Rite Aid) everyone! Nope, not physically at Rite Aid on the 4th, but I did face a conundrum of sorts, as my mandatory Rite Aid day for this week happened to fall right on the holiday (wouldn't you know it?)! The obvious answer was to look for a remotely patriotic photo or two from the Horn Lake Rite Aid collection (of nearly 200 photos!) so I could keep on the mandatory schedule, and also celebrate the occasion at the same time. I breathed a sigh of relief when I was able to find two such photos (keeping in mind I did say "remotely" patriotic!), and both pics happened to fall right in line with the alphabetical order game I started on this photo go-round as well. (So stay tuned for a bonus July 4th pic to follow this one...and keep reading below for more about this photo as well).

 

Anyway, searching out American Accessories brings up two major possibilities: this one looks a bit upscale for just belts, but they do seem to be geared toward clothing and such. This one, despite having the highfalutin-sounding "International" tacked onto the name, is more local in nature, with facilities in Knoxville TN, and apparently designs and/or manufactures a broad range of products (probably a contract manufacturer). So (as you've heard before, back during my Memorial Day McD's photos), with me not wanting to work that hard and research holiday-related photos, I'd say it's a toss-up as to the origin of the logo seen here. Funny (but not really surprising) though that neither of those possibilities match this older-looking logo...

____________________________________

Rite-Aid, 1998-built (closed April 2018), Goodman Rd. at Tulane Rd., Horn Lake MS

Mentally...Spiritually...Physically... Things closing in around you....the view is not so clear anymore...

 

Plus it's a chance to sneak in a Rush song title.

"Feeling better emotionally and physically with me is the most important for me right now. Taking care of the family and be a better friend, feeling a sense of acknowledgement at work and with a continuous learning are my mottos for next year realisation. I would also add to travelling also. "

Gemma.

 

Thank you all for your appreciation.

 

Follow me on:

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Idea of the project can be found here:

100 strangers

  

© 2014 Jordi Corbilla - All Rights Reserved.

Do not use any of my images

without permission.

My nights as a hero have been long. Some rewarding and some the complete opposite.

 

I still remember my first night. I've grown since then. Both mentally and physically. The first night I put on this costume.

 

This costume is not only my way of striking fear into criminals, but to also remind me. Remind me that I too am very much human. That I have fears. Though I have learned to control them, I still have them.

 

This suit also protects me from bullets, knives, and heavy blows. Though it might not be completely protective, I've still been able to endure brutal fights.

 

My utility belt has also helped me in battles too. It is full of equipment that I use to my advantage.

 

The gadgets I have on me now are: batarangs, smoke pellets, flash grenades, hand-cuffs, and a grapnel gun. I have many more at the batcave.

 

Inside the batcave are my most useful pieces of equipment. A Batmobile, as Dick would call it, and the Batwing.

Alfred mans the Batcomputer while I'm not there. Barbara sometimes drops by to help him out. Though she mainly helps out Dick on his patrols through Blüdhaven.

 

Tim has become a new persona as Red Robin. Jason patrols Gotham as Red Hood. I'm just glad he's alive. Though some of his actions make me cringe.

 

Damian has taken the mantle of Robin. I've urged him many times to step down and remain an ordinary teenager. He's stubborn, like Jason, and he won't back down. His ignorance will get him into trouble, though hopefully not as much as Jason got into.

 

I notice a bright light shine from the top of the GCPD building. Commissioner Gordon must have information he would like me to know.

 

Gordon has been my oldest friend. He was there to comfort me on that dreadful night. I don't think he will ever realize how much of deal putting that old coat around my shoulders was. He was also there the first night I donned this cape and cowl and hopefully he will be there till the end. He's the only one I can trust in the GCPD. Most officers are corrupted by Maroni and Cobblepot.

 

I've been fighting corrupt officers and thugs for many years. "Why" you ask?

Because as my father slipped away his dying words were, "Save this city, Bruce."

 

And that's exactly what I intend to do...

  

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Well if you read all that, I congratulate you. I wanted to do this for Batman Day and just in the nick of time too. (11:40 as of posting this here. :P)

 

I plan to do more one off stories like this of different characters. Though don't worry, this will only be to fill in gaps left in my other stories.

 

Retrieving doesn't come naturally to Flynn but I've been working on getting him to fetch & physically put objects into my hand for a while now. We started training when he learnt to get into my laundry & I repeatedly found him triumphantly prancing about my room, holding an old sock. Flynn has a... history... with socks. He used to eat them - no, he used to swallow them, whole. Sock-swallowing obviously isn't a healthy hobby, so I try to keep them out of reach but failing that, I've been attempting to show him that the best thing to do with socks, isn't to sneak off & eat them like noodles, it's to *bring* them right to me & swap the sock for an even tastier dog treat.

 

Flynn's tastes are perhaps rather peculiar but even he recognises sausage is nicer than old socks, so he's now quite good at sock-fetching. Not just socks either - at home, I now frequently get everything from pennies to tiny scraps of paper thrust into my hands, or put on my knee, in expectation that a snack will be given in thanks! He's even successfully fetching large objects - yesterday, for example, he retrieved 2 of my t-shirts. Admittedly, I only needed them passing over because Flynn pulled them out the washing pile & threw them on the floor, while looking for more socks...

 

Flynn's still not brilliant at properly retrieving toys on walks though! Once I've thrown a ball, he rarely brings it back to my hand, or feet, preferring to *place* it on the path, a few meters ahead of me. It's hit & miss whether I ever actually get hold of the ball even after he's let it go. It gets positioned very carefully, to be in the right place for me to get it... but Flynn lacks patience. He'll retreat to give me a few seconds to grab the ball but if I'm too slow catching up, he takes great delight in pouncing in & running off with it again. Often Flynn ends up playing long games of "fetch" all by himself!

"In the summer of 1840, Perry Davis was sick. Physically, debilitatingly sick. His businesses had failed, one after another. His family was living in penury. He had, however, an enterprising spirit and creative mind. He concocted a combination of opiates, ethyl alcohol, and herbs, and miraculously, he felt better.... Davis's Pain-Killer began a phenomenon of patent medicines and tonics in the 19th century..... Davis' elixir traveled the globe, becoming one of the first global brands....His product was promoted door-to-door, in pharmacies and apothecaries, and in newspapers, magazines, and trade cards. The Pain-Killer was one of the first medicines not to address a specific ailment, but to promise freedom from pain, any type of pain. Ague-wracked sailors, injured mill women, gouty fathers, female complaints, babies' scratches or colic, all could be cured with the Pain-Killer. Davis said it was a medicine cabinet in a bottle, and trade cards showed winged cherubs carrying the elixir next to the words "Joy to the World." At the time of Davis' death in 1862, during the Civil War, the Pain-Killer was so crucial to the Union Army that they took control of the factory on Pond Street. [Providence, Rhode Island]." (Source: Rhode Tour)

Physically we are quite small

IMG_4524

The most physically impressive antelope is undoubtedly the Sable.

Prime elements of its majestic appearance are its horns, of course, its height at the shoulder, its mane and its glossy chestnut coat.

AL QAEDA Indian subcontinent (AQIS) MODULE BUSTED.

In a joint operation of Delhi Police, Central Intelligence Agencies and UP Anti Terrorist Squad (ATS), a team of Special Cell, Delhi Police led by Inspectors Sanjay Dutt, Umesh Barthwal, Kailash Bisht and Rahul Kumar Singh has apprehended one Mohd. Asif, aged 41 yrs, s/o Ata-Ur-Rehman, r/o House Number 268, Mohalla Deepa Sarai, District Sambhal, UP, who is one of the founder members of Al Qaida in Indian Subcontinent (AQIS), floated by Ayman Al Zawahiri in September 2014 to pursue the objectives of AQ in the Indian subcontinent. This is the first detection of any active module of this terrorist Tanzeem in India and the first arrest of a radical extremist, who was physically present at Miran Shah along the Afghanistan-Pakistan border when the seeds of this Tanzeem were sowed. In this regard a case vide FIR No. 67/15 dated 14/12/2015 under various sections of Unlawful Activities Prevention Act PS Special Cell has been registered and the accused has been remanded to 14 days police custody for further investigation.

Operation: Ever since the video declaring the constitution of AQIS was posted by Al Qaida over its media arm Al-Shahab in September 2014, Indian security and intelligence agencies had initiated a sustained counter-intelligence operation to decipher the real structure, composition and objectives of this new Tanzeem. Since the anointment of one Maulana Asim Umar, an unidentified terrorist of Indian descent, as the Amir of AQIS was declared by none else than Ayman Al Zawahiri, the dreaded chief of Al Qaida, it was imperative that Indian characters of this Tanzeem be quickly identified for initiating appropriate counter terrorist measures. The capabilities of Al Qaeda in orchestrating catastrophic terrorist strikes like the 9/11 attacks of United States Attack on Charlie Hebdo magazine in Paris in 2015, had sent the entire security establishment of the country in a purposive, concerted hunt to nip any such attempt by the members of AQIS in the bud.

Long and intense periods of deploying human sources in the vulnerable pockets of Islamic radicalization led to the zeroing in on certain suspects based out of Western UP and who had reported intriguing movements out of India towards West Asian countries in the recent past. Attempts were made to carry out a thorough check of their activities abroad but all efforts led to one or the other stonewalls. Selective penetration by human sources was carried out in the suspected areas and the persistent efforts led to credible information being received about accused Mohd. Asif, reported to be a senior AQIS functionary, that he was expected to visit a contact near Seelampur flyover, on 14th December 2015. A trap was laid and in a swift and professional operation, accused Mohd. Asif was apprehended by the above said team in late afternoon hours from the mentioned place. He was found to be in possession of 3 mobile phones, a laptop amongst other incriminating articles. Accused was interrogated on the spot and when confronted with the intelligence gathered over the long preceding period of operation, he revealed about his association with AQIS as being one of its founding members and being the Indian Head/Amir of its motivation, recruitment and training wing. Accused Mohd. Asif was thereafter arrested following due process of law and produced before the concerned court and his 14 days Police Custody remand has been obtained.

Profile: Accused Mohd. Asif was born in 1974 at his given address of Sambhal, UP. After studying up to 5th standard in a local school of Sambhal, he dropped out from school and took up various petty jobs in his locality. In 1991, he went along with his father to Ahmedabad, Gujarat and learnt the trade of a truck body welder. Thereafter in the year 1993, he returned to Sambhal and got involved in other petty jobs like that of an accountant (muneem) at local traders/businessmen. In 2009, he tried his hand at his own business by installing a flour mill but since this did not work, he resumed his accountancy work which he continued till 2012. All this while, he was getting influenced by the happenings around him. He got enamored with terrorist tanzeems like Harkat-Ul-Mujahidin (HuM), ultimately evolving into a pan Eurasian vision of Jehad being espoused by the dreaded international terrorist Tanzeem Al Qaeda.

Mohd. Asif’s urge to join such an international terrorist Tanzeem got a boost, when some of his old known persons from Deepa Sarai, Sambhal graduated from Harkat-Ul-Mujahidin to Tehrik-e-Taliban and finally ended up at the shores of Al Qaeda somewhere along the Pakistan-Afghanistan borders. One person, whose writings and publications has had a profound impact on Mohd. Asif was ‘Maulana Asim Umar’ and it took little time for the initiated accused to figure out that this Mualana Asim Umar, who later was anointed as the Amir of AQIS, was someone from his own locality and a distant relative. With support of a local empathizer cell of Mulana Asim Umar, he established contact over a social media site with one Qasim (code name), a deputy of Maulana Asim Umar and also an original resident of Sambhal, who had also migrated to accompany his master. This happened in 2012 and Asif’s life took the ultimate turn towards extremism and fundamentalist radicalization.

Qasim motivated accused Mohd. Asif to make a visit to Pakistan and extended invitation on behalf of Maulana Asim Umar. By this time, accused Mohd. Asif had motivated two more youths, one from his own locality and another through him, and asked Qasim to arrange for funds to facilitate the migration of these youths’ also who were fully prepared to join the frontlines of Islamic jehad in Afghanistan under the aegis of Al Qaeda.

Qasim told accused Mohd. Asif that money for travel was not a problem and the same would be made available to him by a financier of his own locality and that the travel to Pakistan would be through Iran. Therefore, accused Mohd. Asif along with the two youths radicalized by him procured travelers’ VISA for Iran on the pretext that they had to perform ‘ziyarat’ at the shrine of the late Grand Ayatollah Khomaini in Teheran.

On 23rd June 2013, the accused along with two young radicals left New Delhi via air for Teheran, Iran. After landing in Teheran, he called up Qasim to inform him of their arrival. In a few days, a contact of Qasim approached them at the hotel where they were staying and got them their tickets for traveling up to Zahedan, the capital city of Sistan and Baluchestan province of Iran. From Zahedan, they went to Sarwan where they were picked up by another contact of Qasim. From Sarawan, they reached the Iran-Pakistan border and crossed it over foot. The contact of Qasim ensured that there was no difficulty in crossing over the border. Once in Pakistan, the contact sent by Qasim got them board a car which took them to Quetta. From Quetta, they were taken on motor cycles to Ghazni in Afghanistan, crossing hostile mountainous terrain which is a hotbed of terrorist activity. From Ghazni, they went to Junubi Waziristan i.e. South Waziristan in Pakistan and from there, to Sumali i.e. North Waziristan. In Sumali Waziristan, accused Asif met his long emigrated Indian friend, who was using the code name of Assad. Assad has been identified as Usman s/o Khursheed, r/o Deepa Sarai, Sambhal, UP. Finding Usman was a moment of extreme joy for accused Mohd. Asif as he knew that he had landed amongst his kin. Usman further took the trio to Miran Shah where they met Qasim, identified as Sayed Akhtar, r/o Deepa Sarai, Sambhal, UP who was the local assistant to the elusive Maulana Asim Umar. Sayed and Usman briefed Asif and the young terrorists accompanying him about Al Qaeda, its structure, objectives and what was in store for these jehadis on their path to the ultimate glory. Accused Asif was especially chosen to meet Maulana Asim Umar as he had to shoulder greater responsibilities.

After a week of their meeting with Sayed, accused Mohd. Asif was taken to the hideout of Maulana Asim Umar. who was instantly recognized as Sanaul Haq @ Sannu, aged about 45 yrs, s/o Chuttu, r/o Deepa Sarai, Sambhal, UP. This was the first time that a visitor from India got to know the real face behind the subject of till now an unending mystery known as Asim Umar.

Maulana Asim Umar @ Sanaul Haq had called accused Asif for a sinister purpose. While the young terrorists accompanying Asif were grouped with some Pakistani Al Qaeda recruits and sent off for askari i.e. militant training in one of the several camps which are located in the area, Asif became privy to the impending foundation of AQIS as disclosed by Sanaul Haque to him in complete confidence. Sanaul Haque discussed his hijrat i.e. emigration from Sambhal in 1995 which had led him to Harkat-Ul-Mujahidin (HuM) and his long story of 20 years as a top fighter, who had risen from the ranks and was poised to be anointed as the Amir of AQIS by none else than Ayman Al Zawahiri.

In Waziristan, Asif underwent intense Deeni training as he was to act as the principal ideologue of AQIS in India upon his return. During that period, US forces were conducting successive drone strikes at several places in close vicinity of the safe-house, where Asif had been lodged and in one such strike quite close by, the then Chief of Tehrik-e-Taliban, Pakistan namely Hakimullah Mehsood was killed. This had enraged the entire jehadi community and Asif was also deeply influenced by his martyrdom. However, the pressure of drone strikes compelled that hideouts be changed frequently.

After the deeni training got over, one day, Sanaul Haque @ Maulana Asim Umar called accused Mohd. Asif for an important meeting. He was told that the son-in-law of Ayman Al Zawahiri was expected to visit the area soon along with an Arabian Shura (Grand Council) of AQ to formally announce the formation of AQIS and Asif was the only Indian person who would be privy to such a high profile meeting apart from Sanaul Haque himself. Soon, the meeting took place at an undisclosed location in the vicinity of Miran Shah and Sanaul Haque @ Maulana Asim Umar was anointed as the Amir of newly formed AQIS, which pledged to take the frontiers of Islamic jehad towards the entire South Asian continent including India, Pakistan, Sri Lanka, Bangladesh, Nepal and Bhutan with India being the centerpiece of action.

Sometime after the meeting, Maulana Asim Umar had unexpected visitors from Karachi – Riyaz Bhatkal, the chief of Indian Mujahidin paid him a visit to pay his obeisance and to seek support of AQIS in the operations of IM in India. Apart from Riyaz Bhatkal, other senior IM commanders like Bada Sajid (recently reported killed in Syria) etc. also visited Maulana Asim Umar to met him and pay him their respect.

After his sojourn in Waziristan, accused Mohd. Asif was asked to return to India as the head of Indian wing of AQIS and tasked with motivating and recruiting further prospects for the Tanzeem. He bid a fond adieu to Sanaul Haque @ Maulana Asim Umar and leaving the two terrorists who had traveled with him with Usman and Sayed, he returned his journey back home.

When accused Mohd. Asif reached Iran following the same route and MO through which he had entered Pakistan, he was caught by Iranian security agency at the Mehriyaz border. However, the contacts of Al Qaeda ensured that he was transited to Turkey and after some days, accused Mohd. Asif found himself in the company of Uighur AQ operatives, who had a base in Istanbul. Since his travel VISA for Iran had long expired and he had over stayed it by almost thirteen months, as advised by his handlers, he approached the Indian Embassy at Istanbul and pleaded that he had lost his Indian passport and was sent back to India on an Emergency Certificate (EC). Accused Mohd. Asif landed in Delhi in September 2014 and since then, was deeply involved in the expansion of AQIS in India.

The arrest of Mohd. Asif is a major achievement of security agencies working tirelessly to safeguard the nation against dreaded international terrorist organizations like Al Qaeda. His arrest and continuing interrogations are likely to provide crucial leads to the infiltration and expanse of AQIS in India and the neighboring countries. Being the first recognized Indian module of AQIS, which has several Indians known to be operating from the Af-Pak region, the arrest is also likely to reveal other modules/sleeper cells of Al Qaeda affiliates in India.

Further investigation is under progress.

 

(Arvind Deep)

Special Commissioner/Special Cell

Delhi Police

 

Source: Delhi Police (PR CELL) www.sarkarimirror.com/al-qaeda-indian-subcontinent-aqis-m...

Woman, O woman, oh why can't you see?

That the man you're with has taken your dignity.

He's cursed you and slapped you and left you bruised,

You've been emotionally scarred and physically abused.

You need to know, woman, that this isn't right;

No way should you suffer or endure such a plight!

You were created by God; you are His fragile flower,

Not meant to be controlled by a man's abusive power.

God loves you; He's given you all authority,

He has made ways available to set you free.

If you would just rise up and in confidence stand,

You'll find Him there extending His hand.

Woman, O woman, please listen to me!

You have what it takes to be all you can be!

Simply step out in faith and shake yourself loose,

From that man's shackles and chains of abuse!

  

The physically disabled lady with her son. Blog: www.anirbansaha.com/what-does-happiness-mean-to-you/

Letchworth Village was a "residential institution" located in Rockland County, NY, built for the physically and mentally disabled of all ages from the newborn to the elderly. Opened in the early 1900s, the hospital was originally named Letchworth Village Home for the Feeble Minded and Epileptics. It was named after William Pryor Letchworth, a noted humanitarian and philanthropist who was familiar with, and concerned about, existing institutional conditions. At its peak consisted of over 130 buildings spread out over many acres of land.

 

In the 1950s, the first trial case of the Polio vaccine in the United States was administered to an 8-year-old patient. After suffering no side effects, the vaccine was administered to 19 more of the institution's children.

 

In 1972, the New York affiliate of ABC News featured Letchworth Village and its appalling conditions in an episode called The Last Great Disgrace with Geraldo Rivera, who was a news reporter with NYC's Channel 7 at the time. This helped lead to reform of similar healthcare institutions throughout the United States. But prior media attention and national focus was not enough to save Letchworth Village, and by the mid-1980s, the institution was no longer being adequately funded nor properly managed and residents, including children, continued to be found unclothed, unbathed, and seriously neglected. In addition to rampant abuse among the institution's residents, staff also suffered abuse at the hands of fellow co-workers which included incidents of rape.

 

In 1996, the institution was permanently closed down. Some of the buildings were repuposed into other uses, a golf course, and a school. However, the remaining abandoned structures have since fallen in serious disrepair.

 

Several miles from the campus is a cemetery containing hundreds of individuals that died while at Letchworth and were buried in anonymous graves marked simply with a small cast iron "T" shaped marker with a number.

 

Today, about a dozen buildings sit rotting on a large, park like campus. People stroll around, and walk their dogs. The area is quite pretty, despite it's horrible past.

 

You should watch this six minute video in full frame. It's quite haunting!

 

More images in the Letchworth Village set.

  

Do you remember physically having friends? It was awful. You couldn't tap people's faces to make them go away.

Definition of frazzled:

 

Past tense of the verb to frazzle.

To wear away along the edges; fray.

To exhaust physically or emotionally.

A frayed or tattered condition.

A condition of exhaustion...

 

Saw this bouquet of tulips, of the frayed variety, well they were frazzled in more than one way... as you can see, missing a few petals, just what I wanted!

ALWAYS BEST LARGE and View On Black

Another tulip with attitude.

I don't talk to flowers, they talk to me and I gladly listen!

 

Hope this makes you smile again, have a great w-e and thanx for your visit, so very much appreciated, Magda, (*_*)

  

I am a Featured Photographer In the Hall of Fame HERE:

   

www.flickr.com/groups/1579256@N23/discuss/72157625511641635/

I say a few things...

 

IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved

 

Why not view the set as a slide-show?

Also I often upload more than one image at the same time, I see a tendency to only view the last uploaded...

 

Little physically remains of the deep pits in Apedale, however the Watermills colliery left one monument behind when it was closed in 1912. In Watermills wood the square base of a colliery ventilation chimney was left standing, originally the stack reached 186 feet high. Each face of the chimney had a panel with a different uplifting motto.

The panels which have eroded and are now barely readable, were inscribed as follows;

“Regard the End”, “Live and Let Live”, “Be Just and Fear Not”, and ”REH 1840”. R.E.H. stands for Richard Edensor Heathcote, the colliery owner at the time and were going through hard times at the time the chimney was built; it was the chimney to the steam engine. It was at the family’s request that the chimney base was not demolished with the rest of the colliery buildings, made into a monument by Heathcote when the pit closed. As Wedgewood had built one on the top of Talke which was in sight of Apedale Hall, so this was Heathcotes contribution. The chimney is now a Grade II listed building and bat habitat.

 

There were several coal-mines in the area, one of which had a depth of 2145 feet and at the time was the deepest in England.

 

There were also numerous small “footrails”, shafts which entered the ground at a shallow angle, such that they could be entered on foot. Although smaller affairs, these outlasted the Apedale deep pits and continued to operate into the 20th century. The last such working mines in the area were operated by Aurora Mine Ltd. During the 1980’s they had 7 drifts operating and also held the record for coal produced per man. The company ceased production in 1998 bringing coal mining to an end in Apedale. The Apedale Heritage Centre is on the site of the Aurora mine and the mine tours will take you through some of the mine’s workings.

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www.apedale.co.uk/history/mining-in-apedale/

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Originally taken and posted for the GWUK group.

 

Named by Scarlet Pimpernel

During World War II, the U-boat fleet, which dominated much of the battle of the Atlantic, was small at the beginning of the war and much of the early action by German forces involved mining convoy routes and ports around Britain. German submarines also operated in the Mediterranean Sea, in the Caribbean Sea, and along the U.S. coast.

 

Initially, contact mines—requiring a ship physically strike a mine to detonate it—were employed, usually tethered at the end of a cable just below the surface of the water. Contact mines usually blew a hole in ships' hulls. By the beginning of World War II, most nations had developed mines that could be dropped from aircraft and floated on the surface, making it possible to lay them in enemy harbours. The use of dredging and nets was effective against this type of mine, but this consumed valuable time and resources, and required harbours to be closed.

 

Later, some ships survived mine blasts, limping into port with buckled plates and broken backs. This appeared to be due to a new type of mine, detecting ships magnetically and detonating at a distance, causing damage with the shock wave of the explosion. Ships that had successfully run the gauntlet of the Atlantic crossing were sometimes destroyed entering freshly cleared British harbours. More shipping was being lost than could be replaced, and Churchill ordered the intact recovery of one of these new mines to be of the highest priority.

 

The British experienced a stroke of luck in November 1939. A German mine was dropped from an aircraft onto the mud flats off Shoeburyness during low tide. As if this was not sufficiently good fortune, the land belonged to the army, and a base with men and workshops was at hand. Experts were dispatched from London to investigate the mine. They had some idea that the mines used magnetic sensors, so everyone removed all metal, including their buttons, and made tools of non-magnetic brass. They disarmed the mine and rushed it to labs at Portsmouth, where scientists discovered a new type of arming mechanism. A large ferrous object passing through the Earth's magnetic field will concentrate the field through it; the mine's detector was designed to trigger after the ship's midpoint passed over, when its magnetic field began to diminish in strength as measured by the mine. The mechanism had an adjustable sensitivity, calibrated in milligauss. (As it turned out, the German firing mechanism was overly sensitive, making sweeping easier.) The U.S. began adding delay counters to their magnetic mines in June 1945.

 

A Vickers Wellington fitted with a DWI, magnetic mine exploder, Ismaliya, Egypt

From this data, methods were developed to clear the mines. Early methods included the use of large electromagnets dragged behind ships or below low-flying aircraft (a number of older bombers like the Vickers Wellington were used for this). Both of these methods had the disadvantage of "sweeping" only a small strip. A better solution was found in the "Double-L Sweep" using electrical cables dragged behind ships that passed large pulses of current through the seawater. This induced a large magnetic field and swept the entire area between the two ships. The older methods continued to be used in smaller areas. The Suez Canal continued to be swept by aircraft, for instance. Wartime Japanese sweep methods, by contrast, never advanced much past 1930s standards, and failed entirely to keep up with new American mines, clearing no more than 15% of all the mines laid in Japan's coastal waters. Moreover, IJN's minesweeping force was far too small with 350 ships, and 20,000 men.

 

While these methods were useful for clearing mines from local ports, they were of little or no use for enemy-controlled areas. These were typically visited by warships, and the majority of the fleet then underwent a massive degaussing process, where their hulls had a slight "south" bias induced into them which offset the concentration effect almost to zero.

 

Initially, major warships and large troopships had a copper degaussing coil fitted around the perimeter of the hull, energized by the ship's electrical system whenever in suspected magnetic-mined waters. Some of the first to be so-fitted were the carrier HMS Ark Royal and the liners RMS Queen Mary and RMS Queen Elizabeth, which were used as troopships. This was felt to be impracticable for the myriad of smaller warships and merchant vessels, not least due to the amount of copper that would be required. It was found that "wiping" a current-carrying cable up and down a ship's hull temporarily cancelled the ships' magnetic signature sufficiently to nullify the threat. This started in late 1939, and by 1940 merchant vessels and the smaller British warships were largely immune for a few months at a time until they once again built up a field. Many of the boats that sailed to Dunkirk were degaussed in a marathon four-day effort by degaussing stations.

 

The Allies deployed acoustic mines, against which even wooden-hulled ships (in particular minesweepers) remained vulnerable.Japan developed sonic generators to sweep these; the gear was not ready by war's end. The primary method Japan used was small air-delivered bombs. This was profligate and ineffectual; used against acoustic mines at Penang, 200 bombs were needed to detonate just 13 mines.

 

The Germans had also developed a pressure-activated mine and planned to deploy it as well, but they saved it for later use when it became clear the British had defeated the magnetic system. The U.S. also deployed these, adding "counters" which would allow a variable number of ships to pass unharmed before detonating.This made them a great deal harder to sweep. Japan's antiquated sweep methods, lifting mines in nets, accidentally proved useful against these mines; it remained too slow and hazardous to be truly effective, especially in light of the high numbers being laid.

 

Mining campaigns could have devastating consequences. The U.S. effort against Japan, for instance, closed major ports, such as Hiroshima, for days, and by the end of the Pacific War had cut the amount of freight passing through Kobe–Yokohama by 90%.

 

When the war ended, more than 25,000 U.S.-laid mines were still in place, and the Navy proved unable to sweep them all, limiting efforts to critical areas. After sweeping for almost a year, in May 1946, the Navy abandoned the effort with 13,000 mines still unswept. Over the next thirty years, more than 500 minesweepers (of a variety of types) were damaged or sunk in continuing clearance efforts.

 

youtu.be/p0kjGOOZZog

 

Go-Go for a wild ride with the action girls! Russ Meyer, the king of exploitation, directs this lurid thrill-ride starring Tura Satana, Haji, and Lori Williams as a trio of dancers who turn to murder and mayhem on a road trip from hell. Varla is well-endowed, beautiful, physically powerful, savvy and conniving. She lives for kicks, but she's also got a serious mad on for the world, and anyone who crosses her finds out the hard way. Her job as a go-go dancer, supplemented by a part time career in petty crime has afforded her a sleek and fast sports car, which she enjoys riding in the desert with her fellow dancers. One of them, Rosie, has a crush on Varla, which she happily encourages, even if Varla is really more interested in the control it gives her over Rosie than in Rosie herself. The other dancer, Billie, is a little harder for Varla to manage, but Billie isn't bright enough to outmaneuver Varla.

 

When the little gang run into a square drag racer, he winds up getting into a fight with Varla, losing of course. Varla makes sure he never talks back again, then kidnaps his girlfriend and makes a run for it. BIllie and Rosie tag along, and they soon become involved in intrigue with an old letch in the desert rumored to have a stash of cash hidden away somewhere. When Varla starts to lose control of the situation, things (again) become violent, leading to a revved-up climax! Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own.

synopsis

Exploitation maven Russ Meyer created a cult classic with this turbo-charged action film. Three curvaceous go-go dancers in a cool sports car go on a desert crime spree, led by Varla (the amazing Tura Satana), a busty, nasty woman dressed entirely in black. Varla's lesbian moll, Rosie (Haji) -- who has an extremely overwrought accent -- and reluctant bimbo Billie (Lori Williams) are along for the ride. When they meet a naïve young couple, Tommy and Linda (Ray Barlow and Sue Bernard), Varla challenges the man to a race then kills him by breaking his back. They take Linda hostage and drive to a house owned by a crippled old lecher (Stuart Lancaster) and his muscular but retarded son, Vegetable (Dennis Busch). Varla discovers that the old man has money hidden on the property, so the girls try to find it. Meanwhile, Vegetable's perverted father tries to trick him into assaulting one of the girls as he watches, but his other son (Paul Trinka) finally shows up to save the day. A great deal of bloodshed, campy catfighting, and funny dialogue fills the bulk of this fast-paced comic book of a movie.

Born 1946 Quebec,Canada

Passed on 2013

Birth Name - Barbarella Catton Nickname - Haji

Haji was a Cando-American actress renowned for starring in Russ Meyer's sexploitation classic Faster, Pussycat! Kill! Kill! (1965), in which she made her theatrical film debut. Barbarella Catton was born in Quebec City, Quebec on January 24, 1946, and at the age of 14, began dancing topless. The renamed Haji caught the eye of cinema's "King Leer" while performing as an exotic dancer.

He also cast her as one of three go-go dancers who turn into avenging furies in "Pussycat", which was her theatrical film debut as it was released before Motor Psycho (1965). She also appeared in Meyer's potboiler Good Morning... and Goodbye! (1967), his big budget Hollywood sextravaganza Beyond the Valley of the Dolls (1970), and his cartoonish amalgamation of sex and violence, Supervixens (1975).

Haji died on August 10, 2013 at the age of 67.

Was a fervent supporter of animal rights and environmentalism. Interviewed in the book "Invasion of the B-Girls" by Jewel Shepard. Began as an exotic dancer. Moved to California at the age of fourteen and was discovered by filmmaker Russ Meyer performing in a topless bar. Her only child, a daughter she had at age 15, is named Cerlette. Haji was of British and Filipino descent, and her nickname was bestowed on her by an uncle. Was a friend and co-star of former stripper and long-time Russ Meyer paramour Kitten Natividad.

Haji, an Actress Featured in Cult Films by Russ Meyer, Dies at 67

By DANIEL E. SLOTNIK

Published: August 17, 2013

Haji, a voluptuous actress who played one of three homicidal go-go dancers in Russ Meyer’s 1965 cult film “Faster, Pussycat! Kill! Kill!,” died on Aug. 9 in Southern California. She was 67.

Her death was confirmed by the dancer and actress Kitten Natividad, a friend, who said she did not know the cause. She said Haji had high blood pressure and heart problems in recent years and was taken to a hospital after falling ill at a restaurant in Newport Beach.Haji, a brunette of Filipino and British descent, met Meyer, the celebrated B-movie director, in the mid-1960s while she worked in a strip club in California. He cast her as the lead in his biker movie “Motorpsycho” (1965) even though she had no acting experience.Later that year Haji appeared in “Faster, Pussycat! Kill! Kill!,” the tale of three dancers who beat a young man to death, kidnap his girlfriend and flee into the desert. She played the lesbian paramour of the lead character, Varla, played by Tura Satana. The film has acquired a devoted following and has been embraced by the filmmakers John Waters and Quentin Tarantino and even some feminists, including the film critic B. Ruby Rich, who praised it in The Village Voice as a “female fantasy.”“You just didn’t see women taking over and beating up men in those days,” Haji said in an interview posted on Russ Meyer’s Ultravixens, a Web site devoted to Meyer, who died in 2004, and his films. “Russ did something no one else had the imagination to do. And he was smart to use three bodied-up women, so whether the picture’s good or not, you still sort of stare at it.”Haji played a scantily clad bartender in Meyer’s “Supervixens” in 1975 and appeared in “Beyond the Valley of the Dolls,” the story of an all-woman rock band’s descent into debauchery. It was the first of Meyer’s films produced by a mainstream studio. She also acted in John Cassavetes’s gritty drama “The Killing of a Chinese Bookie” in 1976.

Haji was born in Quebec on Jan. 24, 1946. Ms. Natividad said that Haji’s last name at birth was Catton, and that she thought her given name was Cerlette. (The name Haji, she said, was a nickname given to her by an uncle.) Haji left school before finishing the sixth grade and began stripping at 14. She had a daughter, also named Cerlette, at 15. She lived in Oxnard, Calif. Her survivors include her daughter and a granddaughter. Haji’s last screen role was in the 2003 comedy “Killer Drag Queens on Dope.”

www.nytimes.com/2013/08/18/arts/haji-an-actress-featured-...;

 

Someone may have to physically drag me out of this challenge, I am having such a grand time. This is a marriage of a Botticelli and a DaVinci, so I called it a Bottivinci. Background again is a few different ones blended and filtered.

 

the many millions of homeless, deformed, physically and mentally ill people, who Ghandi called Children of God, that hits you in the face as you roam the streets of these amazing cities.

 

KOLKATA

  

Photography’s new conscience

linktr.ee/GlennLosack

linktr.ee/GlennLosack

  

glosack.wixsite.com/tbws