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Phoenix Art Museum – Phoenix, AZ
Cornelia Parker – Mass (Colder Darker Matter) (detail)
This piece was created from the charred remains of a church that was struck by lightning.
detail of paper used to make a dress.
During the 1960s, paper dresses took the world by storm, when Scott Paper Company launched an ingenious marketing campaign—an early forerunner of viral marketing strategies—to promote “Dura-Weve,” the textile featured in their new disposable tableware line. With the idea that paper dresses were the future, other companies like Mars of Asheville joined the excitement and were soon selling 80,000 dresses per week.
- phxart.org/exhibition/generation-paper
© All Rights Reserved. Please do not use this image on websites, blogs or other media without my prior permission.
Week 2 Country Village_LargeHouse_SwmimmingPool_RoomForAPony (1056 – 1060) 02/09–02/14/2020 ID 1060
Willard Nash American 1898-1943
Untitled (Santa Fe Landscape) , c. 1925
Oil on canvas
Museum purchase with funds provided by Western Art Associates in honor of its 40th Anniversary, and Betty Van Denburgh 2007.198
From the Placard: The Phoenix Art Museum, Phoenix, Arizona
en.wikipedia.org/wiki/Willard_Nash
1973 Porsche 917/30
Phoenix Art Museum Taken on January 18, 2020
www.phxart.org/exhibition/legendsofspeed
Le port d'Anvers (The Harbor at Antwerp) 1895-1897
by Albert Lebourg, French, 1849 - 1928
Albert Lebourg (1 February 1849, Montfort-sur-Risle – 6 January 1928, Rouen), birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg,[1][2] was a French Impressionist and Post-Impressionist landscape painter of the Rouen School (l'École de Rouen). Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
Object Number: 1964.249, Phoenix Art Museum
Photo taken 18 January 2017
egallery.phxart.org/view/objects/asitem/items$0040:14932
en.wikipedia.org/wiki/Albert_Lebourg
Landscape at Varengeville, Gray Weather (1899)
by Camille Pissarro French, 1830 - 1903
Object Number: 1964.236, Phoenix Art Museum
Photo taken 18 January 2017
Camille Pissarro (French: [kamij pisaʁo]; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. ... Wikipedia
egallery.phxart.org/view/objects/asitem/items$0040:13087
en.wikipedia.org/wiki/Camille_Pissarro
Trout Lake, Colorado (1879)
by Hamilton Hamilton, American, 1847 - 1928
Object Number: 1988.2, Phoenix Art Museum
Photo taken 18 January 2017
*** No reference found on Wikipedia for Hamilton Hamilton.
Hamilton Hamilton, a re-known painter of the American landscape, was born in Oxford, England in 1847. He emigrated with his family to Cowlesville, New York, a community near Buffalo, however spent most of his childhood in Connecticut. He was a predominantly self-taught artist, although he studied in Paris in 1870 and traveled throughout Europe. However, he spent much of his time painting the American West in which many of his most unique works came from. The colorful Impressionistic-like landscapes were chosen as entries at the 1876 Centennial Exhibition in Philadelphia. Hamilton returned to France in 1878-79 and painted with artists identified with the Barbizon School and plein-air method of painting. He was a member of the National Academy of Design and one of the founders of the Silvermine Guild of Artists in Connecticut.
... BPAC at SUNY Buffalo State
egallery.phxart.org/view/objects/asitem/items$0040:8376
www.questroyalfineart.com/artist/hamilton-hamilton/
www.burchfieldpenney.org/artists/artist:hamilton-hamilton/
www.mmefineart.com/artist/bio/index.php?aid=140
Week 10 ??? ( 846-850)
[This photograph is identify the artist (849)]
This artist is NOT in any Prior SET
This artist is American
This artist is Male
Date: 1983
This painting is found in The Phoenix Museum of Art Upper Level American
Identify the Artist XX
Week 1 Portrait (4) (1401 – 1405) 1 /26 – 1/31/2025 ID 1401
[This photograph is Identify the artist (1401)]
This artist is already found in SET III
This artist is American
This artist is Male
Date: 1932
This painting is found in The Phoenix Art Museum, Phoenix, AZ
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019 ID 1050
Claude Monet French, 1840-1926
Lex arceaux fleuris, Giverny (Flowering Arches, Giverny), , 1913
Oil on canvas
Gift of Mr. & Mrs. Donald D. Harrington
1964.231
From the Placard: The Phoenix Art Museum, Phoenix, Arizona
en.wikipedia.org/wiki/Claude_Monet
Farewell, 1961
by Philip Campbell Curtis, American, 1907 - 2000
Object Number: 2007.11, Phoenix Art Museum, 17 August 2016
egallery.phxart.org/view/objects/asitem/items$0040:24410
en.wikipedia.org/wiki/Philip_Campbell_Curtis
"Feral Garden" #urbangarden #abstractpainting #painting #artnet #art #painting #contemporaryart #SothebysContemporary #PeterSaul #Kaws #contemporaryart #contemporaryartcurator #NewImageArt #newcontemporary #phxart #Dismaland #curator #urbanArt #Streetart #ArtGallery #BrooklynMuseum #artcollector #ArtBasel #arte #FineArt #NewWhitney #subliminalprojects #hifructose #graffiti #nycart #powwowworldwide #dtphx
Pieter Janssens Elinga, Interior with Girl Playing Guitar 1655-1665
Object Number: 1964.235 Phoenix Art Museum
A Gift of Mr. & Mrs. Donald D. Harrington
Canon G5 X handheld, taken 25 May 2016
en.wikipedia.org/wiki/Pieter_Janssens_Elinga
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019 ID 1050
Claude Monet French, 1840-1926
Lex arceaux fleuris, Giverny (Flowering Arches, Giverny), , 1913
Oil on canvas
Gift of Mr. & Mrs. Donald D. Harrington
1964.231
From the Placard: The Phoenix Art Museum, Phoenix, Arizona
en.wikipedia.org/wiki/Claude_Monet
Our Lady of Mount Carmel with Christ Child and Scapulars
early 19th century by Unknown (Bolivia)
Object Number: 2013.119 (Currently not on line) Phoenix Art Museum
Photo taken 18 January 2017
egallery.phxart.org/search/quick/doSearch2013.119?t:state...
www.apollo-magazine.com/art-diary/masterworks-of-spanish-...
Pollice Verso (Thumbs Down) by Jean-Léon Gérôme 1872
Object Number: 1968.52 Phoenix Art Museum
Canon G5 X handheld, 28 April 2016
egallery.phxart.org/view/objects/asitem/items$0040:15877
en.wikipedia.org/wiki/Pollice_Verso_(G%C3%A9r%C3%B4me)
en.wikipedia.org/wiki/Jean-L%C3%A9on_G%C3%A9r%C3%B4me
penelope.uchicago.edu/~grout/encyclopaedia_romana/gladiat...
en.wikipedia.org/wiki/Pollice_verso#/media/File:Jean-Leon...
en.wikipedia.org/wiki/Phoenix_Art_Museum
www.musee-orsay.fr/en/events/exhibitions/archives/archive...
Processing Sheep, 1976 Medium: oil on linen
by Willard Franklin Midgette, American, 1937 - 1978
Collection Phoenix Art Museum, Museum purchase with funds provided by Mr. and Mrs. Kemper Marley
Object Number: 1982.1, Phoenix Art Museum
Photo taken 19 October 2016
egallery.phxart.org/view/objects/asitem/items$0040:3316
en.wikipedia.org/wiki/Willard_Midgette
www.phxart.org/event/66704396-8800-55ea-7b0e-37d800447392
en.wikipedia.org/wiki/Phoenix_Art_Museum
archive.georgeadamsgallery.com/archive/arcexhibition.php3...
archive.georgeadamsgallery.com/archive/arcpainting.php3?p...
Landing of the Pilgrims, Dec. 22, 1620 (c. 1803-06)
by Michele Felice Cornè, American, 1752 - 1845, born in Italy
Object Number: 2001.124, Phoenix Art Museum
Photo taken 18 January 2017
Michele Felice Cornè (1752–1845) was an artist born in Elba who settled in the United States. He lived in Salem and Boston, Massachusetts;] and in Newport, Rhode Island. He painted marine scenes, portraits, and interior decorations such as fireboards and murals.
egallery.phxart.org/view/objects/asitem/items$0040:19680
en.wikipedia.org/wiki/Michele_Felice_Corn%C3%A8
This isn't one of my best but art is a great antidepressant. "El héroe" #art #paddle8 #artgallery #painting #spanishart #mexico #fineart #popart #NewImageArt #new contemporary #newyorkartgallery #LAArtDistrict #streetart #streetpoetry #stolenspacegallery #phxff #phxart #contemporaryart #NewWhitney #Popsurrealism #modernamuseet #artcollector #StreetArtAndGraffiti #mexicanart #hero #workingclass #urbanart
Woman in the Pool, 1968
by Willem De Kooning, American, 1904 - 1997
Object Number: 1975.37, Phoenix Art Museum, 15 June 2016
egallery.phxart.org/view/objects/asitem/items$0040:17029
en.wikipedia.org/wiki/Willem_de_Kooning
"Politicians perceive you as weak while the media continues to make you ignorant and turn you against your own so that the elected employees remain safe because in reality they fear you. They fear what your capabilities and power can achieve! They fear their wealth ripped away! They fear lack of control! They fear peace! They fear our maturity in a better society! They fear our awakening!" #abstractpainting #painting #Trump #Hillary #art #painting #contemporaryart #2016election #SothebysContemporary #contemporaryart #NewImageArt #newcontemporary #phxart #curator #urbanArt #Streetart #ArtGallery #BrooklynMuseum #contemporaryCurated #artcollector #FineArt #NewWhitney #subliminalprojects #politicKING #graffiti #dtphx #chelseagallery #juxtapozxsuperflat #Fashion #homeless #rich #powwowworldwide
Yayoi Kusama
You are getting obliterated in the Dancing Swarm of Fireflies
“Become one with eternity. Obliterate your personality.” Yayoi Kusama
Glittering points of light echo into an expanse of infinite space. Step into Yayoi Kusama’s mirror room and become part of something timeless. Like the experiences she constructs, Kusama’s art has never been confined by boundaries. Born in 1929 in Matsumoto Japan, she studied traditional Japanese painting before moving to New York in 1958 where she created large-scale paintings with repeated motifs, crafted innovative sculptures from everyday materials, directed performative Happenings at notable landmarks, and experimented with fashion and fiction. Her artworks posed a challenge to a male-dominated art world, protested war, and integrated art into life.
After 1965, Kusama assembled light, sound, and sculpture in mirrored rooms that suspend space and time. In her more recent works, the polka dots that she covered paintings, bodies, and environments with become dots of starlight in faraway galaxies or a swarm of luminescent fireflies on a summer evening. Her practice “obliterates” artist and audience. Through material repetition and the construction of infinite space, she prompts us to consider ourselves in the context of the universe, the natural world, and the community around us. Kusama returned to Japan in the 1970s where she continues to imagine a boundless world with the potential for peace.
From the Placard: The Phoenix Art Museum, Phoenix, Arizona
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019 ID 1050
(This photograph is identify the artist [1050])
This artist is already in SETs I; II; IV; VI; VIII
This artist is French
This artist is Male
Date: 1913
This painting is found in The Phoenix Art Museum, Phoenix, AZ
Week 10 Reflections (1046 – 1050) 12/15 – 12/19/2019 ID 1050
Claude Monet French, 1840-1926
Lex arceaux fleuris, Giverny (Flowering Arches, Giverny), , 1913
Oil on canvas
Gift of Mr. & Mrs. Donald D. Harrington
1964.231
From the Placard: The Phoenix Art Museum, Phoenix, Arizona
en.wikipedia.org/wiki/Claude_Monet
Madame Adelaide c. 1787 by Adelaide Labille-Guiard 1749 - 1803
Object Number:1964.91, Phoenix Art Museum, Phoenix AZ USA
Canon G5 X handheld, 28 April 2016
egallery.phxart.org/view/objects/asitem/items$0040:10670
en.wikipedia.org/wiki/Ad%C3%A9la%C3%AFde_Labille-Guiard
en.wikipedia.org/wiki/Princess_Marie_Ad%C3%A9la%C3%AFde_o...
upload.wikimedia.org/wikipedia/commons/d/d8/Madame_adelai...
en.wikipedia.org/wiki/Princess_Marie_Ad%C3%A9la%C3%AFde_o...
"Recovering Speed" #art #painting #prefight #contemporaryart #powwowworldwide #NewImageArt #ufc #fightnight #newcontemporary #phxart #urbanArt #Streetart #ArtGallery #contemporaryCurated #artcollector #rootsoffight #Fineart #everlast #artwork #boxing #muaythai #bjj #mma #martialarts #hboboxing #everlast #graffitiart #dtphx #boxingbrain #artcollector #partsofpieces #collecteurs
Week 4 Musical Interlude 4 (…a musical soiree) (1066 – 1070)02/23 – 27/2020 ID 1070
[This photograph is Identify the artist (1070)]
The artist was already found in SETS I; VII; IX
This artist is British
This artist is Male
Date: 1777
This painting is found in The Phoenix Art Museum, Phoenix, AZ
The Captive, 1891
by Eanger Irving Couse, American, 1866 - 1936
Object Number: 1994.7, Phoenix Art Museum
Photo taken 18 January 2017
Eanger Irving Couse (September 3, 1866 – April 26, 1936) was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Eanger Irving Couse House and Studio—Joseph Henry Sharp Studios, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties.
... Wikipedia
egallery.phxart.org/view/objects/asitem/items$0040:9180
en.wikipedia.org/wiki/E._Irving_Couse
commons.wikimedia.org/wiki/File:E._Irving_Couse,_'The_Cap...
en.wikipedia.org/wiki/Phoenix_Art_Museum
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The Captive, 1891 by Eanger Irving Couse ... Wikimedia Commons
A famous and controversial painting, for its sexual implications (rather strong for the art of the period), stereotyping of Native Americans, and (conversely) "noble savage" romanticization of them. Backstory, as provided by Robfergusonjr (talk · contribs): In 1838, Dr. Marcus Whitman and his wife came to the Oregon Territory to establish a mission to the Cayuse Indians under the sponsorship of the New England Mission Board. In time, immigrants also came to the area and settled around the Whitman mission. All went well until there was an epidemic of measles. The Indians were stricken by the disease and, though treated by the Whitmans, were not able to respond so well to medical treatment. Angry and terrified, they accused Dr. Whitman of deliberately poisoning them to get their land. In late November of 1847, they attacked the mission and murdered most of the staff, including Dr. Whitman and his wife. A number of others were taken captive, among them Lorinda Bewly, a seventeen-year-old teacher at the mission, who was spared from death by a Cayuse chief named Five Crows. When he saw her, he decided that he would enjoy the novelty of a white woman for a wife. Needless to say, this did not meet with a favorable response from the captured girl. Couse's painting shows us a dramatic scene – Lorinda is lying on the floor of the chief's teepee, unconscious, with bloody bonds testifying to a terrified but courageous struggle. Five Crows is seated on the floor, staring at her and unable to fathom her behavior, her aversion to him. Couse has shown us two cultures in tragic juxtaposition, and we are able perhaps to have an understanding of each.