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每日藝術 - 2019年10月05日
（2019）瘋癲社會
評瘋癲社會 I:
情緒當理智，唔顛都難。
謠言當事實，想明都難。
偏見當法治，唔亂都難。
破壞當正義，想好都難。
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評瘋癲社會 II:
時代倒退行，何言救港？
革命蒙心性，不義傷人。
光復黑火焚，何從省自？
香港自毀定，不如互救。
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Daily #Art - Day 10-05-19
(2019) Society of Madness
Comment on a society of madness I:
Emotion masked as rationality, it's easy to go mad.
Rumor masked as fact, it's hard to find clarity.
Prejudice masked as principle, it's easy to stir chaos.
Destruction masked as justice, it's hard to make peace.
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Comment on a society of madness II:
A time utilized in barbaric acts, how is it so freeing Hong Kong?
A revolution masking hearts and souls, the unrighteous hurt people.
A liberation of fire and ashes, how is it so a reflection of self?
A city on the path of self-destruction, the silent majority must help.
(#15,745 / #335)
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#dailyart #illustration #pendrawing #madness #chaos #fire #hongkong #香港 #hinxlinx #ericlynxlin #elynx #軒 #instaart #artofinstagram
Hadn't heard of zentangles until last week. This is the first doodling I've ever done that I liked. The blank book I used is "paperblanks."
A recent drawing from this last Wednesday. It was done alongside a quarry road which somewhat parallels the highway by my house. The quarry is enjoyed by kids, dirt-bikers, swimmers, and daydreamers. A hideous-sounding parrot across the street blasted my ears for the first 10 minutes of this drawing. Mentone, California
Daily #Art - Day 04-04-19
(2019) Why So Serious?
A tribute to Heath Ledger (Apr 4, 1979 - Jan 22, 2008) for his 40th birthday, with a portrait of him as the Joker in the Dark Knight (2008).
(#15,561 / #151 / #52)
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#dailyart #illustration #pendrawing #characterart #portraitart #heathledger #thejoker #joker #thedarkknight #darkknight #villain #batman #hinxlinx #ericlynxlin #elynx #instaart #artofinstagram
Daily #Art - Day 09-13-19
(2019) A Mid-Autumn Night's Moon
Here's a portrait of my love Lin, in a theme of Mid-Autumn festival.
May us all have a peaceful autumn, prosperity as full as the full moon.
每日藝術 - 2019年9月13日
(2019) 中秋人好月圓
畫了一幅我的愛人琳的肖像，以中秋應節為題。
願大家共享一個寧靜的秋天，運如滿月。
(#15,723 / #313)
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#dailyart #illustration #pendrawing #portraitart #femaleportrait #lin #roulin #love #moon #midautumn #midautumnfestival #中秋 #中秋節 #月圓 #滿月 #琳 #愛 #hinxlinx #ericlynxlin #elynx #軒 #instaart #artofinstagram
Kalki (Tamil: கல்கி) was the pen name of R. Krishnamurthy (9 September 1899 – 5 December 1954), a noted Tamil freedom fighter, social crusader, novelist, short story writer, journalist, humorist, satirist, travel writer, script-writer, poet, film & music critic, Indian independence activist and connoisseur of the arts writer from Tamil Nadu, India. He derived his pen name from the suffixes of his wife name Kalyani and his name Krishnamurthy in Tamil form கல்யாணி and கிருஷ்ணமூர்த்தி as Kalki(கல்கி) "Kalki avatar", the tenth and last avatar of the Hindu God Vishnu.[1] His writings includes over 120 short stories, 10 novelettes, five novels, three historical romances, editorial and political writings and hundreds of film and music reviews.
Early life[edit]
Krishnamurthy's father was Ramaswamy Aiyar, a poor accountant in Puttamangalam village in the old Tanjore district of erstwhile Madras Presidency. Krishnamurthy began his primary education in his village school and later attended Municipal High School in Mayavaram but quit in 1921, just short of completion of his Senior School Leaving Certificate, in response to Mahatma Gandhi's 1921 call for non-co-operation joining the Indian National Congress instead.[2][3]
Career[edit]
In 1923 he joined as a sub-editor in Navasakthi, a Tamil periodical edited by Tamil scholar and freedom fighter Thiru. V. Kalyanasundaram, popularly known as "Thiru Vi. Ka". Krishnamurthy's first book was published in 1927. Leaving Navasakthi in 1928, Krishnamurthy stayed with C. Rajagopalachari at the Gandhi Ashram in Tiruchengode in Salem district and helped him edit Vimochanam, a Tamil journal devoted to propagating prohibition. In 1931, he was again imprisoned for six months. Next year Krishnamurthy joined Ananda Vikatan, a humour weekly edited and published by S. S. Vasan. Krishnamurthy's witty, incisive comments on politics, literature, music and other forms of art were looked forward to with unceasing interest by readers. He wrote under the pen names of "Kalki", "Ra. Ki", "Tamil Theni", "Karnatakam" and so on. Vikatan published many of his short stories and novels (as serials). In 1941 he left Ananda Vikatan and rejoined the freedom struggle and courted arrest. On his release after three months he and Sadasivam started Kalki (magazine). He was its editor until his death on 5 December 1954. The success that Krishnamurthy attained in the realm of historical fiction is phenomenal. Sixty years ago, at a time when the literacy level was low and when the English-educated Tamils looked down on writings in Tamil, Kalki's circulation touched 71,000 copies – the largest for any weekly in the county then – when it serialised his historical novels.
Although Kalki's historical romances captured the hearts of thousands of readers, recreating for them the glorious Tamil life during the periods of Pallavas and Imperial Cholas, critics were divided on their literary merits. One criticism was that Kalki' s novels dwelt rather overmuch on royalty and not enough on common people. The sudden twists and turns, which characterised serialised stories, made the stories unrealistic. There has, however, been a re-appraisal of Kalki, particularly among Marxist critics, in recent years. Semmalar, the monthly organ of the Tamil Nadu Progressive Writers Association, brought out a special number to commemorate Kalki's birth centenary. Kalki wrote the script and some lyrics for Meera, an M.S. Subbulakshmi starrer.
Kalki's contribution to the cause of Tamil music is also noteworthy. He spearheaded a movement that wanted Carnatic musicians to include more Tamil songs in their concerts and composed a number of songs. His Tamil translation of Gandhi's autobiography, "My Experiments with Truth", was published as Satya Sothanai.
Novels[edit]
Kalki considered Alai Osai, which was serialised in Kalki in 1948–49 and published as a book in 1963, as his best. The novel won for him the Sahitya Akademi Award posthumously in 1956, it has for its backdrop the freedom struggle and deals with social reforms and politics.
His other social novels include Thyaga Bhoomi (The land of sacrifice) and Kalvanin Kadali (Bandit's sweetheart), both of which have been filmed. Thyaga Bhoomi, which has the salt satyagraha as its backdrop, dealt with women's rights and untouchability. It was serialised in Ananda Vikatan, which was being filmed at the same time, were used as illustration. After a successful run for six weeks, the film, directed by veteran K. Subramanyam, was banned by the colonial Government on the grounds that it indirectly aroused the people to fight for freedom. Almost all of Kalki's novels appeared first in the serial form and only then in the book form.
Parthiban Kanavu and Sivagamiyin Sapatham give a picture of the great Pallava Age of the seventh century A.D., while Ponniyin Selvan paints the age of the glorious Cholas. Both the periods are a mixture of many aspects of the history of Tamil Nadu such as that of religions, literature, art and architecture and also of administration. Kalki had been a keen student of these aspects which he learnt through epigraphic, inscriptional and numismatic sources and he enriched his novels with all these facts of history. Kalki got inspiration to write Parthiban Kanavu and Sivagamiyin Sapatham on the seashore of Mahabalipuram, when he was accompanied by Rasikamani T. K. C. and where he saw thousands and thousands of ships and boats carrying warriors on one side, and other people, architects, Ayanar, Sivakami, Mahendravarmar and Mamallar on the other side in his mental vision. They left a deep and lasting impression upon his heart and only after finishing Sivakamiyin Sabadam, twelve years later.
Kalki had also the genius to classify the historical and non-historical events, historical and non-historical characters and how much the novel owes to history. In his introduction to Sivakamiyin Sabadam and conclusion to Ponniyin Selvan, he explains the percentage of fact and fiction. Kalki's interest in history, the features of his historical novels and the popularity they gained, made others enter this vast and new field and contribute works of merit.
Daily #Art - Day 04-03-19
(2019) Jane Goodall and Flint
A tribute to primatologist and anthropologist Jane Goodall (Apr 3, 1934 - ) for her 85th birthday, with a simplified illustration of her interacting with an infant chimpanzee named Flint.
The composition of the art is based on a photo published by National Geography.
(#15,560 / #150 / #51)
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#dailyart #illustration #digitalart #pendrawing #primatologist #jangoodall #primate #chimp #chimpanzee #flint #contact #hinxlinx #ericlynxlin #elynx #instaart #artofinstagram
Pen drawing paper, graphite, brush in color, pen in black ink.
Pentekening op papier, grafiet, penseel in kleur, pen in zwarte inkt.
Dessin au stylo, papier, graphite, pinceau en couleur, stylo à encre noire
Federzeichnung, Papier, Graphit, Pinsel in Farbe, Stift in schwarzer Tinte.
Daily #Art - Day 07-23-19
(2019) You Be Good
Here’s an illustrated tribute to Alex the parrot (May 1976 – Sep 6, 2007).
Alex was a loving grey parrot who proved that birds can be on an intelligent level similar to a five-year-old human.
"You be good, see you tomorrow. I love you." were the last words Alex said to his trainer the animal psychologist Irene Pepperberg.
If birds can love, so can we.
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每日藝術 - 2019年7月23日
（2019）你要好好活著
這是對鸚鵡亞歷克斯的致敬（1976年5月 - 2007年9月6日）。
亞歷克斯是一隻有愛的灰鸚鵡，證明鳥類可以擁有類似於五歲人類的智力水平。
“你要好好活著，明天見。我愛你。”是亞歷克斯對他的教練動物心理學家艾琳·佩珀伯格說的最後一句話。
如果鳥類可以愛，我們也可以。
(#15,667 / #257 / #153)
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#dailyart #illustration #pendrawing #animalart #animallove #birdart #alex #alextheparrot #parrot #intelligence #love #鳥 #愛 #鸚鵡 #hinxlinx #ericlynxlin #elynx #軒 #instaart #artofinstagram