Panel Vans or Wagons
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An corrugated iron fence that angles down at the street end, meeting up with the panel added to cancel the lowered height.
The solar panel was "cleaned up", because it was too disgusting to post as-is. So what you see is a much cleaner version, letting a little bit of reality behind.
Wouldn't that Starling feather pattern make a good weave for a suit?
Assateague Island Visitor's Center. Maryland.
I thought I’d do something a bit different, directed toward photographers that use Lightroom. I haven’t played much with the new Lens Blur feature recently added to Lightroom thought the green image on the left was a perfect subject to experiment with. The middle image is a duplicate of the one on the left where the Lens Blur has been applied. I found that it ran into the edges a bit so duplicated the original over the processed one and masked and cloned a bit around the edges. Even so, I’m impressed that it did as good a job as it did. The image on the right was the one I intended to post, so I thought I’d include it as well. (American Bittern – Botaurus lentiginosus) (For the image on the left and center, Sony a1, 200-600 @ 600mm, 1/2500 second, f/6.3 ISO 1000. For the image on the right, Sony a1, 400mm f/2.8 with a 1.4 extender for 560mm, f/4, 1/1600 second, ISO 1000)
The panels in the Coca-Cola Beatbox, an interactive art installation within the Olympic Park, in Stratford, London.
Designed by Asif Khan and Pernilla Ohrstedt, the structure fuses architecture, sport, music and technology, inviting participants to activate the panels, each of which play a recording of a sport-derived noise to create music.
3-shot HDR taken with a Nikon D7000 and a Nikkor AFS DX 18-200mm F/3.5-5.6G lens, merged in Photomatix, then processed in GIMP and Photoscape. Potentially a bit heavy handed with the tone-mapping...
Here's a wider view of one of the most intricate panels of tafoni I have found on the Paria Plateau.
Click the "tafoni" tag for more examples.
This is a part of the rock art known as the Great Gallery in Horseshoe Canyon. It's cool to think we were in the same place as the ancient people who created this somewhere around 400 to 1100 AD.
Suis-je tombé dans le panneau ?
Non.
Je suis tombé SUR un panneau.
Et pendant cette manœuvre un peu délicate, le marché se démontait petit à petit...
Out to grass at Hurn sometime in the late 1980's and with various panels missing, this unidentified Hawker Hunter appears to have a 'recce' pack installed in the port underbelly blister
Scanned print
This is a photo of the light shinning through a frosted glass panel in the lobby of the library in Yarmouth.
This is a close-up photo of rust patterns on an iron panel on the wharf at Port Maitland Beach, and light reflections on seepage that suggest a pareidolia portrait.
Sheriff Shinex Guest List
coInk
JK Peace Version
14 Bolt
Mista B Nike Kicks
Lil Lil
Mista Delme
JES ONE
UWP
PlazmaSlugs
Allstars = snub, foob, cpsh
Ciah!
Shiz with Toro
Part of a group of panels made especially for the Christmas 2009 exhibition at Andrew Hazelden's Pottery, Yarnton, Oxfordshire, opening on November 28th. (see the following flyers on Martin Beek's photostream)
www.flickr.com/photos/oxfordshire_church_photos/405009219...
www.flickr.com/photos/oxfordshire_church_photos/4050836418/
For more about my artwork see my website at the following:-
Berlin's Reichstag building. Looking down from the dome through the glass-panelled roof of the government chambers - the Bundestag - where the elected representatives are visible to all .Apparently this design feature was a deliberate architectural metaphor for a visible and accountable government in a new Germany after unification.
San Miniato al Monte is a basilica in Florence, central Italy, standing atop one of the highest points in the city. It has been described as one of the finest Romanesque structures in Tuscany and one of the most scenic churches in Italy. There is an adjoining Olivetan monastery, seen to the right of the basilica when ascending the stairs.
St. Miniato or Minas was an Armenian prince serving in the Roman army under Emperor Decius. He was denounced as a Christian after becoming a hermit and was brought before the Emperor who was camped outside the gates of Florence. The Emperor ordered him to be thrown to beasts in the Amphitheatre where a panther was called upon him but refused to devour him. Beheaded in the presence of the Emperor, he is alleged to have picked up his head, crossed the Arno and walked up the hill of Mons Fiorentinus to his hermitage. A shrine was later erected at this spot and there was a chapel there by the 8th century. Construction of the present church was begun in 1013 by Bishop Alibrando and it was endowed by the Emperor Henry II. The adjoining monastery began as a Benedictine community, then passed to the Cluniacs and then in 1373 to the Olivetans, who still run it. The monks make famous liqueurs, honey and herbal teas, which they sell from a shop next to the church.
The interior exhibits the early feature of a choir raised on a platform above the large crypt. It has changed little since it was first built. The patterned pavement dates from 1207. The centre of the nave is dominated by the beautiful freestanding Cappella del Crocefisso (Chapel of the Crucifix), designed by Michelozzo in 1448. It originally housed the miraculous crucifix now in Santa Trìnita and is decorated with panels long thought to be painted by Agnolo Gaddi. The terracotta decoration of the vault is by Luca della Robbia.
The crypt is the oldest part of the church and the high altar supposedly contains the bones of St Minias himself (although there is evidence that these were removed to Metz before the church was even built). In the vaults are frescoes by Taddeo Gaddi.
The raised choir and presbytery contain a magnificent Romanesque pulpit and screen made in 1207. The apse is dominated by a great mosaic of Christ between the Virgin and St Minias on its vaulted ceiling dating from 1297; the same subject is depicted on the façade of the church and is probably by the same unknown artist. The crucifix above the high altar is attributed to Luca della Robbia. The sacristy is decorated with a great fresco cycle on the Life of St Benedict by Spinello Aretino (1387).