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*My planet, My Life.*
*Simple reason, Simple stories, Planet is circulate and “Life” is a season. *
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Official Photo gallery, Art/snap works Updates every Monday.
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1993 46th Nationals
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Official photos of event called "Temperance Whisky Dinner 2015" holed by Temperance Hotel, taken from South Yarra Melbourne at 19th August, 2015.
・Link: Official photo gallery.
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Official Photo gallery, Art/snap works Updates every Monday.
Le château des ducs de Bretagne est un château défensif et de plaisance situé à Nantes. Le château est classé monument historique depuis 1840. Le château a été construit au XVe siècle avec des éléments ajoutés aux XIVe au XVIIIe siècle. Fondé par les ducs de Bretagne au XIIIe siècle pour constituer une base défensive à Nantes, le château est devenu, sous François II, la principale résidence ducale bretonne. Sa fonction militaire est également utilisée par le duc lors de la Guerre folle au cours de laquelle il s'oppose au roi de France. Sa fille, la duchesse Anne, est plus tard contrainte d'épouser deux rois de France successifs, Charles VIII et Louis XII. Ces mariages entraînent l'union de la Bretagne à la France, définitivement scellée par un édit signé au château en 1532, par François Ier. Dès lors, le château perd son statut de résidence ducale pour devenir une forteresse royale. Il voit passer la plupart des rois de France, lorsque ceux-ci visitent la Bretagne, et il est la résidence officielle des gouverneurs de la province. Cependant, les séjours de ces derniers sont souvent brefs, à l'exception notable du duc de Mercœur, un gouverneur qui y tient une cour pendant les guerres de Religion. Sous l'Ancien Régime, le château sert aussi de prison d'État, ainsi que de caserne et d'arsenal militaire. Il ne subit aucune dégradation pendant la Révolution, mais l'explosion des réserves de poudre, en 1800, détruit une bonne part du monument. Propriété de la ville de Nantes à partir de 1915, il devient un musée en 1924. De 1990 à 2007, il bénéficie d’une rénovation de grande ampleur et il accueille, depuis 2007, le musée d'Histoire de Nantes.
The castle of the Dukes of Brittany is a defensive and pleasure castle located in Nantes. The castle has been listed as a historical monument since 1840. The castle was built in the 15th century with elements added in the 14th to the 18th century. Founded by the Dukes of Brittany in the 13th century to constitute a defensive base in Nantes, the castle became, under François II, the main Breton ducal residence. His military function was also used by the Duke during the Mad War during which he opposed the King of France. His daughter, Duchess Anne, was later forced to marry two successive kings of France, Charles VIII and Louis XII. These marriages lead to the union of Brittany with France, definitively sealed by an edict signed at the castle in 1532, by François Ier. Consequently, the castle loses its status of ducal residence to become a royal fortress. It sees most of the kings of France pass, when they visit Brittany, and it is the official residence of the governors of the province. However, the stays of the latter are often brief, with the notable exception of the Duke of Mercœur, a governor who held a court there during the Wars of Religion. Under the Ancien Régime, the castle also served as a state prison, as well as barracks and military arsenal. It did not undergo any degradation during the Revolution, but the explosion of the powder reserves in 1800 destroyed a good part of the monument. Property of the city of Nantes from 1915, it became a museum in 1924. From 1990 to 2007, it benefited from a large-scale renovation and, since 2007, it has housed the Nantes History Museum.
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Shinjuku Gyoen National Garden is a large park with an eminent garden in Shinjuku and Shibuya, Tokyo, Japan. It was originally a residence of the Naitō family in the Edo period. Afterwards, it became a garden under the management of the Imperial Household Agency of Japan. It is now a park under the jurisdiction of the national Ministry of the Environment.
The shogun bequeathed this land to Lord Naitō (daimyo) of Tsuruga in the Edo period who completed a garden here in 1772. After the Meiji Restoration the house and its grounds were converted into an experimental agricultural centre. It then because a botanical garden before becoming an imperial garden in 1879. The current configuration of the garden was completed in 1906. Most of the garden was destroyed by air raids in 1945, during the later stages of World War II. The garden was rebuilt after the war.
The jurisdiction over the Imperial Palace Outer Garden and the Kyoto imperial garden was transferred to the Ministry of Health and Welfare (now part of the Ministry of Health, Labour and Welfare) in 1947.
On May 21, 1949 the garden became open to the public as "National Park Shinjuku Imperial Gardens". It came under the jurisdiction of the Ministry of the Environment in January 2001 with the official name "Shinjuku Gyoen National Garden".
[Outkhast] - Hater blockerz shades At Cakeday
🔥: maps.secondlife.com/secondlife/CAKEDAY/114/54/27
[Outkhast] - Cracus Crossbody bag At Cakeday
🔥: maps.secondlife.com/secondlife/CAKEDAY/114/54/27
[Hill] - Plated Sushi Rolls at Mainstore
A view back after my evening trip across the River Dart to explore Kingswear at dusk.
The tug that pulls it gently burbling away.
Last ferry at 10.45, so this could be its penultimate crossing at 10.15. A lovely if cool evening, but the ferrymen who take your fare must be very hardy to do this in the winter.
Dartmouth Castle, guarding the entrance to the River Dart and its safe anchorages, floodlit in the distance.
This is the official crossing point for the South West Coast Path.
Adagio: would knock politely at amara's door. the gesture gentle and polite. she'd step back from teh door, her crystal clera voice chiming musically against the steel door. "Hello there darling, I brought you something." She'd smile gently taking a small piece of genger and rubbing it briefly on a few spots around her neck and behind her ears like a perfume.
Amara unshackled the handcuff binding her to the suitcase and opened the door. Immediately, she slanted her head to give the slender women a gentle welcoming kiss. "Long time no see, love. I brought a few things for you as well." Her eyes narrowed lightly at the scent of ginger on Adagio's neck, a light approving hum coming from her lips. "How have you been?"
Adagio: would give a soft smile to amara, a bright smile coming to her face feeling the lips against hers. she'd linger with the kiss for a few minutes just enjoying teh feeling, it had been too long."thank you very much darling, but the only thing you needed to bring was yourself." She'd smile gently giving a soft smile. "Well I've been good. been focusing les son my muscles and mor eon ballet and cardio. I won't be putting you thos egrueling weight routines unless you want to do that anymore. This also means fewer situps."
Amara chuckled at this, letting her arms settle around the other's hips. "I don't mind the sit-ups so much now. After the physicals the board put me through, those workouts were likely more beneficial than I realized." Her head motioned to the boxes. "Most of that stuff is for the Pack or the hospital, given what hasn't already been delivered. Various types of katanas, kunai, and other fine weaponry courtesy of the Japanese branch." As she spoke, she seemed to sway gingerly with a gentle smile on her face. "I missed you, Adagio."
Adagio: would smile a little bit giving a soft chuckle. "Well that's good to know, Im glad that the torture I put you through seems to have made a difference. We'll still do thos ethen, just not so many, Im trying to lose my ten pack actually. I spoke with temp, and well I realized that I looked prettier slim, than bulging. Especially since i prefer ballet rather than weights." She'd smile a little bit giving amara another soft kiss. "Oh you hav eno idea how much I misse dyou darling. in fact, i'd like to welcome you back properly if you're not against it?" she'd smile gently her bright sapphire eyes flicking to the bed.
Amara bit her lip at the suggestion, her hands clenching slightly on Adagio's belt. Every fiber of desire in her seemed to react with glee to Adagio's advance, but the hybrid had something else on her mind, something more important to her. "Umm before that," she'd step backwards, holding Adagio's hands in front of her. "I'd like to give you my vows first…since the opportunity was missed before I left." Amara raised the slender woman's hands, kissing both softly.
Adagio: would smile gently, her cheeks turning a deep shade of red. She'd smile gently a soft flutter rising up from her stomach at the statement. "Amara, i'd lovefor you to give me your vows. thank you."
Amara chuckled at the slow reddening flush of Adagio's cheeks, but took a few breaths to regain her composure. She just wanted to get through it all without crying. "I…It was a joy and a bit of gamble to ask you out back when we were coworkers. Relationships had always been a thing I shied away from…because of my own inner demons with what I was." She looked down a moment, her thumbs rubbing over Adagio's hands slowly. "Never had anyone showed me the kind of affection and love that you opened my heart to. It's allowed me to blossom as a person, as a lover, and as a caretaker." A slight crack in her voice was quickly put in check. She was not going to cry…not yet anyway.
Adagio: would sjust smile warmly, her thumbs slowly rolling over amara's fingers in her hand, the strong fingers feeling like they belonge din her grasp. her gaze would be kind and loving, the bright blue eyes filled with love and affection.
"I know I resisted heavily when you proposed to me, but it was only because I couldn't believe someone would see me in that manner. With all the oddities and uncertainties about me…" Amara admitted. No watery eyes yet, she'd glance over at the table where they had spoken often over tea and the occasional salad. "We have both spent a good portion of our lives in search of different things. Answers to internal questions and the like, but finding each other…that alone provided in a way answers to questions we'd never realized we had. Could I trust this person? Can I love this person? I never used to think of such things."
Adagio: would just smile softly, a few tears coming gently toher eyes, carrying the sweet biting scent of fresh ginger with them. She'd be smiling though, happier than any other time in her life, for once absolutely speechless at the devotion amara was showing to her.
Amara leaned forward, lightly kissing a few of the tears on Adagio's cheek as they streamed down. The fact Adagio was more emotional seemed to calm her down. "I vow to treasure you, this intelligent, glorious woman called Adagio with a uniquely logical mind. I vow to be honest, to not keep secrets. To be a valuable support beam when life's weight becomes too much." Her words were more of a whisper, loud enough just to pierce Adagio's ears. "I vow not to sneak fried foods into your dinner." she joked. "Most importantly, I give my heart, my mind, and soul purely and solely to you, my wife."
Adagio: would just smile broadly, her eyes shining brightly with tears leaking out gently and slowly. she'd smile and try wrapping her arms around amara to pull her towards her in a passionate kiss. All of her soul would be given to the woman in that one action. every fiber of her being carefully transferred to her in that one passionate act.
Amara made a muffled moan as her lips were claimed by the taller woman. With her hands now free, she slid them over Adagio's shoulders and around her neck, her right hand resting comfortably on Adagio's cheek. In between breaths, she'd whisper a soft "love you" as the kiss was extended. Her tongue easily invaded the depths of Adagio's mouth, the taste of spearmint still dancing on her lips. As far as the hybrid was concerned they could stay in this position for the rest of eternity and she'd be thrilled.
Adagio: would just smile gently to amara with the kiss. she'd gently caress the other woman's tongue. She'd just deepen the kiss, the taste of spearmint on her lips intoxicating her, she'd hungrily kiss the lips, as if she were trying to move that delicate sharp flavor from Amara's mouth into her own. She'd just smile gently breakin the kiss for a second. "This is what i've been missing amara, thank you."
Amara only smiled. "Sorry it took so long, Adagio." She playfully nipped at Adagio's lips as she tried to latch on to Amara's lips hungrily. She was feeling rather playful after finally getting those long held words off her chest. Her eyes moved to glance at the black engagement ring still on her finger. The symbolism behind meant to Amara than just a mere sign she was engaged; someone had accepted her as a person. Not a thing, a creature, or a lab rat, but an actual person. "Mmm…that reminds me. I was given the files on the memories the company removed from my mind. I…I actually know what my name is now."
Adagio: would smile gently to her looking at her from a bief distance, just madly in love with her right now. "Oh and what is it darling? I'd like to know what you learned. If it mean you know yourself better then I want to know it too." She'd smile lovingly planting another shorter kiss on her lips, the gesture kind and playful.
" My parents were Marion and Ashley Dubois." Amara said proudly. "And their only daughter was Amara Micheline Dubois. It seems I have a French background I was not aware of." Her gaze followed the longing stare she received in return. She was becoming emotional now, a few stray tears leaving her eyes. She had been overjoyed just to know she had a surname, but now there was an entire history waiting to be rediscovered. "So…" she asked between planting light kisses. " Will it be Mrs. And Mrs. Anselm or Mrs. And Mrs. Dubois?"
When I detrained from the Coast Starlight at Seattle once upon a timetable, this business car was on spot at King Street Station. Since Amtrak 14 had been early, I figured I had time to grab a photo before my ride arrived.
The "Columbia River" had a rather colorful history. It was built as a shell in 1958 for Soo Line. They finished the interior of the car and named it "Minneapolis." Great Northern purchased the car in 1966 as their "A2." In 1971, Burlington Northern named the car "Columbia River." It soldiers on today as BNSF 2, still carrying the "Columbia River" name.
Copyright © All rights reserved Peter Vahlersvik! Please do not use this image on websites, blogs or any other media in any way without my explicit written
Today is the first official day of #winter I think me have had enough already. This is my son clearing the front deck this morning.
85 Likes on Instagram
12 Comments on Instagram:
gregweir: scRy = scary. :)
pamrumer: That sounds familiar too Greg. @gregweir I remember a few years like@that. Fortunately, not too many.
yogaarmy: Oh yeah don't know how ppl do it... not me lol @gregweir
joanstewart1: @gregweir @pamrumer @yogaarmy Whilst you enjoy snow, we will have hot and humid. No matter where you are, have fun, stay safe and have a ***Merry Christmas***
tulaysonder: Omg
eliotpearson: wow, that's a lot of snow. enjoy.
maximilianomezacruz: uff this is a hard work :(
marendataylor: And this awesome photo sums up why I live in California
Film: Ilford Pan F Plus 50 @ 50 ISO | Develop: Rodinal - 70 min (semi-stand) | Scan: Plustek OpticFilm 8200i
LEGGE 5 gennaio 1994, n. 36
Disposizioni in materia di risorse idriche. (GU n.14 del 19-1-1994 – Suppl. Ordinario n. 11 ) note:
Entrata in vigore della legge: 3-2-1994
La Camera dei deputati ed il Senato della Repubblica hanno approvato;
IL PRESIDENTE DELLA REPUBBLICA
PROMULGA la seguente legge:
Art. 2 Usi delle acque
2. Con decreto emanato, entro sei mesi dalla data di entrata in vigore della presente legge, dal Ministro dell’ambiente, di concerto con il Ministro dei lavori pubblici, ai sensi dell’articolo 17, comma 3, della legge 23 agosto 1988, n. 400, è adottato il regolamento per la disciplina delle modificazioni artificiali della fase atmosferica del ciclo naturale dell’acqua.
Santa Maria sopra Minerva is one of the major churches of the Order of Preachers (also known as the Dominicans) in Rome, Italy. The church's name derives from the fact that the first Christian church structure on the site was built directly over (Italian: sopra) the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva (possibly due to interpretatio romana).
The church is located in Piazza della Minerva one block east the Pantheon in the Pigna rione of Rome within the ancient district known as the Campus Martius. The present church and disposition of surrounding structures is visible in a detail from the Nolli Map of 1748.
While many other medieval churches in Rome have been given Baroque makeovers that cover Gothic structures, the Minerva is the only extant example of original Gothic architecture church building in Rome. Behind a restrained Renaissance style façade the Gothic interior features arched vaulting that was painted blue with gilded stars and trimmed with brilliant red ribbing in a 19th-century Neo-Gothic restoration.
The church and adjoining convent served at various times throughout its history as the Dominican Order's headquarters. Today the headquarters have been re-established in their original location at the Roman convent of Santa Sabina. The titulus of Sanctae Mariae supra Minervam was conferred upon Cardinal António Marto, on 28 June 2018.
In Roman times there were three temples in what is now the area surrounding the basilica and former convent buildings: the Minervium, built by Gnaeus Pompey in honour of the goddess Minerva about 50 BC, referred to as Delubrum Minervae; the Iseum dedicated to Isis, and the Serapeum dedicated to Serapis. Details of the temple to Minerva are not known but recent investigations indicate that a small round Minervium once stood a little further to the east on the Piazza of the Collegio Romano. In 1665 an Egyptian obelisk was found, buried in the garden of the Dominican cloister adjacent to the church. Several other small obelisks were found at different times near the church, known as the Obelisci Isei Campensis, which were probably brought to Rome during the 1st century and grouped in pairs, with others, at the entrances of the temple of Isis. There are other Roman survivals in the crypt.
The ruined temple is likely to have lasted until the reign of Pope Zachary (741-752), who finally Christianized the site, offering it to Basilian nuns from Constantinople who maintained an oratorium there dedicated to the "Virgin of Minervum". The structure he commissioned has disappeared.
In 1255 Pope Alexander IV established a community of converted women on the site. A decade later this community was transferred to the Roman Church of San Pancrazio thereby allowing the Dominicans to establish a convent of friars and a studium conventuale there. The Friars were on site beginning in 1266 but took official possession of the Church in 1275. Aldobrandino Cavalcanti (1279), vicarius Urbis or vicar for Pope Gregory X, and an associate of Thomas Aquinas ratified the donation of Santa Maria sopra Minerva to the Dominicans of Santa Sabina by the sisters of S. Maria in Campo Marzio. The ensemble of buildings that formed around the church and convent came to be known as the insula sapientae or insula dominicana (island of wisdom or Dominican island).
The Dominicans began building the present Gothic church in 1280 modelling it on their church in Florence Santa Maria Novella. Architectural plans were probably drawn up during the pontificate of Nicholas III by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi. With the help of funds contributed by Boniface VIII and the faithful the side aisles were completed in the 14th century.
In 1453 church interior construction was finally completed when Cardinal Juan Torquemada ordered that the main nave be covered by a vault that reduced the overall projected height of the church. In the same year of 1453 Count Francesco Orsini sponsored the construction of the façade at his own expense. However work on the façade remained incomplete until 1725 when it was finally finished by order of Pope Benedict XIII.
In 1431, the Church and the adjacent Convent of the Dominicans was the site of a Papal conclave. The city of Rome was in an uproar upon the death of Pope Martin V (Colonna), whose family had dominated Roman political life for fifteen years, and enriched themselves on the wealth of the Church. There was fighting in the streets on a daily basis, and the Plaza in front of the Minerva, because of the configuration of streets, houses, church and monastery, could easily be fortified and defended. The Sacristy of the Church served as the meeting hall for the fourteen cardinals (out of nineteen) who attended the Conclave, which began on 1 March 1431. The dormitory of the friars in the Convent to the immediate north of the Church, served as the living quarters for the cardinals and their refectory and kitchen. On 3 March they elected Cardinal Gabriele Condulmaro, who took the name Eugenius IV. A second Conclave was held at the Minerva, on 4–6 March 1447, following the death of Pope Eugenius, once again in the midst of disturbances involving the Orsini supporters of Pope Eugenius and his enemies the Colonna. Eighteen cardinals (out of a total of twenty-six) were present and elected Cardinal Tommaso Parentucelli da Sarzana as Pope Nicholas V.
The Minerva has been a titular church since 1557, and a minor basilica since 1566. The church's first titular cardinal was Michele Ghislieri who became Pope Pius V in 1566. He raised the church to the level of minor basilica in that same year.
In the 16th century Giuliano da Sangallo made changes in the choir area, and in 1600 Carlo Maderno enlarged the apse, added Baroque decorations and created the present façade with its pilastered tripartite division in Renaissance style. Marks on this façade dating back to the 16th and 17th centuries indicate various flood levels of the Tiber 65 feet.
Between 1848 and 1855 Girolamo Bianchedi directed an important program of restoration when most of the Baroque additions were removed and the blank walls were covered with neo-gothic frescos giving the interior the Neo-Gothic appearance that it has today.
The basilica's stained glass windows are mostly from the 19th century. In 1909, the great organ was constructed by the firm of Carlo Vegezzi Bossi. The organ was restored in 1999.
The inscriptions found in S. Maria sopra Minerva have been collected and published by Vincenzo Forcella.
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Winter sunrise colour at the Sydney Opera House. I love this building, I will never get tired of shooting it. :)
Nikon D810 & Nikkor 14-24mm, NiSi 6 stop filter. PP in PS CC using Nik Software and luminosity masks.
Airbus A380-861
MSN 083
A6-EDR 'EXPO 2020 DUBAI, UAE - OFFICIAL PREMIER PARTNER' decal
الإمارات
Emirates Airline
UAE EK
Copyright © 2018 A380spotter. All rights reserved.
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issuu.com/style_kingdom/docs/sk-vol6-march2014-boho So very happy and excited to share my first time as an official Style Kingdom Model Photo by Pam Astonia www.flickr.com/photos/35985753@N00/
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Nayra31 Collas
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Filomena Quinnell
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Bouncer Criss
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PassionCrow
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