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July 2019's theme was END.
Thanks so much to Nicework and WeWork The Link for helping us put it all together!
Thanks so much to Kubili Media House for the photos!
“The secret about ‘the end’ is that it actually contains countless possibilities.”
Our Rio de Janeiro chapter chose this month’s exploration of End and Isadora Zeferino illustrated the theme.
Here's a little bit more about our speaker -
Roberto Pombo is a Johannesburg based theatre-maker, educator and performer. He graduated with an Honours degree in Dramatic Arts from WITS University in 2008 and went on to complete a three year intensive training at the acclaimed Helikos International School of Theatre Creation.
Some of his performance credits include Robin Orlin’s Dressed to Kill, Kill to Dress; Jerome Bel's Shirtology; Jemma Kahn's We Didn't Come To Hell For The Croissants; The Play That Goes Wrong, directed by Alan Committie; and Sam Shepard’s Curse of the Starving Class, directed by Sylvaine Strike. He also plays with Anthea Moys on his off days.
Robaby Productions, his theatre company which was created in 2015 with his collaborators Joni Barnard and Toni Morkel, have produced the award winning Father, Father. Father!, which was invited to perform at the Amsterdam Fringe Festival in 2016, and the cult-hit KidCasino!, which has been touring since 2017. Roberto’s passion for theatre is strongly routed in the world of the clown, bouffon and the grotesque.
He recently completed his Masters dissertation in theatre through Wits University and went on to attend a three month pedagogic training at Helikos under the direction of world-renown theatre master, Giovanni Fusetti.
#creativemornings #jhb_cm #cmend
July 2019's theme was END.
Thanks so much to Nicework and WeWork The Link for helping us put it all together!
Thanks so much to Kubili Media House for the photos!
“The secret about ‘the end’ is that it actually contains countless possibilities.”
Our Rio de Janeiro chapter chose this month’s exploration of End and Isadora Zeferino illustrated the theme.
Here's a little bit more about our speaker -
Roberto Pombo is a Johannesburg based theatre-maker, educator and performer. He graduated with an Honours degree in Dramatic Arts from WITS University in 2008 and went on to complete a three year intensive training at the acclaimed Helikos International School of Theatre Creation.
Some of his performance credits include Robin Orlin’s Dressed to Kill, Kill to Dress; Jerome Bel's Shirtology; Jemma Kahn's We Didn't Come To Hell For The Croissants; The Play That Goes Wrong, directed by Alan Committie; and Sam Shepard’s Curse of the Starving Class, directed by Sylvaine Strike. He also plays with Anthea Moys on his off days.
Robaby Productions, his theatre company which was created in 2015 with his collaborators Joni Barnard and Toni Morkel, have produced the award winning Father, Father. Father!, which was invited to perform at the Amsterdam Fringe Festival in 2016, and the cult-hit KidCasino!, which has been touring since 2017. Roberto’s passion for theatre is strongly routed in the world of the clown, bouffon and the grotesque.
He recently completed his Masters dissertation in theatre through Wits University and went on to attend a three month pedagogic training at Helikos under the direction of world-renown theatre master, Giovanni Fusetti.
#creativemornings #jhb_cm #cmend
July 2019's theme was END.
Thanks so much to Nicework and WeWork The Link for helping us put it all together!
Thanks so much to Kubili Media House for the photos!
“The secret about ‘the end’ is that it actually contains countless possibilities.”
Our Rio de Janeiro chapter chose this month’s exploration of End and Isadora Zeferino illustrated the theme.
Here's a little bit more about our speaker -
Roberto Pombo is a Johannesburg based theatre-maker, educator and performer. He graduated with an Honours degree in Dramatic Arts from WITS University in 2008 and went on to complete a three year intensive training at the acclaimed Helikos International School of Theatre Creation.
Some of his performance credits include Robin Orlin’s Dressed to Kill, Kill to Dress; Jerome Bel's Shirtology; Jemma Kahn's We Didn't Come To Hell For The Croissants; The Play That Goes Wrong, directed by Alan Committie; and Sam Shepard’s Curse of the Starving Class, directed by Sylvaine Strike. He also plays with Anthea Moys on his off days.
Robaby Productions, his theatre company which was created in 2015 with his collaborators Joni Barnard and Toni Morkel, have produced the award winning Father, Father. Father!, which was invited to perform at the Amsterdam Fringe Festival in 2016, and the cult-hit KidCasino!, which has been touring since 2017. Roberto’s passion for theatre is strongly routed in the world of the clown, bouffon and the grotesque.
He recently completed his Masters dissertation in theatre through Wits University and went on to attend a three month pedagogic training at Helikos under the direction of world-renown theatre master, Giovanni Fusetti.
#creativemornings #jhb_cm #cmend
The idol is a very important aspect of the Temple. This icon embodies
the presence and profile of the residing Deity. The materials used vary
from stone, metal, wood and mud etc.
Indian Shilpa Shastras have three main styles, and are the Naagara,
Draavida and Vesara. The Naagara is prevalent in the regions between
Himalayas and the Vindhyas, the Draavida between the Krishna River and
Kanyakumari and the Vesara is ubiquitous in the areas amid Vindhyas and
Krishna.
This is my first attempt at No-flash long exposure night photography - SOOC.
It was the last shot of the night and it was already quite dark. Yup, you've guessed it - another sunset from my favourite spot. Every time is different though - no 2 sunsets are the same. Last night, Eleanore and I stayed a little bit longer than I normally do. What was also amazing was how yellow the sunset started out when we left my house - hardly a golden glow. It quickly turned to solid, rich gold, then to a beautiful, strong amber and finally a glorious, hot pink.
This shot is not quite as crisp and clear as I would've liked it because of the fires we're having in the Cape. Still, I think it's pretty good for a first attempt - I even got some lightstreams from the passing cars on the highway in the foreground and some starry lights (what do you call those things, Dave?) from the sports ground!
I left this one uncropped so you can share in the view that I see when I stand there on that hill.
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