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BSORI2022Contest - Entry 1 -
He carries me through times or darkness.
He lives to silence all my fears and wipe away all my tears.
He makes me feel at peace in heart and calms my troubled mind.
He lifts me up when I am feeling down, gives me hope and inspires me.
He listens, understands my past and believes in my future path.
He walked into my life and accepted me the way I am.
He is my earthly Angel with a beautiful mind.
You are min Engel mine.
Visit the group ☪B sori : Narrative Contest
❤💕❤❤💕❤ My dear Beautiful friends here, in advance I want to thank you all for your always kindness and support, I appreciate you all immensely. Please Know that I am grateful for each one of you for taking the time to look at my pictures and for all of your kind compliments and comments. You all mean a lot to me, and you make Flickr a lovely place to be and to share pictures.
I am not very active here on Flickr these days, and hope you all can forgive me for not being here as much as I used to. I have also closed my groups as for now until I have more time to spend here. I will however post a picture in-between. Huge hugs, much love, light and peace to you all my dear friends here ❤💕❤❤💕❤
Narrative. Narrative! NARRATIVE!
I went for a walk in nature recently and came across a man shouting Narrative! Narrative! Narrative!
I enquired as to what was distressing him so.
His dog had run away from him and wouldn't come back.
I enquired why he was shouting "Narrative!". It turned out that was the name of his dog.
I pointed out that he had lost control of his own narrative...
He seemed less than pleased.
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Thank you for taking the time to view fave & possibly make a comment. Your view on my images & my narrative is always appreciated. Thank you. Happy Days Happy Ways Happy Easter Monday to one & all 🙏
The ironic narrative is the 'No bicycles on sidewalk' street signs, yet there is a bicycle prominently displayed in the bakery window.
Every photo deserves the question, why did the photographer take this picture? I was attracted by the wash of lighting across this street corner. Now up on the screen I appreciate the structure better.
When I begun to process this exposure bracketing, I thought that I knew what I wanted to attain. I was perfectly wrong. Indeed, these RAW files kept a few secret bits of beauty which I was not aware of when I selected them for processing – and they changed the course of the journey I had foreordained.
I was in a gloomy mood, for both personal and general concerns, and the RAWs looked rather duller than the average – taken: they appeared to accurately mirror the state of my soul. At worst, I would have wasted some hours of pointless procesing work before deciding to look for something better. Nobody would have known. However things were to contradict my expectations. I got some good news (a rarity in those tough days) about the health conditions of my brother and my “adopted brother-in-law” (i.e. my brother’s brother-in-law); on the other hand, Darktable – that wonderful software – gifted me with a few unanticipated treasures. My thoughts were growing more and more positive and the processing of this bracketing were proceeding accordingly: a hidden beauty was unfolding before me, my own persisting unawareness of it notwithstanding. At last I found myself with a picture that had apparently self-processed itself*, while I was busy exploring uncharted thoughts that kept emerging along the way
* Admittedly a bizarre phenomenon, which Maurits Cornelius Escher would have loved – think of his Drawing hands.
I would avoid to nag you about this incredibly wonderful location: you can take a look at my album Silent banks, the complete collection of the photos I have taken there; the attached narratives are rich in information about the place, if you are curious enough.
This location is especially renowned for its legendary morning mists, but only a thin layer of milky mist floated above the water that morning. On top of the hill in the distance, beyond the river, lays the sanctuary of the Madonna della Rocca ( = Madonna of the Rock), already brushed by the first light pouring from the Eastern horizon.
I have obtained this picture by blending an exposure bracketing [-1.7/0/+1.7 EV] by luminosity masks in the Gimp (EXIF data, as usual, refer to the "normal exposure" shot), then, as usual, I added some final touches with Nik Color Efex Pro 4.
I tried the inverted RGB blue channel technique described by Boris Hajdukovic as a possible final contribution to the processing. While this technique (which, its imposing name notwithstanding, is pretty simple to implement) often holds interesting results in full daylight landscapes, its effects on a low-light capture (e.g. a sunrise) are utterly unpredictable, so at the end of my workflow I often give it a try to ascertain its possibilities. In this picture I have exploited this technique in a very frugal, yet effective, way – just some touches where needed.
RAW files has been processed with Darktable. Denoising with DFine 2 and the Gimp (denoised and original images blended by lightness).
The assignment that I am working on is narrative. Please let me know what you think. I have looked at it for so long now that my brain is totally frazzled and I feel totally incapable of coherent thoughts.
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A created thing is never invented and it is never true: it is always and ever itself.
Federico Fellini
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Ian Potter Gallery staircase
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Press L to view in Lightbox
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NO GIFS AND ANIMATED ICONS, PLEASE!
Leading Narratives.
Мыслители имеет значение, естественные элементы изменения предполагают различение качеств вопреки холодности одновременное применение аргументов,
qualités intermédiaires affirmations rien éléments indifférents survie transformable perceptions essentielles disparition corps,
αμοιβαία ταχύτητα μεταξύ στοιχείων σαφείς αδυναμίες συνημμένες διαφθορές κινήσεις ύπαρξη μελετώντας διαδικασίες υποθέσεις περιόδους,
کھاتوں کی تعریفیں بیان کرنا جو طاقتور وجوہات کو تبدیل کرتے ہوئے دور دراز تناسب کو منتقل کرتی ہیں۔,
urmând ipoteze răspunsuri formale agresori termeni transpunerea explicațiilor regurgitației afirmațiile demonstrației care dovedesc naturi existențiale,
percontando superbos species fortunarum definitiones detectiones rationes constituendas disputationibus dialecticis implicantes metaphoras excerptas nexuum divisiones,
違法な物質を配置する要素連続シリーズ用語がない開始点カテゴリ回転するもの凝縮が隣接する心臓に接触する芸術を説明するアートを説明する.
Steve.D.Hammond.
I think I got the Ansco Color Clipper about ten years ago. I haven't "seriously" shot with it in a few years, but I brought it along with me this past weekend.
I'll probably shoot more with it this season. I'm not really sure of its purpose just yet, but I'll find one. Or I won't, and that's fine too.
This was taken in the early morning inside Yakima Canyon. I also shot a similar scene with the RB67, but it didn't work out so well.
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'Existing Narrative'
Camera: Ansco Color Clipper
Film: Vericolor III; x-04/1996
Process: DIY ECN-2
Washington
April 2024
I photographed this street vendor January 7th 2016. I was amused at the variety of pop culture now 'vintage'.. oddly Davie Bowie died 2 days later.. it is poignant and culturally interesting that he was 'vintage' while still alive.. I found this particularly fascinating given the random, component elements unwittingly arranged in the bins
This was one of the images I was taking during a recent shoot on Georgian Bay Islands National Park, being captured by the camera on the left in yesterday’s behind-the-scenes selfie.
It’s funny, I carefully set up this shot and spent a while in post to get it into this shape, but I like the behind-the-scenes image more! The selfie has a narrative, which can be an unbelievably strong component in a successful image. A deep understanding what makes a great image is one of the core points of discussion in my upcoming “Vision Beyond Seeing” talk on September 10th in Windsor, Ontario. For only $40, you get a full day of photo knowledge and inspiration! Register here:
The reason why I enjoy the night sky is because the camera can capture it in ways that I can only imagine. Photography then becomes a tool to see the world differently, and the process of creating the images is as enjoyable as the end result. As a person constantly seeking the next creative idea, I’m always pushing beyond what I can see with my own eyes. Star trails and astrophotography fit firmly into the realm of “the unseen world”!
This image was a fun “test” of sorts. I was test-driving the Canon 5DS R and the Canon 11-24mm F/4L. Being impressed with the field of view of the 11-24, I found it somewhat difficult to use in architecture because the stretched proportions of objects at the edges of the frame didn’t look completely “real” to me, all for the goal of completely straight lines. It seems to handle the night sky well enough, but the F/4 aperture becomes problematic. Pushing the ISO to 6400, the 5DS R starts to let me down. I used a variety of techniques to clean up the image, including shooting a “dark frame” (lens cap on) after the sequence to help cancel out some of the noise in addition to traditional noise reduction techniques, but I’m still not terribly satisfied. The image is great when I scale it down, but at 50MP it falters a little. This is a rolling target, however – the successor of this camera will likely perform better with the same optics, but with many ultra-wide-angle options available at F/2.8, I’m left with the feeling that I won’t necessarily be buying either of these pieces of gear. They sure were fun to play with, though. :)
For more insights into my understanding of camera gear, light, physics, psychology, human perception and of course creativity, you should really attend the September 10th seminar Vision Beyond Seeing. I promise you it’ll be worth your time.