View allAll Photos Tagged modelpose
Inna en clair obscur
By Binya Photographe (c)
You can buy my pictures on:
stock.adobe.com/fr/contributor/207319508/benjamin?load_ty...
www.shutterstock.com/fr/g/binya
Come on FB and like my page: www.facebook.com/Binya.Photography/
ONE-Creations / ONE BodyLanguage created a new Serie of static poses.
They script modifiable with position/rotation.
The pose stand itself comes with show/hide options
All poses 100 % original.
Demos are available at main store:
ONE-Creations/ ONE BodyLAnguage
Try them out and have fun.
Marketplace
From a recent shoot for The Habit and SexZ Temptations
Hello,
Thanks for your interest! You can see more of my work on my PurplePort portfolio:
purpleport.com/portfolio/randiscott/
Kind regards,
Randi
Meet Sheryl... a woman that can portray endless emotions... innocent, young, sexy, naughty among other things... :)
Can she break your heart? ^_^
Thank you very much Sheryl for the great performance on the shoot... very extra ordinary talents such as yours will go places... keep up the good work. It's been a pleasure to work with you. You're very serious yet funny and lighthearted in your craft and I'm very impressed. :)
My very special thank you the General Manager of AMS Turbo (Service+Tuning): Dennis T. Sebastian. Denz, super thanks to you for giving us the opportunity to make this dream concept a reality. For helping us a lot and for your very warm hospitality. And above all, for the friendship that was borne with it. We are all so lucky to know you. You share the same passion to help that we have. You are one chosen few. Thank you thank you. And thank you very much also to your business partner/friend BASH... one great guy to know. Super cool. Hahaha. :)
Special thank you also goes to all your staffs in the shop. Very helpful, friendly, and customer-oriented.
To Jonah, super thank you... without you, this wouldn't be a great experience. You're SUPER!!! Kindly send my special thank you to your assistant also. :)
To Rhoel, super thank you for all the help. You never stop supporting and believing in me. :)
To my super friends/fellow photographers: Mitch & Ches, guys... you're simply the BEST!!! You knew what I meant... more fun, love, and amazing experiences ahead to all of us. Cheers and congratulations!!!
A very special thank you also to Shin Karami of Arya Persian Restaurant for providing us his Mustang Car for the shoot. It's an honor to meet you Shin. You're one cool guy. Let's do another one very very soon.
These photos are the initial shots for the group album. More to be added here soon.
Credits:
Model: Sheryl Guevara
Makeup & Hairstyle: Jonah Samillano
Location: AMS Turbo
No. 102 Shaw Blvd. Kapitolyo, Pasig City
Tel. Nos.: 747.2000 / 7473232
Mobile Nos.: +639178123141 / +639228283232
Email: amsturbo@yahoo.com
Special thanks to:
Arya Persian Restaurant
Unit L-9 Promenade Mall, Greenhills, San Juan, M.M.
Branch @ 2nd Level Midtown Robinsons Place Manila
For reservations and inquiries: 727.5062 / 994.4879
twowordshotmess.wordpress.com/2013/10/05/budget-chic-1/
An outfit made up of mostly freebies/dollarbies & cheapies [:
Shot with DIY Ringflash using Nikon SB 28 in front, Nikon SB 26 behind model and another sb 26 with umbrella bounced of ceiling to the left of model.
Location, Cherry Bar, ACDC Lane, Melbourne
WheelsAndHeelsMag.com 2013 Year-in-review of Top Model Poses and Expressions Wallpaper, including Holly Lee Lovely Rochelle Lilly Evans Lily Zenna Wang Brittani Paige Amy Ames Ellie Roxx
Working with Gels
Well my order from Rosco arrived and it was time to have some fun. Working with gels is something new to me. I’ve had the standard CTO gels laying around gathering dust and that’s about all they did. Then I saw some photos some really good shooters had produced and I just had to try my hand at it.
In my studio I mainly shoot on black or white seamless and occasionally on thunder grey. I wanted to see how the gels would do on each. I found that shooting on black produces a richer saturation and can produce a more textured appearance than on white - which can produce a more pastel effect. This is not to say gels on white can’t produce gorgeous rich colours as well. It’s all in developing a subtle touch.
The biggest problem I found in shooting in such a tiny studio is of course light hitting the model when you only want it to hit the background. Barn doors and bookends can help control that but you need a lot more space to set a system like that up. I tried every configuration I could think of and finally decided if I couldn’t control it - I would embrace it.
For the photos in this eZine I worked with Daisy - a fantastic and very professional model on a black background exclusively. She knows her poses and expressions and can totally own the stage. All I had to do was manage the lighting and click the shutter.
Toward the end of the shoot I switched over to lighting the model with gels. It’s a lot more finicky getting that right and the model has to stay more in one place. I used a bounce to kick light back from the orange gel lighting her while a single blue lit the background. It’s very hit or miss and if Daisy moved too close or far from the lights it would make a big exposure difference due to depth of flash.
I found filters on the orange side worked especially well but browns didn’t. Browns tended to look metallic and not so brown. I imagine they can look brown as expected but only if turned way down. Blue filters rock as does green but reds - nah. I have my favourites picked out :-)
So that’s my story and I’m sticking it.
~Randi Scott~
More here:
Inna & the red bricks
By Binya Photography
You can buy my pictures on:
stock.adobe.com/fr/contributor/207319508/benjamin?load_ty...
www.shutterstock.com/fr/g/binya
Come on FB and like my page: www.facebook.com/Binya.Photography/
Working with Gels
Well my order from Rosco arrived and it was time to have some fun. Working with gels is something new to me. I’ve had the standard CTO gels laying around gathering dust and that’s about all they did. Then I saw some photos some really good shooters had produced and I just had to try my hand at it.
In my studio I mainly shoot on black or white seamless and occasionally on thunder grey. I wanted to see how the gels would do on each. I found that shooting on black produces a richer saturation and can produce a more textured appearance than on white - which can produce a more pastel effect. This is not to say gels on white can’t produce gorgeous rich colours as well. It’s all in developing a subtle touch.
The biggest problem I found in shooting in such a tiny studio is of course light hitting the model when you only want it to hit the background. Barn doors and bookends can help control that but you need a lot more space to set a system like that up. I tried every configuration I could think of and finally decided if I couldn’t control it - I would embrace it.
For the photos in this eZine I worked with Daisy - a fantastic and very professional model on a black background exclusively. She knows her poses and expressions and can totally own the stage. All I had to do was manage the lighting and click the shutter.
Toward the end of the shoot I switched over to lighting the model with gels. It’s a lot more finicky getting that right and the model has to stay more in one place. I used a bounce to kick light back from the orange gel lighting her while a single blue lit the background. It’s very hit or miss and if Daisy moved too close or far from the lights it would make a big exposure difference due to depth of flash.
I found filters on the orange side worked especially well but browns didn’t. Browns tended to look metallic and not so brown. I imagine they can look brown as expected but only if turned way down. Blue filters rock as does green but reds - nah. I have my favourites picked out :-)
So that’s my story and I’m sticking it.
~Randi Scott~
More here:
Hey! After a long absence, I'm back with new updates, I hope you have missed me, lol.
It's a new week and a new month, and it's time for a new picture, this photo was taken this morning after I returned from training in the gym, it was a very productive day because you spend too much time on my exercise routine and I fun in the process.
In the picture I wanted to highlight the definition, aesthetic, and muscles of my upper body and my arms, and you can clearly see the progress each award recently I have with my work in the gym, my biceps are bigger and stronger , my triceps are more defined, my chest is more muscular, and my abs is more defined, I lowered my body fat percentage, my health is great and I feel very good about my appearance in general.
I've been concentrating on my studies, but also working hard and I've kept the motivation up because I want to be better every day and I want to achieve my personal goals and physical.
If you like please leave me your comments, messages and suggestions, all are welcome constructive criticism, remember that these photos do them with much love to you my friends and followers, so enjoy.
Follow me on my Social Networks:
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Tumblr: mrfitboy007.tumblr.com/
Even a next update.
Take Care.
Dicimebre Happy.
Blessings, Peace, Success, Good Health and Happy Week.
:)
Working with Gels
Well my order from Rosco arrived and it was time to have some fun. Working with gels is something new to me. I’ve had the standard CTO gels laying around gathering dust and that’s about all they did. Then I saw some photos some really good shooters had produced and I just had to try my hand at it.
In my studio I mainly shoot on black or white seamless and occasionally on thunder grey. I wanted to see how the gels would do on each. I found that shooting on black produces a richer saturation and can produce a more textured appearance than on white - which can produce a more pastel effect. This is not to say gels on white can’t produce gorgeous rich colours as well. It’s all in developing a subtle touch.
The biggest problem I found in shooting in such a tiny studio is of course light hitting the model when you only want it to hit the background. Barn doors and bookends can help control that but you need a lot more space to set a system like that up. I tried every configuration I could think of and finally decided if I couldn’t control it - I would embrace it.
For the photos in this eZine I worked with Daisy - a fantastic and very professional model on a black background exclusively. She knows her poses and expressions and can totally own the stage. All I had to do was manage the lighting and click the shutter.
Toward the end of the shoot I switched over to lighting the model with gels. It’s a lot more finicky getting that right and the model has to stay more in one place. I used a bounce to kick light back from the orange gel lighting her while a single blue lit the background. It’s very hit or miss and if Daisy moved too close or far from the lights it would make a big exposure difference due to depth of flash.
I found filters on the orange side worked especially well but browns didn’t. Browns tended to look metallic and not so brown. I imagine they can look brown as expected but only if turned way down. Blue filters rock as does green but reds - nah. I have my favourites picked out :-)
So that’s my story and I’m sticking it.
~Randi Scott~
More here:
Inna during an improvised photo session. No photoshop (except watermark, directly taken in JPG. No camera raw)
By Binya Photographe (c)
You can buy my pictures on:
stock.adobe.com/fr/contributor/207319508/benjamin?load_ty...
www.shutterstock.com/fr/g/binya
Come on FB and like my page: www.facebook.com/Binya.Photography/
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